Oh, Uncle! (1909) Poster

(1909)

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6/10
Oh, Mr. Griffith!
boblipton30 September 2018
James Kirkwood sends word to nephew Billy Quirk that he will be visiting. Billy know that his uncle disapproves of women (save possibly for his own mother), so he and fiancee Mary Pickford agree that she will pose as his maid. They hope she will charm Kirkwood so that he won't object to her marrying his heir. Miss Pickford, however, is so charming that the old man takes a lively interest in her in this sprightly D.W. Griffith comedy.

That's what I can glean from the five minutes of shots and the plot synopsis at the Library of Congress' National Screening Room site. Unfortunately, what they posted (drawn from the Library's Paper Print collection) seems to be unedited footage from the movie, including a lot where Kirkwood ruins the take by breaking up at Quirk's antics and asides. Miss Pickford seems to be having a good time too, once the scene is blown.

This is not the only film that survives in this condition. Movies could not be copyrighted at this time (which is why so many scenes are decorated with the Biograph 'AB', to establish a trademark). Biograph, while they sent paper prints of their films to the Library (which were nominally books, and so could be protected), seems to have sent them in batches. Some of the films, which had been shot but not edited, wound up preserved in this manner.

It was better than what Vitagraph did. That company produced many innovative films in the era. However, they sent highlights, resulting in a few intriguing clips.
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4/10
Oh, Uncle! review
JoeytheBrit12 May 2020
A Griffith comedy that is impossible to follow due to the fact that the intertitles no longer exist. Billy Quirk, an early silent star, whose career and mental health declined not with the advent of sound but feature-length silent movies, plays a happily married man whose wife (a young Mary Pickford) must pretend to be a housemaid so that her husband won't be cut out of his marriage-hating uncle's will. At least everyone on screen seems to be having a great time.
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D.W. Griffith and Vivaldi
Single-Black-Male23 June 2004
If the moving image is a progression of the novel and the play, then the silent film is also a progression of classical music because it relies on incidental music in order to advance the story. This three minute offering has a score that is equivalent to Vivaldi's 'Four Seasons'. It doesn't explain the classical piece in visual terms, but merely creates a vocabulary for classical music to have dialogue with moving imagery. Incidental music should enhance the experience of the viewer, and in this short film you begin the origins of that process taking place. I'm sure that Prokofiev, Elgar, Shostokovich and Grieg must have watched this piece and wondered if their music would be enriched in the Nickelodeons.
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