In the "Star Trek" episode "The Enemy Within", Captain Kirk (William Shatner) beams up from the planet Alpha 177 covered in a mysterious magnetic dust. Unbeknownst to any of the Enterprise crew, the dust has fouled up the transporter and created a second Kirk inside its memory buffer. After Kirk leaves the room, the second Kirk materializes ... but displays an altered personality. It seems that Kirk has been bifurcated into a gentle version of himself and a cruel, aggressive version of himself. For much of "The Enemy Within," the Evil Kirk stalks around the halls of the U.S.S. Enterprise, startling the crew and accosting Yeoman Rand (Grace Lee Whitney). Gentle Kirk soon realizes that he needs his aggression back in order to be whole. Eventually, the two Kirks confront one another.
"Star Trek" had a modest budget back in the day, and it certainly didn't have the resources to...
"Star Trek" had a modest budget back in the day, and it certainly didn't have the resources to...
- 3/24/2024
- by Witney Seibold
- Slash Film
Director John Frankenheimer.
I'm often asked which, out of the over 600 interviews I've logged with Hollywood's finest, is my favorite. It's not a tough answer: John Frankenheimer.
We instantly clicked the day we met at his home in Benedict Canyon, and spent most of the afternoon talking in his den. A friendship of sorts developed over the years, with visits to his office for screenings of the old Kinescopes he directed for shows like "Playhouse 90" during his salad days in live television during the 1950s.
We hadn't spoken for nearly a year in mid-2002 when the phone rang. It was John, who spoke in what can only be described as a "stentorian bark," like a general. "Alex!" he exclaimed. "John Frankenheimer." He could sense something was amiss with me. It was. My screenwriting career had stalled. My marriage was progressing to divorce. I had hit bottom. John knew that...
I'm often asked which, out of the over 600 interviews I've logged with Hollywood's finest, is my favorite. It's not a tough answer: John Frankenheimer.
We instantly clicked the day we met at his home in Benedict Canyon, and spent most of the afternoon talking in his den. A friendship of sorts developed over the years, with visits to his office for screenings of the old Kinescopes he directed for shows like "Playhouse 90" during his salad days in live television during the 1950s.
We hadn't spoken for nearly a year in mid-2002 when the phone rang. It was John, who spoke in what can only be described as a "stentorian bark," like a general. "Alex!" he exclaimed. "John Frankenheimer." He could sense something was amiss with me. It was. My screenwriting career had stalled. My marriage was progressing to divorce. I had hit bottom. John knew that...
- 7/6/2015
- by The Hollywood Interview.com
- The Hollywood Interview
By Lee Pfeiffer
Twilight Time has released the 2005 restored version of Sam Peckinpah's Major Dundee as on Blu-ray, providing both the "improved" version of the film along with the controversial original cut. Peckinpah had won respect as a fine director of TV Westerns and his 1962 feature film, Ride the High Country, earned critical praise, particularly in Europe. Columbia hired Peckinpah to direct his first big budget film, Major Dundee, which top-lined two big stars: Charlton Heston and Richard Harris. As would prove to be the case throughout his career, Peckinpah's fiercely independent nature, combined with his propensity for snaring defeat from the jaws of victory, found him over his head on the production even before shooting started. Filmed in some inhospitable areas of Mexico, Peckinpah began shooting before the script was finalized (always a recipe for disaster). Midway through the film, Columbia was going to fire him for going...
Twilight Time has released the 2005 restored version of Sam Peckinpah's Major Dundee as on Blu-ray, providing both the "improved" version of the film along with the controversial original cut. Peckinpah had won respect as a fine director of TV Westerns and his 1962 feature film, Ride the High Country, earned critical praise, particularly in Europe. Columbia hired Peckinpah to direct his first big budget film, Major Dundee, which top-lined two big stars: Charlton Heston and Richard Harris. As would prove to be the case throughout his career, Peckinpah's fiercely independent nature, combined with his propensity for snaring defeat from the jaws of victory, found him over his head on the production even before shooting started. Filmed in some inhospitable areas of Mexico, Peckinpah began shooting before the script was finalized (always a recipe for disaster). Midway through the film, Columbia was going to fire him for going...
- 8/19/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
CBS has teamed with David Mamet to direct/executive produce a TV pilot, rebooting the network's 1957 western TV series "Have Gun – Will Travel", retooled with more sex and violence, similar to "Deadwood".
The original series, created by Sam Rolfe and Herb Meadow, aired on CBS, 1957-1963, including episodes written by Gene Roddenberry and directed by Sam Peckinpah, following 'Paladin', a gentleman gunfighter who preferred to settle problems without violence.
He lived in the 'Hotel Carlton' in San Francisco, where he dressed in formal attire, ate gourmet food and attended the opera. When 'working', he dressed in black, carried a derringer under his belt, used calling cards with a chess knight emblem and wore a black gunbelt with the same chess knight symbol in platinum attached to the holster.
He was a former Army officer and a graduate of the United States Military Academy at West Point, capable of speaking any foreign language.
The original series, created by Sam Rolfe and Herb Meadow, aired on CBS, 1957-1963, including episodes written by Gene Roddenberry and directed by Sam Peckinpah, following 'Paladin', a gentleman gunfighter who preferred to settle problems without violence.
He lived in the 'Hotel Carlton' in San Francisco, where he dressed in formal attire, ate gourmet food and attended the opera. When 'working', he dressed in black, carried a derringer under his belt, used calling cards with a chess knight emblem and wore a black gunbelt with the same chess knight symbol in platinum attached to the holster.
He was a former Army officer and a graduate of the United States Military Academy at West Point, capable of speaking any foreign language.
- 8/24/2012
- by M. Stevens
- SneakPeek
For half a century, the FBI director waged war on homosexuals, black people and communists. Now, a controversial film by Clint Eastwood is set to reveal some of the explosive truth about him. Here, his biographer Anthony Summers tells all
J Edgar Hoover was a phenomenon. The first Director of the FBI, he remained in office for 48 years, from his appointment after the First World War to his death in 1972, achieving fame and extraordinary power. For public consumption when he died, President Richard Nixon eulogised him as: "One of the giants… a national symbol of courage, patriotism and granite-like honesty and integrity." He ordered flags to fly at half-mast and that Hoover's body lie in state in the Capitol.
In private, on hearing that he had died, Nixon had responded merely: "Jesus Christ! That old cocksucker!" Months earlier, closeted with key advisers, he had held forth on the need to...
J Edgar Hoover was a phenomenon. The first Director of the FBI, he remained in office for 48 years, from his appointment after the First World War to his death in 1972, achieving fame and extraordinary power. For public consumption when he died, President Richard Nixon eulogised him as: "One of the giants… a national symbol of courage, patriotism and granite-like honesty and integrity." He ordered flags to fly at half-mast and that Hoover's body lie in state in the Capitol.
In private, on hearing that he had died, Nixon had responded merely: "Jesus Christ! That old cocksucker!" Months earlier, closeted with key advisers, he had held forth on the need to...
- 1/3/2012
- The Guardian - Film News
One of our favorite mantras around the AfterElton offices is “because visibility matters.” Indeed, the idea that gay and bisexual men need to be visible, both to ourselves and to the wider culture, is one of the principle reasons AfterElton.com even exists. After all, it is only by being visible to family, friends and the world that we’ve been able to overcome the stereotypes and bigotry used to justify discrimination against the Glbt community.
That quest for visibility explains why we have done so many polls including the AfterElton Hot 100, the Fifty Greatest Gay Movies, the Top 50 Gay TV Characters, and the 50 Best Gay Books. After all, it’s not as if Entertainment Weekly is going to ask gay and bisexual men which guys we think are the hottest, which movies mean the most to us or, in the case of our latest poll, which celebrities we most admire.
That quest for visibility explains why we have done so many polls including the AfterElton Hot 100, the Fifty Greatest Gay Movies, the Top 50 Gay TV Characters, and the 50 Best Gay Books. After all, it’s not as if Entertainment Weekly is going to ask gay and bisexual men which guys we think are the hottest, which movies mean the most to us or, in the case of our latest poll, which celebrities we most admire.
- 3/14/2011
- by AfterElton.com Staff
- The Backlot
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