Canneseries entry “Operation Sabre” goes back in time to Serbia’s very own Kennedy moment: the day when its first democratically elected Pm, Zoran Đinđić, was murdered.
“Everyone remembers where they were and what they were doing when they heard about the assassination. This moment didn’t just change our politics. It changed our lives,” says producer Snezana van Houwelingen.
“He was in power for more than two years and during that time, many people actually moved back from abroad. It was our last moment of hope. Now, we are just going in circles and there is no progress. We have to do something for the next generation, the one that doesn’t even remember him anymore.”
Đinđić, who served as Pm from 2001, was killed in 2003 – one year after the beginning of the trial against former president Slobodan Milošević.
“He played such an important role in this country’s crucial moments.
“Everyone remembers where they were and what they were doing when they heard about the assassination. This moment didn’t just change our politics. It changed our lives,” says producer Snezana van Houwelingen.
“He was in power for more than two years and during that time, many people actually moved back from abroad. It was our last moment of hope. Now, we are just going in circles and there is no progress. We have to do something for the next generation, the one that doesn’t even remember him anymore.”
Đinđić, who served as Pm from 2001, was killed in 2003 – one year after the beginning of the trial against former president Slobodan Milošević.
“He played such an important role in this country’s crucial moments.
- 4/8/2024
- by Marta Balaga
- Variety Film + TV
Exclusive: The creative team behind Canneseries competition show Operation Sabre wanted to tell a “bigger truth” through their drama about the assassination of Serbia’s first pro-democracy prime minister, an event that remains raw in the public psyche.
No undertaking to tell the story of the killing of Zoran Đinđić in 2003 had been taken via TV drama, they told Deadline in the week leading up to the Cannes confab, and so they wanted to use scripted narrative devices to go beyond just this single event for the show being distributed by German major Beta Films.
“Our main narrative device was creating these fictional characters and through them we told a story that is a bigger truth – not just the factual truth – of who we are as a society, why this was happening and the choices the characters were making,” said co-creator Goran Stankovic. “Having these characters helped us tell a...
No undertaking to tell the story of the killing of Zoran Đinđić in 2003 had been taken via TV drama, they told Deadline in the week leading up to the Cannes confab, and so they wanted to use scripted narrative devices to go beyond just this single event for the show being distributed by German major Beta Films.
“Our main narrative device was creating these fictional characters and through them we told a story that is a bigger truth – not just the factual truth – of who we are as a society, why this was happening and the choices the characters were making,” said co-creator Goran Stankovic. “Having these characters helped us tell a...
- 4/8/2024
- by Max Goldbart
- Deadline Film + TV
Beta Film has acquired international distribution rights to Serbian crime thriller “Operation Sabre” (“Sablja”) about the assassination of the Serbian Prime Minister Zoran Đinđić.
The eight-hour series – selected for Canneseries’ Long Form Competition – is created and directed by Goran Stanković and Vladimir Tagić. The duo already collaborated on “Morning Changes Everything” and wrote the new show alongside Dejan Prćić, Maja Pelević and Marjan Alčevs.
Heading back to March 12, 2003, Stanković and Tagić show the aftermath of the killing that threw the whole country into chaos – only one year after the beginning of the trial against former president Slobodan Milošević, indicted in 1999 for war crimes.
Đinđić, who served as Pm from 2001, following a stint as mayor of Belgrade, advocated pro-democratic reforms. He was also one of the co-leaders of the opposition to Milošević’s administration.
“Operation Sabre” is produced by Snezana van Houwelingen for This and That Productions, in co-production with Martichka Bozhilova...
The eight-hour series – selected for Canneseries’ Long Form Competition – is created and directed by Goran Stanković and Vladimir Tagić. The duo already collaborated on “Morning Changes Everything” and wrote the new show alongside Dejan Prćić, Maja Pelević and Marjan Alčevs.
Heading back to March 12, 2003, Stanković and Tagić show the aftermath of the killing that threw the whole country into chaos – only one year after the beginning of the trial against former president Slobodan Milošević, indicted in 1999 for war crimes.
Đinđić, who served as Pm from 2001, following a stint as mayor of Belgrade, advocated pro-democratic reforms. He was also one of the co-leaders of the opposition to Milošević’s administration.
“Operation Sabre” is produced by Snezana van Houwelingen for This and That Productions, in co-production with Martichka Bozhilova...
- 3/12/2024
- by Marta Balaga
- Variety Film + TV
Croatia’s Drugi Plan and Bulgaria’s Agitprop, two of the leading production outfits in Southeast Europe, have been attached to co-produce the upcoming drama series “Sabre,” a political thriller revolving around the 2003 assassination of Serbian Prime Minister Zoran Djindjic produced by Belgrade-based This and That Productions.
Created by Goran Stanković and Vladimir Tagić, the series will star Serbian-Danish actress Danica Curcic, known to international audiences for her lead role in the Netflix psychological thriller “The Chestnut Man,” as a reporter investigating the shocking murder.
The companies announced the deal on Monday at the Sarajevo Film Festival, where This and That’s “Bad Blood” and Drugi Plan’s “The Silence” were among the top Balkan drama series vying for Heart of Sarajevo TV Awards, which were handed out at a ceremony in the Bosnian capital on Sunday night.
“Sabre” was first pitched in Sarajevo three years ago during the CineLink Drama co-financing forum,...
Created by Goran Stanković and Vladimir Tagić, the series will star Serbian-Danish actress Danica Curcic, known to international audiences for her lead role in the Netflix psychological thriller “The Chestnut Man,” as a reporter investigating the shocking murder.
The companies announced the deal on Monday at the Sarajevo Film Festival, where This and That’s “Bad Blood” and Drugi Plan’s “The Silence” were among the top Balkan drama series vying for Heart of Sarajevo TV Awards, which were handed out at a ceremony in the Bosnian capital on Sunday night.
“Sabre” was first pitched in Sarajevo three years ago during the CineLink Drama co-financing forum,...
- 8/15/2022
- by Christopher Vourlias
- Variety Film + TV
Mirjana Karanović, an actor best known for her starring role in Emir Kusturica’s “When Father Was Away on Business” and Jasmila Žbanić’s Golden Bear winner “Grbavica,” is preparing to direct her second feature, “Mother Mara.” This follows her directorial debut, “A Good Wife,” which competed in Sundance’s World Cinema – Dramatic section in 2016, and screened at more than 40 festivals.
Producer Snezana van Houwelingen pitched the new project at Venice Gap-Financing Market last week. Karanović will also star in “Mother Mara,” alongside Vucic Perovic.
The success of “A Good Wife” was “very beneficial” for Karanović, she says. Meeting with the audience gave her directorial self a confidence boost, allowing to believe she can direct again. It also made pitching and finding partners for “Mother Mara” easier, van Houwelingen says.
“Mother Mara” follows a successful businesswoman and single mother who suddenly loses her 18-year-old son Nemanja to a heart attack.
Producer Snezana van Houwelingen pitched the new project at Venice Gap-Financing Market last week. Karanović will also star in “Mother Mara,” alongside Vucic Perovic.
The success of “A Good Wife” was “very beneficial” for Karanović, she says. Meeting with the audience gave her directorial self a confidence boost, allowing to believe she can direct again. It also made pitching and finding partners for “Mother Mara” easier, van Houwelingen says.
“Mother Mara” follows a successful businesswoman and single mother who suddenly loses her 18-year-old son Nemanja to a heart attack.
- 9/12/2021
- by Anna Tatarska
- Variety Film + TV
Monoduo Films, the leading distributor of feature-length music documentaries, has acquired world sales rights to “Faith and Branko,” an intimate story that chronicles the relationship between two musicians over the course of seven years. The deal was announced on the eve of the Thessaloniki Documentary Festival, where the film screens in the Agora Doc Market.
Written and directed by Catherine Harte, “Faith and Branko” follows the journey of the English musician Faith, who travels to Serbia to learn the gypsy accordion. There she meets the Roma violinist Branko, and despite the language barrier, they fall in love through music. Captivated by their musical chemistry, they marry and take their duo abroad. But their relationship is tested by the realization that music may be all they have in common.
“I met Faith and Branko while I was doing research for an Ma in Visual Anthropology, so at that time I had...
Written and directed by Catherine Harte, “Faith and Branko” follows the journey of the English musician Faith, who travels to Serbia to learn the gypsy accordion. There she meets the Roma violinist Branko, and despite the language barrier, they fall in love through music. Captivated by their musical chemistry, they marry and take their duo abroad. But their relationship is tested by the realization that music may be all they have in common.
“I met Faith and Branko while I was doing research for an Ma in Visual Anthropology, so at that time I had...
- 6/23/2021
- by Christopher Vourlias
- Variety Film + TV
Selection includes 17 Russian projects and 9 international.
Russian state film body Roskino and project market When East Meets West (Wemw) have selected 26 projects for Wemw Goes To Russia, a new international co-production forum to run during the upcoming Key Buyers Event: Digital (June 8-10).
Some 17 Russian projects and nine international works from eight different countries will participate in the co-production pitching, through which they will be able to meet Russian producers and access a minority co-production support granted by the Russian Ministry of Culture, up to Rub 10m.
The inaugural edition of Wemw Goes To Russia is part of the third annual Key Buyers Event: Digital.
Russian state film body Roskino and project market When East Meets West (Wemw) have selected 26 projects for Wemw Goes To Russia, a new international co-production forum to run during the upcoming Key Buyers Event: Digital (June 8-10).
Some 17 Russian projects and nine international works from eight different countries will participate in the co-production pitching, through which they will be able to meet Russian producers and access a minority co-production support granted by the Russian Ministry of Culture, up to Rub 10m.
The inaugural edition of Wemw Goes To Russia is part of the third annual Key Buyers Event: Digital.
- 6/3/2021
- by Ben Dalton
- ScreenDaily
Projects participating in the Ontario Media Development Corporation’s two-day co-financing market include Eddie Marsan’s feature directorial debut.
The International Financing Forum (Iff 2016, Sept 11-12) is organised in association with the Toronto International Film Festival and will host 20 Canadian and 20 international English-language features.
The iff 2016 Canadian producers and projects include: Robert Budreau (Ontario) of Lumanity Productions with political thriller In The Flames, and Media Goes Here’s Jeff Rogers and Tim Martin (Ontario) with horror project The Sandman, which Dario Argento wrote and will direct starring Iggy Pop.
Sonia Boileau and Jason Brennan (Quebec) of Nish Media represent Vanished, while Mad Samurai Productions’ Matthew Cervi (British Columbia) attends with Zed. Mary Anne Waterhouse and Andrew Currie (Ontario) of Quadrant Motion Pictures represent The Invisibles, which Currie will direct.
Among the international participants are: Coded Pictures’ Karen Katz (UK) with the social drama Hammer ‘Til I Die, which marks Marsan’s (pictured) writing and directorial debut.
Also...
The International Financing Forum (Iff 2016, Sept 11-12) is organised in association with the Toronto International Film Festival and will host 20 Canadian and 20 international English-language features.
The iff 2016 Canadian producers and projects include: Robert Budreau (Ontario) of Lumanity Productions with political thriller In The Flames, and Media Goes Here’s Jeff Rogers and Tim Martin (Ontario) with horror project The Sandman, which Dario Argento wrote and will direct starring Iggy Pop.
Sonia Boileau and Jason Brennan (Quebec) of Nish Media represent Vanished, while Mad Samurai Productions’ Matthew Cervi (British Columbia) attends with Zed. Mary Anne Waterhouse and Andrew Currie (Ontario) of Quadrant Motion Pictures represent The Invisibles, which Currie will direct.
Among the international participants are: Coded Pictures’ Karen Katz (UK) with the social drama Hammer ‘Til I Die, which marks Marsan’s (pictured) writing and directorial debut.
Also...
- 8/30/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Projects participating in the Ontario Media Development Corporation’s two-day co-financing market include Eddie Marsan’s feature directorial debut.
The International Financing Forum (Iff 2016, Sept 11-12) is organised in association with the Toronto International Film Festival and will host 20 Canadian and 20 international English-language features.
The iff 2016 Canadian producers and projects include: Robert Budreau (Ontario) of Lumanity Productions with political thriller In The Flames, and Media Goes Here’s Jeff Rogers and Tim Martin (Ontario) with horror project The Sandman, which Dario Argento wrote and will direct starring Iggy Pop.
Sonia Boileau and Jason Brennan (Quebec) of Nish Media represent Vanished, while Mad Samurai Productions’ Matthew Cervi (British Columbia) attends with Zed. Mary Anne Whitehouse and Andrew Currie (Ontario) of Quadrant Motion Pictures represent The Invisibles, which Currie will direct.
Among the international participants are: Coded Pictures’ Karen Katz (UK) with the social drama Hammer ‘Til I Die, which marks Marsan’s (pictured) writing and directorial debut.
Also...
The International Financing Forum (Iff 2016, Sept 11-12) is organised in association with the Toronto International Film Festival and will host 20 Canadian and 20 international English-language features.
The iff 2016 Canadian producers and projects include: Robert Budreau (Ontario) of Lumanity Productions with political thriller In The Flames, and Media Goes Here’s Jeff Rogers and Tim Martin (Ontario) with horror project The Sandman, which Dario Argento wrote and will direct starring Iggy Pop.
Sonia Boileau and Jason Brennan (Quebec) of Nish Media represent Vanished, while Mad Samurai Productions’ Matthew Cervi (British Columbia) attends with Zed. Mary Anne Whitehouse and Andrew Currie (Ontario) of Quadrant Motion Pictures represent The Invisibles, which Currie will direct.
Among the international participants are: Coded Pictures’ Karen Katz (UK) with the social drama Hammer ‘Til I Die, which marks Marsan’s (pictured) writing and directorial debut.
Also...
- 8/30/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Forty producer teams and their projects including Eddie Marsan’s feature directorial debut will participate in the Ontario Media Development Corporation’s two-day co-financing market from September 11-12.
The International Financing Forum (iff 2016) is organised in association with the Toronto International Film Festival and will host 20 Canadian and 20 international English-language features.
The iff 2016 Canadian producers and projects include: Robert Budreau (Ontario) of Lumanity Productions with political thriller In The Flames, and Media Goes Here’s Jeff Rogers and Tim Martin (Ontario) with horror project The Sandman, which Dario Argento wrote and will direct starring Iggy Pop.
Sonia Boileau and Jason Brennan (Quebec) of Nish Media represent Vanished, while Mad Samurai Productions’ Matthew Cervi (British Columbia) attends with Zed. Mary Anne Whitehouse and Andrew Currie (Ontario) of Quadrant Motion Pictures represent The Invisibles, which Currie will direct.
Among the international participants are: Coded Pictures’ Karen Katz (UK) with the social drama Hammer ‘Til I Die, which marks Marsan...
The International Financing Forum (iff 2016) is organised in association with the Toronto International Film Festival and will host 20 Canadian and 20 international English-language features.
The iff 2016 Canadian producers and projects include: Robert Budreau (Ontario) of Lumanity Productions with political thriller In The Flames, and Media Goes Here’s Jeff Rogers and Tim Martin (Ontario) with horror project The Sandman, which Dario Argento wrote and will direct starring Iggy Pop.
Sonia Boileau and Jason Brennan (Quebec) of Nish Media represent Vanished, while Mad Samurai Productions’ Matthew Cervi (British Columbia) attends with Zed. Mary Anne Whitehouse and Andrew Currie (Ontario) of Quadrant Motion Pictures represent The Invisibles, which Currie will direct.
Among the international participants are: Coded Pictures’ Karen Katz (UK) with the social drama Hammer ‘Til I Die, which marks Marsan...
- 8/30/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
A Good Wife won best film in the Balkan competition, while the best pitch prize went to The Witch Hunters, but the festival faces an uncertain future.
Kosovo’s Pristina Film Festival (April 22-29) has revealed the winners for its 8th edition, after bouncing back from last year’s government funding cuts, which saw the festival held in exile in Albania.
The jury overseeing the festival’s Balkan competition, dubbed the Honey & Blood program, awarded its best film prize to A Good Wife (Dobra Zena), which Serbian actress Mirjana Karanović wrote, directed and also starred in.
Snezana Penev [pictured right] produced the film, which was a Serbia-Bosnia-Croatia co-production and premiered at this year’s Sundance Film Festival.
The competition’s jury, comprised of Pluto Film’s Jana Wolff, Belgian actor Jehon Gorani and Swiss producer Dario Schoch, awarded best director to Turkish film-maker Kaan Müjdeci [pictured top] for his feature debut Sivas, while best actor went to Assen Blatechki for Bulgarian...
Kosovo’s Pristina Film Festival (April 22-29) has revealed the winners for its 8th edition, after bouncing back from last year’s government funding cuts, which saw the festival held in exile in Albania.
The jury overseeing the festival’s Balkan competition, dubbed the Honey & Blood program, awarded its best film prize to A Good Wife (Dobra Zena), which Serbian actress Mirjana Karanović wrote, directed and also starred in.
Snezana Penev [pictured right] produced the film, which was a Serbia-Bosnia-Croatia co-production and premiered at this year’s Sundance Film Festival.
The competition’s jury, comprised of Pluto Film’s Jana Wolff, Belgian actor Jehon Gorani and Swiss producer Dario Schoch, awarded best director to Turkish film-maker Kaan Müjdeci [pictured top] for his feature debut Sivas, while best actor went to Assen Blatechki for Bulgarian...
- 5/3/2016
- ScreenDaily
A Good Wife won best film in the Balkan competition, while the best pitch prize went to The Witch Hunters, but the festival faces an uncertain future.
Kosovo’s Pristina Film Festival (April 22-29) has revealed the winners for its 8th edition, after bouncing back from last year’s government funding cuts, which saw the festival held in exile in Albania.
The jury overseeing the festival’s Balkan competition, dubbed the Honey & Blood program, awarded its best film prize to A Good Wife (Dobra Zena), which Serbian actress Mirjana Karanović wrote, directed and also starred in.
Snezana Penev [pictured right] produced the film, which was a Serbia-Bosnia-Croatia co-production and premiered at this year’s Sundance Film Festival.
The competition’s jury, comprised of Pluto Film’s Jana Wolff, Belgian actor Jehon Gorani and Swiss producer Dario Schoch, awarded best director to Turkish film-maker Kaan Müjdeci [pictured top] for his feature debut Sivas, while best actor went to Assen Blatechki for Bulgarian...
Kosovo’s Pristina Film Festival (April 22-29) has revealed the winners for its 8th edition, after bouncing back from last year’s government funding cuts, which saw the festival held in exile in Albania.
The jury overseeing the festival’s Balkan competition, dubbed the Honey & Blood program, awarded its best film prize to A Good Wife (Dobra Zena), which Serbian actress Mirjana Karanović wrote, directed and also starred in.
Snezana Penev [pictured right] produced the film, which was a Serbia-Bosnia-Croatia co-production and premiered at this year’s Sundance Film Festival.
The competition’s jury, comprised of Pluto Film’s Jana Wolff, Belgian actor Jehon Gorani and Swiss producer Dario Schoch, awarded best director to Turkish film-maker Kaan Müjdeci [pictured top] for his feature debut Sivas, while best actor went to Assen Blatechki for Bulgarian...
- 5/3/2016
- ScreenDaily
Denmark’s Katja Adomeit and Germany’s Ingmar Trost among upcoming European producers set to be showcased at Cannes.Scroll down for full list
European Film Promotion (Efp) has selected 20 emerging young European producers for the 16th edition of its Producers on the Move networking initiative, which will be held during the upcoming Cannes Film Festival from May 15-18.
The 2014 selection includes Danish producer Katja Adomeit, who produced and co-directed the hybrid film Not At Home with the Afghan director Shahrbanoo Sadat as well as co-producing Ruben Östlund’s Force Majeure as a freelancer for the Copenhagen office of Philippe Bober’s The Coproduction Office.
Cologne-based Ingmar Trost of Sutor Kolonko has also been selected. His credits include Ilian Metev’s award-winniıng documentary Sofıa’s Last Ambulance, Latvian director Juris Kursietis’ Modrıs and Ingo Haeb’s The Chambermaid Lynn, and he has just completed production of his third feature, Isabelle Stever’s The Weather Inside.
Lithuania will be...
European Film Promotion (Efp) has selected 20 emerging young European producers for the 16th edition of its Producers on the Move networking initiative, which will be held during the upcoming Cannes Film Festival from May 15-18.
The 2014 selection includes Danish producer Katja Adomeit, who produced and co-directed the hybrid film Not At Home with the Afghan director Shahrbanoo Sadat as well as co-producing Ruben Östlund’s Force Majeure as a freelancer for the Copenhagen office of Philippe Bober’s The Coproduction Office.
Cologne-based Ingmar Trost of Sutor Kolonko has also been selected. His credits include Ilian Metev’s award-winniıng documentary Sofıa’s Last Ambulance, Latvian director Juris Kursietis’ Modrıs and Ingo Haeb’s The Chambermaid Lynn, and he has just completed production of his third feature, Isabelle Stever’s The Weather Inside.
Lithuania will be...
- 4/21/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Russia big winner at FilmFestival Cottbus for second consecutive year.
Russia was the big winner for the second year in a row at the FilmFestival Cottbus with Ivan I. Tverdovsky’s Corrections Class picking up four awards at the weekend.
The feature debut received the International Jury’s main prize ¨for its unsentimental and unpretentious presentation of a powerful social theme presented through the prism of an excellent ensemble performance¨, thereby qualifying for the Connecting Cottbus Special Pitch Award, which will allow Tverdovsky and his producers to pitch a new project at the East-West co-production market in a year’s time.
Tverdovsky’s Russian-German co-production, which won the Best Debut prize at Kinotavr in Sochi and the East of the West Award in Karlovy Vary, also picked up the prizes from the Fipresci and Interfilm juries in Cottbus.
Last year, the main prize at Cottbus went to Russian director Alexander Veledinsky’s The Geographer Drank His Globe...
Russia was the big winner for the second year in a row at the FilmFestival Cottbus with Ivan I. Tverdovsky’s Corrections Class picking up four awards at the weekend.
The feature debut received the International Jury’s main prize ¨for its unsentimental and unpretentious presentation of a powerful social theme presented through the prism of an excellent ensemble performance¨, thereby qualifying for the Connecting Cottbus Special Pitch Award, which will allow Tverdovsky and his producers to pitch a new project at the East-West co-production market in a year’s time.
Tverdovsky’s Russian-German co-production, which won the Best Debut prize at Kinotavr in Sochi and the East of the West Award in Karlovy Vary, also picked up the prizes from the Fipresci and Interfilm juries in Cottbus.
Last year, the main prize at Cottbus went to Russian director Alexander Veledinsky’s The Geographer Drank His Globe...
- 11/10/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Central and Eastern European filmmakers presented 19 projects at various stages of production at Karlovy Vary’s annual Works in Progress initiative.
The popular industry programme at Kviff is in its ninth year, and past films shown as Works In Progress include I Am, Lunacy, Katyn, Tricks, Alois Nebel and My Dog Killer, among many others.
This year’s selection included a standout pitch for The Disobedient [pictured], a Serbian coming-of-age road movie about two 24-year-olds from Tilva Ros producers Mina Djukic (who will direct) and Nikola Lezaic.The film is now in post for autumn delivery after wrapping its shoot in September 2012.
Another promising Serbian title, of a very different flavour, was the crowdpleasing dark comedy Monument to Michael Jackson (working title). The film will be ready to launch this autumn and the footage shown got the day’s only laughs out of the industry-heavy crowd. The film is a co-production with Macedonia and Germany.
Among the Czech...
The popular industry programme at Kviff is in its ninth year, and past films shown as Works In Progress include I Am, Lunacy, Katyn, Tricks, Alois Nebel and My Dog Killer, among many others.
This year’s selection included a standout pitch for The Disobedient [pictured], a Serbian coming-of-age road movie about two 24-year-olds from Tilva Ros producers Mina Djukic (who will direct) and Nikola Lezaic.The film is now in post for autumn delivery after wrapping its shoot in September 2012.
Another promising Serbian title, of a very different flavour, was the crowdpleasing dark comedy Monument to Michael Jackson (working title). The film will be ready to launch this autumn and the footage shown got the day’s only laughs out of the industry-heavy crowd. The film is a co-production with Macedonia and Germany.
Among the Czech...
- 7/1/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
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