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- Actor
- Director
- Producer
Born Sahabzade Irfan Ali Khan, in Jaipur, Rajasthan (NW India) January 7, 1967 to a Pashto-speaking Muslim family. Khan's mother, Begum Khan, was from the Tonk Hakim family and his father, Jagirdar Khan, from the Khajuriya village near the Tonk district, ran a tire business.
The Khan family name comes from Turkish and Mongol languages and mean "king" or great leader. Descendants of Genghis Khan (13th century) in central Asia adopted Islam and became the Moghuls, who conquered India for several centuries until British rule.
Irfan was a skilled cricket player. In his early 20's he was selected for the CK Nayudu Tournament (a stepping stone to First Class cricket). He did not turn up for the tournament owing to lack of funds and as a result he focused on acting.
In 1984 he earned a scholarship to the National School of Acting in New Delhi.
He was awarded the Padma Shri, India's fourth highest civilian honor for his contribution to the field of arts.
His portrayal of Paan Singh Tomar in the acclaimed biographical sports drama Paan Singh Tomar (2011) won him the National Film Award for Best Actor and a Filmfare Critics Award for Best Actor. His performance in the BAFTA Award nominated romance The Lunchbox (2013) earned him universal acclaim by the critics and audiences.
Globally, Khan was in The Warrior (2001), The Namesake (2006), The Darjeeling Limited (2007), the Academy Award-winning film Slumdog Millionaire (2008), New York, I Love You (2009), The Amazing Spider-Man (2012), Life of Pi (2012), Jurassic World (2015) and Inferno (2016). As of 2017, his films have grossed $3.643 billion at the worldwide box office. In 2018, Khan was diagnosed with a neuroendocrine tumor.
Khan got married to his wife Sutapa Sikdar, in 1995. She is a Hindu of the Brahmin caste. She is a movie producer, dialogue writer and screenwriter. Among her famous movies are Khamoshi: The Musical (Dialogue Writer, 1996), Supari (Dialogue Writer, 2003), Kahaani (Dialogue Writer, 2003), Madaari (Producer, 2016), Qarib Qarib Singlle (Producer, 2017)
They have two kids: Ayaan Khan, Babil Khan
Unlike most Indian film stars, Irrfan has been outspoken on religion. On Arnab Goswami's talk show, he took on Muslim fundamentalists, including India's Grand Imam. Irrfan Khan argued against "transactional religious interaction" and for "personal religious discovery"..."to discover yourself, to find God". Though he admits he is "not an authority" on the Koran and Islamic Holy scriptures he has bravely stood by his comments despite heavy criticism and even threats of violence. He's aware of the dangers that his frank comments pose to him and his family. His wife commented, "We are very proud of him."- Actress
- Producer
Persis Khambatta was born on October 2, 1948 in Bombay, India. When aged 16, as Femina Miss India, she entered Miss Universe 1965, dressed in off-the-rack clothes she bought at the last minute. Khambatta became a model for companies such as Revlon. Her biggest acting break was getting the role of Lieutenant Ilia, the bald Deltan alien in Star Trek: The Motion Picture (1979). This led to roles in Nighthawks (1981), Megaforce (1982) and Warrior of the Lost World (1983). She was considered for the title role in the James Bond film Octopussy (1983), but was passed over in favor of Maud Adams. Khambatta became the first citizen of India to present an Academy Award in 1980. She was nominated for the Saturn Award for Best Actress for her Star Trek role. Khambatta also made guest appearances in many popular American television series. In the early 1980s, she was seriously injured in a car crash in Germany and had to have heart bypass surgery.
A year before her death, she wrote and published a coffee table book titled "Pride of India" which featured former Miss Indias; it was dedicated to Mother Teresa, and part of the royalties went to the Missionaries of Charity. On August 17, 1998, Persis Khambatta was taken to the Marine Hospital in South Mumbai, complaining of chest pains. She died of a heart attack on August 18, 1998 at the age of 49; her funeral was held in Mumbai.- Writer
- Composer
- Director
Satyajit Ray was born in Calcutta on May 2, 1921. His father, Late Sukumar Ray was an eminent poet and writer in the history of Bengali literature. In 1940, after receiving his degree in science and economics from Calcutta University, he attended Tagore's Viswa-Bharati University. His first movie Pather Panchali (1955) won several International Awards and set Ray as a world-class director. He died on April twenty-third, 1992.- Actor
- Second Unit Director or Assistant Director
Sushant Singh Rajput was born on January 21, 1986 in Purnia, Bihar to K. K. Singh and Usha Singh. He has 4 sisters (i.e. Neetu, Meetu, Priyanka & Shweta). He was an Indian television & film actor, dancer and entrepreneur. He became a household name after playing the role of Manav in the TV series, Pavitra Rishta (2009) on Zee TV. He made his Bollywood debut with Kai Po Che (2013), directed by Abhishek Kapoor, which was adapted from Chetan Bhagat's novel, The 3 Mistake of My Life, and then launched himself to soaring heights in the film industry. He also worked in movies like Shuddh Desi Romance (2013), PK (2014), Detective Byomkesh Bakshy! (2015), M. S. Dhoni: The Untold Story (2016), Raabta (2017), Kedarnath (2018), Sonchiriya (2019), Chhichhore (2019) and Netflix film Drive (2019). He died on June 14, 2020 at his Mumbai residence. His last film, Dil Bechara (2020) was released on July 24, 2020 as a free film on Disney+ Hotstar Multiplex.- Actor
- Music Department
- Soundtrack
For Amrish Puri, it was virtually the 'Summer of 42'. The actor's long simmering affair with acting found culmination when he reached his early 40s. And while his dream of playing the hero may have been thwarted, he went on to become the most loved villains of all time. He was also an artiste who redefined the dynamics for character actors. If he wowed the critics with his rough-edged portrayals in the art films of Shyam Benegal and Govind Nihalani, he won over the masala movie buffs with his louder-than-life histrionics. Puri with his reverberating baritone, piercing glance and dramatized dialogue delivery was a formidable figure against the hero. His costumes were all about prolific imagination and his one-liners ranging from, 'Mogambo khush hua' to 'Dong kabhi wrong nahin hota' are now part of cinema glossary. Puri even went ahead and worked in Steven Spielberg's Indiana Jones And The Temple Of Doom and Richard Attenborough's Gandhi, only to return and endorse the diversity that is Bollywood.
But behind the tough facade was a genteel person. "Upright and a true karma-yogi," as son and marine navigator Rajeev Puri describes him. "People from all walks of life loved him - even the police and the politicians." Rajeev adds, "A decade after his demise, some film or the other of his is constantly playing on channels - out of the 350 he did, 200 were hits!" And when people till date come up to him requesting for a photograph because he's the famed Mogambo's (Puri's character in Mr India) son, Rajeev realizes that Mogambo truly is larger than life, in fact beyond it.
Puri graduated from the BM College in Shimla, Himachal Pradesh. Puri was a leader of the RSS youth wing there and that explains why he remained a stickler for discipline and punctuality. In the '50s, he moved to Mumbai and found a job with the Employees' State Insurance Corporation (ESIC). There he met my mother Urmila, a Konkani, and married her. His elder brothers Chaman Puri and Madan Puri were also actors. In fact, we lived with Madanji at Kings Circle for a few years before we shifted to our Santacruz home. Puri passion was acting. He worked during the day and in the evening did amateur theatre with Ebrahim Alkazi, Satyadev Dubey, Vijay Tendulkar and Girish Karnad among others. In fact, Satyadev Dubey and he began Hindi theatre in Mumbai with plays like Hayavadana and Yugati winning him much applause. He became well known as a stage character actor, which led to him doing ads and finally films in the early '70s.
Believe it or not, Amrish Puri wanted to become a Bollywood movie star, but failed a screen test in 1953. And what a failure it was! Mr. Puri, went on to become one of the most renowned and credible villains in the history of Indian cinema. His most memorable and often quoted role is the character of 'Mogambo' (with the catchphrase "Mogambo Khush Hua"). It is still remembered fondly from Mr. India (1987).
On the silver screen, the very first time we felt that times were changing was when dad went to Jaisalmer to shoot Reshma Aur Shera (1971). It was an Ajanta Arts film directed by Sunil Dutt. A lot of new actors were being featured - Raakhee, Amitabh Bachchan, Ranjeet. Puri brought home pictures of the shoot. Puri's son must have been around 12 then and was excited watching them.
Another film, which was to change his life was Girish Karnad's Kannada film Kaadu (1973) where he played the villainous village headman. Girish Karnad handed his Filmfare Best Director trophy to Amrish as a gesture of appreciation. He was then noticed by Shyam Benegal, who featured him in his films Manthan, Nishant and Bhumika through the '70s. He also became part of Govind Nihalani's critically acclaimed films Party, Vijeta, Aakrosh and Ardh Satya. Dad had a flair for roles that betrayed authority and rode the crest of new wave cinema with his earthiness.
In 1980, director Bapu roped in dad to play Duryodhana in Boney Kapoor's Hum Paanch. Soon other filmmakers started offering him villainous roles in commercial films too. After Feroz Khan's Qurbani (1980) there was no looking back.
One film that took him to the acme of his career was Mr India (1987). As the part menacing part comical Mogambo, he won fans across audiences. Mogambo was a favorite with kids because he was a comic-strip like character. At every function he attended, dad was asked to say the Mogambo dialogue. First Amjad Khan as Gabbar Singh in Sholay (1975) and later dad as Mogambo gave villainy a new status. He went on to become the highest paid villain. Earlier character actors were paid paltry sums as compared to the hero.
Puri's career spanned three decades and around 300 films. Among these his favorites remained Koyla, Vidhaata, Pardes, Chachi 420, Ghatak, Ghayal, Damini, Meri Jung and Saza-E-Kala Pani.
Off camera, his children remember their father as someone who was larger than life, someone who was strict but never unreasonable. Someone who urged us to speak the truth. He urged us to follow the three Ps - patience, perseverance and persistence.
Puri was realistic and that's why he insisted that his children seek a secure profession. He once told his son, "See, acting is my first love. I've been polishing my act for years. It took me long to establish myself. There's no need for you to be awed by the profession. You needn't risk your future. You must complete your education." That's why, I joined the Merchant Navy in 1978. I sailed for 11 years. It used to be fun watching his films on the ship.
As an actor he had a great ability to switch on and off. He was not fond of smoking, drinking or parties. His idols were Dilip Kumar, Motilal, Balraj Sahni and Amitabh Bachchan. He worked with Raj Kumar, Dilip saab, Amitji... he was like a student in front of them and had absolutely no ego. Also, a lot of youngsters began their careers with him like Ajay Devgan in Phool Aur Kaante and Shah Rukh Khan in Deewana. He was easy to work with except that he had no patience with people who didn't respect time.
Puri was particular about having nutritious food. He was largely vegetarian but enjoyed fish. He practiced yoga and was an early riser. He was one of the first members of Talwalkars gym in Mumbai. Also, he preserved his vocal chords. He stayed away from fried stuff. He'd just have a piece of sev puri when we insisted. Once he happened to shave off his hair for a Rakesh Kumar film. He was told his personality looked better that way. The bald look appealed to Steven Spielberg, who then offered him Indiana Jones And The Temple Of Doom, where he played Mola Ram. Puri realized that with a shaved head, he could try different get ups. He was well-versed with the art of make-up and wigs. He knew the concentration of hair that a hairpiece for a 50-year-old character or a 60-year-old character would require. He also spent time with the tailors - in fact, directors often asked him to work on his costumes. He'd pick his own ties, bows, shirts for a role. He enjoyed observing people as he drove in his car. He'd keenly watch the hawaldar, the fit of his shirt, how worn out his shoes were which helped him play one in Gardish.
Puri loved watches. He owned all the possible brands. He was intrigued by its technology and the way each piece was assembled. Each time he'd go abroad, he'd visit a showroom and call me up excitedly, "Tikoo (my pet name) I've bought such a handsome looking watch!" Another fascination he had was for Mercedez Benz cars. He'd keep buying the latest editions. His family maintained his 1983 model in showroom condition.
Known for frequently portraying menacing, sadistic villains, Puri received a huge fan mail of around 50 to 60 letters a day. Some fans would constantly sit on the footpath outside our home to catch a glimpse of him. Women also wrote to him. Many were crazy about him. But he was not a young actor. By the time he got recognition he was 45. My mom did feel possessive with all the attention being showered on him. But she understood. He was at an age where he knew what to absorb and what to keep away from. He was cautious. He did have shades of romance in his role opposite Farida Jalal in Dilwale Dulhania Le Jayenge. That subtle equation suited his age. His female co-stars liked him because he was protective about them. He'd check with the production guys whether they were comfortable or not. While he was being pampered, he wanted them to enjoy those facilities too. He was like a father figure to junior artistes too. He'd call up the producers who defaulted on their payments.
Once they were shooting at Amritsar railway station for Gadar - Ek Prem Katha. Huge crowds had gathered and there was so much noise that the shooting couldn't proceed. Sunny Deol wanted to leave. Dad took over and in his baritone said, "Allow us to do our work. I want pin drop silence!" There was a hush and the shooting resumed.
Shyam Benegal cast him in movies such as Nishant (1975), Bhumika (1977), and Manthan (1976). Yash Chopra cast him in Mashaal (1984), the same year that Steven Spielberg cast him in his best-known role outside of India, as Mola Ram in Indiana Jones and the Temple of Doom (1984). His elder brother is none other than Bollywood actor Madan Puri.
Guddu Dhanoa's Jaal The Trap for (2003) was shot in Himachal Pradesh. Unfortunately, Puri met with an accident there. He suffered serious injuries on his face and eye. He lost a lot of blood and consequently had to undergo blood transfusion. Something went wrong there because in the coming years, he developed a blood disorder (myelodysplastic syndrome). It began with weakness and reduced appetite. When he came to know about the fatality of his illness he was shaken. But he had an iron will. He wanted to project a strong side to the world. Puri knew that at age 72 there was little that he could repair and that he was ailing. Jo hona hai woh hoga - that was his stance.
Puri was keen to complete the projects on hand, even though he was in pain. His terminal illness was detected in September 2003 and by December 15, 2004, he had finished all his films - Kachchi Sadak, Mujhse Shaadi Kaoroge, Hulchul, Ksna and Aitraaz despite looking emaciated, pale, frail . He was at home for a brief period. But he didn't want to remain bedridden. When asked how he was feeling he'd just say, "Kal se behtar hoon." Then one day he had a fall at home and suffered a massive brain hemorrhage. He passed away in Mumbai on January 12, 2005 due to a brain hemorrhage
Puri had served as the President of Cine and TV Artistes Association for six years before his demise. As a mark of respect the industry remained shut for two days. The whole road from our house in Juhu to the electric crematorium at Shivaji Park was full with people. There were onlookers perched on trees and buildings.
As a tribute to him the Times Of India carried a piece, which was titled, "No guns only roses." People recall his famous dialogue in Pardes, "What's the bottom line?" Well, for me it would be never doing anything that would disappoint him.- Actor
- Additional Crew
- Music Department
Om Puri was an Indian actor who has appeared in both mainstream Indian films and art films. His credits also include appearances in British and American films. He has received an honorary OBE.
Puri was born in Ambala, Haryana. His father worked on the railways and served in the Indian Army. Puri graduated from the Film and Television Institute of India. He is also an alumnus of the 1973 class of National School of Drama where Naseeruddin Shah was a co-student.
Puri had worked in numerous Indian films and in many films produced in the United Kingdom and the United States. He made his film debut in the 1976 film Ghashiram Kotwal, based on a Marathi play of the same name. He has claimed that he was paid "peanuts" for his best work. He had collaborated with Amrish Puri as well as Naseeruddin Shah, Shabana Azmi and Smita Patil in art films such as Bhavni Bhavai (1980), Sadgati (1981), Ardh Satya (1982), Mirch Masala (1986) and Dharavi (1992). He had been active in cinema. He was critically acclaimed for his performances in many unconventional roles such as a victimized tribal in Aakrosh (1980) (a film in which he spoke only during flash-back sequences); Jimmy's manager in Disco Dancer (1982); a police inspector in Ardh Satya (1982), where he revolts against life-long social, cultural and political persecution and for which he got the National Film Award for Best Actor; the leader of a cell of Sikh militants in Maachis (1996); as a tough cop again in the commercial film Gupt in 1997; and as the courageous father of a martyred soldier in Dhoop (2003). In 1999, Puri acted in a Kannada movie A.K. 47 as a strict police officer who tries to keep the city safe from the underworld - it became a huge commercial hit. Puri's acting in the movie is very memorable. He has rendered his own voice for the Kannada dialogues. In the same year, he starred in the successful British comedy film East is East, where he played a first-generation Pakistani immigrant in the north of England, struggling to come to terms with his far more westernized children. Om Puri had a cameo in the highly acclaimed film Gandhi (1982, directed by Richard Attenborough). In the mid-1990s, he diversified to play character roles in mainstream Hindi cinema, where his roles are more tuned to mass audiences than film critics. He became known internationally by starring in many British films such as My Son the Fanatic (1997), East Is East (1999) and The Parole Officer (2001). He appeared in Hollywood films including City of Joy (1992), opposite Patrick Swayze; Wolf (1994) alongside Jack Nicholson; and The Ghost and the Darkness (1996) opposite Val Kilmer. In 2007, he appeared as General Zia-ul-Haq in Charlie Wilson's War, which stars Tom Hanks and Julia Roberts. He has worked in Hindi television serials like Kakkaji Kaheen (1988) (roughly meaning "Uncle says") as a paan-chewing 'Kakkaji', which was a parody on politicians, and Mr. Yogi (1989) as a suave 'Sutradhaar' who enjoys pulling the protagonist's leg. These two serials underlined Om Puri's versatility as a comedian. He received critical acclaim for him performance in Govind Nihalani's television film Tamas (1987) based on a Hindi novel of the same name. He essayed comic roles in Hindi films like Jaane Bhi Do Yaaro which reached a cult status, followed by Chachi 420 (1997), Hera Pheri (2000), Chor Machaye Shor (2002) and Malamaal Weekly (2006). His more recent Hindi film roles include Singh Is Kinng, Mere Baap Pehle Aap and Billu. Puri was seen in the role of Mohammad Ali Kasuri in Road to Sangam (2009). In 2010, he appeared in The Hangman. In 2011 he was in the Indian action movie Don 2. He had also worked in Aahat TV Series in some episodes during second season which was aired between 2004-2005 on Sony channel.- Actor
- Music Department
- Producer
On Stats Alone, The Most Popular Actor In The History Of Cinema!
The only actor to enjoy near God-like status across the length and breadth of India for a quarter century!
Elected in several expert online polls, as The Greatest Actor In The History Of World Cinema !
With 100+ All-Time Blockbusters- 48 Platinum Jubilee hits + 27 Golden Jubilee hits + 26 Silver Jubilee Hits, & 17 average hits, over 25 yrs.
So these quite wonderful film business websites have come up with a inflation adjusted analysis of few of his random films, which I shall present about now, just to open the eyes of today's audiences, to just the massive quantum of collections, achieved by this one actor alone. They've done this chronologically for just few of his mildly to very successful (~42/125 ie 1/3rd) lead/parallel lead films leaving out vast sums of his other massively successful films , from late 60s to late 90s, & only inflation-adjusted worldwide collection numbers, so audiences of today can get a decent idea.
1. Raaz - 284 Crores 2. Bandhan - 437 Crores 3. Aradhana - 1092 Crores 4. Ittefaq - 266 Crores 5. Doli - 344 Crores 6. Do Raaste - 1014 Crores 7. Kati Patang - 540 Crores 8. Safar - 426 Crores 9. The Train - 284 Crores 10. Sachcha Jhutha - 781 Crores 11. Aan Milo Sajna - 710 Crores 12. Amar Prem - 387 Crores 13. Mehboob Ki Mehndi - 233 Crores 14. Anand - 220 Crores 15. Haathi Mere Saathi - 903 Crores 16. Andaz - 516 Crores 17. Maryada - 581 Crores 18. Dushman - 644 Crores 19. Apna Desh - 492 Crores 20. Shehzada - 223 Crores 21. Daag - 689 Crores 22. Namak Haraam - 212 Crores 23. Aap Ki Kasam - 311 Crores 24. Prem Nagar - 440 Crores 25. Ajnabee - 243 Crores 26. Roti - 388 Crores 27. Prem Kahani - 168 Crores 28. Maha Chor - 143 Crores 29. Mehbooba - 177 Crores 30. Chhaila Babu - 197 Crores 31. Aashiq Hoon Baharon Ka - 146 Crores 32. Muqabla - 175 Crores 33. Amar Deep - 139 Crores 34. Thodisi Bewafai - 143 Crores 35. Kudrat - 174 Crores 36. Fiffty Fiffty - 179 Crores 37. Rajput - 339 Crores 38. Ashanti - 217 Crores 39. Dharam Kanta - 272 Crores 40. Maqsad - 318 Crores 41. Swarg - 85 Crores 42. Aa Ab Laut Chalen - 153 Crores
Have a look at that. And we've just begun checking (a random 1/3rd of his films) !
He was born on 29 December 1942 in Amritsar, Punjab, India, and entered Hindi films in the year 1965 when began shooting for Raaz and did 180 films - 163 feature films and 17 short films. By 2011, he held the record for maximum number of films as solo lead hero and least number of multi star cast films in Hindi Cinema. Of the 163 films - 106 were solo hero films and 22 were multi star films and 29 films had him in special effective guest appearances(though only 97 solo and 20 two hero films only released and 11 unreleased from 1966 till 2013).He ranked first and won the United Producers All India Contest held in 1965 by beating 10000 candidates and the prize of it was acting in films Akhri Khat and Raaz. He first tasted success as an actor with 3 consecutive hit films like Aakhri Khat,Raaz and Aurat.His first brush with super-stardom was when outburst from his fans forced the director to change the story of Baharaon Ke Sapne's ending from a tragic one to a happy one after 1 week of its release. Though Baharon Ke Sapne was average in some centers it was declared flop in most places. In 1969 Rajesh Khanna achieved super-stardom with Shakti Samantha's 'Aradhana" (1969).He became the craze of the nation, and critics across India started calling him the First Superstar of both Indian Cinema (No. 1 Actor) and Hindi Films and remained so alone as the Superstar for 7 years (1969-1976) and had to share the status with Amitabh from 1977-1991 till he left films to join politics in 1991.He overtook his predecessors Dev-Dilip-Raj, Shammi Kapoor,Rajendra Kumar in terms of extreme popularity with audience and critics, quality of performances, variety of roles and films by doing quickly 47 films from 1966-75 which included 36 Golden Jubilee Hits(21 of the 36 were platinum) and 4 silver silver jubilee hits and only 7 flops in 9 years. He also made the world record of having 17 successive super-hits in 3 years from 1969-71 which included 15 consecutive solo super-hit films and 2 two hero films namely Andaz and Maryada. The main difference between him and his predecessors,successors, contemporaries was that Khanna's films ran successfully in whole of India and not just Hindi speaking areas and he did films of every genre simultaneously and has more critically acclaimed films to his credit than all other Hindi Actors of every generation. He stands out even by selection of his films as he regularly did both offbeat alternate cinema along with commercial potboiler films and had success in both.He introduced intelligent cinema to the masses with ease. Those 15 consecutive hit solo lead hero films from 1969-71 were Aradhana, Doli, Bandhan, Ittefaq, Do Raaste, Khamoshi, Safar, The Train, Kati Patang, Sachaa Jhutha, Aan Milo Sajna, Mehboob Ki Mehendi, Choti Bahu, Anand and Haathi Mere Saathi. His next release Maalik flopped ending thereby the record.
Anju Mahendru was his girl friend in 1968-1972, the then aspiring actress but they had breakup in 1972 when Anju was not ready for marriage while Khanna wanted to marry her, and Khanna married his fan Dimple Kapadia in March 1973, 8 months before Dimple's debut film Bobby released in theaters.
Khanna's pairing with Mumtaz always produced much success as they had all of their 8 films together as major platinum jubilee hits.His films with Sharmila Tagore, Asha Parekh, Tanuja, Hema Malini and Zeenat Aman was a favorite with audiences too in 70's.
From 1976 on-wards till 1978, he had 5 box office hits as lead hero(2 silver jubilee hits, 2 platinum hits, 1 average hit), 3 hits in guest appearances, 1 flop in guest appearance and 8 films of him as the main lead flopped unexpectedly although his performances and the film's music were praised by critics and thereby 76-78 is considered his bad phase.
K.Balaji wanted to establish himself in Hindi film industry as a producer and thereby wanted to remake his Tamil film Sivaji Ganeshan starer Dheepam in Hindi. At a time when Khanna's films were not working at the box office, Khanna got this film out of the blue and went on to become a big hit. Khanna bounced back with twin success of Amardeep and Prem Bandhan then again started giving many critically acclaimed and commercially successful films including 35 Golden Jubilee Hits(includes 25 platinum) and 14 SJH starting from 1979 till 1991 and had 9 average hits from 1976-1996. In the 80's his films opposite Tina Munim, Hema Malini, Reena Roy, Rekha, Shabana Azmi, Smita Patil and Poonam Dhillon were big hits.
He produced three films and co-produced 4 films. He had total 105 box office hits(91 as lead hero and 14 in guest appearance) from 1966-1991.He left film industry in 1991 and entered politics by joining the Congress Party in 1991 and became a member of parliament. Khanna was awarded Filmfare Special award in 1991 for having starred in 101 films as the solo lead hero(92 solo film released till 1992 and includes 7 unreleased solos and Anuraag) and having done just 21 two hero films(only 19 released till 1991) but having appeared in 153 films in short span of 25 years between 1966-1991. Has won most number of All India Critics Award for Best Actor for a record 7 times and was nominated for same 10 times.He holds record for being the actor to win maximum BJFA awards for Best Actor - 4 and was nominated the most for it - 25 times.He is still adored and fondly remembered by the masses. Songs from his films adorn the lips of youth and adolescents. He was the first mega-star and has left behind a storehouse of the finest moments in film history.- Actor
- Producer
- Director
Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.
His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas'), music composition (Jaikishan Dayabhai Panchal, 'Shankarsinh Raguwanshi'), and playback singers, including Mukesh, 'Mohamed Rafi', and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.- Actor
- Producer
- Second Unit Director or Assistant Director
Shashi Kapoor is one of the leading actors of Indian cinema having appeared in 160 movies - 12 in English and 148 in Hindi. He has appeared in 148 Hindi films - of them played the solo lead hero in 61 films, was lead hero in 53 released multi star cast Hindi films, 2 unreleased multi star film and 21 Hindi films had him in supporting role, worked in 4 films as a child artist and made 7 guest appearances.
Indian actor of Bollywood, Parallel Cinema, and International productions; Shashi Kapoor is the youngest son of theater and film actor Prithviraj Kapoor and his wife Ramsarni "Rama" Mehra Kapoor. Shashi grew up traveling around the country with his father's acting trope "Prithvi Theatres." from 1940-59. He began appearing on stage from the age of four. He also began working in films in the early 1940s. As a child, he appeared in 4 films from 1948-53 which includes 2 films of his eldest brother Raj Kapoor as the hero and Sangram, where Shashi played Ashok Kumar.
By 1956, an 18-year old Shashi was both actor and assistant stage manager for "Prithvi Theatre." That year, "Shakespeareana" --a traveling theater group under English actor Geoffrey Kendal, and "Prithvi Theatre" were both booked to play in Calcutta. While checking the audience reaction from backstage, Shashi's glance fell on Jennifer Kendal. Shashi soon learned she was playing Miranda in "The Tempest," and secured an introduction. The two began courting, and expressed a desire to wed. Geoffrey Kendal was uncertain about loosing not only his daughter, but his leading lady and theater manager. He insisted that the couple wait at least two years. Shashi began touring with "Shakespeareana" and in 1958 he again asked for Jennifer's hand in marriage and was again refused. However, Jennifer decided to go against her father's wishes, and in July of 1958, the couple were married in the traditional Indian style in Bombay.
Shashi debuted as a leading man in Yash Chopra's Dharmputra (1961). From 1961-64 his Hindi films with him as the solo heroes were box office flops. But Nanda believed that Shashi does have the potential to be popular leading man and signed happily 8 films opposite him over the period 1962-1968. Except for their first 2 films together and Juaari, other 5 films of the pair Nanda-Shashi turned out to be super-hits from 1965-70.A versatile actor, Shashi worked in both mainstream popular Hindi cinema, art films and in Indian-set English-language films, such as those made by the film-making team Ismail Merchant and James Ivory. He was one of the first Indian stars to go international, as he worked in both British and American films, and directed the Soviet Union co-production _Ajooba (1991) which was a disaster.He tried his hand at English films when his Hindi films were flops from 1961-64 and achieved success in 1963 with 2 commercially successful English movies.He did 6 English films as lead hero till 1983 and then played villain in Deceivers and another lead role in 1993 and rest 4 English films had him in supporting role as narrator/guest appearance from 1987-1998. Shashi started having solo hits opposite Rakhee, Asha Parekh, Sharmila Tagore, Zeenat Aman from 1968-1975 but had a weak period as a solo lead hero from 1974-1978 where he had 13 flops off 24 films as solo lead and this made him accept multi star cast films from 1976-85. He achieved success in multi star films from 1976-84.In the multi star films he did , he was paid more than co-stars Vinod Khanna, Amitabh Bachchan, Jeetendra, Rishi and Randhir Kapoor. But Sanjeev Kumar,Pran and Dharmendra were paid at same rate as Shashi in the films where they were his co-stars. Only Rajesh Khanna was paid more than Shashi in the 2 films they did together. He played supporting role to Rajesh Khanna at peak of his career in Prem Kahani and then in Alag Alag.
He won the Filmfare Best Supporting Actor Award for Deewaar (1975). He won two Filmfare Best Movie Awards for his work as producer and star of Junoon (1979) and Kalyug (1981).He costarred in 11 films with Amitabh Bachchan of which 4 (Deewar,Trishul, Suhaag,Namak Halal) were successful,1 (Kala Pathar)was average hit and rest 6 were flops. Shashi Kapoor did 61 solo lead hero films in Hindi and, of them, 35 were super-hits. Shashi did 55 multi-star cast movies where Shashi was one of the lead heroes and, of them, 33 were super-hits, 20 were flops, 2 remain unreleased.
Shashi and Jennifer had three children; Kunal Kapoor, an actor and ad director, Karan Kapoor a photographer and sometimes actor, and Sanjana Kapoor, an actress who has run Prithvi Theatre in Mumbai since 1993. After his wife Jennifer died of cancer in 1984, Shashi started becoming obese and began taking on fewer roles in films, and shifted his focus to character roles.His first break as supporting actor after he became obese was given by Rajesh Khanna in film Alag Alag where his role along-with the lead pair of the film was appreciated.
In 2010, Shashi was presented with the Filmfare Lifetime Achievement Award.- Actor
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Born in south Mumbai, Kapoor is the second son of film director and actor Raj Kapoor. He did his schooling with his brothers at Mumbai's Campion School. His brothers are well-known actors, Randhir Kapoor and Rajiv Kapoor.
Rishi Kapoor debuted in his father's 1970 film Mera Naam Joker, playing his father's role as a child. Rishi Kapoor had his first lead role opposite Dimple Kapadia in the popular 1973 film Bobby which became an instant hit among youngsters. He made a popular pairing with future wife Neetu Singh in 1974-1981 but the pair was successful only in films with big casts, since films with Rishi as the lead - like Zehreela Insaan, Zinda Dil, Doosara Aadmi, Anjane Mein, Jhoota Kahin Ka, Dhan Daulat - were box office flops. Rishi Neetu pair was successful in multi-star films like Khel Khel Mein, Kabhie Kabhie, Amar Akbar Anthony, Pati Patni Aur Woh, Duniya Meri Jeb Mein. The only solo hit of the Rishi Neetu was Rafoo Chakkar. Rishi Kapoor got 51 films as the solo lead hero from 1974-1997 but of them 40 were box office flops, and he managed only 11 hits: Bobby, Laila Majnu, Rafoo Chakkar, Sargam, Karz, Prem Rog, Nagina, Honeymoon, Banjaran, Heena and Bol Radha Bol. So, he was offered the role of playing younger brother to lead heroes in movies with big casts from 1977-1994. Rishi Kapoor did 41 films with big casts from 1976-2000 where Rishi was cast as 2nd or 3rd lead hero. Of them, 16 were flops and 25 were hits. He was often offered the role of younger brother to main lead heroes in the multi-hero films he did where his character would be a romantic one and the story would revolve on the main lead hero of the film. In the '90s, his 2 hero films Deewana, Damini and Eena Meena Dika were hits. He got the plum lead hero roles in two-hero films only few times like in Hum Kisi Se Kum Nahin, Badalte Roshtey, Aap Ke Deewane, Saagar then in the '90s with Chandni, Deewana (1992), Damini (1993) and Gurudev (1994); otherwise in the 2 hero films Rishi did in the late 70s and throughout the '80s, it was his other co-star whose character overshadowed Rishi's and the other co-star was appreciated more like in case of Katilon Ke Kaatil, Coolie, Sitamgar, Zamana. After several box office failures from in 1990s, he eventually moved on to supporting roles in the 2000s. In 1999 he directed the film Aa Ab Laut Chalen. His last film as a romantic lead was the 5-year delayed release Karobaar: The Business of Love (2000), which was unsuccessful. He has since then played supporting roles in films like Yeh Hai Jalwa, Hum Tum, Fanaa, Namaste London, Love Aaj Kal and Patiala House. He also appeared in the British films Don't Stop Dreaming and Sambar Salsa. He was paired with Neetu Singh in the film Do Dooni Chaar (2010). Rishi has acted in the movie Chintu Ji in which he plays himself. In 2012 he appeared in a villainous role in Agneepath and in the multi-starer Housefull 2 where he appeared with brother Randhir for the first time.- Actress
- Music Department
Smita Patil, born in Pune, Maharashtra, India, was a highly acclaimed Indian actress known for her exceptional performances in Hindi and Marathi cinema. Regarded as one of the finest actresses in Indian cinema, Smita Patil's career was marked by her ability to portray a wide range of characters with authenticity and depth.
Smita Patil began her acting career in Marathi theater before making her film debut with the Marathi film "Shyamchi Aai" (1974). She gained attention for her breakthrough performance in Shyam Benegal's "Manthan" (1976), which marked the beginning of her collaboration with the renowned filmmaker. Smita Patil went on to work in several of Benegal's films, including "Bhumika" (1977), for which she received the National Film Award for Best Actress.
Her impactful performances in films such as "Aakrosh" (1980), "Chakra" (1981), and "Umbartha" (1982) solidified her position as one of the leading actresses in Indian cinema. Smita Patil was known for choosing roles that challenged societal norms and highlighted social issues. Her ability to infuse realism into her characters and convey emotions with authenticity set her apart.
Smita Patil also made significant contributions to parallel cinema, working with directors like Govind Nihalani ("Ardh Satya," 1983), Shyam Benegal ("Mandi," 1983), and G. Aravindan ("Chidambaram," 1985). Her collaboration with commercial filmmakers, including Ramesh Sippy in "Shakti" (1982) and Prakash Mehra in "Namak Halaal" (1982), showcased her versatility across genres.
Beyond her acting career, Smita Patil was actively involved in social and political causes. She was known for her advocacy of women's rights and her commitment to addressing issues affecting marginalized communities.
Tragically, Smita Patil's life was cut short when she passed away on December 13, 1986, at the age of 31, shortly after giving birth to her son Prateik Babbar. Despite her short-lived career, Smita Patil's impact on Indian cinema remains enduring, and she is remembered as a trailblazer who elevated the art of acting with her remarkable talent and meaningful contributions.- Actor
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At the start of his career, he played supporting or villainous characters in films such as Purab Aur Paschim, Sachaa Jhutha, Aan Milo Sajna, and Mastana in 1970, and in Mera Gaon Mera Desh, Elaan and Aan Milo Sajna in 1971.He got his first break as the solo lead hero in the film Hum Tum Aur Woh (1971), which was followed by the 1971 multi-hero film 'Mere Apne' directed by Gulzar. It was the melodious R.D.Burman composed Rafi-Asha "Sasoan Mein Kabhi" from the film Parchaiyaan in 1972 and from Hum Tum Aur Woh - the Kishore Asha duet Do Bataon Ki Mujhko Hai Tamanna and the solo song Priye Praneswhari where his romantic skills got noticed among audiences.In 1973, his performance as an army officer facing death row in another film scripted and directed by Gulzar, Achanak, was critically acclaimed. The song-less film echoed the true life story of K. M. Nanavati vs. State of Maharashtra and Khanna portrayed Kawas Nanavati, the real life Navy officer.Between 1973 and 1982, Khanna played the lead role in in a number of solo and multi starer movies.In films with 'Rajesh Khanna' as the lead hero, Vinod Khanna always had either the antagonist role or supporting role and not even the parallel lead. These film were Sachaa Jhutha Aan Milo Sajna, Prem Kahani, Kudrat and Rajput. Vinod accepted his roles in Kudrat and Rajput even after he had become a successful solo lead hero himself just due to rapport he shared with Rajesh Khanna. His successful films as solo lead hero include 'Farebi' with Moushumi Chatterjee;Qaid in 1975 and 'Zalim' in 1980, both together with Leena Chandavarkar; and Inkaar in 1978 opposite Vidya Sinha followed by Aap Ki Khatir, Hatyara, Main Tulsi Tere Angan Ki, Khoon Ki Pukar, Taaqat, Jail Yatra, Raajmahal. His successful multi hero films, with him also playing the main lead hero, were Shankar Shambhu,Chor Sipahee and Ek Aur Ek Aur Ek Gyarah, where he appeared together with Shashi Kapoor; in Hera Pheri, Khoon Pasina, Amar Akbar Anthony and Muqaddar Ka Sikandar where he played lead hero with .Amitabh Bachchan; and in Haath Ki Safai and Aakhri Daku where he played lead hero with Randhir Kapoor. He later appeared as lead hero with Sunil Dutt in ,Daku Aur Jawaan.Khanna became a follower of the spiritual teacher Osho (Rajneesh) and left the film industry in 1982 for five years. Though he had stopped ,acting in films in 1982, the films with him as the main lead released in 1982(film-s for which he had completed shooting by the end of the year 1981) like Raj Mahal, Taaqat and the multi star Rajput , where Vinod Khanna played supporting role to main lead heroes Rajesh Khanna and Dharmendra were successful.He returned to Bollywood with Insaaf where he played together with Dimple Kapadia, became a hit.After his comeback he played romantic roles in Jurm and Chandni, but he was mostly offered roles in action films.After he made comeback in 1987, his successful solo hero films released in 1987-88 were Satyamev Jayate, Insaaf , Faisla, Mahaadev, Aakhri Adaalat. Aruna Raje's Rihaee (1990) where he played an emancipated man who accepts his wife's straying and Gulzar's underrated metaphysical melodrama, Lekin (1991) are regarded as his great work.His on screen pair with Meenakshi Seshadhri was widely appreciated and the pair had hits like Satyamev Jayate, Mahaadev,Jurm, Humshakal and Police Aur Mujrim.In the 1990s, Khanna successful solo hero films C.I.D. (1990), Jurm and Humshakal. He appeared in multi-hero casts in films such as Khoon Ka Karz, Police Aur Mujrim, Kshatriya, Insaaniyat Ke Devta, Ekka Raja Rani, Eena Meena Deeka, and the 2002 film Kranti. In 1997 he was the producer for Himalay Putra, in which he also starred, together with his son Akshaye Khanna.- Reema Lagoo, originally born as Nayan Bhadbhade, was a distinguished Marathi actress with a prolific career spanning both Marathi and Hindi cinema. Hailing from a family deeply rooted in the Marathi stage, her mother was a renowned actress in the Marathi theater.
Recognized for her acting prowess during her schooling years at Huzurpaga HHCP High School in Pune, Reema Lagoo embarked on her professional acting journey shortly after completing high school. Her initial foray into the world of performance was marked by appearances on the Marathi stage in the late 1970s.
In the realm of Hindi and Marathi films, she found success and acclaim. Marriage to Marathi actor Vivek Lagoo led her to adopt the name Reema Lagoo, and the couple welcomed a daughter named Sansui (Sanu) Lagoo, who resides in Mumbai.
Primarily cast in supporting roles, Reema Lagoo became a familiar face in the Hindi film industry, sharing the screen with some of its biggest stars. Her career took off with television serials, and she gained widespread recognition for her role as Juhi Chawla's mother in the iconic film "Qayamat Se Qayamat Tak" (1988) and later as Salman Khan's mother in the blockbuster "Maine Pyar Kiya" (1989).
Her filmography boasts an array of successful movies, including the immensely popular "Hum Aapke Hain Koun...!" (1994), "Rangeela" (1995), "Kuch Kuch Hota Hai" (1998), and "Kal Ho Naa Ho" (2003). While often portraying motherly figures, she displayed versatility by playing diverse roles such as a dancer in "Aakrosh" (1980) and a pragmatic businesswoman in "Yeh Dillagi" (1994). Notably, her compelling performance in "Vaastav: The Reality" (1999) showcased her ability to portray complex characters, portraying an underworld don's (Sanjay Dutt) mother who takes a drastic step.
Reema Lagoo also graced the Marathi show "Maanacha Muzra," where she was honored for her contributions to Marathi cinema and entertainment.
Tragically, Reema Lagoo passed away at the age of 59, reportedly succumbing to cardiac arrest. Her legacy endures as she is remembered for her significant contributions to Indian cinema, especially for her iconic portrayals as the mother of Salman Khan's characters in Bollywood. - Director
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Sikander Bharti was born on 15 May 1964 in Mumbai, India. He was a director and assistant director, known for Rupaye Dus Karod (1991), Sar Utha Ke Jiyo (1998) and Sainik (1993). He was married to Pinky . He died on 24 May 2024 in Mumbai, India.- Actor
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Although he liked to sign his autographs, perhaps jokingly, "Milton Gaylord Reid" his real name was Milton Rutherford Reid and he was born in Bombay on 29 April 1917. His father Edgar William Reid was a Scottish-born Customs and Excise inspector who had married an Indian lady. Milton moved to London in 1936, settling in Shepherd's Bush, and during his early career worked as a commercial traveller.
In 1939 he married fashion artist Bertha Lilian Guyett (a marriage that lasted over 40 years), before war service as a cavalry trooper with the 22nd Dragoons. It was during this period that he first appeared on film, in the army propaganda feature The Way Ahead (1944). After the war he trained as a wrestler, turning professional in 1952, firstly as a Tarzan-like character called Jungle Boy wearing leopard skin trunks. He also continued to play small parts in films, usually as a tough guy or bodyguard, often as a cruel henchman such as the Japanese executioner in The Camp on Blood Island (1958).
His breakthrough came in 1959 when he was required to shave his head for the role of Yen the pirate in Ferry to Hong Kong (1959). He remained shaven-headed for the rest of his career, also changing his wrestling image to that of The Mighty Chang, an oriental giant. On stage he played in pantomime at the London Palladium as the Slave of the Lamp, and in the Italian epics he usually played exotic roles or menacing villains in adventures like The Wonders of Aladdin (1961) (The Wonders of Aladdin) and Spartacus and the Ten Gladiators (1964) (Spartacus and the Ten Gladiators) in which he had a memorable fight to the death with Dan Vadis. However, most people remember Milton Reid as the bodyguard sorting out pretty girls for his boss in a long-running pipe tobacco commercial. In 1964 Milton challenged The Great Togo (a.k.a. Harold Sakata) to a wrestling contest to decide who would play the coveted role of Odd-Job in Goldfinger (1964). Unfortunately, Milton had already been killed off as a henchman in the first Bond movie Dr. No (1962), so the producers were forced to pick Sakata and the "eliminator contest" wasn't needed, although Milton did land the part of Sandor in a later Bond adventure, The Spy Who Loved Me (1977).
Although he became a popular and familiar character actor in dozens of films and television shows, the work did not produce immense wealth and in 1965 Milton found himself in court for non-payment of a £52 car repair bill, incurred when he was in Rome shooting spy movie Desperate Mission (1965). The kindly judge, however, ordered the debt to be repaid at ten shillings (50 pence) per month, even inviting Milton to come back and see him again if he was in any difficulty!
Having retired from wresting and with film parts becoming fewer, Milton decided to try his luck in "Bollywood" and in 1980 returned to India. However, various problems arose and in 1981 he was arrested by Indian police for "trespassing, damaging furniture and disconnecting a telephone." The trouble started when he visited his mother and sister in Bangalore, and there was a dispute with tenants at his sister's bungalow. Police also complained of violence and abuse when they tried to detain him, and there were accusations of a manservant being assaulted.
The following year Milton was stated by some reference works to have died from a heart attack, but that was incorrect. The actor's son (same name) was still receiving correspondence sent by his father from Bangalore up to December 1986. Significantly, nothing was heard after that date, and the present assumption is that Milton Reid died in obscurity somewhere in India during the early part of 1987, although no death certificate or confirmation has been received by the family. Sadly, Bertha died in England in 1997, at the age of 90, still not knowing what had become of her husband. However, research continues.
Special thanks to Milton Reid (junior) for his kind help in the preparation of this biography.- Actress
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born and raised in Junagad, Ms. Babi was spotted by renowned B.R. Ishara at Ahmedabad University, and he approached her to act in his forthcoming movie, Charitraheen, which was a sequel to Chetna. Her co-star in this movie was none other than renowned Indian cricketer Salim Durrani. Parveen Babi lit up the silver screen with her charming looks and personality from the 1970s.
Among her more memorable movies with megastar Amitabh Bachchan are: Deewar, Namak Halal, Amar Akbar Anthony, and Kala Pathar. Her most glorious moment was when Time Magazine chose to display her photograph on their cover page in 1976, depicting the changing face of Bollywood and Bollywood actresses.
After acting in her last movie, Akarshan, she suddenly disappeared from public view and became more or less a recluse. It is known that she took up interior designing, and had a very close circle of friends.
She then left for the United States of America and was not seen nor heard for about 10 years.
She created a stir when she filed a writ petition in the Bombay High Court, charging several dignitaries, including Bollywood actor, Amitabh Bachchan, for attempting to kill her. This petition was dismissed by the Court for want of evidence.
On Sunday January 22, 2005, neighbors at her Juhu residence noticed that she not collected her milk nor her newspapers from her doorstep for the last three days. The neighbors notified the Secretary of the building, who in turn notified the police.
On Saturday January 22, 2005, a police team opened the door to her apartment with a duplicate key, and found her dead body.
The police believe that the door had been locked from the inside for last three days, and suspect no foul play.
Ms. Babi was an only child in a noble Junagad-based family. Her dad had passed away when she was very young, and her mom also passed away several years ago.- Actor
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Pran was one of the leading character actors of Indian cinema. He was born on 12 February,1920 at Delhi. Pran was educated at different places namely Kapurthala, Unnao, Meerut, Dehradun and Rampur as his father late Lala Kewal Krishnan Sikand was a Government Civil Contractor for the construction of roads and bridges. Pran started his career by learning photography in Lahore. A chance meeting with a film producer, got him his first break in 'Yamla Jat' in 1940.
Married in 1945 to Shukla, he had two sons Arvind and Sunil, and one daughter Pinky. At partition in 1947, Pran came to Mumbai and restarted his film career after a brief struggle. He acted in over 400 films in a variety of roles. As a villain, in films like 'Ram Aur Shyam' people shuddered with fear and hated him, and yet loved him as the good, unforgettable 'Mangal chacha' in 'Upkar'. He went on to star in films with the leading actors of various decades from Raj Kapoor, Dilip Kumar, Dev Anand, Rajendra Kumar, Rajesh Khanna, Amitabh Bachchan, Dharmendra to Sanjay Dutt, Sunny Deol and Salman Khan. He was among the highest paid and most sought after character actors of his time, starring in some of the biggest and most acclaimed films of all time.
Being a sports lover and a good sportsmen he had his own football team "Dynamos Football Club" which he financed for a number of years in the fifties. Along with his film career he had been engaged in a number of Social activities, including the Chief Minister's Relief Fund, Maratha Sikshan Sanatha, Film Industry Welfare Trust. He had organised charity events and cricket matches, as well as the 'Hope 86' and 'Hope 87' shows for the needy people in the film industry.
Under the patronage of the Late, His Excellency Nawab Ali Yawar Jung, Pran presented a number of charity shows for the refugees of Bangladesh and for the deaf and dumb.
In an illustrious career of over six decades, Pran was bestowed with many awards including 4 Filmfare Awards, Villain of the Millennium honour from Stardust, Padma Bhushan, India's third highest civilian award from the Government of India in 2000 and the DadaSaheb Phalke Award for Lifetime Achievement (highest honour for cinema in India) from the Government of India in 2012. He died on 12 July 2013 at the age of 93 after a prolonged illness in Mumbai's Lilavati Hospital.- Producer
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Labeled the eternal romantic and with one of the best musical senses in the business, Yash Chopra is arguably India's most successful director of romantic films. Although he made action-oriented films like the ever-popular Deewaar (1975), it is in tackling love and its various aspects that he has been at his best. One of the few remaining commercial Indian directors who started their careers in the 1950s, he has successfully moved with the times from the socially significant Dhool Ka Phool (1959) to the young and cool Dil To Pagal Hai (1997).
Yash Chopra was born in Lahore in 1932, to an accountant in the PWD division of the British Punjab administration, the youngest of eight children. He began as an assistant director to I.S. Johar before working with his elder brother, the legendary B.R. Chopra; while another brother, Dharam Chopra, worked as his cameraman. He was given his first directorial opportunity with Dhool Ka Phool (1959), a melodrama about illegitimacy; it became a hit and even now remains popular today. Encouraged by this success, the Chopra brothers made a few more movies together, the most notable being Waqt (1965), India's first multi-starrer; and Ittefaq (1969), a thriller. On the personal front, Chopra married Pamela Chopra (née Singh) in 1970, and they had two children, Aditya Chopra and Uday Chopra, both working in the film industry today.
In 1973, the Chopra brothers separated, with Yash Chopra founded his studio, Yash Raj Films, and launched it with Daag: A Poem of Love (1973), a successful melodrama about a polygamous man. He then entered one of his best phases with two Amitabh Bachchan classics: Deewaar (1975) and Kabhi Kabhie (1976). These movies set the standard for the 1970s and 1980s, establishing Bachchan as the greatest and most beloved Indian film star of all time. His respective roles--a bitter criminal and a sensitive, brooding poet--are considered to be his greatest performances, although complete opposites of each other.
In the 1980s, Chopra went through a rough time. Two of his melodramas, Silsila (1981) and Faasle (1985); and two action-oriented films, Mashaal (1984) and Vijay (1988), flopped at the box office, although the latter became a critically acclaimed classic years later. However, he made a comeback with his musical love triangle Chandni (1989). The film was a huge success, with great performances by established heroine Sridevi and action hero Vinod Khanna. Then came what critics and Chopra himself considered his best film, Lamhe (1991), a beautiful film about cross-generational love. It couldn't survive the box office, however, due to its incestuous nature.
Parampara (1993), done for an outside producer, was a misfire, but then came the box-office hit and trend setter Darr (1993). Starring the then-débutant Shah Rukh Khan, it showed a sympathetic look at obsessive love and an emotion often overlooked in love--fear--and its success catapulted Khan to super-stardom. In 1995, Chopra turned to production and Aditya Chopra made his directorial debut with Dilwale Dulhania Le Jayenge (1995), which had the longest-running initial release in cinema history. He directed one more film, Dil To Pagal Hai (1997), a love story set against the theater, which became a huge success and a cult hit, before he retired from directing. However, in 2004, he made a grand comeback with Veer-Zaara (2004), a touching cross-border love story, which he said would be his last directorial effort.
The ages of the director and playback singer Lata Mangeshkar, his muse, proved you need to be young, as well as crazy, at heart, to be a true romantic....- Actor
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M.G. Ramachandran (1917-1987), popularly known as MGR, dominated like no other, the films and politics of India's Tamil Nadu state. A charismatic actor and philanthropist, he commanded the idolatrous adulation of millions of Tamilians and became Tamil Nadu's chief minister. His achievements in 3 fields, namely films, philanthropy and politics were remarkable considering his humble origins in Sri Lanka. Raised in poverty by a widowed single mother, he had nothing more than his good looks when he got his first break in "Sati Lilavati", a Tamil film of the late 1930s. In the 1940s and 50s, the Tamil film industry was being transformed by screenwriters like Annadurai, Karunanidhi and others belonging to the Dravidian movement. MGR starred in many of the movies they helped make. Annadurai became his mentor and MGR joined the DMK, Annadurai's new Dravidian party. His films made MGR a matinee idol among Tamilians. He also started monetarily helping people in need, sowing the seeds for his reputation as a philanthropist. When Annadurai died as Tamil Nadu's chief minister, MGR's rival Karunanidhi assumed office. MGR accused him of defalcation and was kicked out of the DMK. In 1977, MGR's ADMK (later renamed AIADMK) party was swept into power. In his first term, MGR cleaned up corruption and carried out reforms like having an income limit for backward class people to be eligible for the reserved seats in government colleges and jobs. His reforms proved unpopular, so MGR became another corrupt Indian politician having learned not to rock the boat. Tamil Nadu stagnated during the rest of his reign. Yet his mesmerized legions of fans continued to vote him into power. His death in 1987 created a power vacuum that soon brought his old nemesis, the corrupt Karunanidhi, back into power. MGR was a complex man who triumphed over poverty and tried to improve the lot of the people who revered him. However, in the end, he was a god that failed.- Actor
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Shamsher Raj "Shammi" Kapoor was the son of theater and film actor Prithviraj Kapoor and his wife Ramsarni "Rama" Mehra Kapoor. Shammi's acting career began in 1948, when he joined his father's theatrical company "Prithvi Theatres." Like his father and his brothers, Shammi eventually moved into the world of movie-making. He made his big screen debut in 1953. His earliest films were mostly low-budget swashbucklers and romances that failed to succeed at the box office. Shammi referred to himself at that point in his career as a "male starlet."
In April of 1955, on the sets of Rangin Raaten (1956), Shammi met and fell in love with the actress Geeta Bali. She was an established actress, and he was still struggling in his career. Four months later, Geeta agreed to marry Shammi and they wed in small ceremony witnessed by Hari Walia who produced and directed their next film together Coffee House (1957). The couple had two children, a son Aditya Raj Kapoor born in 1956 and a daughter Kanchan born in 1961.
The film Tumsa Nahin Dekha (1957) was a turning point in Shammi's career. For this film, he cut his hair and shaved off his pencil-thin mustache; creating a new look and persona. The film was a success and was soon followed by more hits. By 1961, Shammi's boisterous shout of "Yahoo!" and his exuberant hip-shaking dance moves, in his first color picture Junglee (1961), had made him a star. His natural talent for dancing and his modern and casual fashion sense brought him comparisons to Elvis Presley, and Shammi became known as the "Rebel Star."
In 1965, while Shammi was filming Teesri Manzil (1966), his wife Geeta fell ill with smallpox and passed away. After months away from the set, Shammi eventually returned to film the song "Tumne Mujhe Dekha." Shammi's success continued and in 1968, his acting talent was formally recognized. He received the Filmfare Best Actor award for his role in Brahmachari (1968).
In 1969, Shammi married Neila Devi from the former royal family of Bhavanagar. Their families had long been friends and they first met when Neila was 9 and Shammi was 19. Neila later recalled that Shammi had pulled her pigtails while she was watching one of his plays from the backstage wings. Shammi's sister-in-law first suggested the match to him. Eventually, Shammi called Neila on the phone to propose. They spent hours talking, and were married the next day.
By the 1970s, Shammi's weight gain and competition from other popular actors was taking a toll on his status as a romantic hero. Andaz (1971) was one of his last hits as a leading man.
Shammi enjoyed directing two films, Manoranjan (1974) and Bundal Baaz (1976). The films met with some critical success but neither did well at the box-office. As the '70s continued, Shammi began transferring his acting talents into supporting roles. He won another Filmfare Award for Best Supporting Actor in Vidhaata (1982).
Shammi took to the Internet early, and was the founder and chairman of Internet Users Community of India. He managed his own website and made online videos to speak directly to his fans. He loved to share stories about his career, his friends, and his famous family: father Prithviraj Kapoor, elder brother Raj Kapoor, younger brother Shashi Kapoor, and their spouses, children, and grandchildren; many of whom work in the film industry.
In later years, Shammi continued to take on supporting roles in film and TV. He was presented with the Filmfare Lifetime Achievement Award in 1995. His last film was the posthumously released Rockstar (2011), in which he appeared alongside his great-nephew Ranbir Kapoor.
The last seven years of his life, he suffered from chronic renal failure and underwent dialysis three times a week. But it never dampened his warmhearted spirit, until the end he continued to share his joy for life. Shammi Kapoor passed away around 5:15 am, August 14th, 2011 at Mumbai Breach Candy hospital.- Writer
- Director
- Music Department
Rituparno Ghosh is a Bengali film director. He has won 12 National Film Awards in India and several awards at international film festivals abroad. He began directing in advertising. In 1992, he made a low-key film debut with a children's feature titled Hirer Angti (The Diamond Ring). His second movie Unishe April (19 April), won the 1995 National Film Award Since then, Ghosh has directed Dahan, Utsab, Chokher Bali, Asukh, Bariwali, Antarmahal and Raincoat (in Hindi). He won the National Award for best direction for his bengali film "Abohoman" starring Jishu Sengupta, Ananya Chatterjee, Dipankar Dey and Mamata Shankar in India in 2010.- Actress
- Music Department
Jiah Khan was born on 20 February 1988 in New York City, New York, USA. She was an actress, known for Ghajini (2008), Nishabd (2007) and Housefull (2010). She died on 3 June 2013 in Mumbai, Maharashtra, India.- Actor
- Director
- Producer
Satish Chandra Kaushik was a well-known Indian actor and comedian. He was also a director, producer, and screenwriter. Kaushik graduated from Kirori Mal College, Delhi, and received professional training from the National School of Drama, Delhi, and the Film and Television Institute, Pune.
In his lifetime, Kaushik was a part of more than 100 films and shows. His most famous theatre role was in the Hindi adaptation of Arthur Miller's play Death of a Salesman named Salesman Ramlal.
In the film industry, Kaushik gained popularity with his iconic role in the superhero film Mr. India (1987). His humorous role as a cook and the famous dialogue "Calendar, khaana do" became a household dialogue in the 1990s.
His most famous movies include Ram Lakhan (1989), Saajan Chale Sasural (1996), Deewana Mastana (1997), Brick Lane (2007), Udta Punjab (2016), Kaagaz (2021).
Roop Ki Rani Choron Ka Raja (1993) was Kaushik's first film as a director. The film did not do well at the box office.
The first hit film he directed was Hum Aapke Dil Mein Rehte Hain (1999). His other ventures as a director include Prem (1995), In Your Name (2003), Vaada (2005), Teree Sang: A Kidult Love Story (2009).
He won the Best Comic Actor award at the Filmfare Awards for his role in Ram Lakhan and Saajan Chale Sasural in 1990 and 1997, respectively. He won the Best Supporting Actor Award at the Dada Saheb Phalke Film Festival for his role in Kaagaz.
Shortly after celebrating Holi with his friends, Kaushik died due to cardiac arrest on March 9, 2023.- Actress
- Director
- Producer
Savitri, also known as Savitri Ganesan, was an Indian film actress, director, producer, singer and race car enthusiast who predominantly worked in Telugu and Tamil cinema. She also worked in Malayalam, Hindi, and Kannada movies. Starring in more than 250 films. "Mahanati" (i.e.,) Greatest of all actresses by the Telugu Cinema and famously referred to as the "Nadigaiyar Thilagam" (i.e.,) Doyenne of all actresses by the Tamil Cinema. Her performance in the 1957 Telugu Epic film "Mayabazar" skyrocketed her to stardom.
Savitri was born on 6 December 1934 in a Telugu family in Chirravuru, Guntur district of present-day Andhra Pradesh.Her father died when she was six months old, after which her mother took Savitri and an older sibling, Maruti to live with an aunt and uncle. Her uncle, Kommareddy Venkataramaiah enrolled her in classes when she began to show a talent for dance.
Savitri acted in dance dramas as a child, including some work with a theatre company run by Jaggayya. She made an unsuccessful speculative trip to find film work in Madras at the age of 14 when she was deemed to be too young to play heroine roles, but in 1950 was cast as the female lead in Samsaram. That role did not become actuality because she became too excited, necessitating numerous retakes and eventually her replacement in the part. She was given a minor speaking role in the film and in the next year had two more minor roles, in Roopavati and Patala Bhairavi, before getting her big break as the second heroine in Pelli Chesi Choodu. She, later on, was propelled to stardom with critically acclaimed roles in blockbusters such as Devadasu and Missamma.
Savitri won several awards for her performance. She also received the prestigious Rashtrapathi Award. In 2011, the Government of India issued a postage stamp in commemoration of Savitri.
While Savitri was married to Gemini Ganesan, the couple separated in the meantime. They had two children together. Savitri passed away in 1981 after slipping into a coma for 19 months; she was suffering from diabetes and hypertension.- Music Artist
- Music Department
- Actor
Abhas Kumar Ganguly was born in Khandwa, now in Madhya Pradesh. His dad's name was Kunjilal, a lawyer by profession, and his mom's name was Gouri Devi, who came from a wealthy family.
Kishore was the youngest in the Ganguly family, preceded by Ashok Kumar, Sati, & Anoop Kumar (I). Sati was married to Sashadhar Mukherjee, who was the brother of film-maker Subodh Mukherji, and Bollywood actors Joy Mukherjee & Deb Mukherjee. Sati's son, Shomu Mukherjee, went on to marry Tanuja Samarth, and who subsequently gave birth to Kajol and Tanishaa Mukerji. Tanuja is the sister of Nutan, who, in turn, is the mother of actor Mohnish Behl. Tanuja and Nutan are the daughters of the famed Shobhna Samarth. Sati was also aunt-by-marriage to Ram Mukherjee, who would subsequently marry and give birth to Raj Mukherjee and Bollywood actress, Rani Mukerji. Ashok's daughter is noted Bollywood actress, Preeti Ganguli, who is married to comedian and character actor, Deven Verma. Ashok's grand-daughter is actress, Anuradha Patel.
While Ashok went on to become a successful actor, Abhas, who was renamed Kishore, shunned acting, and preferred singing and mimicking K.L. Saigal. His brother, Anoop, while struggling to make a name himself, noticed this, and encouraged Kishore to sing in his own voice.
When Sachin Dev Burman happened to visit Ashok, he heard Kishore singing, and immediately signed him to sing for Bollywood movies. After Sachin's passing away, his son, Rahul Dev Burman took over and openly favored Kishore over other male singers.
He always wanted to be a singer, but acting was thrust upon him, and he did his best to live up to it. A Leo, Kishore was also known for his mad-cap comedy movies, and for his eccentricity as he used to 'talk' to his trees in his home, and had even put up a sign 'Mental Hospital' right outside his residence in Khandwa. He was also parsimonious, so much so that he was in arrears to the Indian Income Tax authorities, yet never missed a chance to make fun of them (Aur Peechey Pad Gaya Income Taxum, Jai Govindam Jai Gopalam).
When he refused to endorse former Indian Prime Minister's 20 point Program during the 1975-1977 Emergency, he was banned from the Government-controlled media namely All India Radio and Vividh Bharati. Even duets with his voice were censored. He was not the only one in Bollywood, as others like I.S. Johar, Dev Anand, Shatrughan Sinha openly condemned Mrs. Gandhi's regime. After the emergency, her political party (Congress) was overwhelmingly ousted by the electorate in favor of the Janata Party.
Kishore made a record by being the only singer to have sung in more than 90 films for a single hero which was for Rajesh Khanna. Kishore sang in 91 films for Rajesh Khanna.His closest friends were Rajesh Khanna, R.D.Burman, S.D.Burman, Mohammad Rafi.He refused to lend his voice to Amitabh Bachchan in period 1982-1987 many times, when the latter refused to do a guest appearance in a Kishore-produced film and this affected Bachchan's career as many of his films flopped post 1983.
His marriages to some of the most popular and attractive Bollywood actresses (Madhubala, Yogeeta Bali,Leena Chandavarkar) not only raised eyebrows, but added to his popularity.Fact was each of these women with exception of Yogita Bali fell in love with Kishore Kumar. Madhubala loved him immensely but had health issues so died. Then in 1976 Yogita claimed to love him and married Kishore, but then Kishore realized she had married him for his money so divorced her. Leena was a widower but Kishore fell in love with her and proposed her and they were happily married till his death.
He introduced his son, Amit Kumar, (sired from his first wife Ruma Ghosh aka Ruma Guha Thakurta) to sing, often along with him, and then amazed his fans by marrying widowed Leena Chandavarkar, who was just two years older than Amit.
He sang 245 songs picturised on Rajesh Khanna across 92 films, which is an unbeaten record for singer-actor combination. Kishore sang 245 songs for Rajesh Khanna, 202 for Jeetendra, 119 for Dev Anand and 131 for Amitabh.
He had recorded the duets "Kaho Kahan Chale" for the film Bulundi, "Pyar Ka Dard Hai" from Dard and "Tum Jo Chale Gaye" from Aas Paas, a few days before his heart attack in 1981. He suffered his first heart attack on 24th January 1981 in Kolkata in the noon hours and within a gap of another four hours, suffered his second heart attack. The first solo song sung by him, after recovery from his two attacks was "Mere Sang Sang Aya" from Rajput (1982) and the duet with Asha - "Mausam Bheega Bheega" from Gehra Zakhm.
In the comedy, Badhti Ka Naam Dadhi (1974) a song 'Karne Chaley Thhey Shaadi Meri, Khud Ban Baithey Dulha', sung by Amit, hilariously chastised his dad for getting married, instead of searching for a bride for his son.
Through Leena he sired another son, Sumeet Kumar. Their marriage was intact until his unexpected passing on October 13, 1987, due to heart failure for the third time.
Kishore has not only been immortalized by his songs, but also by his talents as an Actor, Producer, Director, Script-Writer, & Lyricist. His movies continue to be popular even now on TV, as do his songs on both TV and radio.