Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Alex van Warmerdam Collection
If you only know the work of Alex van Warmerdam as it pertains to his breakout psychological thriller Borgman, one know has a chance to dive into five other films from the Dutch director. Abel, The Northerners, The Last Days of Emma Blank, Schneider vs. Bax, and his new re-edit of Grimm are now on Film Movement Plus. We said in our review of Schneider vs. Bax, “Hitman films tend to be action-packed and heavy with tropes familiar to that particular sub-genre of thrillers. Yet Dutch filmmaker Alex van Warmerdam hopes to subvert those expectations by crafting an almost absurdist, Beckett-style drama between two contract killers hired to take out the other.”
Where to Stream: Film Movement...
The Alex van Warmerdam Collection
If you only know the work of Alex van Warmerdam as it pertains to his breakout psychological thriller Borgman, one know has a chance to dive into five other films from the Dutch director. Abel, The Northerners, The Last Days of Emma Blank, Schneider vs. Bax, and his new re-edit of Grimm are now on Film Movement Plus. We said in our review of Schneider vs. Bax, “Hitman films tend to be action-packed and heavy with tropes familiar to that particular sub-genre of thrillers. Yet Dutch filmmaker Alex van Warmerdam hopes to subvert those expectations by crafting an almost absurdist, Beckett-style drama between two contract killers hired to take out the other.”
Where to Stream: Film Movement...
- 3/11/2022
- by Jordan Raup
- The Film Stage
Next month’s Mubi lineup for the U.S. has been unveiled, with a major highlight being their recent release Lingui, The Sacred Bonds and more films from director Mahamat-Saleh Haroun (read our recent chat with him). Matías Piñeiro’s Isabella and Kazik Radwanski’s Anne at 13,000 Ft., two of last year’s highlights, will also arrive.
Two recent Cannes premieres, the Adèle Exarchopoulos-led Zero Fucks Given and Peter Tscherkassky’s Train Again will also finally come to the U.S. courtesy of Mubi. In terms of older highlights, Kathryn Bigelow’s Near Dark, Hong Sang-soo’s The Power of the Kangwon Province, Jafar Panahi’s Crimson Gold, Jean Renoir’s Grand Illusion, and more will arrive.
Check out the lineup below and get 30 days free here.
March 1 | The Willmar 8 | Lee Grant | Down and Out in America: Lee Grant’s Documentaries
March 2 | Train Again | Peter Tscherkassky | Brief Encounters
March...
Two recent Cannes premieres, the Adèle Exarchopoulos-led Zero Fucks Given and Peter Tscherkassky’s Train Again will also finally come to the U.S. courtesy of Mubi. In terms of older highlights, Kathryn Bigelow’s Near Dark, Hong Sang-soo’s The Power of the Kangwon Province, Jafar Panahi’s Crimson Gold, Jean Renoir’s Grand Illusion, and more will arrive.
Check out the lineup below and get 30 days free here.
March 1 | The Willmar 8 | Lee Grant | Down and Out in America: Lee Grant’s Documentaries
March 2 | Train Again | Peter Tscherkassky | Brief Encounters
March...
- 2/18/2022
- by Leonard Pearce
- The Film Stage
Adilkhan Yerzhanov’s “Assault” and “Kung Fu Zohra” from Mabrouk El Mechri are among the lineup at International Film Festival Rotterdam’s (IFFR) 51st edition.
The films were among 10 features selected for the Big Screen competition, which aims to bridge the gap between popular, classic and arthouse cinema.
IFFR also boasts the Tiger Competition for emerging talent and Ammodo Tiger Short competition for shorts.
Among the 14 titles selected for the Tiger Competition, Roberto Doveris will present “Proyecto Fantasma,” Morgane Dziurla-Petit will deliver “Excess Will Save Us” and David Easteal will show “The Plains.”
The festival, whose full lineup was announced on Friday, will run as a virtual festival on IFFR.com from Jan 26-Feb. 6 for the second year in a row due to the Covid-19 pandemic. Festival director Vanja Kaludjercic revealed that the lockdown in the Netherlands had enforced some changes in previously announced elements of the program. For example,...
The films were among 10 features selected for the Big Screen competition, which aims to bridge the gap between popular, classic and arthouse cinema.
IFFR also boasts the Tiger Competition for emerging talent and Ammodo Tiger Short competition for shorts.
Among the 14 titles selected for the Tiger Competition, Roberto Doveris will present “Proyecto Fantasma,” Morgane Dziurla-Petit will deliver “Excess Will Save Us” and David Easteal will show “The Plains.”
The festival, whose full lineup was announced on Friday, will run as a virtual festival on IFFR.com from Jan 26-Feb. 6 for the second year in a row due to the Covid-19 pandemic. Festival director Vanja Kaludjercic revealed that the lockdown in the Netherlands had enforced some changes in previously announced elements of the program. For example,...
- 1/7/2022
- by K.J. Yossman and Marta Balaga
- Variety Film + TV
Vienna-based sales company Square Eyes has acquired Tomasz Wolski’s Polish animated documentary “1970,” which picked up the Special Jury Award at this year’s Swiss doc fest Visions du Réel.
The stop-motion animated pic, which is screening at the Krakow Film Festival, chronicles the increasingly violent efforts by Poland’s communist leaders to end widespread demonstrations over rising prices of food and other everyday items.
Square Eyes also recently added Chloé Galibert-Laîné and Kevin B. Lee’s German-French documentary work “Bottled Songs 1-4,” a collection of shorts that follow the directors’ investigation of online jihadist propaganda and how media-savvy groups like Isis make effective use of stylistic devices drawn from Hollywood blockbusters.
“Bottled Songs 1-4” is screening at the International Film Festival Rotterdam in the Harbour section.
Likewise unspooling at IFFR is Square Eyes’ Dutch doc “A Man and a Camera” by Guido Hendrikx. The pic offers a silent tour of Dutch front doors,...
The stop-motion animated pic, which is screening at the Krakow Film Festival, chronicles the increasingly violent efforts by Poland’s communist leaders to end widespread demonstrations over rising prices of food and other everyday items.
Square Eyes also recently added Chloé Galibert-Laîné and Kevin B. Lee’s German-French documentary work “Bottled Songs 1-4,” a collection of shorts that follow the directors’ investigation of online jihadist propaganda and how media-savvy groups like Isis make effective use of stylistic devices drawn from Hollywood blockbusters.
“Bottled Songs 1-4” is screening at the International Film Festival Rotterdam in the Harbour section.
Likewise unspooling at IFFR is Square Eyes’ Dutch doc “A Man and a Camera” by Guido Hendrikx. The pic offers a silent tour of Dutch front doors,...
- 6/3/2021
- by Ed Meza
- Variety Film + TV
The Key Buyers Event: Digital, a film and TV market held in Russia, will return for a third edition in 2021. The event showcases new audiovisual content from the country and highlights emerging talent. This year’s focus will be international co-production, rather than the typical focus on distribution. The event is organized by promotional body Roskino and is supported by the Department of Entrepreneurship and Innovative Development of the City of Moscow and the Agency for Creative Industries. The 2020 edition gathered more than 1,400 participants and 600 international distributors from 70 countries, according to Roskino. A new strand will also be inaugurated this year that will highlight Russian projects for global film festival programmers. “Russian content has enjoyed increasing levels of success within the global market over the last three years. Russian films have increasingly become popular – the latest example is Sputnik, a sci-fi horror that has been acquired for an English-language remake in Hollywood.
- 4/7/2021
- by Tom Grater
- Deadline Film + TV
Just One Film is a series that recommends individual films from festivals around the world—the movies you otherwise might have missed that deserve to be discovered.In 2007, a scandal broke out in the northern Dutch city of Groningem involving a number of private sex parties arranged via internet chat rooms where some 14 gay men were deliberately infected with HIV. The three accused had drugged their guests with ecstasy and Ghb, who in their semiconscious delirium were then administered with cocktails of the perpetrators’ own blood. Perversely chilling in its implications, the “Groningem HIV case,” which resulted in the conviction of the three men, would seem to be easy fodder for the kind of binge-watching sensationalism we associate with the true-crime genre. Yet in Feast, the debut feature film by the Dutch visual artist, filmmaker, and photographer Tim Leyendekker, such easy rubbernecking satisfaction is denied.Instead, Feast revels in the...
- 4/2/2021
- MUBI
Idea is a solution to the problem of closed cinemas and no physical events.
Hotels will host screening rooms and red carpets for local residents as part of the 26th Vilnius International Film Festival, which is taking place from March 18 – April 24 this year.
The Lithuanian festival has partnered with six of the city’s hotels for what it describes as “the full festival experience”, including red carpets and step-and-repeat marketing boards in communal areas; and films playing in hotel rooms that will have been transformed into screening rooms.
There will also be goody bags and special decorations in the hotel rooms,...
Hotels will host screening rooms and red carpets for local residents as part of the 26th Vilnius International Film Festival, which is taking place from March 18 – April 24 this year.
The Lithuanian festival has partnered with six of the city’s hotels for what it describes as “the full festival experience”, including red carpets and step-and-repeat marketing boards in communal areas; and films playing in hotel rooms that will have been transformed into screening rooms.
There will also be goody bags and special decorations in the hotel rooms,...
- 3/11/2021
- by Ben Dalton
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Luis Buñuel (left) and Jean-Claude Carrière (right).The great Jean-Claude Carrière has died. The prolific screenwriter worked across genres and penned scripts from Philip Kaufman's The Unbearable Lightness of Being to Luis Buñuel's The Discreet Charm of the Bourgeoisie, and more recently, Philippe Garrel's The Salt of Tears. Revisit Notebook contributor Lawrence Garcia's overview of Carrière's wide-ranging career here. Actor Christopher Plummer, one of the last links between Classic Hollywood and today, has also died. Throughout his long and illustrious career, Plummer worked with filmmakers like Nicholas Ray, Sidney Lumet, Anthony Mann, Robert Mulligan, Anatole Litvak, Michael Mann, Spike Lee, Terrence Malick, and Pete Docter.The International Film Festival Rotterdam has come to an end, and the winners of this year's awards can be found here. The Berlinale is continuing...
- 2/10/2021
- MUBI
As The Netherlands, under lockdown, celebrated the first half of 50th International Film Festival Rotterdam’s online, the physical half – set to take place in June with real audiences, panels and talks without Zoom links attached – still feels like a long way off.
Meanwhile, the industry is hopeful that the swift and pragmatic measures taken by its national funding agency, The Netherlands Film Fund, will be enough to see it through until the end of this year.
In January, the fund, headed by former IFFR director Bero Beyer, confirmed €30 million ($36.1 million) in new government support – double the amount that was available last year – to help the industry ride through its third national lockdown and beyond.
According to Beyer, most of last year’s efforts went into maintaining a certain level of production once restrictions were lifted in June: a national protocol for safety on film sets was devised along with...
Meanwhile, the industry is hopeful that the swift and pragmatic measures taken by its national funding agency, The Netherlands Film Fund, will be enough to see it through until the end of this year.
In January, the fund, headed by former IFFR director Bero Beyer, confirmed €30 million ($36.1 million) in new government support – double the amount that was available last year – to help the industry ride through its third national lockdown and beyond.
According to Beyer, most of last year’s efforts went into maintaining a certain level of production once restrictions were lifted in June: a national protocol for safety on film sets was devised along with...
- 2/6/2021
- by Ann-Marie Corvin
- Variety Film + TV
Above: Destello bravío Normally, I’d be writing this dispatch from a hotel room, bar, cafe, movie theatre lobby, in a few minutes ripped out of time, hunched over my computer awkwardly quarter-opened in my lap, before another press screening began. Alas, such a physical, not to mention public, presence at a film festival is still depressingly impossible. Much of the festival world is still held captive by the pandemic that thwarted Cannes, limited Venice, and hobbled Toronto last year. I had hoped our coverage of a predominantly virtual New York Film Festival in October would be our last remote dispatch, yet 2021 looks much the same until vaccinations become ubiquitous. But things are not as they were in March last year. The film world is adapting with greater nimbleness than its creaky 125-year history suggests, and festivals have embraced temporary streaming solutions with remarkable agility and impressive audience engagement. Certainly...
- 2/4/2021
- MUBI
“Feast,” the directorial debut of visual artist, photographer and filmmaker Tim Leyendekker, centers on a case that rocked Holland in the mid 2000s, when three men were accused of drugging others and injecting them with HIV-infected blood.
The film/documentary/essay hybrid unfolds over 84-minutes in seven vignettes, offering the audience different points of view from the victims, perpetrators, police and even, via a microbiologist, the virus itself.
A national buzz about the film, running in International Film Festival Rotterdam’s Tiger competition, is such that the director claims to be block-booked with newspaper, TV and radio interviews in his native Holland.
The IFFR meanwhile has guaranteed “Feast” a second play at its planned physical festival in June, ahead of the film’s local release, regardless of whether it wins in its category.
Woute Jansen’s new sales outfit Square Eyes is handling worldwide sales while the Dutch distributor is Windmill Film.
The film/documentary/essay hybrid unfolds over 84-minutes in seven vignettes, offering the audience different points of view from the victims, perpetrators, police and even, via a microbiologist, the virus itself.
A national buzz about the film, running in International Film Festival Rotterdam’s Tiger competition, is such that the director claims to be block-booked with newspaper, TV and radio interviews in his native Holland.
The IFFR meanwhile has guaranteed “Feast” a second play at its planned physical festival in June, ahead of the film’s local release, regardless of whether it wins in its category.
Woute Jansen’s new sales outfit Square Eyes is handling worldwide sales while the Dutch distributor is Windmill Film.
- 2/3/2021
- by Ann-Marie Corvin
- Variety Film + TV
Four international filmmakers spoke with Lorna Tee and Vanja Kaludjercic.
“The bigger the better,” said four Tiger competition filmmakers of how they hope online festival audiences watch their films.
“Try to watch it on a big screen,” said Dutch filmmaker and Rotterdam native Tim Leyendekker. “The bigger the better; especially, in my film, for the more abstract sequences.”
Leyendekker, James Vaughan, Queena Li and Madiano Marcheti were taking part in the second press conference as part of the online International FIlm Festival Rotterdam (IFFR) this week. It was hosted by The panel event was hosted by producer Lorna Tee and IFFR festival director Vanja Kaludjercic.
“The bigger the better,” said four Tiger competition filmmakers of how they hope online festival audiences watch their films.
“Try to watch it on a big screen,” said Dutch filmmaker and Rotterdam native Tim Leyendekker. “The bigger the better; especially, in my film, for the more abstract sequences.”
Leyendekker, James Vaughan, Queena Li and Madiano Marcheti were taking part in the second press conference as part of the online International FIlm Festival Rotterdam (IFFR) this week. It was hosted by The panel event was hosted by producer Lorna Tee and IFFR festival director Vanja Kaludjercic.
- 2/3/2021
- by Ben Dalton
- ScreenDaily
The Intl. Film Festival Rotterdam had to forego a physical event for its 50th anniversary edition, but it’s aiming to reach a wider audience with expanded competition sections and showcases that include promising new voices and established filmmakers alike.
Under new festival director Vanja Kaludjercic, IFFR has reduced the overall number of films from the more than 270 feature films that unspooled last year while beefing up the main Tiger Competition, which celebrates innovative works from up-and-coming filmmakers, from 10 to 16 titles. Also expanded was the Big Screen Competition, which bridges the gap between popular, classic and arthouse cinema.
The revised competitions “encapsulate IFFR’s spirit as a platform for the discovery of visions that pique our curiosity and capture our imagination,” Kaludjercic says.
Female self-realization is one subject that is explored in a number of films vying for this year’s Tiger Award, namely Karen Cinorre’s U.S. title...
Under new festival director Vanja Kaludjercic, IFFR has reduced the overall number of films from the more than 270 feature films that unspooled last year while beefing up the main Tiger Competition, which celebrates innovative works from up-and-coming filmmakers, from 10 to 16 titles. Also expanded was the Big Screen Competition, which bridges the gap between popular, classic and arthouse cinema.
The revised competitions “encapsulate IFFR’s spirit as a platform for the discovery of visions that pique our curiosity and capture our imagination,” Kaludjercic says.
Female self-realization is one subject that is explored in a number of films vying for this year’s Tiger Award, namely Karen Cinorre’s U.S. title...
- 2/1/2021
- by Ed Meza
- Variety Film + TV
Vienna-based sales outlet Square Eyes has acquired Tim Leyendekker’s first feature “Feast” ahead of its world premiere in the Tiger Competition of the Rotterdam Film Festival. Variety has been given exclusive access to the trailer.
Based on the Groningen HIV case, in which three men drugged other men and infected them with their own HIV-infected blood, “Feast” is described by Square Eyes as “a bold and provocative film that skilfully reflects the questions of life, death and morality that have emerged from one of the most disquieting stories in contemporary Dutch life.”
Unfolding over seven individual vignettes, each directed by Leyendekker but shot in collaboration seven different cinematographers, the film blends reportage and surrealism, disbelief and empathy to unpack the repercussions and reverberations of a singularly shocking series of events.
Leyendekker told Variety: “With ‘Feast,’ I hope I can get people to actively think about the many different sides to a news story.
Based on the Groningen HIV case, in which three men drugged other men and infected them with their own HIV-infected blood, “Feast” is described by Square Eyes as “a bold and provocative film that skilfully reflects the questions of life, death and morality that have emerged from one of the most disquieting stories in contemporary Dutch life.”
Unfolding over seven individual vignettes, each directed by Leyendekker but shot in collaboration seven different cinematographers, the film blends reportage and surrealism, disbelief and empathy to unpack the repercussions and reverberations of a singularly shocking series of events.
Leyendekker told Variety: “With ‘Feast,’ I hope I can get people to actively think about the many different sides to a news story.
- 1/25/2021
- by Davide Abbatescianni
- Variety Film + TV
During today’s press conference, International Film Festival Rotterdam (IFFR) announced vital details for its 2021 edition. IFFR 2021 will also take place from 1 to 7 February, and will be opened by film “Riders of Justice” by Anders Thomas Jensen and the Robby Müller Award recipient Kelly Reichardt. They will also be part of IFFR Talks, next to Benoît Jacquot, Charlotte Gainsbourg, Lemohang Jeremiah Mosese, Dea Kulumbegashvili and Nicolás Jaar. IFFR 2021 will also be the first year for new festival director Vanja Kaludjercic — who is also debuting IFFR’s online format. The entire online programme will be available to audiences across the Netherlands, and the Press / Industry screenings, IFFR Talks programmes accessible worldwide. Premieres will have Q&As and live interaction will be available to limited ticket capacity for 72 hours.
Next year’s slate also shows plenty of promise. Of the 16 films selected for the festival’s Tiger Competition, 6 hail from different points...
Next year’s slate also shows plenty of promise. Of the 16 films selected for the festival’s Tiger Competition, 6 hail from different points...
- 12/23/2020
- by Grace Han
- AsianMoviePulse
Looking for VeneraThe first titles for the International Film Festival Rotterdam's hybrid multi-part 50th edition program have been revealed. Under new festival director Vanja Kaludjercic, the newly-organized and extended IFFR 2021 will feature a new program structure, with competition sections to be presented between 1 – 7 February. The festival will resume again between 2 – 6 June with Bright Future (the festival's existing section dedicated to emerging film talent) and what will be the festival's latest and largest section, Harbour. In February the festival will also celebrate the 75th anniversary of Amsterdam's Eye Filmmusuem, while in June IFFR's own 50th year will be celebrated with a special anniversary program. Tiger COMPETITIONAgate mousse (Selim Mourad)Bebia, à mon seul désir (Juja Dobrachkous)Bipolar (Queena Li)Black MedusaA Corsican Summer (Pascal Tagnati)The Edge of Daybreak (Taiki Sakpisit)Feast (Tim Leyendekker)Friends and Strangers (James Vaughan)Gritt (Itonje Søimer Guttormsen)Landscapes of Resistance (Marta Popivoda)Liborio (Nino Martínez Sosa...
- 12/22/2020
- MUBI
The Rotterdam International Film Festival (IFFR) has unveiled the line-up for its 50th edition, with the Mads Mikkelsen-starring Riders Of Justice set to open the fest.
You can see the full line-up below. The event has had to change its traditional format for 2021 due to ongoing pandemic disruption. It will now run as a two-stage event, initially with a hybrid showcase of films February 1-7, followed by a physical event June 2-6.
The flagship Tiger Competition has confirmed 16 titles, 14 of which are world premieres. There are a further 15 titles in the Big Screen competition, which looks to bridge the gap between popular and arthouse cinema, while the non-competitive Limelight section will feature 13 titles, most of which have played other festivals, such as Magnus von Horn’s Sweat and Jasmila Žbanić’s Quo Vadis, Aida?.
Anders Thomas Jensen’s dark comedy Riders Of Justice will be having its international premiere...
You can see the full line-up below. The event has had to change its traditional format for 2021 due to ongoing pandemic disruption. It will now run as a two-stage event, initially with a hybrid showcase of films February 1-7, followed by a physical event June 2-6.
The flagship Tiger Competition has confirmed 16 titles, 14 of which are world premieres. There are a further 15 titles in the Big Screen competition, which looks to bridge the gap between popular and arthouse cinema, while the non-competitive Limelight section will feature 13 titles, most of which have played other festivals, such as Magnus von Horn’s Sweat and Jasmila Žbanić’s Quo Vadis, Aida?.
Anders Thomas Jensen’s dark comedy Riders Of Justice will be having its international premiere...
- 12/22/2020
- by Tom Grater
- Deadline Film + TV
The 50th anniversary event will take place in February and June.
Danish director Anders Thomas Jensen’s comedy Riders Of Justice starring Mads Mikkelsen will open the 50th International Film Festival Rotterdam (IFFR). The festival is taking place as multi-part event from February to June 2021, with the first part running as hybrid festival from February 1-7. Organisers hope it will culminate in a physical event from June 2-6, 2021.
Some 60 titles spanning the Tiger Competition, Big Screen Competition and its Ammodo Tiger Shorts and Limelight sections are screening in February.
The festival’s flagship Tiger Competition will showcase 16 titles, which will...
Danish director Anders Thomas Jensen’s comedy Riders Of Justice starring Mads Mikkelsen will open the 50th International Film Festival Rotterdam (IFFR). The festival is taking place as multi-part event from February to June 2021, with the first part running as hybrid festival from February 1-7. Organisers hope it will culminate in a physical event from June 2-6, 2021.
Some 60 titles spanning the Tiger Competition, Big Screen Competition and its Ammodo Tiger Shorts and Limelight sections are screening in February.
The festival’s flagship Tiger Competition will showcase 16 titles, which will...
- 12/22/2020
- by Melanie Goodfellow
- ScreenDaily
Anders Thomas Jensen’s action comedy “Riders of Justice,” starring Mads Mikkelsen, will open the 50th International Film Festival Rotterdam. The festival will be staged in two parts this year: the first, in a hybrid format, running Feb. 1-7, and the second, hopefully a physical event, June 2-6. The awards ceremony will take place on Feb. 7.
In “Riders of Justice,” Mikkelsen plays Markus, a military man who returns home to look after his daughter Mathilde following his wife’s death in a train accident. At first it looks like she was the victim of a tragic piece of bad luck, but then mathematics geek Otto (Nikolaj Lie Kaas), a fellow passenger on the train, shows up with his two eccentric colleagues, Lennart (Lars Brygmann) and Emmenthaler (Nicolas Bro), and floats the theory of a possible murder conspiracy. The film plays in the Limelight section.
Jensen is Denmark’s top screenwriter,...
In “Riders of Justice,” Mikkelsen plays Markus, a military man who returns home to look after his daughter Mathilde following his wife’s death in a train accident. At first it looks like she was the victim of a tragic piece of bad luck, but then mathematics geek Otto (Nikolaj Lie Kaas), a fellow passenger on the train, shows up with his two eccentric colleagues, Lennart (Lars Brygmann) and Emmenthaler (Nicolas Bro), and floats the theory of a possible murder conspiracy. The film plays in the Limelight section.
Jensen is Denmark’s top screenwriter,...
- 12/22/2020
- by Leo Barraclough
- Variety Film + TV
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