Distributors releasing titles before James Bond takes screens.
Musical adaptation Everybody’s Talking About Jamie, action thriller Gunpowder Milkshake and Mark Cousins’ documentary The Story of Looking are three of 19 new films landing in UK-Ireland cinemas this weekend, as distributors look for screen space in advance of No Time To Die in two weeks.
The number of releases each week has been steadily increasing throughout the summer, with just eight on June 4, two weeks after cinemas reopened in England. This has risen to 15 last weekend, and jumped further to 19 this time out.
The increase is a welcome sign for the theatrical industry,...
Musical adaptation Everybody’s Talking About Jamie, action thriller Gunpowder Milkshake and Mark Cousins’ documentary The Story of Looking are three of 19 new films landing in UK-Ireland cinemas this weekend, as distributors look for screen space in advance of No Time To Die in two weeks.
The number of releases each week has been steadily increasing throughout the summer, with just eight on June 4, two weeks after cinemas reopened in England. This has risen to 15 last weekend, and jumped further to 19 this time out.
The increase is a welcome sign for the theatrical industry,...
- 9/17/2021
- by Ben Dalton
- ScreenDaily
An interesting take on identity, as one half of a young couple videos the other, gets taken over by social commentary
This London drama is directed with absolute confidence by first-timers Darragh Carey and Bertrand Desrochers, hitting the ground running with a girl-meets-boy story set in Brixton. It begins with a chaotic rush of teenage energy and hormones when white middle-class teenager Leah (Lily Newmark) gets together with Benji (Ola Orebiyi), who is black and from a low-income family. Before they meet, budding video artist Leah secretly follows Benji around Brixton, voyeuristically filming him handing out flyers for his mum’s nail bar and mucking about with his mates. Her footage gives us a portrait of Benji as an intriguing mix of charisma and shyness – with an innate kindness that makes the tragedy coming his way painful to watch.
Together as a couple, Leah and Benji document their world: getting...
This London drama is directed with absolute confidence by first-timers Darragh Carey and Bertrand Desrochers, hitting the ground running with a girl-meets-boy story set in Brixton. It begins with a chaotic rush of teenage energy and hormones when white middle-class teenager Leah (Lily Newmark) gets together with Benji (Ola Orebiyi), who is black and from a low-income family. Before they meet, budding video artist Leah secretly follows Benji around Brixton, voyeuristically filming him handing out flyers for his mum’s nail bar and mucking about with his mates. Her footage gives us a portrait of Benji as an intriguing mix of charisma and shyness – with an innate kindness that makes the tragedy coming his way painful to watch.
Together as a couple, Leah and Benji document their world: getting...
- 9/13/2021
- by Cath Clarke
- The Guardian - Film News
A feature film debut for directors Darragh Carey and Bertrand Desrochers
UK-based sales outfit Parkland Pictures has acquired worldwide sales rights (excluding UK) to A Brixton Tale, which had its world premiere at this year’s Glasgow Film Festival.
It is the first feature film from commercials director Darragh Carey and music video director Bertrand Desrochers.
The cast features Lily Newmark (Misbehaviour), Ola Orebiyi (Limbo) and Craige Middleburg (The Batman) alongside former Screen Stars of Tomorrow Jaime Winstone and Barney Harris.
Dennis Gyamfi and Beau Rambaut are producers with Rupert Baynham, who also wrote the screenplay with Chi Mai. The project was written,...
UK-based sales outfit Parkland Pictures has acquired worldwide sales rights (excluding UK) to A Brixton Tale, which had its world premiere at this year’s Glasgow Film Festival.
It is the first feature film from commercials director Darragh Carey and music video director Bertrand Desrochers.
The cast features Lily Newmark (Misbehaviour), Ola Orebiyi (Limbo) and Craige Middleburg (The Batman) alongside former Screen Stars of Tomorrow Jaime Winstone and Barney Harris.
Dennis Gyamfi and Beau Rambaut are producers with Rupert Baynham, who also wrote the screenplay with Chi Mai. The project was written,...
- 6/9/2021
- by Melissa Kasule
- ScreenDaily
For their first feature, A Brixton Tale, filmmaking team Darragh Carey and Bertrand Desrochers set themselves a trap. It’s a film about filmmaking ethics—who gets to tell which stories, and where is the line between artistic expression and exploitation? By asking those questions, the Irish Carey and Québécois Desrochers put themselves under the microscope, too, in their depiction of a housing estate in rapidly gentrifying Brixton. They preempt those criticisms with a title card at the beginning that reads, “Made in collaboration with the community,” and yet I still can’t shake the feeling that A Brixton Tale is made with an outsider’s gaze––not because it’s exploitative, but because it’s generic. It’s a film that plays it too safe, sanding off the thorny edges of its characters to make something tiresomely morally straightforward.
The story is centered on a romance between Benji, a Black Brixtoner,...
The story is centered on a romance between Benji, a Black Brixtoner,...
- 2/22/2021
- by Orla Smith
- The Film Stage
More than just about any existing film festival, Slamdance was started with an eye toward inclusion. In the case of the Park City festival, which was founded as a more freewheeling alternative to Sundance back in 1995, that sense of inclusion largely pertained to the filmmakers themselves: first-timers, experimentalists and enterprising directors without much in the way of resources to have their films shown in a proper theatrical environment. For Slamdance’s president and co-founder Peter Baxter, however, the ongoing pandemic provided an opportunity to consider how its open-door policy ought to work both ways.
“Independent film should be seen as inclusive, but in a lot of ways it’s been very exclusive,” Baxter says. “You look at film festivals, you look at Park City — you’re in a privileged situation if you’re able to go to Park City and experience Sundance and Slamdance. The travel, accommodations, time away from...
“Independent film should be seen as inclusive, but in a lot of ways it’s been very exclusive,” Baxter says. “You look at film festivals, you look at Park City — you’re in a privileged situation if you’re able to go to Park City and experience Sundance and Slamdance. The travel, accommodations, time away from...
- 2/12/2021
- by Andrew Barker
- Variety Film + TV
UK festival recently moved online-only due to virus crisis.
The Glasgow Film Festival (Gff) has revealed the programme for its 2021 edition (Feb 24-March 7), which includes several award-winning festival favourites and a focus on South Korea.
The 17th edition of Gff, which recently announced it would shift online-only due to the ongoing virus crisis, includes six world premieres, two European premieres and 49 UK premieres – around a third of the event’s usual programme of 180 titles.
However, Gff co-directors Allison Gardner and Allan Hunter said the reduced number of slots had forced them to raise the bar for selection and produce a stronger programme as a result.
The Glasgow Film Festival (Gff) has revealed the programme for its 2021 edition (Feb 24-March 7), which includes several award-winning festival favourites and a focus on South Korea.
The 17th edition of Gff, which recently announced it would shift online-only due to the ongoing virus crisis, includes six world premieres, two European premieres and 49 UK premieres – around a third of the event’s usual programme of 180 titles.
However, Gff co-directors Allison Gardner and Allan Hunter said the reduced number of slots had forced them to raise the bar for selection and produce a stronger programme as a result.
- 1/14/2021
- by Michael Rosser
- ScreenDaily
As with most festivals in a pandemic world, Slamdance Film Festival is changing things up with their 2021 edition. Moving a few weeks back to February 12-25, no longer directly competing with Sundance Film Festival, the festival will be taking place primarily virtually. In quite a feat of accessibility, a full festival pass is also now available for free––if you secure yours by December 31st. After that, they are going up to $10, which is still a steal.
The festival has also announced its full lineup, with 25 features along with 107 shorts and episodic. Films, Q&As, and panels will be available on Slamdance.com, AppleTV, Roku, Firestick, and YouTube, while in-person events will take place in Joshua Tree with drive-ins open to the public on February 13th and 14th as well as the closing night screening at a Los Angeles drive-in on February 25.
Check out the lineup below and reserve your festival pass here.
The festival has also announced its full lineup, with 25 features along with 107 shorts and episodic. Films, Q&As, and panels will be available on Slamdance.com, AppleTV, Roku, Firestick, and YouTube, while in-person events will take place in Joshua Tree with drive-ins open to the public on February 13th and 14th as well as the closing night screening at a Los Angeles drive-in on February 25.
Check out the lineup below and reserve your festival pass here.
- 12/1/2020
- by Jordan Raup
- The Film Stage
Remember film festivals? Especially in person ones? Well, they won’t be returning for a bit, but 2021 will still be filled with festivals, just of the mostly virtual variety. One such fest is the Slamdance Film Festival, which has in the past taken place alongside the Sundance Film Festival. Scheduled for February 12th until the 25th, Slamdance is taking the hybrid route, making their selections available virtually. The lineup was announced today, so the first real movie gathering of next year (from the comfort of our own homes) is now known. Read on to see the lineup, as well as a bit about what will be populating Slamdance… Here now is the 2021 Slamdance Film Festival lineup, via a Deadline press release: Narrative Features A Brixton Tale World Premiere Directors: Darragh Carey & Bertrand Desrochers – Screenwriters: Rupert Baynham, Darragh Carey, Chi Mai – Producers: Rupert Baynham, Dennis Gyamfi, Beau Rambaut A voyeuristic, wealthy...
- 11/30/2020
- by Joey Magidson
- Hollywoodnews.com
Like all festivals, the Slamdance Film Festival is set to shift to a hybrid fest for its 27th edition — but it isn’t holding back on its programming as it will feature 20 feature film premieres while highlighting diverse voices and accessibility. With the theme “Greenlight Yourself,” the indie-driven fest will also launch a new program titled Unstoppable, a showcase for creators with disabilities.
The fest will run February 12-25, 2021 with all films, Q&As and panels available virtually via Slamdance.com, AppleTV, Roku, Firestick, and YouTube. In addition, there will be a two-night drive-in presentation in Joshua Tree, CA open to the public on February 13-14 as well as the closing-night screening at a Los Angeles drive-in on February 25.
“Our theme this year was inspired by the incredible resilience and creativity evidenced by our community and our team over the past few unprecedented months,” said Slamdance president and co-founder Peter Baxter.
The fest will run February 12-25, 2021 with all films, Q&As and panels available virtually via Slamdance.com, AppleTV, Roku, Firestick, and YouTube. In addition, there will be a two-night drive-in presentation in Joshua Tree, CA open to the public on February 13-14 as well as the closing-night screening at a Los Angeles drive-in on February 25.
“Our theme this year was inspired by the incredible resilience and creativity evidenced by our community and our team over the past few unprecedented months,” said Slamdance president and co-founder Peter Baxter.
- 11/30/2020
- by Dino-Ray Ramos
- Deadline Film + TV
The Slamdance Film Festival has unveiled its lineup of 25 features along with 107 shorts and episodics for the mostly virtual 27th edition of the festival — a number that equals previous editions of the festival.
The opening night film, which will screen at a drive-in in Joshua Tree on Feb. 13, is the world premiere of “No Trace” (Nulle Trace) from Canadian director and screenwriter Simon Lavoie. Taking place in a near future, the film follows a callous smuggler hardened by life who guides a pious young woman and her child across the border to safety, unaware that their destinies are inescapably linked in an inhospitable land.
The festival will close with the world premiere screening of “18th & Grand: The Olympic Auditorium Story” at a Los Angeles drive-in on Feb. 25. The feature documentary by Stephen DeBro is the story of Los Angeles told through the prism of a historic fight palace and Aileen Eaton,...
The opening night film, which will screen at a drive-in in Joshua Tree on Feb. 13, is the world premiere of “No Trace” (Nulle Trace) from Canadian director and screenwriter Simon Lavoie. Taking place in a near future, the film follows a callous smuggler hardened by life who guides a pious young woman and her child across the border to safety, unaware that their destinies are inescapably linked in an inhospitable land.
The festival will close with the world premiere screening of “18th & Grand: The Olympic Auditorium Story” at a Los Angeles drive-in on Feb. 25. The feature documentary by Stephen DeBro is the story of Los Angeles told through the prism of a historic fight palace and Aileen Eaton,...
- 11/30/2020
- by Dave McNary
- Variety Film + TV
Virtual festival runs February 12-25, 2021, includes 107 shorts, episodics.
Canadian drama No Trace and documentary 18th & Grand: The Olympic Auditorium Story bookend a 25-strong feature line-up at the upcoming virtual Slamdance Film Festival 2021, which is also unveiling a new section for creators with disabilities.
The festival runs from February 12-25, 2021, and includes 107 shorts and episodics.
All films, Q&a’s and panels will be available on Slamdance.com, and select platforms. The opening and closing night screenings take place at drive-ins at Joshua Tree and Los Angeles, respectively, and there are public, two-night drive-in screenings in Joshua Tree on February 13 and...
Canadian drama No Trace and documentary 18th & Grand: The Olympic Auditorium Story bookend a 25-strong feature line-up at the upcoming virtual Slamdance Film Festival 2021, which is also unveiling a new section for creators with disabilities.
The festival runs from February 12-25, 2021, and includes 107 shorts and episodics.
All films, Q&a’s and panels will be available on Slamdance.com, and select platforms. The opening and closing night screenings take place at drive-ins at Joshua Tree and Los Angeles, respectively, and there are public, two-night drive-in screenings in Joshua Tree on February 13 and...
- 11/30/2020
- by Jeremy Kay
- ScreenDaily
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