France’s Manny Films, Austria’s Nabis Filmgroup and Bulgaria’s Ars Digital have boarded Sofia Exarchou’s “Animal,” the follow-up to the Greek director’s San Sebastian prize winner “Park.”
“Animal” takes place under the hot Greek sun and amidst the sweaty nights of an eternal summer. The story of a group of entertainers who work at an all-inclusive island resort unfolds amid games, dance shows and nightly encounters that take place quietly behind the scenes.
The film is produced by Maria Drandaki and Maria Kontagianni for Homemade Films, with the support of the Greek Film Center, Ert and Ekome. Exarchou’s first feature, “Park,” premiered at the Toronto Film Festival and won the New Directors Award in San Sebastian.
Speaking to Variety at the Thessaloniki Film Festival, Exarchou said that Greece’s rapidly growing mass-tourism industry was her initial inspiration for “Animal.”
“Against the backdrop of this huge tourist ‘machine,...
“Animal” takes place under the hot Greek sun and amidst the sweaty nights of an eternal summer. The story of a group of entertainers who work at an all-inclusive island resort unfolds amid games, dance shows and nightly encounters that take place quietly behind the scenes.
The film is produced by Maria Drandaki and Maria Kontagianni for Homemade Films, with the support of the Greek Film Center, Ert and Ekome. Exarchou’s first feature, “Park,” premiered at the Toronto Film Festival and won the New Directors Award in San Sebastian.
Speaking to Variety at the Thessaloniki Film Festival, Exarchou said that Greece’s rapidly growing mass-tourism industry was her initial inspiration for “Animal.”
“Against the backdrop of this huge tourist ‘machine,...
- 11/15/2021
- by Christopher Vourlias
- Variety Film + TV
Some 50 projects span films, TV series and documentaries.
Rome’s Mia film and TV market has unveiled the first wave of projects for this year’s event, which will go-ahead as a mix of physical and digital elements from October 14-18.
The sixth edition of the Audiovisual International Market (Mia), which runs alongside the Rome Film Festival, will include 50 projects from more than 20 countries in its co-production market and pitching forum. The co-production market will comprise 16 projects, of which half are directed by women.
These include Amor y Dolor by Emanuele Scaringi, marking her second feature after youth comedy La Profezia Dell’Armadillo,...
Rome’s Mia film and TV market has unveiled the first wave of projects for this year’s event, which will go-ahead as a mix of physical and digital elements from October 14-18.
The sixth edition of the Audiovisual International Market (Mia), which runs alongside the Rome Film Festival, will include 50 projects from more than 20 countries in its co-production market and pitching forum. The co-production market will comprise 16 projects, of which half are directed by women.
These include Amor y Dolor by Emanuele Scaringi, marking her second feature after youth comedy La Profezia Dell’Armadillo,...
- 9/29/2020
- by Michael Rosser
- ScreenDaily
The eighth edition of Cinema Made in Italy will launch at the Ciné Lumière in South Kensington on Wednesday 7th March – and the big highlight, at least for me personally, is the UK debut of the Manetti Brothers (pictured above) latest film Ammore E Malavita, aka Love and Bullets.
For those unfamiliar with the Manetti Brothers – Antonio and Marco – the duo were the directors behind the amazing sci-fi horror The Arrival of Wang and produced Daniele Misischia’s fantastic zombie film The End?, which screened at Frightfest last year and I named as one of my Top 10 films of 2017.
Set against the backdrop of (organised) crime in the beguiling Bay of Naples, Love and Bullets has all the elements of a dramatic love story, accompanied by car chases, shoot-outs and spontaneous dance numbers. Defined by some as a ‘Mafia musical’, the latest film by the Manetti Brothers shakes up cinematic genres,...
For those unfamiliar with the Manetti Brothers – Antonio and Marco – the duo were the directors behind the amazing sci-fi horror The Arrival of Wang and produced Daniele Misischia’s fantastic zombie film The End?, which screened at Frightfest last year and I named as one of my Top 10 films of 2017.
Set against the backdrop of (organised) crime in the beguiling Bay of Naples, Love and Bullets has all the elements of a dramatic love story, accompanied by car chases, shoot-outs and spontaneous dance numbers. Defined by some as a ‘Mafia musical’, the latest film by the Manetti Brothers shakes up cinematic genres,...
- 2/12/2018
- by Phil Wheat
- Nerdly
Putting the mind-boggling moral, ethical and legal issues of baby selling aside, Italian director Sebastiano Riso (Darker than Midnight) creates a memorably unpleasant drama about a weak woman who allows her callous French boyfriend (Patrick Bruel) to cash in on their newborn infants. While the strong subject matter should get the film onto a lot of talk shows in Italy, where all forms of surrogacy are illegal, it also will turn off many viewers not into cinematic socio-pathology.
It’s tough to watch the excellent Micaela Ramazzotti playing Maria, a masochistic doormat that no one, least of all female audiences, can...
It’s tough to watch the excellent Micaela Ramazzotti playing Maria, a masochistic doormat that no one, least of all female audiences, can...
- 9/4/2017
- by Deborah Young
- The Hollywood Reporter - Movie News
Moments ago, the Venice Film Festival announced their lineup for this year, and it again seems to suggest a strong brewing Oscar race. Coming hot on the heels of the initial Toronto International Film Festival slate, there’s a lot of overlap between the two. Auteurs like Darren Aronofsky, George Clooney, Guillermo del Toro, Martin McDonagh, and Alexander Payne will be in Italy this time around. Each is hoping to make an Academy Award case for their latest work. Time will tell if that happens, but there’s definitely potential here. Read on to see some of what will be playing in Venice at the end of August/the beginning of September… Among the 2017 entrants of note for this fest, we have Downsizing from Alexander Payne, First Reformed from Paul Schrader, Lean on Pete from Andrew Haigh, mother! from Darren Aronofsky, The Shape of Water from Guillermo del Toro, Suburbicon from George Clooney,...
- 7/27/2017
- by Joey Magidson
- Hollywoodnews.com
ZamaThe programme for the 2017 edition of the Venice Film Festival has been unveiled, and includes new films from Darren Aronofsky, Lucrecia Martel, Frederick Wiseman, Alexander Payne, Hirokazu Kore-eda, Abdellatif Kechiche, Takeshi Kitano and many more.COMPETITIONmother! (Darren Aronofsky)First Reformed (Paul Schrader)Sweet Country (Warwick Thornton)The Leisure Seeker (Paolo Virzi)Una Famiglia (Sebastiano Riso)Ex Libris - The New York Public Library (Frederick Wiseman)Angels Wear White (Vivian Qu)The Whale (Andrea Pallaoro)Three Billboards Outside Ebbing, Missouri (Martin McDonagh)Foxtrot (Samuel Maoz)Ammore e malavita (Manetti Brothers)Jusqu'a la garde (Xavier Legrand)The Third Murder (Hirokazu Kore-eda)Mektoub, My Love: Canto Uno (Abdellatif Kechiche)Lean on Pete (Andrew Haigh)L'insulte (Ziad Doueiri)La Villa (Robert Guediguian)The Shape of Water (Guillermo del Toro)Suburbicon (George Clooney)Human Flow (Ai Weiwei)Downsizing (Alexander Payne)Out Of COMPETITIONFeaturesOur Souls at Night (Ritesh Batra)Il Signor Rotpeter (Antonietta de Lillo)Victoria...
- 7/27/2017
- MUBI
Venice Announces 2017 Lineup, Including ‘The Shape of Water,’ ‘Suburbicon,’ ‘mother!,’ and Many More
Will 2017 be the year that Venice gets its king-making mojo back? After a steady run of debuting recent best picture winners — from “Spotlight” to “Birdman” — the festival missed out on last year’s big winner, “Moonlight,” which bowed at Telluride. This year’s lineup is a promising one, and while it’s still very early in the process, it’s difficult not to pick through today’s announcement of the festival’s slate and not search for the big contenders.
As was previously announced, the festival will open with Alexander Payne’s social satire “Downsizing,” starring Matt Damon and Kristen Wiig. The festival will also play home to the premiere of the Netflix original “Our Souls at Night,” as part of their planned tribute to stars Robert Redford and Jane Fonda. Annette Bening will lead the competition jury, ending an 11-year succession of male jury chiefs.
Read MoreIndieWire Fall Film...
As was previously announced, the festival will open with Alexander Payne’s social satire “Downsizing,” starring Matt Damon and Kristen Wiig. The festival will also play home to the premiere of the Netflix original “Our Souls at Night,” as part of their planned tribute to stars Robert Redford and Jane Fonda. Annette Bening will lead the competition jury, ending an 11-year succession of male jury chiefs.
Read MoreIndieWire Fall Film...
- 7/27/2017
- by Kate Erbland
- Indiewire
Drag queen drama, screened in Critics’ Week at the Cannes Film Festival, sold to Germany, Australia and Poland.
Darker Than Midnight (Piu Buio Di Mezzanotte), the debut of Sicilian director Sebastiano Riso, has been sold by Rai Trade to Germany (Salzgeber), Australia (Palace) and Poland.
The rights for France, the UK, Us and Latin America will be finalized shortly, according to Rai Trade.
The film, which received its world premiere in Critics’ Week at this year’s Cannes Film Festival, is inspired by the real-life tale of one of Italy’s best-known drag queens, Fuxia (aka Davide Capone).
The feature marks Capone’s big screen debut and the ensemble cast includes Boardwalk Empire actor Vincenzo Amato, Lucia Sardo, Pippo Del Bono and Micaela Ramazzotti.
Deals were also closed for a number of Rai Trade’s catalogue titles. Roberto Andò’s political satire Viva la Liberta with Toni Servillo was sold to Japan (Respect) and Latin America ([link...
Darker Than Midnight (Piu Buio Di Mezzanotte), the debut of Sicilian director Sebastiano Riso, has been sold by Rai Trade to Germany (Salzgeber), Australia (Palace) and Poland.
The rights for France, the UK, Us and Latin America will be finalized shortly, according to Rai Trade.
The film, which received its world premiere in Critics’ Week at this year’s Cannes Film Festival, is inspired by the real-life tale of one of Italy’s best-known drag queens, Fuxia (aka Davide Capone).
The feature marks Capone’s big screen debut and the ensemble cast includes Boardwalk Empire actor Vincenzo Amato, Lucia Sardo, Pippo Del Bono and Micaela Ramazzotti.
Deals were also closed for a number of Rai Trade’s catalogue titles. Roberto Andò’s political satire Viva la Liberta with Toni Servillo was sold to Japan (Respect) and Latin America ([link...
- 5/27/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Read Screen International’s latest daily magazine from the 67th Cannes Film Festival here.
Click on the pages below to read the digital editions…
Features - Honouring the Spirit of Sarajevo, David Robert Mitchell (It Follows)
Reviews - Maps to the Stars, Foxcatcher, Force Majeure, A Girl at my Door, Love at First Fight
Deals - Winter Sleep wakes up Cannes buyers, Glacier mints $100m fund, Little Introduces Debut Slate from Genesius, Visit strikes Critics Week Deals, Rumble Fish arrives with Dealer, First Paris Coproduction Village Readies Projects, Mad to cross borders with 10 Arab Features, Almeida’s film scoops Doc Alliance prize,
Features - Dean Dublois (How to train Your Dragon 2), Jonas Cuaron (Forsaken), On the Frontline, Call of the Capitol (Film London’s 10th anniversary - promotional features)
Reviews - The Wonders, The Homesman, It Follows, The Salvation, A Hard Day, Self Made, The Go-Go Boys
Deals - Sorrentino’s Youth Draws a Crowd, Hanway...
Click on the pages below to read the digital editions…
Features - Honouring the Spirit of Sarajevo, David Robert Mitchell (It Follows)
Reviews - Maps to the Stars, Foxcatcher, Force Majeure, A Girl at my Door, Love at First Fight
Deals - Winter Sleep wakes up Cannes buyers, Glacier mints $100m fund, Little Introduces Debut Slate from Genesius, Visit strikes Critics Week Deals, Rumble Fish arrives with Dealer, First Paris Coproduction Village Readies Projects, Mad to cross borders with 10 Arab Features, Almeida’s film scoops Doc Alliance prize,
Features - Dean Dublois (How to train Your Dragon 2), Jonas Cuaron (Forsaken), On the Frontline, Call of the Capitol (Film London’s 10th anniversary - promotional features)
Reviews - The Wonders, The Homesman, It Follows, The Salvation, A Hard Day, Self Made, The Go-Go Boys
Deals - Sorrentino’s Youth Draws a Crowd, Hanway...
- 5/21/2014
- ScreenDaily
(Cannes – May 15th) The press were treated to their first 8:30 a.m. Grand Lumiere screening and were taken back to the late seventeen hundredths London (among other places) in Mike Leigh’s historical biopic on a painterly individual. At the press conference, Timothy Spall who had been pitched the project several years ago and picked up the brush for a good two year period alongside a professional, found that one of the dwellings in his own personal family history (dating not that long ago) matched one of Turner’s actual known addresses – a rather remarkable coincidence in my books. One journo also asked Mike Leigh how the Secrets & Lies stamp came about (check out the news piece).
The festival’s sidebar (Un Certain Regard) and parallel sections Directors’ Fortnight and Critics Week got off to a rowdy start. Ucr opener Party Girl (by directing team comprised of Marie Amachoukeli,...
The festival’s sidebar (Un Certain Regard) and parallel sections Directors’ Fortnight and Critics Week got off to a rowdy start. Ucr opener Party Girl (by directing team comprised of Marie Amachoukeli,...
- 5/16/2014
- by Eric Lavallee
- IONCINEMA.com
With the Cannes Film Festival beginning next week, we're getting more and more sneak peeks at the films that will be premiering at the posh French fest. Our latest exclusive trailer teases Sebastiano Riso's "Darker Than Midnight." From the film's synopsis: "Davide is fourteen years old. His delicate and effeminate looks do not fit in with his father’s ideas of what a boy should be like. Fleeing the constant conflicts at home, he is drawn to Catania’s biggest public park, Villa Bellini, a world apart that the rest of the city pretends not to see and whose regulars live on the margins of society. Davide takes refuge in the company of hustlers and outcasts who accept him as one of them. But his double life between the expectations of his family and his new friends becomes untenable, and Davide is inexorably pushed into impossible choices that he has to face alone.
- 5/8/2014
- by Casey Cipriani
- Indiewire
The Cannes Film Festival's lineup of films include the Competition titles of several legendary auteurs such as Jean-Luc Godard, David Cronenberg, The Dardenne Brothers, Atom Egoyan, Mike Leigh, and Ken Loach. In the Un Certain Regard section, the highly anticipated film by actor-turned-director Ryan Gosling. Those in the business will be happy to find Alison Thompson in her new company, Sunray Films, selling Mike Leigh's Mr. Turner. Two films out of 18 in Competition are by women, but across all sections there are 15 women directors. Further in Competition, three films are from Canada; two are from U.S. one film is from Latin America (Argentina); one is from Japan; one from Turkey; one from Russia and the rest are European.
Opening Night Film :
Grace of Monaco (Producer: Stone Angels/ U.S. The Weinstein Company) from France by Olivier Dahan
In Competition
Clouds of Sils Maria (Isa: MK2/ U.S. Distribution: IFC Films) from France/ Gremany/ Switzerland by Olivier Assayas
Saint Laurent (Isa: EuropaCorp) from France by Bertrand Bonello
Winter's Sleep aka Kis uykusu (Producer: Zeynofilm ) from Turkey by Nuri Bilge Ceylan who has a great website.
Maps to the Stars (Isa: Entertainment One) from Canada by David Cronenberg
Two Days, One Night (Isa: Wild Bunch/ U.S. Distribution: IFC Films) from Belgium and France by Jean-Pierre and Luc Dardenne
Mommy (Isa: Seville International) from Canada by Xavier Dolan
The Captive (Isa: Entertainment One) from Canada by Atom Egoyan. You can watch the trailer here.
Goodbye to Language aka Adieu au Langage (Isa: Wild Bunch) from France by Jean-Luc Godard
The Search (Isa: Wild Bunch/ U.S. Distribution: Worldview Entertainment) from France by Michel Hazanavivius
The Homesman (Isa: Europacorp) from U.S. by Tommy Lee Jones
Still the Water (Isa: MK2) from Japan and France by Naomi Kawase ♀
Mr. Turner (Isa: Sunray Films/ U.S. Distribution: Sony Pictures Classics) from U.K. by Mike Leigh. Sunray Films is Alison Thompson's new company and she brought the film over from her former employer Focus Features International when they left the international sales business.
Jimmy's Hall (Isa: Wild Bunch) from Ireland and U.K. by Ken Loach
Foxcatcher (Isa: Panorama Media/ U.S. Distribution: Sony Pictures Classics) from U.S. by Bennett Miller
Le Meraviglie (Isa: The Match Factory) from Italy, Switzerland and Germany by Alice Rohrwacher ♀
Timbuktu (Isa: Le Pacte) from France by Abderrahmane Sissako
Wild Tales (Isa: Film Factory Entertainment/ U.S. Distribution: Palmera International) from Argentina by Damian Szifron
Leviathan (Isa: Pyramide International) from Russia by Andrey Zvyagintsev
Un Certain Regard
Party Girl (Isa: Pyramide International) from France by Marie Amachoukeli ♀ , Claire Burger ♀ , Samuel Theis
Jauja (Isa: Ndm) from Argentina by Lisandro Alonso
The Blue Room (Isa: Alfama Films) from France by Mathieu Amalric
Misunderstood aka Incompresa aka L'Incomprise (Production: Paradis Films) from Italy by Asia Argento ♀
Titli (Isa: Westend Films) from India by Kanu Behl
The Disappearance of Eleanor Rigby (Isa: Myriad Pictures/ U.S. Distribution: The Weinstein Company) from U.S. by Ned Benson
Bird People (Isa: Films Distribution) from France by Pascale Ferran ♀
Lost River (Isa: Sierra/Affinity) from U.S. by Ryan Gosling
Amour Fou (Isa: Coproduction Office Paris) from Austria by Jessica Hausner ♀
Charlie's Country (Isa: Visit Films) from Australia by Rolf de Heer
Snow in Paradise (Isa: The Match Factory) from U.K. by Andrew Hulme
A Girl at My Door (Isa: Cj Entertainment) from So. Korea by July Jung ♀
Xenia (Isa: Pyramide International) from Greece by Panos Koutras
Run (Isa: Bac) from France by Philippe Lacote
Turist from Sweden and Norway by Ruben Ostlund
Beautiful Youth aka Hermosa Juventud (Producer: Fresdeval Films) by Jaime Rosales
Fantasia by Wang Chao
The Salt of the Earth (Isa: Le Pacte) from Germany and Brazil by Wim Wenders, Juliano Ribeiro Salgado
Away From His Absence (Isa: Bizibi) from Israel by Karen Yedaya ♀
Out of Competition
How to Train Your Dragon 2 (Dreamworks Animation) from the U.S. by Dean Deblois
Coming Home aka Gui Lai (Isa: Wild Bunch) from China by Zhang Yimou
Special Screenings
Bridges of Sarajevo (Les Ponts de Sarajevo) from Bosnia-Herzegovina, Portugal, Germany, and France
Red Army from the U.S. and Russia by Gabe Polsky
Maidan (Isa: Atoms & Void Bv) from Belarus by Segei Loznitsa
Silvered Water, Syria Self-Portrait from Syria by Ossama Mohammed
Cartoonists - Foot Soldiers Of Democracy from France by Stephanie Valloatto
Directors' Fortnight
Opening Film: Girlhood aka Bande De Files (Isa: Films Distribution) from France by Céline Sciamma
Closing Film: Pride (Isa:Pathe International) from the U.K. by Matthew Warchus
Features
Alleluia (Isa:snd- Groupe M6) from Belgium and France by Fabrice Du Welz
Catch Me Daddy (Isa: Altitude Film Sales) from the U.K. by Daniel Wolfe
Next To Her aka At Li La Yla (Isa: Films Boutique) from Israel by Asaf Korman
Cold In July (Isa: Memento Films International) from the U.S. by Jim Mickle
Fighters aka Les Combattants (ISa: Bac Films) from France by Thomas Cailley
Gett — The Trial Of Viviane Amsalem (Isa: Films Distribution) from France, Germany, Israel by Ronit & Shlomi Elkabetz
The Tale of Princess Kaguya aka Kaguya-Hime No Monogatari (Isa: Wild Bunch) from Japan by Isao Takahata
Eat Your Bones aka Mange Tes Morts (Isa:Capricci Films) from France by Jean-Charles Hue
A Hard Day aka Kkeut-Kka-Ji-Kan-Da (Isa: Showbox/Mediaples, Inc.) from South Korea by Seong-Hun Kim
National Gallery (Isa: Doc & Film International) from France by Frederick Wiseman
Queen And Country (Isa: Le Pacte) from the U.K. and Ireland by John Boorman
Sheltered aka Refugiado (Isa: Backup Media Films) from Argentina, France, Poland, and Colombia by Diego Lerman
These Final Hours (Isa: Celluloid Dreams/Nightmares) from Australia by Zach Hilditch
Tu Dors Nicole (Isa: Seville International) from Canada by Stéphane Lafleur
Whiplash (Isa:Sierra /Affinity) from the U.S. by Damien Chazelle
Special Screening
P'tit Quinquin by Bruno Dumont
The Texas Chain Saw Massacre by Tobe Hooper (4K restoration)
Acid Program
Brooklyn (Produced by Les Enfants de la Dalle) from France by Pascal Tessaud
The Way Out aka Cesta Ven (Produced by Cinema de Facto) from France and the Czech Republic by Petr Vaclav
Challat of Tunis aka Le Challat the Tunis (Produced by Cinetelefilms ) from Tunisia and France by Kaouther Ben Hania
The Girls and the River aka La Fille et le Fleuve (Produced by 31 Juin Films) from France by Aurélia Georges
Mercuriales (Produced by Kazak Productions) from France by Virgil Vernier
New Territories (Produced by Paraiso Production Difussion) from France by Fabianny Deschamps
Insecure aka Qui Vive (Isa: Udi- Urban Distribution International ) from France by Marianne Tardieu
The Rules of the Game aka Les Regles du Jeu (Isa: Doc & Film International) from France by Claudine Bories and Patrice Chagnard
Spartacus & Cassandra (Produced by Morgane Productions) from France by Ioanis Nuguet
Critics' Week
Opening Night: Faire: L'Amour (Fla) from France by Djinn Carrénard
Closing Nigh: Hippocrates aka Hippocrate (Isa: Le Pacte) from France by Thomas Lilti
Features
Darker Than Midnight aka Piu' Buio di Mezzanotte (Isa: Rai Trade) from Italy by Sebastiano Riso
Gente de Bien (Isa: Versatile) from Colombia and France by Franco Lolli
Hope (Isa: Pyramide International) from France by Boris Lojkine
It Follows (Isa: Visit Films) from the U.S. by David Robert Mitchell
Self Made aka Boreg (Isa: Westend Films) from Israel by Shira Geffen
The Tribe aka Plemya (Isa: Alpha Violet) from Ukraine by Myroslav Slaboshpytskiy
When Animals Dream aka Nar Dyrene Drommer (Produced by Gaumont) from Denmark by Jonas Alexander Arnby
Critics' Week: Special Screenings
Breathe aka Respire (Produced by Gaumont) from France by Mélanie Laurent
The Kindergarten Teacher aka Haganenet Teacher aka (Isa: Le Pacte) from Israel by Nadav Lapid...
Opening Night Film :
Grace of Monaco (Producer: Stone Angels/ U.S. The Weinstein Company) from France by Olivier Dahan
In Competition
Clouds of Sils Maria (Isa: MK2/ U.S. Distribution: IFC Films) from France/ Gremany/ Switzerland by Olivier Assayas
Saint Laurent (Isa: EuropaCorp) from France by Bertrand Bonello
Winter's Sleep aka Kis uykusu (Producer: Zeynofilm ) from Turkey by Nuri Bilge Ceylan who has a great website.
Maps to the Stars (Isa: Entertainment One) from Canada by David Cronenberg
Two Days, One Night (Isa: Wild Bunch/ U.S. Distribution: IFC Films) from Belgium and France by Jean-Pierre and Luc Dardenne
Mommy (Isa: Seville International) from Canada by Xavier Dolan
The Captive (Isa: Entertainment One) from Canada by Atom Egoyan. You can watch the trailer here.
Goodbye to Language aka Adieu au Langage (Isa: Wild Bunch) from France by Jean-Luc Godard
The Search (Isa: Wild Bunch/ U.S. Distribution: Worldview Entertainment) from France by Michel Hazanavivius
The Homesman (Isa: Europacorp) from U.S. by Tommy Lee Jones
Still the Water (Isa: MK2) from Japan and France by Naomi Kawase ♀
Mr. Turner (Isa: Sunray Films/ U.S. Distribution: Sony Pictures Classics) from U.K. by Mike Leigh. Sunray Films is Alison Thompson's new company and she brought the film over from her former employer Focus Features International when they left the international sales business.
Jimmy's Hall (Isa: Wild Bunch) from Ireland and U.K. by Ken Loach
Foxcatcher (Isa: Panorama Media/ U.S. Distribution: Sony Pictures Classics) from U.S. by Bennett Miller
Le Meraviglie (Isa: The Match Factory) from Italy, Switzerland and Germany by Alice Rohrwacher ♀
Timbuktu (Isa: Le Pacte) from France by Abderrahmane Sissako
Wild Tales (Isa: Film Factory Entertainment/ U.S. Distribution: Palmera International) from Argentina by Damian Szifron
Leviathan (Isa: Pyramide International) from Russia by Andrey Zvyagintsev
Un Certain Regard
Party Girl (Isa: Pyramide International) from France by Marie Amachoukeli ♀ , Claire Burger ♀ , Samuel Theis
Jauja (Isa: Ndm) from Argentina by Lisandro Alonso
The Blue Room (Isa: Alfama Films) from France by Mathieu Amalric
Misunderstood aka Incompresa aka L'Incomprise (Production: Paradis Films) from Italy by Asia Argento ♀
Titli (Isa: Westend Films) from India by Kanu Behl
The Disappearance of Eleanor Rigby (Isa: Myriad Pictures/ U.S. Distribution: The Weinstein Company) from U.S. by Ned Benson
Bird People (Isa: Films Distribution) from France by Pascale Ferran ♀
Lost River (Isa: Sierra/Affinity) from U.S. by Ryan Gosling
Amour Fou (Isa: Coproduction Office Paris) from Austria by Jessica Hausner ♀
Charlie's Country (Isa: Visit Films) from Australia by Rolf de Heer
Snow in Paradise (Isa: The Match Factory) from U.K. by Andrew Hulme
A Girl at My Door (Isa: Cj Entertainment) from So. Korea by July Jung ♀
Xenia (Isa: Pyramide International) from Greece by Panos Koutras
Run (Isa: Bac) from France by Philippe Lacote
Turist from Sweden and Norway by Ruben Ostlund
Beautiful Youth aka Hermosa Juventud (Producer: Fresdeval Films) by Jaime Rosales
Fantasia by Wang Chao
The Salt of the Earth (Isa: Le Pacte) from Germany and Brazil by Wim Wenders, Juliano Ribeiro Salgado
Away From His Absence (Isa: Bizibi) from Israel by Karen Yedaya ♀
Out of Competition
How to Train Your Dragon 2 (Dreamworks Animation) from the U.S. by Dean Deblois
Coming Home aka Gui Lai (Isa: Wild Bunch) from China by Zhang Yimou
Special Screenings
Bridges of Sarajevo (Les Ponts de Sarajevo) from Bosnia-Herzegovina, Portugal, Germany, and France
Red Army from the U.S. and Russia by Gabe Polsky
Maidan (Isa: Atoms & Void Bv) from Belarus by Segei Loznitsa
Silvered Water, Syria Self-Portrait from Syria by Ossama Mohammed
Cartoonists - Foot Soldiers Of Democracy from France by Stephanie Valloatto
Directors' Fortnight
Opening Film: Girlhood aka Bande De Files (Isa: Films Distribution) from France by Céline Sciamma
Closing Film: Pride (Isa:Pathe International) from the U.K. by Matthew Warchus
Features
Alleluia (Isa:snd- Groupe M6) from Belgium and France by Fabrice Du Welz
Catch Me Daddy (Isa: Altitude Film Sales) from the U.K. by Daniel Wolfe
Next To Her aka At Li La Yla (Isa: Films Boutique) from Israel by Asaf Korman
Cold In July (Isa: Memento Films International) from the U.S. by Jim Mickle
Fighters aka Les Combattants (ISa: Bac Films) from France by Thomas Cailley
Gett — The Trial Of Viviane Amsalem (Isa: Films Distribution) from France, Germany, Israel by Ronit & Shlomi Elkabetz
The Tale of Princess Kaguya aka Kaguya-Hime No Monogatari (Isa: Wild Bunch) from Japan by Isao Takahata
Eat Your Bones aka Mange Tes Morts (Isa:Capricci Films) from France by Jean-Charles Hue
A Hard Day aka Kkeut-Kka-Ji-Kan-Da (Isa: Showbox/Mediaples, Inc.) from South Korea by Seong-Hun Kim
National Gallery (Isa: Doc & Film International) from France by Frederick Wiseman
Queen And Country (Isa: Le Pacte) from the U.K. and Ireland by John Boorman
Sheltered aka Refugiado (Isa: Backup Media Films) from Argentina, France, Poland, and Colombia by Diego Lerman
These Final Hours (Isa: Celluloid Dreams/Nightmares) from Australia by Zach Hilditch
Tu Dors Nicole (Isa: Seville International) from Canada by Stéphane Lafleur
Whiplash (Isa:Sierra /Affinity) from the U.S. by Damien Chazelle
Special Screening
P'tit Quinquin by Bruno Dumont
The Texas Chain Saw Massacre by Tobe Hooper (4K restoration)
Acid Program
Brooklyn (Produced by Les Enfants de la Dalle) from France by Pascal Tessaud
The Way Out aka Cesta Ven (Produced by Cinema de Facto) from France and the Czech Republic by Petr Vaclav
Challat of Tunis aka Le Challat the Tunis (Produced by Cinetelefilms ) from Tunisia and France by Kaouther Ben Hania
The Girls and the River aka La Fille et le Fleuve (Produced by 31 Juin Films) from France by Aurélia Georges
Mercuriales (Produced by Kazak Productions) from France by Virgil Vernier
New Territories (Produced by Paraiso Production Difussion) from France by Fabianny Deschamps
Insecure aka Qui Vive (Isa: Udi- Urban Distribution International ) from France by Marianne Tardieu
The Rules of the Game aka Les Regles du Jeu (Isa: Doc & Film International) from France by Claudine Bories and Patrice Chagnard
Spartacus & Cassandra (Produced by Morgane Productions) from France by Ioanis Nuguet
Critics' Week
Opening Night: Faire: L'Amour (Fla) from France by Djinn Carrénard
Closing Nigh: Hippocrates aka Hippocrate (Isa: Le Pacte) from France by Thomas Lilti
Features
Darker Than Midnight aka Piu' Buio di Mezzanotte (Isa: Rai Trade) from Italy by Sebastiano Riso
Gente de Bien (Isa: Versatile) from Colombia and France by Franco Lolli
Hope (Isa: Pyramide International) from France by Boris Lojkine
It Follows (Isa: Visit Films) from the U.S. by David Robert Mitchell
Self Made aka Boreg (Isa: Westend Films) from Israel by Shira Geffen
The Tribe aka Plemya (Isa: Alpha Violet) from Ukraine by Myroslav Slaboshpytskiy
When Animals Dream aka Nar Dyrene Drommer (Produced by Gaumont) from Denmark by Jonas Alexander Arnby
Critics' Week: Special Screenings
Breathe aka Respire (Produced by Gaumont) from France by Mélanie Laurent
The Kindergarten Teacher aka Haganenet Teacher aka (Isa: Le Pacte) from Israel by Nadav Lapid...
- 4/29/2014
- by Sydney Levine
- Sydney's Buzz
Sebastiano Riso’s debut will premiere during Critics’ Week at the Cannes Film Festival.
Rai Trade is to sell Darker Than Midnight (Piu Buio Di Mezzanotte), Sicilian director Sebastiano Riso’s debut that will have its world premiere at the International Critics’ Week of the Cannes Film Festival (May 14-25).
Set in Catania, the film is inspired by the real-life tale of one of Italy’s best-known drag queens, Fuxia (aka Davide Capone).
The feature marks Capone’s big screen debut and the ensemble cast includes Boardwalk Empire actor Vincenzo Amato, Lucia Sardo, Pippo Del Bono and Micaela Ramazzotti.
Mattia Oddone, head of sales at Rai Trade, said there were “several buyers” already interested, “particularly in France”.
Rai Trade is to sell Darker Than Midnight (Piu Buio Di Mezzanotte), Sicilian director Sebastiano Riso’s debut that will have its world premiere at the International Critics’ Week of the Cannes Film Festival (May 14-25).
Set in Catania, the film is inspired by the real-life tale of one of Italy’s best-known drag queens, Fuxia (aka Davide Capone).
The feature marks Capone’s big screen debut and the ensemble cast includes Boardwalk Empire actor Vincenzo Amato, Lucia Sardo, Pippo Del Bono and Micaela Ramazzotti.
Mattia Oddone, head of sales at Rai Trade, said there were “several buyers” already interested, “particularly in France”.
- 4/22/2014
- ScreenDaily
It’s almost astonishing that we’ve managed to guess two (we also had Nadav Lapid pegged for the Main Comp) of the eleven titles unveiled by the Cannes Critics’ Week sidebar earlier today. On our radar we had Djinn Carrénard’s sophomore film (Faire L’Amour has been selected as the opening film) and Jonas Alexander Arnby’s debut (When Animals Dream is one among the seven comp titles) as strong possibilities and we’re excited that an American indie personality we’ve featured on this site before in David Robert Mitchell will be showcasing his sophomore film, It Follows (starring Maika Monroe and Keir Gilchrist) in a section that showcased The Myth Of The American Sleepover back in 2010. Mélanie Laurent’s Respire (which could catapult the careers of thesps Lou de Laâge and Joséphine Japy) receives the Special Screening status alongside Lapid’s The Kindergarten Teacher. Also on...
- 4/21/2014
- by Eric Lavallee
- IONCINEMA.com
The lineup for the 53rd Semaine de la Critique (or "Critics' Week") has been announced and feature seven films in competition, four special screenings, and ten short and medium-length films in competition.
Opening Film
Faire: L'amour (Djinn Carrénard)
Competition
Darker Than Midnight (Sebastiano Riso)
The Tribe (Myroslav Slaboshpytskiy)
It Follows (David Robert Mitchell)
Gente de bien (Franco Lolli)
When Animals Dream (Jonas Alexander Arnby)
Hope (Boris Lojkine)
Self Made (Shira Geffen)
Closing Film
Hippocrates (Thomas Lilti)
Special Screenings
Breathe (Mélanie Laurent)
The Kindergarten Teacher (Nadav Lapid)
Short And Medium-length Films In Competition
Young Lions of Gypsy (Jonas Carpignan)
Goodnight Cinderella (Carlos Conceição)
The Chicken (Una Gunja)
Back Alley (Cécile Ducrocq)
Crocodile (Gaëlle Denis)
Les fleuves m'ont laissée descendre où je voulais (Laurie Lassalle)
Little Brother (Rémi St-Michel)
Safari (Gerardo Herrero)
TrueLoveStory (Gitanjali Rao)
A Blue Room (Tomasz Siwiński)...
Opening Film
Faire: L'amour (Djinn Carrénard)
Competition
Darker Than Midnight (Sebastiano Riso)
The Tribe (Myroslav Slaboshpytskiy)
It Follows (David Robert Mitchell)
Gente de bien (Franco Lolli)
When Animals Dream (Jonas Alexander Arnby)
Hope (Boris Lojkine)
Self Made (Shira Geffen)
Closing Film
Hippocrates (Thomas Lilti)
Special Screenings
Breathe (Mélanie Laurent)
The Kindergarten Teacher (Nadav Lapid)
Short And Medium-length Films In Competition
Young Lions of Gypsy (Jonas Carpignan)
Goodnight Cinderella (Carlos Conceição)
The Chicken (Una Gunja)
Back Alley (Cécile Ducrocq)
Crocodile (Gaëlle Denis)
Les fleuves m'ont laissée descendre où je voulais (Laurie Lassalle)
Little Brother (Rémi St-Michel)
Safari (Gerardo Herrero)
TrueLoveStory (Gitanjali Rao)
A Blue Room (Tomasz Siwiński)...
- 4/21/2014
- by Notebook
- MUBI
Critics' Week at the Cannes Film Festival is one of those institutions that generally looks impressive only in retrospect. In advance, it's hard to tell which of the films selected for the sidebar will really land, but look back at the archives, and it's remarkable how many significant films -- from Ken Loach's "Kes" to Alejandro Gonzalez Inarittu's "Amores Perros" -- have quietly premiered there. In other words, while I don't have much to say right now about this year's Critics' Week selection, announced earlier today, it could yet give us plenty to talk about. As it stands, the most famous name in the lineup isn't one best known for her work behind the camera: French actress Mélanie Laurent, whose second directorial effort, "Respire," will play as a Special Screening in the section. Laurent starred in her 2011 debut, "The Adopted," a middling family melodrama that received a quiet release in France and the UK,...
- 4/21/2014
- by Guy Lodge
- Hitfix
Melanie Laurent - behind the camera for Breathe in Cannes Critics' Week
The Cannes film festival’s strand Critics’ Week (La semaine de la critique) which has been responsible for encouraging the likes of Ken Loach, François Ozon and Wong Kar-Wai among many, will open with Djinn Carrenard’s Making Love (Faire l’amour), it was announced today (21 April).
Also worth noting in the selection is French actress Melanie Laurent’s second feature as a director Breathe (screening out of competition), while the closing title, also out of competition, will be Thomas Lilti’s second feature Hippocrate.
There are seven films vying for the grand prix with a jury presided over by British director Andrea Arnold (who made Fish Tank).
The section is organised independently by the French film critics association and has been an official parallel section of the Cannes Film Festival since 1962.
Competition
Darker Than Midnight (dir: Sebastiano Riso...
The Cannes film festival’s strand Critics’ Week (La semaine de la critique) which has been responsible for encouraging the likes of Ken Loach, François Ozon and Wong Kar-Wai among many, will open with Djinn Carrenard’s Making Love (Faire l’amour), it was announced today (21 April).
Also worth noting in the selection is French actress Melanie Laurent’s second feature as a director Breathe (screening out of competition), while the closing title, also out of competition, will be Thomas Lilti’s second feature Hippocrate.
There are seven films vying for the grand prix with a jury presided over by British director Andrea Arnold (who made Fish Tank).
The section is organised independently by the French film critics association and has been an official parallel section of the Cannes Film Festival since 1962.
Competition
Darker Than Midnight (dir: Sebastiano Riso...
- 4/21/2014
- by Richard Mowe
- eyeforfilm.co.uk
The normally arthouse Critics Weeks lineup at this year's Cannes Film Festival is getting a little bit bloody with the inclusion of Jonas Alexander Arnby's Danish werewolf picture When Animals Dream and David Robert Mitchell's coming of age creature story It Follows.European selections dominate the lineup this year with pictures from France, Italy, Denmark, and Ukraine with just one from Colombia, one from the Us and a pair from Israel. Here's the complete selection:2014 Cannes Critics' Week Lineup Opener "Making Love" (Djinn Carrenard) Second film. Sales: Elle Driver (France) Special Screenings "Breathe" (Melanie Laurent) Second film. Sales: Gaumont (France) "The Kindergarten Teacher" (Nadav Lapid) Second film. Sales: Le Pacte (Israel) Competition "Darker Than Midnight" (Sebastiano Riso) First film. Sales: Rai Trade (Italy) "Gente de bien" (Franco Lolli) First film. Sales: Versatile...
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- 4/21/2014
- Screen Anarchy
Djinn Carrenard’s second feature to open selection; genre pictures When Animals Dream [pictured] and It Follows to compete in Cannes Critics’ Week.
Djinn Carrénard’s Faire L’Amour (Fla)], revolving around the relationship between a musician and woman on parole, will open the 53rd edition of Cannes Critics’ Week, running May 15-23
The respected parallel selection, focusing on first and second works, unveiled its 2014 line-up on Monday (April 20). In total, the selection committee screened 1,200 feature-length films and 1,770 shorts.
Haitian, France-based Carrénard won France’s prestigious Louis Delluc prize for best first film in 2011 for his buzzy, micro-budget Donoma, which premiered in Cannes in 2010 in the indie-focused Acid selection.
“The director of Donoma instils in his second feature all the energy of the previous one with a sense of drama and character development that really packs a punch,” commented Critics’ Week artistic director Charles Tesson, adding it revolved around, “how to construct love and how to really make love...
Djinn Carrénard’s Faire L’Amour (Fla)], revolving around the relationship between a musician and woman on parole, will open the 53rd edition of Cannes Critics’ Week, running May 15-23
The respected parallel selection, focusing on first and second works, unveiled its 2014 line-up on Monday (April 20). In total, the selection committee screened 1,200 feature-length films and 1,770 shorts.
Haitian, France-based Carrénard won France’s prestigious Louis Delluc prize for best first film in 2011 for his buzzy, micro-budget Donoma, which premiered in Cannes in 2010 in the indie-focused Acid selection.
“The director of Donoma instils in his second feature all the energy of the previous one with a sense of drama and character development that really packs a punch,” commented Critics’ Week artistic director Charles Tesson, adding it revolved around, “how to construct love and how to really make love...
- 4/21/2014
- ScreenDaily
Djinn Carrenard’s second feature to open selection; genre pictures When Animals Dream [pictured] and It Follows to compete in Cannes Critics’ Week.
Djinn Carrénard’s Faire L’Amour (Fla)], revolving around the relationship between a musician and woman on parole, will open the 53rd edition of Cannes Critics’ Week, running May 15-23
The respected parallel selection, focusing on first and second works, unveiled its 2014 line-up on Monday (April 20). In total, the selection committee screened 1,200 feature-length films and 1,770 shorts.
Haitian, France-based Carrénard won France’s prestigious Louis Delluc prize for best first film in 2011 for his buzzy, micro-budget Donoma, which premiered in Cannes in 2010 in the indie-focused Acid selection.
“The director of Donoma instils in his second feature all the energy of the previous one with a sense of drama and character development that really packs a punch,” commented Critics’ Week artistic director Charles Tesson, adding it revolved around, “how to construct love and how to really make love...
Djinn Carrénard’s Faire L’Amour (Fla)], revolving around the relationship between a musician and woman on parole, will open the 53rd edition of Cannes Critics’ Week, running May 15-23
The respected parallel selection, focusing on first and second works, unveiled its 2014 line-up on Monday (April 20). In total, the selection committee screened 1,200 feature-length films and 1,770 shorts.
Haitian, France-based Carrénard won France’s prestigious Louis Delluc prize for best first film in 2011 for his buzzy, micro-budget Donoma, which premiered in Cannes in 2010 in the indie-focused Acid selection.
“The director of Donoma instils in his second feature all the energy of the previous one with a sense of drama and character development that really packs a punch,” commented Critics’ Week artistic director Charles Tesson, adding it revolved around, “how to construct love and how to really make love...
- 4/21/2014
- ScreenDaily
With the Cannes Film Festival lineup now out of the bag, it's time for the sidebars to do their thing, and Cannes Critics' Week has kicked things off today by unveiling their slate of films. The sidebar tends to focus on less established names, but on cinematic voices that could make an impact in years to come. So even if you don't know these filmmakers yet, chances are you soon will. But that's not say there won't be any stars. Mélanie Laurent's sophomore directorial feature "Breathe" will play Out Of Competition at the Critics' Week. Based on the novel by Anne-Sophie Brasme, Laurent co-wrote the film with Julien Lambroschini that stars Lou de Laâgeand and Joséphine Japy as two teenage girls whose abusive friendship turns deadly. Andrea Arnold heads up the jury this year, with Cannes Critics' Week running from May 15-23. Check out the lineup and official poster below.
- 4/21/2014
- by Kevin Jagernauth
- The Playlist
Nine feature films, 10 short and mid-length films and 2 special screenings are heading to Cannes Film Festival sidebar Critics' Week, which announced its lineup today. Coming off last week's announcement of the Official Competition, Critics Week brought along two films from filmmakers returning to the festival: Sole American David Robert Mitchell and his "It Follows" (Mitchell was in Critics' Week for "The Myth of the American Sleepover"), and Israeli filmmaker Shira Geffen with "Self Made," a film that comes seven years after she won the Camera d'Or for "Les Méduses." Other notable films include French filmmaker Djinn Carrenard's "F.L.A Faire l’Amour," which will open the festival, and actress-turned-director Melanie Laurent with her "Reprise." Andrea Arnold is head of the jury for the sidebar -- its 53rd edition -- which runs May 15-23, 2014. Full lineup below. Feature films: “Darker Than Midnight,” Sebastiano Riso, Italy “Gente de bien,” Franco Lolli,...
- 4/21/2014
- by Peter Knegt
- Indiewire
This morning the 2014 Cannes Film Festival lineup was announced and while at least one Out of Competition title is still to be announced, along with the Critics' Week and Directors' Fortnight lineups, we have a look at what films make up the competition and it's largely a lot of the titles that were rumored heading into today's announcement. Among the competition titles you have Atom Egoyan's Captives, which we'll have to hope is better than Devil's Knot, Bennett Miller's highly anticipated Foxcatcher, Jean-Luc Godard's 3D feature Goodbye To Language, The Homesman from Tommy Lee Jones, Ken Loach's Jimmy's Hall and David Cronengberg's Maps to the Stars. I'm jealous I won't be there to see Xavier Dolan's first time in competition with Mommy, Mike Leigh is again at Cannes with Mr. Turner and Michel Hazanavicius returns to Cannes after The Artist took the fest by storm with The Search.
- 4/17/2014
- by Brad Brevet
- Rope of Silicon
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