Exclusive: Black Bear’s management arm has signed Danish-American actor Elliott Crosset Hove for representation.
Hove is best known for the well-received Danish/Icelandic feature Godland, which premiered in Un Certain Regard at the Cannes Film Festival last year.
His lauded performance in the picture earned him Best Male Actor at Denmark’s 2023 Bodil Awards, as well as a Best Actor nomination at the European Film Awards.
Hove’s previous feature roles include Rasmus Heisterberg’s 2016 feature film In the Blood, for which Hove was nominated for Best Supporting Actor at the Bodil Awards, and Hlynur Pálmason’s Winter Brothers, which won him a Danish Robert Award and Best Actor at the Locarno Film Festival. He has also appeared in Journal 64, Before the Frost, Parents and Wildland.
Most recently, Hove starred in Katrine Brocks’ The Great Silence and Simon Jaquemet’s Electric Child, which is currently in post-production, alongside Rila Fukushima.
Hove is best known for the well-received Danish/Icelandic feature Godland, which premiered in Un Certain Regard at the Cannes Film Festival last year.
His lauded performance in the picture earned him Best Male Actor at Denmark’s 2023 Bodil Awards, as well as a Best Actor nomination at the European Film Awards.
Hove’s previous feature roles include Rasmus Heisterberg’s 2016 feature film In the Blood, for which Hove was nominated for Best Supporting Actor at the Bodil Awards, and Hlynur Pálmason’s Winter Brothers, which won him a Danish Robert Award and Best Actor at the Locarno Film Festival. He has also appeared in Journal 64, Before the Frost, Parents and Wildland.
Most recently, Hove starred in Katrine Brocks’ The Great Silence and Simon Jaquemet’s Electric Child, which is currently in post-production, alongside Rila Fukushima.
- 7/11/2023
- by Andreas Wiseman
- Deadline Film + TV
Swiss auteur Simon Jaquemet’s “Electric Child” joins Ukrainian sci-fi comedy “U Are the Universe,” and “We Are Zombies,” from heavily rated Canadian trio Rkss, as three potential highlights at this year’s Cannes Marché du Film’s Frontières Platform, organized with the Fantasia Film Festival.
Focusing on genre, the Frontières showcase is emerging as one of the Marché du Film’s biggest market plays, supercharged by this year’s milestone Oscar triumph of “Everything Everywhere All at Once,” smart genre’s popularity among an emerging generation of filmmakers and its rising tide as one of the most resilient of independent movie market propositions.
For Rkss, it’s a return, having had great success with their previous “Turbo Kid,” which went on to Sundance, and won a bunch including at SXSW and Fright Fest.
“U Are the Universe,” deserves a special mention, given the sheer challenge of completing a project...
Focusing on genre, the Frontières showcase is emerging as one of the Marché du Film’s biggest market plays, supercharged by this year’s milestone Oscar triumph of “Everything Everywhere All at Once,” smart genre’s popularity among an emerging generation of filmmakers and its rising tide as one of the most resilient of independent movie market propositions.
For Rkss, it’s a return, having had great success with their previous “Turbo Kid,” which went on to Sundance, and won a bunch including at SXSW and Fright Fest.
“U Are the Universe,” deserves a special mention, given the sheer challenge of completing a project...
- 4/5/2023
- by Callum McLennan and John Hopewell
- Variety Film + TV
Exclusive: Swiss filmmaker Simon Jaquemet returns to feature filmmaking with the forthcoming Electric Child. Today, Deadline can share a first look at the pic featuring Danish-American actor Elliott Crosset Hove.
Hove was one of last year’s breakout performers for his work in the buzzy festival pic Godland. He picked up a European Film Award nomination for his role in the period epic, which debuted at Cannes.
In Electric Child, Hove stars opposite Rila Fukushima (Annette), Sandra Guldberg Kampp (Wildland), João Nunes Monteiro (Mosquito), and Helen Schneider (Eddie and the Cruisers).
Production on the pic took place in Switzerland, Germany, the Philippines, and Portugal. Ascot Elite will distribute in Switzerland. Port au Prince has taken Germany, and Cherry Pickers will distribute in the Netherlands. The film is currently in post. Producers are aiming for an early 2024 release.
The film’s full synopsis reads: When his newborn son is threatened by a rare disease,...
Hove was one of last year’s breakout performers for his work in the buzzy festival pic Godland. He picked up a European Film Award nomination for his role in the period epic, which debuted at Cannes.
In Electric Child, Hove stars opposite Rila Fukushima (Annette), Sandra Guldberg Kampp (Wildland), João Nunes Monteiro (Mosquito), and Helen Schneider (Eddie and the Cruisers).
Production on the pic took place in Switzerland, Germany, the Philippines, and Portugal. Ascot Elite will distribute in Switzerland. Port au Prince has taken Germany, and Cherry Pickers will distribute in the Netherlands. The film is currently in post. Producers are aiming for an early 2024 release.
The film’s full synopsis reads: When his newborn son is threatened by a rare disease,...
- 3/24/2023
- by Zac Ntim
- Deadline Film + TV
Electric Child
For his third feature film, Swiss filmmaker Simon Jaquemet moves into English language terrain with what is coined as an arthouse take on a sci-fi computer thriller, revolving around A.I. and parenthood. Production on Electric Child took place in Switzerland, Germany and the Philippines and began in October of ’22. Jaquemet saw his debut film War (2014) premiere at San Sebastián, Berlin and Locarno, while his sophomore feature The Innocent competed (2018) at TIFF, San Sebastián and Rotterdam. Among the projects included at the Gap-Financing Market Electric Child could be timed for a Lido launch. This is produced by Michela Pini.…...
For his third feature film, Swiss filmmaker Simon Jaquemet moves into English language terrain with what is coined as an arthouse take on a sci-fi computer thriller, revolving around A.I. and parenthood. Production on Electric Child took place in Switzerland, Germany and the Philippines and began in October of ’22. Jaquemet saw his debut film War (2014) premiere at San Sebastián, Berlin and Locarno, while his sophomore feature The Innocent competed (2018) at TIFF, San Sebastián and Rotterdam. Among the projects included at the Gap-Financing Market Electric Child could be timed for a Lido launch. This is produced by Michela Pini.…...
- 1/6/2023
- by Eric Lavallée
- IONCINEMA.com
“It’s an arthouse take on a sci-fi computer thriller, revolving around A.I. and parenthood. But it’s not set in the future; it’s set in the now,” says the award-winning Swiss director, Simon Jaquemet, about his next project “Electric Child.”
One of 57 projects that took part in the three-day Gap-Financing Market at the Venice Production Bridge – the Venice Film Festival’s match-making centric film-mart – the “Electric Child” team scheduled 35 meetings to help raise Euro 700,000 to complete a budget of Euro 4.6 million.
It’s Jaquemet’s highest budget to date, and his first English-language feature. The young helmer has notched up multiple awards and top fest engagements to date. Jaquemet’s first feature “War” (2014) won the Max Ophuls Award, among other prizes, and premiered in San Sebastián. His second feature, “The Innocent,” premiered at Toronto’s prestige Platform section in 2018.
Jaquemet is presenting “Electric Child” in Venice with Olga Lamontanara,...
One of 57 projects that took part in the three-day Gap-Financing Market at the Venice Production Bridge – the Venice Film Festival’s match-making centric film-mart – the “Electric Child” team scheduled 35 meetings to help raise Euro 700,000 to complete a budget of Euro 4.6 million.
It’s Jaquemet’s highest budget to date, and his first English-language feature. The young helmer has notched up multiple awards and top fest engagements to date. Jaquemet’s first feature “War” (2014) won the Max Ophuls Award, among other prizes, and premiered in San Sebastián. His second feature, “The Innocent,” premiered at Toronto’s prestige Platform section in 2018.
Jaquemet is presenting “Electric Child” in Venice with Olga Lamontanara,...
- 9/11/2021
- by Liza Foreman
- Variety Film + TV
The FilmPhilippines Office of the Film Development Council of the Philippines (Fdcp) has trebled its annual filming incentives budget from $1 million to $3 million, effective from 2022.
The Philippines offers a range of incentives, including rebate schemes for local and international projects.
“Electric Child” by Swiss Simon Jaquemet, produced by Switzerland’s 8horses GmbH with local production company Epicmedia Productions, was recently approved to receive a 20% cash rebate on its eligible expenses in the Philippines under the Location Incentive Program. The fund requires a minimum qualified production spending of Php 8 million in the Philippines in order to receive a 20% cash rebate that is capped at Php 10 million.
The Fdcp also recently launched CreatePHFilms, a production fund worth $600,000 that supports local films from script through distribution. Production costs are low in the Philippines, compared to the West. “It’s still substantial knowing that the median production cost average production is around Php 8 million in the Philippines,...
The Philippines offers a range of incentives, including rebate schemes for local and international projects.
“Electric Child” by Swiss Simon Jaquemet, produced by Switzerland’s 8horses GmbH with local production company Epicmedia Productions, was recently approved to receive a 20% cash rebate on its eligible expenses in the Philippines under the Location Incentive Program. The fund requires a minimum qualified production spending of Php 8 million in the Philippines in order to receive a 20% cash rebate that is capped at Php 10 million.
The Fdcp also recently launched CreatePHFilms, a production fund worth $600,000 that supports local films from script through distribution. Production costs are low in the Philippines, compared to the West. “It’s still substantial knowing that the median production cost average production is around Php 8 million in the Philippines,...
- 7/11/2021
- by Naman Ramachandran
- Variety Film + TV
Cannes Titles To Stream Online
A pair of documentaries selected for this year’s Cannes Classics program will screen for free on the festival’s website and on the Cine+ Dailymotion platform as of this evening (July 2) from 7pm local time. The two films, both just shy of one hour in length, are Daphné Baiwir’s The Rebellious Olivia de Havilland, a portrait of the famed actress who was the first female president of the Cannes jury in 1965, and Emmanuel Barnault’s Pieces Of Cannes, a look at the French festival’s 74-year history. The films will be available until July 4 at 10pm local time.
Venice Gap Financing Projects
Venice Film Festival has revealed the 30 projects that will take part in its Gap-Financing Market during this year’s industry-focused Production Bridge, running September 1-11. The event will offer filmmaking teams one-on-one meetings with international decision-makers. Among the selected titles are The Secret Of Places,...
A pair of documentaries selected for this year’s Cannes Classics program will screen for free on the festival’s website and on the Cine+ Dailymotion platform as of this evening (July 2) from 7pm local time. The two films, both just shy of one hour in length, are Daphné Baiwir’s The Rebellious Olivia de Havilland, a portrait of the famed actress who was the first female president of the Cannes jury in 1965, and Emmanuel Barnault’s Pieces Of Cannes, a look at the French festival’s 74-year history. The films will be available until July 4 at 10pm local time.
Venice Gap Financing Projects
Venice Film Festival has revealed the 30 projects that will take part in its Gap-Financing Market during this year’s industry-focused Production Bridge, running September 1-11. The event will offer filmmaking teams one-on-one meetings with international decision-makers. Among the selected titles are The Secret Of Places,...
- 7/2/2021
- by Tom Grater
- Deadline Film + TV
Producers on the 14 projects include Singaporean filmmaker Eric Khoo and acclaimed cinematographer Christopher Doyle.
International Film Festival & Awards Macao (IFFAM) has unveiled the 14 projects that have been selected for this year’s edition of the IFFAM Project Market (IPM).
Producers on the projects include Singaporean filmmaker Eric Khoo, who is presenting Huang Junxiang’s creature feature Prisoners Of The Pacific; acclaimed cinematographer Christopher Doyle, who is reteaming with Jenny Suen on comedy Peaches; and Camille Gatin (The Girl With All The Gifts), who is producing Wang Haolu’s adaptation of Alastair Reynolds’ short story Fellow Travellers.
Around one quarter of...
International Film Festival & Awards Macao (IFFAM) has unveiled the 14 projects that have been selected for this year’s edition of the IFFAM Project Market (IPM).
Producers on the projects include Singaporean filmmaker Eric Khoo, who is presenting Huang Junxiang’s creature feature Prisoners Of The Pacific; acclaimed cinematographer Christopher Doyle, who is reteaming with Jenny Suen on comedy Peaches; and Camille Gatin (The Girl With All The Gifts), who is producing Wang Haolu’s adaptation of Alastair Reynolds’ short story Fellow Travellers.
Around one quarter of...
- 10/27/2020
- by Liz Shackleton
- ScreenDaily
The Iffam Project Market (Ipm) will return digitally this December for a fifth edition during the International Film Festival & Awards Macao (December 3-8) with projects produced by Cate Blanchett, Eric Khoo and Camille Gatin. Scroll down for lineup.
According to organizers, a total of 14 projects will comprise the “intensive program of presentations and meetings conducted digitally with members of the global industry from December 3rd – 5th”. The projects will be eligible for four cash awards (listed below).
Projects include acclaimed cinematographer Christopher Doyle’s collaboration with director Jenny Suen on Cate Blanchett-produced comedy Peaches; Eric Khoo-produced Singaporean creature feature Prisoners Of The Pacific; sci-fi Fellow Travellers from The Girl With All The Gifts producer Camille Gatin; and The Dragon Returns, in which Bruce Lee is brought back from his staged death and retirement to save his old friend Chuck Norris from imprisonment.
There has been no recent word from Macao...
According to organizers, a total of 14 projects will comprise the “intensive program of presentations and meetings conducted digitally with members of the global industry from December 3rd – 5th”. The projects will be eligible for four cash awards (listed below).
Projects include acclaimed cinematographer Christopher Doyle’s collaboration with director Jenny Suen on Cate Blanchett-produced comedy Peaches; Eric Khoo-produced Singaporean creature feature Prisoners Of The Pacific; sci-fi Fellow Travellers from The Girl With All The Gifts producer Camille Gatin; and The Dragon Returns, in which Bruce Lee is brought back from his staged death and retirement to save his old friend Chuck Norris from imprisonment.
There has been no recent word from Macao...
- 10/26/2020
- by Andreas Wiseman
- Deadline Film + TV
Event to run from July 23-26.
Female directors are behind 70% of the first wave of genre projects participating in Frontières International Co-Production Market, which as previously announced will take place online from July 23-26.
Filmmakers at the event will pitch and present their projects, all in advanced development and early financing stage, to invited industry representatives including producers, distributors and financiers, followed by one-on-one meetings.
Among the line-up are Frontières’ first project from Switzerland, Simon Jaquemet’s (The Innocent) Electric Child; Yellow Veil Pictures’ horror sci-fi Tell Them What You Saw; Lest We Be Devoured from the producers of SXSW...
Female directors are behind 70% of the first wave of genre projects participating in Frontières International Co-Production Market, which as previously announced will take place online from July 23-26.
Filmmakers at the event will pitch and present their projects, all in advanced development and early financing stage, to invited industry representatives including producers, distributors and financiers, followed by one-on-one meetings.
Among the line-up are Frontières’ first project from Switzerland, Simon Jaquemet’s (The Innocent) Electric Child; Yellow Veil Pictures’ horror sci-fi Tell Them What You Saw; Lest We Be Devoured from the producers of SXSW...
- 5/26/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
The third feature film by the Swiss director tackles the topic of virtual reality. Despite the radical and unexpected influence the Covid-19 crisis has had on Simon Jaquemet’s projects - no casting, no location scouting, etc – his new film Electric Child which is produced by Zurich-based 8horses (in which Jaquemet is involved) and which scooped a Special Mention in the Berlinale’s Eurimages Co-Production Development Award competition, is ready and set to go. Simon Jaquemet has made a name for himself amongst critics and audiences alike thanks to his acclaimed works War (2014) and The Innocent (2018), both of which were selected and won awards in numerous Swiss and international festivals, including, in the case of War, Berlin’s “Talent Project Market” 2013, San Sebastian (New Directors), the Locarno Film Festival and Karlovy Vary, and, in the case of The Innocent, the Toronto International Film Festival (Platform section), San Sebastian, the...
Berlinale 2020: Three prizes have been conferred upon the new projects by Onur Saylak, Simon Jaquemet and Veerle Baetens. The 17th edition of the Berlinale Co-Production Market (22-26 February) has handed out its three awards after an extensive series of more than 1,500 individual meetings involving almost 600 participants. This year’s selection brought together 36 new feature-film projects (see the news). Turkish director Onur Saylak received the prestigious Eurimages Co-production Development Award for his project There Are Two Kinds of People in This World, which follows the president’s visit to a coalmine during Ramadan to attend a dinner with the miners. When the mine collapses, trapping him, some miners and a journalist, tensions begin to rise, as some of the survivors either worship or hate the president. Written by Hakan Günday, the project was presented at the Co-Production Market by Turkish producer Nadir Öperli for Liman Film, and received the...
Efm event runs until Wednesday.
The Berlinale Co-Production Market has awarded three cash prizes to There Are Two Kinds Of People In This World, The Last Paradise On Earth, and The Melting.
Onur Saylak’s There Are Two Kinds Of People In This World has received the Eurimages Co-Production Development Award of €20,000. Liman Film and b.i.t arts from Turkey are producing. A Special Mention went to 8horses’ Electric Child, which Simon Jaquemet of Switzerland will direct.
The €10,000 Vff Talent Highlight Award has gone to Sakaris Stórá’s The Last Paradise On Earth from the Faroe Islands and produced by Jón Hammer.
The Berlinale Co-Production Market has awarded three cash prizes to There Are Two Kinds Of People In This World, The Last Paradise On Earth, and The Melting.
Onur Saylak’s There Are Two Kinds Of People In This World has received the Eurimages Co-Production Development Award of €20,000. Liman Film and b.i.t arts from Turkey are producing. A Special Mention went to 8horses’ Electric Child, which Simon Jaquemet of Switzerland will direct.
The €10,000 Vff Talent Highlight Award has gone to Sakaris Stórá’s The Last Paradise On Earth from the Faroe Islands and produced by Jón Hammer.
- 2/24/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Efm event runs until Wednesday.
The Berlinale Co-Production Market has awarded three cash prizes to There Are Two Kinds Of People In This World, The Last Paradise On Earth, and The Melting.
Onur Saylak’s There Are Two Kinds Of People In This World has received the Eurimages Co-Production Development Award of €20,000. Liman Film and b.i.t arts from Turkey are producing. A Special Mention went to 8horses’ Electric Child, which Simon Jaquemet of Switzerland will direct.
The €10,000 Vff Talent Highlight Award has gone to Sakaris Stórá’s The Last Paradise On Earth from the Faroe Islands and produced by Jón Hammer.
The Berlinale Co-Production Market has awarded three cash prizes to There Are Two Kinds Of People In This World, The Last Paradise On Earth, and The Melting.
Onur Saylak’s There Are Two Kinds Of People In This World has received the Eurimages Co-Production Development Award of €20,000. Liman Film and b.i.t arts from Turkey are producing. A Special Mention went to 8horses’ Electric Child, which Simon Jaquemet of Switzerland will direct.
The €10,000 Vff Talent Highlight Award has gone to Sakaris Stórá’s The Last Paradise On Earth from the Faroe Islands and produced by Jón Hammer.
- 2/24/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
With a selection of 36 projects, including those by Adina Pintilie, Milko Lazarov, Radu Jude, Ole Giæver and Simon Jaquemet, among others, the Berlinale’s co-pro market is raring to go. A total of 36 new feature-film projects hailing from 34 countries are being invited to the 17th edition of the Berlinale Co-Production Market. The projects and the teams behind them – which are taking part in four separate segments – will have the chance to meet international film professionals from various fields and from around the globe while participating in a total of 1,500 pre-organised one-on-one meetings. As was the case last year, five selected production houses will enjoy a special focus offered by the “Company Matching” programme. An integral part of the European Film Market, the Berlinale Co-Production Market will run for five days, from 22-26 February. For the official programme of the market, 21 feature-film...
New films from Pepa San Martín and Golden Bear winner Adina Pintilie among the line up.
The films selected for the Berlinale Co-Production Market (February 22-26) have been revealed and top 50% by female directors in the official project selection for the first time.
Scroll down for full list of titles
A total of 36 features from 34 countries will be showcased by producers seeking co-production partners through one-to-one meetings with distributors, financiers and sales agents.
For the official project selection, 21 projects with budgets ranging from €750,000 to €5m were selected from more than 300 submissions. With 11 projects by female directors, the proportion here has exceeded 50% for the first time.
The films selected for the Berlinale Co-Production Market (February 22-26) have been revealed and top 50% by female directors in the official project selection for the first time.
Scroll down for full list of titles
A total of 36 features from 34 countries will be showcased by producers seeking co-production partners through one-to-one meetings with distributors, financiers and sales agents.
For the official project selection, 21 projects with budgets ranging from €750,000 to €5m were selected from more than 300 submissions. With 11 projects by female directors, the proportion here has exceeded 50% for the first time.
- 1/15/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
In today’s film news roundup, Steve Coogan will receive the Charlie Chaplin award, Aaron Eckhart and Marisa Coughlan get cast and Swiss thriller “The Innocent” gets a Us release.
Award
Steve Coogan has been selected as the recipient of the Charlie Chaplin Britannia Award for Excellence in Comedy from the British Academy of Film and Television Arts Los Angeles.
He joins previously announced honoree Jane Fonda, who will receive the Stanley Kubrick Britannia Award for Excellence in Film, and Jackie Chan, who will receive the Albert R. Broccoli Britannia Award for Worldwide Contribution to Entertainment. The awards will be presented on Oct. 25 at the Beverly Hilton Hotel.
“Throughout his three-decade career, Coogan has mastered the art of making people laugh and continues to entertain audiences with his brilliant portrayal of comedic characters. His most popular creation – the politically incorrect media personality, Alan Partridge – garnered him worldwide recognition as one of the greatest TV characters,...
Award
Steve Coogan has been selected as the recipient of the Charlie Chaplin Britannia Award for Excellence in Comedy from the British Academy of Film and Television Arts Los Angeles.
He joins previously announced honoree Jane Fonda, who will receive the Stanley Kubrick Britannia Award for Excellence in Film, and Jackie Chan, who will receive the Albert R. Broccoli Britannia Award for Worldwide Contribution to Entertainment. The awards will be presented on Oct. 25 at the Beverly Hilton Hotel.
“Throughout his three-decade career, Coogan has mastered the art of making people laugh and continues to entertain audiences with his brilliant portrayal of comedic characters. His most popular creation – the politically incorrect media personality, Alan Partridge – garnered him worldwide recognition as one of the greatest TV characters,...
- 8/7/2019
- by Dave McNary
- Variety Film + TV
Two debut features in writer-director Antoine Russbach’s “Those Who Work” and Anja Kofmel’s animated documentary “Chris the Swiss,” were the big winners at Friday night’s Swiss Film Awards, notching three plaudits each.
Sold by Be For Films, “Those Who Work,” stars Belgian actor Olivier Gourmet, who has appeared in every single film by Jean-Pierre and Luc Dardenne since 1996’s “La Promesse,” to winning a Cannes best actor award for 2002’s “The Son.” In Russbach’s film Gourmet plays Frank, a 50-something fixer for a company which rents out cargo ships. On a busy day, to prevent a ship being put into quarantine, he rashly orders a stowaway be thrown overboard to certain death. The decision gets him fired, not for moral reasons, but in the hopes of avoiding a media scandal.
The film scooped the awards for best fiction feature, best screenplay and best performance in a supporting role,...
Sold by Be For Films, “Those Who Work,” stars Belgian actor Olivier Gourmet, who has appeared in every single film by Jean-Pierre and Luc Dardenne since 1996’s “La Promesse,” to winning a Cannes best actor award for 2002’s “The Son.” In Russbach’s film Gourmet plays Frank, a 50-something fixer for a company which rents out cargo ships. On a busy day, to prevent a ship being put into quarantine, he rashly orders a stowaway be thrown overboard to certain death. The decision gets him fired, not for moral reasons, but in the hopes of avoiding a media scandal.
The film scooped the awards for best fiction feature, best screenplay and best performance in a supporting role,...
- 3/22/2019
- by Jamie Lang
- Variety Film + TV
Prizes for ’Those Who Work’ included best fiction film.
Those Who Work and documentary Chris The Swiss were the top winners at the 2019 Swiss Film Awards in Geneva on March 22, with three prizes each.
Antoine Russbach’s fiction feature debut Those Who Work took best fiction film, best screenplay and best performance in a supporting role for Pauline Schneider. The film, which premiered at Locarno 2018, is a socio-critical drama about the contemporary working environment.
Anja Kofmel’s Chris The Swiss, which launched at Critics’ Week at Cannes 2018, received best documentary film, best film score and best film editing. The animated...
Those Who Work and documentary Chris The Swiss were the top winners at the 2019 Swiss Film Awards in Geneva on March 22, with three prizes each.
Antoine Russbach’s fiction feature debut Those Who Work took best fiction film, best screenplay and best performance in a supporting role for Pauline Schneider. The film, which premiered at Locarno 2018, is a socio-critical drama about the contemporary working environment.
Anja Kofmel’s Chris The Swiss, which launched at Critics’ Week at Cannes 2018, received best documentary film, best film score and best film editing. The animated...
- 3/22/2019
- by Ben Dalton
- ScreenDaily
Around The World When You Were My AgeThe titles for the 48th International Film Festival Rotterdam are being announced in anticipation of the event running January 23 – February 3, 2018. We will update the program as new films are revealed.Tiger COMPETITIONSons of Denmark (Ulaa Salim)Take Me Somewhere Nice (Ena Sendijarević)Present.Perfect. (Shengze Zhu)Sheena667 (Grigory Dobrygin)Nona. If They Soak Me, I’ll Burn Them (Camila José Donoso)Koko-di Koko-da (Johannes Nyholm)Els dies que vindran (Carlos Marqués-Marcet)Bright Future COMPETITIONAlva (Ico Costa)Chèche lavi (Sam Ellison)De nuevo otra vez (Romina Paula)Doozy (Richard Squires)Dreissig (Simona Kostova)Ende der Saison (Elmar Imanov)Fabiana (Brunna Laboissière)The Gold-Laden Sheep & the Sacred Mountain (Ridham Janve)Heroes (Köken Ergun)Historia de mi nombre (Karin Cuyul)Last Night I Saw You Smiling (Kavich Neang)Lost Holiday (Michael Kerry Matthews/Thomas Matthews)Maggie (Yi Okseop)Mens (Isabelle Prim)No Data Plan (Miko Revereza...
- 1/9/2019
- MUBI
Honorees to include Asghar Farhadi, Mary Harron and Gunnell Lindblom.
The Stockholm International Film Festival has revealed its 2018 programme, with the festival kicking off Nov 7 with the anticipated world premiere of Anna Odell’s X&Y, in competition.
Odell, the Swedish artist and filmmaker who last directed 2013’s award-winning The Reunion, returns starring as a fictionalized version of herself, collaborating with the celebrated actor Mikael Persbrandt to deconstruct themselves. The cast also features Trine Dyrholm, Sofie Gråbøl, Vera Vitali, Shanti Roney, Jens Albinus and Thure Lindhardt. New Europe handles sales.
Stockholm will close Nov 18 with The Favourite by Yorgos Lanthimos, from the Open Zone section.
The Stockholm International Film Festival has revealed its 2018 programme, with the festival kicking off Nov 7 with the anticipated world premiere of Anna Odell’s X&Y, in competition.
Odell, the Swedish artist and filmmaker who last directed 2013’s award-winning The Reunion, returns starring as a fictionalized version of herself, collaborating with the celebrated actor Mikael Persbrandt to deconstruct themselves. The cast also features Trine Dyrholm, Sofie Gråbøl, Vera Vitali, Shanti Roney, Jens Albinus and Thure Lindhardt. New Europe handles sales.
Stockholm will close Nov 18 with The Favourite by Yorgos Lanthimos, from the Open Zone section.
- 10/16/2018
- by Wendy Mitchell
- ScreenDaily
By uniting forces, the two co-production platforms of the Holland Film Market and Rotterdam Film Festival’s (Iffr) CineMart have created a new space in which the selected projects can get stronger film industry exposure and support.
The participant projects’ representatives receive advice from film professionals through a series of individual meetings with special attention paid to their festival, sales and marketing strategies. From the first BoostNL program, four films entered the Iffr 2018 program.
The interest now lies in watching BoostNL films as they progress through the international film circuit:
The Reports on Sarah and Selim, Muayad Alayan. After its world premiere at Iffr 2018, it continued winning for Best Actress and Best Picture at Durban Ff and playing at Hamburg and Jeonju Film Festivals. International sales by Heretic Outreach did extremely well, going to Australia/Nz- Hi Gloss, Benelux-Moov, Croatia & Ex-Yugoslavia-Mediterranean Film Festival Split/ Kino Mediteran, Mena-Mad Solutions, France-Bodega, Germany-Missingfilms,...
The participant projects’ representatives receive advice from film professionals through a series of individual meetings with special attention paid to their festival, sales and marketing strategies. From the first BoostNL program, four films entered the Iffr 2018 program.
The interest now lies in watching BoostNL films as they progress through the international film circuit:
The Reports on Sarah and Selim, Muayad Alayan. After its world premiere at Iffr 2018, it continued winning for Best Actress and Best Picture at Durban Ff and playing at Hamburg and Jeonju Film Festivals. International sales by Heretic Outreach did extremely well, going to Australia/Nz- Hi Gloss, Benelux-Moov, Croatia & Ex-Yugoslavia-Mediterranean Film Festival Split/ Kino Mediteran, Mena-Mad Solutions, France-Bodega, Germany-Missingfilms,...
- 10/1/2018
- by Sydney Levine
- Sydney's Buzz
When Christians use cinema to share the conviction of their beliefs, we get what is known as a “faith-based movie.” But what do we call the opposite? What can be made of a film born of skepticism, which approaches religious institutions from a place of fundamental doubt, further complicating the matter through the inclusion of ambiguous miracles? Swiss director Simon Jaquemet’s coolly intellectual “The Innocent” is such a movie. It dedicates nearly two hours to questioning the kind of evangelical Christianity that a woman has used to cope for the past 20 years, only to end with a moment in which her prayers are answered before our eyes.
The woman in question is named Ruth, which can be no accident, considering how her experience loosely echoes that of the Old Testament character, a widow who accepted God and was rewarded with a new husband. Along similar lines, this Ruth (played...
The woman in question is named Ruth, which can be no accident, considering how her experience loosely echoes that of the Old Testament character, a widow who accepted God and was rewarded with a new husband. Along similar lines, this Ruth (played...
- 10/1/2018
- by Peter Debruge
- Variety Film + TV
Religion, science and morality are some of the key ingredients of The Innocent (Der Unschuldige), though this dark Swiss drama’s insistence on keeping the audience guessing at all times finally makes it impossible to say anything unambiguous about any of these topics. Though certainly ambitious and well-performed across the board, this has to be considered a bit of a letdown from the clearly talented Swiss-German writer-director Simon Jaquemet. The Innocent premiered in Toronto in the Platform competition and also screened at San Sebastian, where his well-received debut, Chrieg, premiered in 2014.
Ruth (Judith Hofmann) works in a ...
Ruth (Judith Hofmann) works in a ...
- 9/27/2018
- The Hollywood Reporter - Movie News
Religion, science and morality are some of the key ingredients of The Innocent (Der Unschuldige), though this dark Swiss drama’s insistence on keeping the audience guessing at all times finally makes it impossible to say anything unambiguous about any of these topics. Though certainly ambitious and well-performed across the board, this has to be considered a bit of a letdown from the clearly talented Swiss-German writer-director Simon Jaquemet. The Innocent premiered in Toronto in the Platform competition and also screened at San Sebastian, where his well-received debut, Chrieg, premiered in 2014.
Ruth (Judith Hofmann) works in a ...
Ruth (Judith Hofmann) works in a ...
- 9/27/2018
- The Hollywood Reporter - Film + TV
World premiering in New Directors at San Sebastian in 2014, Simon Jaquemet’s first feature, “Chrieg” (War), a nuanced portrait of disaffected Swiss youth, established Jaquemet as one of the most prominent voices in a new generation of Swiss directors, questioning Switzerland’s status quo and aura of democratic civility.
Four years later, Jaquemet is back. But, in a step-up in status, his second feature, “The Innocent,” world premiered early September in Toronto’s prestige Platform competition, and, screening at Austin’s Fantastic Fest, now makes its European bow in San Sebastian, playing in main competition.
Few films this year at San Sebastian are likely to challenge audiences more. Its protagonist, Ruth, now 40something, saw her world turned upside down in her youth when her fiancé is convicted of murdering his aunt. Wracked by uncertainty as to his guilt, she has sheltered in more robust beliefs, working in a neuroscience lab...
Four years later, Jaquemet is back. But, in a step-up in status, his second feature, “The Innocent,” world premiered early September in Toronto’s prestige Platform competition, and, screening at Austin’s Fantastic Fest, now makes its European bow in San Sebastian, playing in main competition.
Few films this year at San Sebastian are likely to challenge audiences more. Its protagonist, Ruth, now 40something, saw her world turned upside down in her youth when her fiancé is convicted of murdering his aunt. Wracked by uncertainty as to his guilt, she has sheltered in more robust beliefs, working in a neuroscience lab...
- 9/22/2018
- by John Hopewell
- Variety Film + TV
A strong showcase of German cinema was on offer at the Toronto Film Festival with a slew of films tackling such timely issues as sexual violence, the plight of refugees, the end of the Soviet Union and Germany’s recent turbulent history.
This year’s selections included works from such prominent names as Werner Herzog, Margarethe von Trotta, Christian Petzold, Florian Henckel von Donnersmarck and Sven Taddicken.
In Herzog and André Singer’s doc “Meeting Gorbachev,” the prolific filmmakers offer a portrait of Mikhail Gorbachev, the last president of the Soviet Union, and his lasting impact on world politics.
In “Searching for Ingmar Bergman,” which also unspools in the Tiff Docs sidebar, von Trotta explores the Swedish director’s cinematic legacy.
Von Donnersmarck, who won the foreign-language film Oscar for 2006’s “The Lives of Others,” revisits East Germany in “Never Look Away,” which follows the life of an artist struggling...
This year’s selections included works from such prominent names as Werner Herzog, Margarethe von Trotta, Christian Petzold, Florian Henckel von Donnersmarck and Sven Taddicken.
In Herzog and André Singer’s doc “Meeting Gorbachev,” the prolific filmmakers offer a portrait of Mikhail Gorbachev, the last president of the Soviet Union, and his lasting impact on world politics.
In “Searching for Ingmar Bergman,” which also unspools in the Tiff Docs sidebar, von Trotta explores the Swedish director’s cinematic legacy.
Von Donnersmarck, who won the foreign-language film Oscar for 2006’s “The Lives of Others,” revisits East Germany in “Never Look Away,” which follows the life of an artist struggling...
- 9/17/2018
- by Ed Meza
- Variety Film + TV
Benjamin Naishtat’s ’Rojo’ still leads the way.
Alex Ross Perry’s Her Smell and Simon Jaquemet’s The Innocent are the latest titles to land on Screen’s Toronto Platform jury grid, and have moved into third and fourth place respectively to date.
Her Smell achieved a 2.8 average, splitting the opinion of Screen’s grid critics. Both Justin Chang of the La Times and Radheyan Simonpillai of Now/CTV gave it top marks of four stars (‘excellent’); Vincent Le Leurch of Le Film Français was less enamoured, giving it one star (‘poor’).
Elisabeth Moss takes centre stage in the film as a talented,...
Alex Ross Perry’s Her Smell and Simon Jaquemet’s The Innocent are the latest titles to land on Screen’s Toronto Platform jury grid, and have moved into third and fourth place respectively to date.
Her Smell achieved a 2.8 average, splitting the opinion of Screen’s grid critics. Both Justin Chang of the La Times and Radheyan Simonpillai of Now/CTV gave it top marks of four stars (‘excellent’); Vincent Le Leurch of Le Film Français was less enamoured, giving it one star (‘poor’).
Elisabeth Moss takes centre stage in the film as a talented,...
- 9/12/2018
- by Ben Dalton
- ScreenDaily
One score still to come for Benjamin Naishtat’s 1970s drama.
Rojo, directed by Argentina’s Benjamin Naishtat, has moved top of Screen’s Toronto 2018 Platform jury grid.
The film has achieved an average of 3.2 out of 4, with one score still to come in.
Rojo garnered top marks of four (‘excellent’) from Radheyan Simonpillai of Now/CTV and Vincent Le Leurch of Le Film Français, as well as two threes (‘good’) from Boston Globe’s Loren King and Screen’s own critic.
The film follows a strange man who arrives at a restaurant in a quiet provincial city in an...
Rojo, directed by Argentina’s Benjamin Naishtat, has moved top of Screen’s Toronto 2018 Platform jury grid.
The film has achieved an average of 3.2 out of 4, with one score still to come in.
Rojo garnered top marks of four (‘excellent’) from Radheyan Simonpillai of Now/CTV and Vincent Le Leurch of Le Film Français, as well as two threes (‘good’) from Boston Globe’s Loren King and Screen’s own critic.
The film follows a strange man who arrives at a restaurant in a quiet provincial city in an...
- 9/10/2018
- by Ben Dalton
- ScreenDaily
Seven of 12 titles have taken their spot on the grid.
Three new films have achieved mid-range scores on Screen’s Toronto Platform jury grid, with Emir Baigazin’s The River, the first title to land, still leading the way.
With one score to come, Tim Sutton’s Donnybrook reached a 2.4 score, with three twos (‘average’) added to two threes (‘good’) from Joshua Rothkopf of Time Out New York and Screen’s own critic.
Sutton’s film stars Jamie Bell and Frank Grillo as an ex-marine and drug dealer respectively, who compete in legendary bare-knuckle boxing competition Donnybrook for a cash prize they both desperately need.
Three new films have achieved mid-range scores on Screen’s Toronto Platform jury grid, with Emir Baigazin’s The River, the first title to land, still leading the way.
With one score to come, Tim Sutton’s Donnybrook reached a 2.4 score, with three twos (‘average’) added to two threes (‘good’) from Joshua Rothkopf of Time Out New York and Screen’s own critic.
Sutton’s film stars Jamie Bell and Frank Grillo as an ex-marine and drug dealer respectively, who compete in legendary bare-knuckle boxing competition Donnybrook for a cash prize they both desperately need.
- 9/9/2018
- by Ben Dalton
- ScreenDaily
The Shape will be hitting the road this September. Following the announcement that the new Halloween will have its world premiere at Tiff as part of the Midnight Madness program, it's now been revealed that the film will also be the opening night movie at Austin's Fantastic Fest, with Laurie Strode herself, Jamie Lee Curtis, in attendance:
Press Release: Austin, TX — Wednesday, August 22, 2018 — Blasting off the festival in its 14th year will be the U.S. Premiere of David Gordon Green’s razor-sharp new contribution to the Halloween canon with legendary actor Jamie Lee Curtis—along with Halloween producers Malek Akkad, Jason Blum and Bill Block in attendance! Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
Also showing at the festival is the U.
Press Release: Austin, TX — Wednesday, August 22, 2018 — Blasting off the festival in its 14th year will be the U.S. Premiere of David Gordon Green’s razor-sharp new contribution to the Halloween canon with legendary actor Jamie Lee Curtis—along with Halloween producers Malek Akkad, Jason Blum and Bill Block in attendance! Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
Also showing at the festival is the U.
- 8/22/2018
- by Derek Anderson
- DailyDead
Jamie Lee Curtis’ “Halloween” has been selected as the opening night film of the 14th edition of Fantastic Fest on Sept. 20 at the Alamo Drafthouse South Lamar in Austin, Tex.
Curtis is expected to be attendance along with producers Malek Akkad, Jason Blum and Bill Block. She is returning to play the iconic Laurie Strode in the “Halloween” franchise. Universal Pictures will open the film on Oct. 19.
Curtis’ character will have a final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. David Gordon Green is directing from a script he co-wrote with Danny McBride.
Fantastic Fest made the announcement Wednesday as part of unveiling its second wave of programming. It also announced that it will hold the U.S. premiere of Fantastic Fest alum Jeremy Saulnier’s psychological thriller “Hold the Dark,” starring Jeffrey Wright,...
Curtis is expected to be attendance along with producers Malek Akkad, Jason Blum and Bill Block. She is returning to play the iconic Laurie Strode in the “Halloween” franchise. Universal Pictures will open the film on Oct. 19.
Curtis’ character will have a final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. David Gordon Green is directing from a script he co-wrote with Danny McBride.
Fantastic Fest made the announcement Wednesday as part of unveiling its second wave of programming. It also announced that it will hold the U.S. premiere of Fantastic Fest alum Jeremy Saulnier’s psychological thriller “Hold the Dark,” starring Jeffrey Wright,...
- 8/22/2018
- by Dave McNary
- Variety Film + TV
Brillante Mendoza’s “Alpha, the Right to Kill,” Felix Van Groeningen’s Brad Pitt-produced “Beautiful Boy,” Louis Garrel’s “A Faithful Man” and Peter Strickland’s “In Fabric” will compete for San Sebastian’s Golden Seashell, the Basque festival announced Friday.
Further new main competition titles unveiled take in Liu Jie’s “Baby” and Tuva Novotny’s debut “Blind Spot.”
The six titles join 12 already-announced competition contenders. San Sebastian has yet to unveil its closing film.
Festival’s official selection – which takes in competition and out-of-competition titles – opens Sept. 21 with Ricardo Darín and Mercedes Morán-starrer “An Unexpected Love.” Playing in competition, the film represents the directorial debut by Juan Vera, Argentine producer of titles by Pablo Trapero and Lucrecia Martel.
Felix Van Groeningen won the Panorama audience award at the 2013 Berlinale with “Alabama Monroe,” Oscar-nominated for best foreign language film. In “Beautiful Boy,” his English language debut, toplining Steve Carell and Timothée Chamalet,...
Further new main competition titles unveiled take in Liu Jie’s “Baby” and Tuva Novotny’s debut “Blind Spot.”
The six titles join 12 already-announced competition contenders. San Sebastian has yet to unveil its closing film.
Festival’s official selection – which takes in competition and out-of-competition titles – opens Sept. 21 with Ricardo Darín and Mercedes Morán-starrer “An Unexpected Love.” Playing in competition, the film represents the directorial debut by Juan Vera, Argentine producer of titles by Pablo Trapero and Lucrecia Martel.
Felix Van Groeningen won the Panorama audience award at the 2013 Berlinale with “Alabama Monroe,” Oscar-nominated for best foreign language film. In “Beautiful Boy,” his English language debut, toplining Steve Carell and Timothée Chamalet,...
- 8/17/2018
- by Emiliano De Pablos
- Variety Film + TV
The San Sebastian Film Festival on Friday added six titles, including Felix Van Groeningen’s Beautiful Boy and Tuva Novotny’s debut Blind Spot, to the list of candidates for the top prize in its competition lineup.
Louis Garrel’s A Faithful Man, Liu Jie’s Baby, Brillante Mendoza’s Alpha, the Right to Kill, and Peter Strickland’s In Fabric also join the competition.
Previously announced films in the program include the latest works from Iciar Bollain, Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Isaki Lacuesta, Benjamin Naishtat, Valeria Sarmiento, Rodrigo Sorogoyen, Markus Schleinzer, Juan Vera and Carlos Vermut ...
Louis Garrel’s A Faithful Man, Liu Jie’s Baby, Brillante Mendoza’s Alpha, the Right to Kill, and Peter Strickland’s In Fabric also join the competition.
Previously announced films in the program include the latest works from Iciar Bollain, Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Isaki Lacuesta, Benjamin Naishtat, Valeria Sarmiento, Rodrigo Sorogoyen, Markus Schleinzer, Juan Vera and Carlos Vermut ...
- 8/17/2018
- The Hollywood Reporter - Film + TV
The San Sebastian Film Festival on Friday added six titles, including Felix Van Groeningen’s Beautiful Boy and Tuva Novotny’s debut Blind Spot, to the list of candidates for the top prize in its competition lineup.
Louis Garrel’s A Faithful Man, Liu Jie’s Baby, Brillante Mendoza’s Alpha, the Right to Kill, and Peter Strickland’s In Fabric also join the competition.
Previously announced films in the program include the latest works from Iciar Bollain, Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Isaki Lacuesta, Benjamin Naishtat, Valeria Sarmiento, Rodrigo Sorogoyen, Markus Schleinzer, Juan Vera and Carlos Vermut ...
Louis Garrel’s A Faithful Man, Liu Jie’s Baby, Brillante Mendoza’s Alpha, the Right to Kill, and Peter Strickland’s In Fabric also join the competition.
Previously announced films in the program include the latest works from Iciar Bollain, Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Isaki Lacuesta, Benjamin Naishtat, Valeria Sarmiento, Rodrigo Sorogoyen, Markus Schleinzer, Juan Vera and Carlos Vermut ...
- 8/17/2018
- The Hollywood Reporter - Movie News
Nicole Kidman’s police thriller “Destroyer” and Elisabeth Moss’ rock and roll drama “Her Smell” have been selected for the Toronto International Film Festival’s platform section.
A dozen titles were unveiled on Wednesday for the festival’s only juried competition, with its focus on movies championing “risk-taking.” The platform section, now in its fourth year, was the launching pad for best picture Oscar winner “Moonlight,” “Jackie,” and “The Death of Stalin.”
“This year’s Platform selection stands out for the assured and precise directing on display,” said Tiff director and CEO Piers Handling. “We are thrilled to present a slate that perfectly embodies the essence of the program with so many risk-taking, challenging, and, at times, formally inventive titles that are the result of audacious directors making bold choices.”
“Destroyer” is directed by Karyn Kusama. Annapurna will handle the U.S. release, but has not yet dated the launch.
A dozen titles were unveiled on Wednesday for the festival’s only juried competition, with its focus on movies championing “risk-taking.” The platform section, now in its fourth year, was the launching pad for best picture Oscar winner “Moonlight,” “Jackie,” and “The Death of Stalin.”
“This year’s Platform selection stands out for the assured and precise directing on display,” said Tiff director and CEO Piers Handling. “We are thrilled to present a slate that perfectly embodies the essence of the program with so many risk-taking, challenging, and, at times, formally inventive titles that are the result of audacious directors making bold choices.”
“Destroyer” is directed by Karyn Kusama. Annapurna will handle the U.S. release, but has not yet dated the launch.
- 8/8/2018
- by Dave McNary
- Variety Film + TV
The 2018 Toronto Film Festival has rounded out more of its slate with a dozen more premieres to compete in the Platform Program. Here are the films:
Platform Opening Film — Donnybrook Tim Sutton, director | USA World Premiere, Frank Grillo, Margaret Qualley, James Badge Dale and Jamie Bell star
Angelo Markus Schleinzer, director | Austria/Luxembourg World Premiere
Cities of Last Things Ho Wi Ding, director | Taiwan/China/USA/France World Premiere
Destroyer Karyn Kusama, director | USA International Premiere
The Good Girls ( Las niñas bien ) Alejandra Márquez Abella, director | Mexico World Premiere
Her Smell Alex Ross Perry, director | USA World Premiere
The Innocent Simon Jaquemet, director | Switzerland/Germany World Premiere
Platform Closing Film — Jessica Forever Caroline Poggi, Jonathan Vinel, directors | France World Premiere
Mademoiselle de Joncquières Emmanuel Mouret, director | France World Premiere
Out of Blue Carol Morley, director | UK World Premiere
The River Emir Baigazin, director | Kazakhstan/Poland/Norway North American Premiere
Rojo Benjamín Naishtat,...
Platform Opening Film — Donnybrook Tim Sutton, director | USA World Premiere, Frank Grillo, Margaret Qualley, James Badge Dale and Jamie Bell star
Angelo Markus Schleinzer, director | Austria/Luxembourg World Premiere
Cities of Last Things Ho Wi Ding, director | Taiwan/China/USA/France World Premiere
Destroyer Karyn Kusama, director | USA International Premiere
The Good Girls ( Las niñas bien ) Alejandra Márquez Abella, director | Mexico World Premiere
Her Smell Alex Ross Perry, director | USA World Premiere
The Innocent Simon Jaquemet, director | Switzerland/Germany World Premiere
Platform Closing Film — Jessica Forever Caroline Poggi, Jonathan Vinel, directors | France World Premiere
Mademoiselle de Joncquières Emmanuel Mouret, director | France World Premiere
Out of Blue Carol Morley, director | UK World Premiere
The River Emir Baigazin, director | Kazakhstan/Poland/Norway North American Premiere
Rojo Benjamín Naishtat,...
- 8/8/2018
- by Mike Fleming Jr
- Deadline Film + TV
The Toronto International Film Festival’s Platform program has announced the fourth edition of Platform, a director-driven section that aims to showcase original names in international cinema. This year, Platform will play home to a dozen feature films, including new features from Karyn Kusama (her star-studded cult drama “Destroyer” is her first film since “The Invitation”), Alex Ross Perry (again teaming with his “Queen of Earth” star Elisabeth Moss for the rock drama “Her Smell”), and Tim Sutton’s “Dark Night” followup.
This year’s Platform lineup also includes four features (30%) directed or co-directed by women, and seven titles that feature strong women in leading roles. The wide-ranging slate features films from the Americas, Europe, and Asia, and all but two of the titles will be making their World Premiere at the festival.
“This year’s Platform selection stands out for the assured and precise directing on display,” said Tiff...
This year’s Platform lineup also includes four features (30%) directed or co-directed by women, and seven titles that feature strong women in leading roles. The wide-ranging slate features films from the Americas, Europe, and Asia, and all but two of the titles will be making their World Premiere at the festival.
“This year’s Platform selection stands out for the assured and precise directing on display,” said Tiff...
- 8/8/2018
- by Kate Erbland
- Indiewire
The Platform section of the 2018 Toronto International Film Festival will include adventurous films starring Nicole Kidman, Elisabeth Moss, Frank Grillo and Patricia Clarkson, Tiff organizers announced on Wednesday.
Films in the section will include Alex Ross Perry’s “Her Smell,” with Moss and Amber Heard; Carol Morley’s Martin Amis adaptation “Out of Blue,” with Patricia Clarkson and Toby Jones; and Emmanuel Mouret’s period piece “Mademoiselle de Joncquières,” starring Cecile de France.
Tim Sutton’s “Donnybrook,” which stars Frank Grillo and James Badge Dale in the story of a down-on-his-luck veteran who gets involved in brutal bare-knuckle boxing, will serve as the opening-night film for Platform, while Caroline Poggi and Jonathan Vinel’s “Jessica Forever,” a directorial debut, will close it.
Also Read: 'Beautiful Boy,' 'A Star Is Born' Highlight Toronto Film Festival Lineup
All of the films except Emir Baigazin’s “The River” and Karyn Kusama’s “Destroyer,...
Films in the section will include Alex Ross Perry’s “Her Smell,” with Moss and Amber Heard; Carol Morley’s Martin Amis adaptation “Out of Blue,” with Patricia Clarkson and Toby Jones; and Emmanuel Mouret’s period piece “Mademoiselle de Joncquières,” starring Cecile de France.
Tim Sutton’s “Donnybrook,” which stars Frank Grillo and James Badge Dale in the story of a down-on-his-luck veteran who gets involved in brutal bare-knuckle boxing, will serve as the opening-night film for Platform, while Caroline Poggi and Jonathan Vinel’s “Jessica Forever,” a directorial debut, will close it.
Also Read: 'Beautiful Boy,' 'A Star Is Born' Highlight Toronto Film Festival Lineup
All of the films except Emir Baigazin’s “The River” and Karyn Kusama’s “Destroyer,...
- 8/8/2018
- by Steve Pond
- The Wrap
Jessica Forever from debut filmmakers Caroline Poggi and Jonathan Vinel will close the section.
The bare-knuckle fighting drama Donnybrook starring Jamie Bell and Frank Grillo will open 2018 Toronto International Film Festival’s (Tiff) Platform, while Jessica Forever from debutants Caroline Poggi and Jonathan Vinel will close the section.
The 12 films in the festival’s fourth annual juried programme include new work from Karyn Kusama, Alex Ross Perry, Ho Wi Ding, Alejandra Márquez Abella and Carol Morley.
The line-up includes four features directed or co-directed by women, while seven feature strong female lead roles. The roster includes what Tiff director and...
The bare-knuckle fighting drama Donnybrook starring Jamie Bell and Frank Grillo will open 2018 Toronto International Film Festival’s (Tiff) Platform, while Jessica Forever from debutants Caroline Poggi and Jonathan Vinel will close the section.
The 12 films in the festival’s fourth annual juried programme include new work from Karyn Kusama, Alex Ross Perry, Ho Wi Ding, Alejandra Márquez Abella and Carol Morley.
The line-up includes four features directed or co-directed by women, while seven feature strong female lead roles. The roster includes what Tiff director and...
- 8/8/2018
- by Jeremy Kay
- ScreenDaily
Films from Valeria Sarmiento, Benjamín Naishtat, Markus Schleinzer and Simon Jaquemet also selected.
The first films to compete for the Golden Shell at the 2018 San Sebastian Film Festival (Sept 21-29) have been announced.
They include Claire Denis’ English-language sci-fi title High Life, which stars Juliette Binoche, André Benjamin and Robert Pattinson, Naomi Kawase’s Vision, which also stars Binoche alongside Masatoshi Nagase, and South Korean director Kim Jee-woon’s Illang: The Wolf Brigade , a remake of anime Jin-Roh from Ghost In The Shell writer Mamoru Oshii. Kim’s I Saw The Devil competed at the festival in 2010.
Chilean director Valeria...
The first films to compete for the Golden Shell at the 2018 San Sebastian Film Festival (Sept 21-29) have been announced.
They include Claire Denis’ English-language sci-fi title High Life, which stars Juliette Binoche, André Benjamin and Robert Pattinson, Naomi Kawase’s Vision, which also stars Binoche alongside Masatoshi Nagase, and South Korean director Kim Jee-woon’s Illang: The Wolf Brigade , a remake of anime Jin-Roh from Ghost In The Shell writer Mamoru Oshii. Kim’s I Saw The Devil competed at the festival in 2010.
Chilean director Valeria...
- 7/13/2018
- by Orlando Parfitt
- ScreenDaily
Robert Pattinson in Claire Denis' High Life Photo: Courtesy of San Sebastian Film Festival San Sebastian Film Festival has announced the first seven of its Competition titles for this year's festival - including Claire Denis' High Life, Kim Jee-Woon's Illang: The Wolf Brigade and Naomi Kawase's Vision.
Veteran Valeria Sarmiento will also compete for the Golden Shell with The Black Book, alongside Benjamin Naishtat's third feature Rojo, Markus Schleinzer's second film Angelo and The Innocent by Simon Jaquemet.
Sci-fi tale High Life marks Denis' English language debut, and stars Robert Pattinson and Juliette Binoche. Kim's film is also science-fiction - a live-action remake of anime Jin-Roh, set in a future Korea. Sarmiento's drama, meanwhile, steps back in time for the turbulence of the late 18th century to tell the story of an orphan and his Italian nurse. Binoche doubles her chances of Silver Shell winning with a role in Kawase's Vision,...
Veteran Valeria Sarmiento will also compete for the Golden Shell with The Black Book, alongside Benjamin Naishtat's third feature Rojo, Markus Schleinzer's second film Angelo and The Innocent by Simon Jaquemet.
Sci-fi tale High Life marks Denis' English language debut, and stars Robert Pattinson and Juliette Binoche. Kim's film is also science-fiction - a live-action remake of anime Jin-Roh, set in a future Korea. Sarmiento's drama, meanwhile, steps back in time for the turbulence of the late 18th century to tell the story of an orphan and his Italian nurse. Binoche doubles her chances of Silver Shell winning with a role in Kawase's Vision,...
- 7/13/2018
- by Amber Wilkinson
- eyeforfilm.co.uk
Madrid — Claire Denis’ “High Life,” Kim Jee-woon’s “Illang: the Wolf Brigade” and Naomi Kawase’s “Vision” feature among the first seven titles competing for the San Sebastian Festival’s top Golden Shell.
Also making the main competition cut, confirmed on Friday by San Sebastian, are Valeria Sarmiento’s “The Black Book” and three directors on many critics’ to-track lists: Austria’s Markus Schleinzer, Argentina’s Benjamín Naishtat and Switzerland’s Simon Jaquemet.
Around 10 competition contenders remain to be announced, including the big Spanish titles which often take major prizes. For the moment, however, many of the first titles paint the picture, sometimes via genre, of a world shook to its foundations by highly convulsive or dramatic times. Whether the tremors of the French Revolution (“The Black Book”), a rioting future Korea facing reunification, relationships, highly human characters or even humanity is threatened, by the build of covert police violence...
Also making the main competition cut, confirmed on Friday by San Sebastian, are Valeria Sarmiento’s “The Black Book” and three directors on many critics’ to-track lists: Austria’s Markus Schleinzer, Argentina’s Benjamín Naishtat and Switzerland’s Simon Jaquemet.
Around 10 competition contenders remain to be announced, including the big Spanish titles which often take major prizes. For the moment, however, many of the first titles paint the picture, sometimes via genre, of a world shook to its foundations by highly convulsive or dramatic times. Whether the tremors of the French Revolution (“The Black Book”), a rioting future Korea facing reunification, relationships, highly human characters or even humanity is threatened, by the build of covert police violence...
- 7/13/2018
- by John Hopewell
- Variety Film + TV
The following essay was produced as part of the 2017 Locarno Critics Academy, a workshop for aspiring film critics that took place during the 70th edition of the Locarno Film Festival.
Swiss cinema isn’t exactly stuck in a rut. Its artistically-challenging documentaries are thriving: Markus Imhoofs meditation on bees in the climate-change era “More Than Honey” from 2012 was released in 29 countries around the globe, and last year, the animated “My Life as Zucchini” was nominated for an Oscar. Historically, however, Switzerland has given rise to an outstanding list of worldly auteurs such as Claude Goretta, Alain Tanner and Jean-Luc Godard. Why haven’t we heard much about young Swiss talent making the leap out of the small alpine state?
There is one major exception here: Ursula Meier is a Geneva-based cinematographer and filmmaker who has found a string of international successes. With “Sister” in 2012, she received the Silver Bear at the Berlinale.
Swiss cinema isn’t exactly stuck in a rut. Its artistically-challenging documentaries are thriving: Markus Imhoofs meditation on bees in the climate-change era “More Than Honey” from 2012 was released in 29 countries around the globe, and last year, the animated “My Life as Zucchini” was nominated for an Oscar. Historically, however, Switzerland has given rise to an outstanding list of worldly auteurs such as Claude Goretta, Alain Tanner and Jean-Luc Godard. Why haven’t we heard much about young Swiss talent making the leap out of the small alpine state?
There is one major exception here: Ursula Meier is a Geneva-based cinematographer and filmmaker who has found a string of international successes. With “Sister” in 2012, she received the Silver Bear at the Berlinale.
- 8/22/2017
- by Timo Posselt
- Indiewire
Industry Days Alliance For Development (Afd) strand to host eight European projects.
Update: Project addition: Ffa – MiBACT: The Guard by Giulio Ricciarelli (Labyrinth Of Lies). Producer: Oliver Schütte, tellfilm Deutschland Ug.
New projects from the co-producers of The Nun and Becoming Zlatan and War writer-director Simon Jaquemet are among eight feature projects selected for Locarno’s Industry Days development and co-production strand Alliance For Development (Afd).
The platform is designed to foster co-developments between France, Germany, Italy and Switzerland by facilitating cooperation between existing co-development funds, including France’s Cnc, Italy’s MiBACT, and Germany’s Ffa.
Among selected projects this year are new films from Belle Epoque Films, the German co-producer of Guillaume Nicloux’s 2013 drama The Nun, and Italian outfit Indyca, which co-produced 2015 documentary Becoming Zlatan.
As Switzerland does not share a similar development bilateral fund, three Swiss projects looking for German, French and Italian co-producers have also been selected to join the initiative as special...
Update: Project addition: Ffa – MiBACT: The Guard by Giulio Ricciarelli (Labyrinth Of Lies). Producer: Oliver Schütte, tellfilm Deutschland Ug.
New projects from the co-producers of The Nun and Becoming Zlatan and War writer-director Simon Jaquemet are among eight feature projects selected for Locarno’s Industry Days development and co-production strand Alliance For Development (Afd).
The platform is designed to foster co-developments between France, Germany, Italy and Switzerland by facilitating cooperation between existing co-development funds, including France’s Cnc, Italy’s MiBACT, and Germany’s Ffa.
Among selected projects this year are new films from Belle Epoque Films, the German co-producer of Guillaume Nicloux’s 2013 drama The Nun, and Italian outfit Indyca, which co-produced 2015 documentary Becoming Zlatan.
As Switzerland does not share a similar development bilateral fund, three Swiss projects looking for German, French and Italian co-producers have also been selected to join the initiative as special...
- 6/9/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
LatinoBuzz: Winners of 33rd Edition CineMart Include Academy Award-Nominee Ciro Guerra's New Project
The CineMart 2016 awards have been announced marking the close of the 33rd edition of the co-production market. German production "Berlin Alexanderplatz" was awarded the Eurimages Co-Production Development Award of €20,000, which is given to a project presented by a European producer. Colombian production "Birds of Passage" was awarded the €6,000 Arte International Prize and the Wouter Barendrecht Award went to Christopher Radcliff’s new project "The Strange Ones." The prize of €5,000 is given by the Wouter Barendrecht Film Foundation. The jury for the Arte and Eurimages awards is comprised of the Netherlands Film Fund’s Dorien van de Pas, producer Annamaria Lodato and Fabien Westerhoff, head of international licensing, production and finance company Ffwd (formerly with Hanway and WestEnd). The Wouter Barendrecht Award is decided on by representatives of the Wouter Barendrecht Film Foundation, Nelleke and Ellis Driessen.
CineMart selected 25 international projects to participate in the four day event which has been one of the most successful in recent years. Multiple conferences and panels covering topics ranging from “Making the most of a film festival” to “The Micro-Budget Talent Programmes” were held in front of packed audiences who were invited to be involved in the debates and receive advice. Mike S. Ryan (Greyshack Films), Michael Weber (The Match Factory), Winnie Lau (Jettone Films Ltd) and Bero Beyer (Director Iffr) discussing ‘The Creative Thunder of Cinema’ proved one of the highlights of Iffr 2016.
On making the announcement, Head of Industry and CineMart, Marit van den Elshout commented: “This year’s line-up was exceptional and inspiring. I speak on behalf of the entire team when I say that we could not be more proud – we have seen so many great projects, and so many talented teams behind them, the winners really exemplify this. I am also pleased to say that we hosted multiple extremely well attended panels and conversations, discussing the current state and possible future of the cinema that we love and cherish in Rotterdam.”
This year’s Eurimages Co-Production Development Award winner, "Berlin Alexanderplatz" by Burhan Qurbani (Germany) is a Sommerhaus Filmproduktion production. On the jury’s decision, Dorien van de Pas commented: “The project gives us a new and relevant view on a classic piece. The talented director has already made several films about urgent and relevant topics, that currently affect all our countries. Here he will combine elements of genre film with more political and emotional layers, which makes it accessible for a younger audience. The project leads to an ideal co-production scenario and the money of this award will be well employed for casting and further development.”
The Arte International Prize winner is "Birds of Passage" (Colombia) by Ciro Guerra, who is currently nominated for the Best Foreign Language Academy Award for "Embrace of the Serpent," produced by Ciudad Lunar Producciones and Blond Indian Films. On presenting the award, Annemaria Lodato commented: “We decided to give the Arte International Prize to a young South American filmmaker who has already produced a strong and convincing body of work. The project takes us into the heart of an indigenous community, a time and place never explored on screen.”
The Wouter Barendrecht Award winner is "The Strange Ones" (USA), directed by Christopher Radcliff and Lauren Wolkstein, produced by Sébastien Aubert. "Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to something more complex, dark, and potentially deadly." On presenting the award Managing Director of Fortissimo Films, Nelleke Driessen commented: “The short film on which this film project is based, convinced the jury of the potential for the feature. We trust that the makers will succeed to translate this apparent simple story into an intriguing, multi layered psychological thriller.”
Hbf+Europe Distribution Support for International Co-productions
Next to these awards, Iffr’s Hubert Bals Fund is proud to announce the first selection of its brand-new distribution scheme: Hbf+Europe Distribution Support for International Co-productions. The scheme is designed to boost the distribution of internationally co-produced films from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe.
The Hbf is pleased to announce that the first Hbf+Europe Distribution grant of 20.000 Euro has been awarded to Heretic Outreach from Greece to support the distribution of "Babai" by Visar Morina (Kosovo, Germany, Macedonia and France) in Greece, Bulgaria and Egypt.
Full selection list for CineMart 2016:
"The Announcement" - Mahmut Fazil Coskun - Turkey/Bulgaria - Filmotto Production/The Chouchkov Brothers "Berlin Alexanderplatz" - Burhan Qurbani - Germany - Sommerhaus Filmproduktion GmbH "Birds of Passage" - Ciro Guerra - Colombia - Ciudad Lunar/Blond Indian Films "Bloody Marie" - Guido van Driel - the Netherlands/Germany - Family Affair Films/Schiwago Film GmbH "Bootlegger" - Caroline Monnet - Canada - Microclimat Films "Dark Room" - Itamar Alcalay - Israel/Germany - Lama Films/Komplizen Film "The Devil Outside" - Andrew Hulme - UK - Ipso Facto Productions "Is this What You Were Born For?" - Radu Jude - Romania - Hi Film Productions "Jessica" - Ninja Thyberg - Sweden - Plattform Produktion "The Last Harem" - Maryam Keshavarz - France/Portugal - Neon Productions/ Ítaca Films/MaraKesh Films (Art:Film) "The Notebooks" - Joana Hadjithomas, Khalil Joreige - Lebanon/France - Abbout Productions "Over the City" - Emir Baigazin - Kazakhstan/Germany - Emir Baigazin Production/Augenschein Filmproduktion "Pompei" - John Shank, Anna Falguères - Belgium/Italy - Tarantula/Solaria Film "Rafaël" - Ben Sombogaart - the Netherlands/Italy/Belgium/Tunisia - Rinkel Film/Verdeoro/Entre Chien et Loup/Nomadis Images/Cinetelefilms "Sick, Sick, Sick" - Alice Furtado - Brazil - Estúdio Giz/Oceano "Slam" - Partho Sen-Gupta - Australia - Invisible Republic "Sleep." - Jan-Willem van Ewijk - the Netherlands - Waterland Film/Propellor Film "The Strange Ones" - Christopher Radcliff, Lauren Wolkstein - France/USA - Adastra Films "Teenage Jesus" - Marie Grahtø - Denmark - Beofilm "Under the Sun" - Qiu Yang - France/China - House on Fire/Colorful Age Culture & Media "Der Unschuldige" - Simon Jaquemet - Switzerland - 8Horses "Ursa Major"- Benjamin Crotty - USA/France - AgX/Les Films du Bal "Vikings" - Daniel Hoesl - Austria - Ulrich Seidl Film Produktion GmbH "Wild Princess" - Ester Martin Bergsmark - Sweden - Garagefilm International (Art:Film) "What if Women Ruled the World?" - Yael Bartana - UK - Jacqui Davies Limited...
CineMart selected 25 international projects to participate in the four day event which has been one of the most successful in recent years. Multiple conferences and panels covering topics ranging from “Making the most of a film festival” to “The Micro-Budget Talent Programmes” were held in front of packed audiences who were invited to be involved in the debates and receive advice. Mike S. Ryan (Greyshack Films), Michael Weber (The Match Factory), Winnie Lau (Jettone Films Ltd) and Bero Beyer (Director Iffr) discussing ‘The Creative Thunder of Cinema’ proved one of the highlights of Iffr 2016.
On making the announcement, Head of Industry and CineMart, Marit van den Elshout commented: “This year’s line-up was exceptional and inspiring. I speak on behalf of the entire team when I say that we could not be more proud – we have seen so many great projects, and so many talented teams behind them, the winners really exemplify this. I am also pleased to say that we hosted multiple extremely well attended panels and conversations, discussing the current state and possible future of the cinema that we love and cherish in Rotterdam.”
This year’s Eurimages Co-Production Development Award winner, "Berlin Alexanderplatz" by Burhan Qurbani (Germany) is a Sommerhaus Filmproduktion production. On the jury’s decision, Dorien van de Pas commented: “The project gives us a new and relevant view on a classic piece. The talented director has already made several films about urgent and relevant topics, that currently affect all our countries. Here he will combine elements of genre film with more political and emotional layers, which makes it accessible for a younger audience. The project leads to an ideal co-production scenario and the money of this award will be well employed for casting and further development.”
The Arte International Prize winner is "Birds of Passage" (Colombia) by Ciro Guerra, who is currently nominated for the Best Foreign Language Academy Award for "Embrace of the Serpent," produced by Ciudad Lunar Producciones and Blond Indian Films. On presenting the award, Annemaria Lodato commented: “We decided to give the Arte International Prize to a young South American filmmaker who has already produced a strong and convincing body of work. The project takes us into the heart of an indigenous community, a time and place never explored on screen.”
The Wouter Barendrecht Award winner is "The Strange Ones" (USA), directed by Christopher Radcliff and Lauren Wolkstein, produced by Sébastien Aubert. "Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to something more complex, dark, and potentially deadly." On presenting the award Managing Director of Fortissimo Films, Nelleke Driessen commented: “The short film on which this film project is based, convinced the jury of the potential for the feature. We trust that the makers will succeed to translate this apparent simple story into an intriguing, multi layered psychological thriller.”
Hbf+Europe Distribution Support for International Co-productions
Next to these awards, Iffr’s Hubert Bals Fund is proud to announce the first selection of its brand-new distribution scheme: Hbf+Europe Distribution Support for International Co-productions. The scheme is designed to boost the distribution of internationally co-produced films from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe.
The Hbf is pleased to announce that the first Hbf+Europe Distribution grant of 20.000 Euro has been awarded to Heretic Outreach from Greece to support the distribution of "Babai" by Visar Morina (Kosovo, Germany, Macedonia and France) in Greece, Bulgaria and Egypt.
Full selection list for CineMart 2016:
"The Announcement" - Mahmut Fazil Coskun - Turkey/Bulgaria - Filmotto Production/The Chouchkov Brothers "Berlin Alexanderplatz" - Burhan Qurbani - Germany - Sommerhaus Filmproduktion GmbH "Birds of Passage" - Ciro Guerra - Colombia - Ciudad Lunar/Blond Indian Films "Bloody Marie" - Guido van Driel - the Netherlands/Germany - Family Affair Films/Schiwago Film GmbH "Bootlegger" - Caroline Monnet - Canada - Microclimat Films "Dark Room" - Itamar Alcalay - Israel/Germany - Lama Films/Komplizen Film "The Devil Outside" - Andrew Hulme - UK - Ipso Facto Productions "Is this What You Were Born For?" - Radu Jude - Romania - Hi Film Productions "Jessica" - Ninja Thyberg - Sweden - Plattform Produktion "The Last Harem" - Maryam Keshavarz - France/Portugal - Neon Productions/ Ítaca Films/MaraKesh Films (Art:Film) "The Notebooks" - Joana Hadjithomas, Khalil Joreige - Lebanon/France - Abbout Productions "Over the City" - Emir Baigazin - Kazakhstan/Germany - Emir Baigazin Production/Augenschein Filmproduktion "Pompei" - John Shank, Anna Falguères - Belgium/Italy - Tarantula/Solaria Film "Rafaël" - Ben Sombogaart - the Netherlands/Italy/Belgium/Tunisia - Rinkel Film/Verdeoro/Entre Chien et Loup/Nomadis Images/Cinetelefilms "Sick, Sick, Sick" - Alice Furtado - Brazil - Estúdio Giz/Oceano "Slam" - Partho Sen-Gupta - Australia - Invisible Republic "Sleep." - Jan-Willem van Ewijk - the Netherlands - Waterland Film/Propellor Film "The Strange Ones" - Christopher Radcliff, Lauren Wolkstein - France/USA - Adastra Films "Teenage Jesus" - Marie Grahtø - Denmark - Beofilm "Under the Sun" - Qiu Yang - France/China - House on Fire/Colorful Age Culture & Media "Der Unschuldige" - Simon Jaquemet - Switzerland - 8Horses "Ursa Major"- Benjamin Crotty - USA/France - AgX/Les Films du Bal "Vikings" - Daniel Hoesl - Austria - Ulrich Seidl Film Produktion GmbH "Wild Princess" - Ester Martin Bergsmark - Sweden - Garagefilm International (Art:Film) "What if Women Ruled the World?" - Yael Bartana - UK - Jacqui Davies Limited...
- 2/4/2016
- by Sydney Levine
- Sydney's Buzz
Elisabeth Scharang’s Jack, Simon Jaquemet’s War (Chrieg) earmarked for local distribution.
German sales company Picture Tree International (Pti) is to expand into local theatrical distribution with two titles from its sales line-up: Swiss director Simon Jaquemet’s drama War (Chrieg) and Elisabeth Scharang’s Locarno debut Jack.
Picture Tree has set an April 28 release for War (Chrieg), which debuted at San Sebastian 2014 and screened at Berlin 2015, while Jack is set for release later in the year.
Speaking to ScreenDaily from Sundance at the weekend, Pti managing director Andreas Rothbauer discussed the push into local distribution.
“We initially want to gather some experience with a few of our sales titles provided they weren’t already licensed to a German distributor,” Rothbauer explained.
“World sales is our core business and, depending on this, we will decide which film might make sense for in-house distribution. However, as the German market is very competitive, I think that...
German sales company Picture Tree International (Pti) is to expand into local theatrical distribution with two titles from its sales line-up: Swiss director Simon Jaquemet’s drama War (Chrieg) and Elisabeth Scharang’s Locarno debut Jack.
Picture Tree has set an April 28 release for War (Chrieg), which debuted at San Sebastian 2014 and screened at Berlin 2015, while Jack is set for release later in the year.
Speaking to ScreenDaily from Sundance at the weekend, Pti managing director Andreas Rothbauer discussed the push into local distribution.
“We initially want to gather some experience with a few of our sales titles provided they weren’t already licensed to a German distributor,” Rothbauer explained.
“World sales is our core business and, depending on this, we will decide which film might make sense for in-house distribution. However, as the German market is very competitive, I think that...
- 1/25/2016
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Exclusive: Projects hail from Australia, China, Brazil, UK, Lebanon and Us.Scroll down for full line-up
International Film Festival Rotterdam’s (Iffr) co-production market CineMart (Jan 31-Feb 3) has revealed its line-up for the upcoming 2016 edition.
The line-up consists of titles includes new works from filmmakers from the Netherlands, Australia, China, Brazil, the UK, Lebanon, France and the Us. The selection also includes two Art:Film projects.
Filmmakers selected this year include Romania’s Radu Jude, whose Aferim! won the Silver Bear at the 2015 Berlinale and will present his new feature project, Is This What You Were Born For?.
Director Guido van Driel from the Netherlands, whose debut feature film Resurrection of a Bastard was the opening film of Iffr in 2013, will present his new project Bloody Marie.
Colombian director Ciro Guerra, whose third feature Embrace of the Serpent won the Art Cinema Award in the Quinzaine des Réalisateurs section at 2015 Cannes, will attend...
International Film Festival Rotterdam’s (Iffr) co-production market CineMart (Jan 31-Feb 3) has revealed its line-up for the upcoming 2016 edition.
The line-up consists of titles includes new works from filmmakers from the Netherlands, Australia, China, Brazil, the UK, Lebanon, France and the Us. The selection also includes two Art:Film projects.
Filmmakers selected this year include Romania’s Radu Jude, whose Aferim! won the Silver Bear at the 2015 Berlinale and will present his new feature project, Is This What You Were Born For?.
Director Guido van Driel from the Netherlands, whose debut feature film Resurrection of a Bastard was the opening film of Iffr in 2013, will present his new project Bloody Marie.
Colombian director Ciro Guerra, whose third feature Embrace of the Serpent won the Art Cinema Award in the Quinzaine des Réalisateurs section at 2015 Cannes, will attend...
- 12/10/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
As of this article's publication only five countries have announced their official Oscar entries for the 88th Academy Awards: Hungary ("Son of Saul"), Romania ("Aferim!"), Bosnia & Herzegovina ("Our Everyday Life"), Luxembourg ("Baby(A)lone"), and Kazakhstan ("Stranger"). Taking into account last year's record number of submissions, 83 in total, there are certainly a lot more coming in the next few weeks. Several national film organization have already narrowed the field down to a shortlist of films that qualify to be considered, other countries skip the shortlist and simply announce their participant title without revealing what was being considered.
Trying to predict what a particular nation will enter is a tall order because of the numerous factors that weight in, especially when dealing with countries with a large film industry. In other cases, however, there are usually just a couple standouts that meet the standards to be submitted. Whatever the case, even with the most obvious choices there could be surprises such as Indian choosing not to submitting "The Lunchbox" or Chile choosing another film over Silva's "The Maid."
While there is no sure-fie formula to predict what films will be competing for the Best Foreign Language Film Academy Award, by looking at festivals, release dates, national awards, previous submissions, and with a hefty dose of educated speculation, I've put together a list of 35 titles that, at this point, seem like excellent choices.
Update 08/28: Several countries have announced their official submissions: Croatia ("The High Sun"), Germany ("Labyrinth of Lies"), Guatemala ("Ixcanul"), Switzerland ("Iraqi Odyssey"), and Palestine ("The Wanted 18").
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Argentine Release Date: August 13th, 2015
Coming off the success of this year’s nominee “Wild Tales,” which also did very well at the U.S. box-office for Sony Pictures Classics and became a spectacular hit back home, Argentina seems to have another strong contender this year with Pablo Trapero’s latest work “The Clan” (El Clan). Two of the director’s previous films have been submitted before (“Lion’s Den” and “Carrancho”), and this one about the Puccio family, which was criminal organization that kidnapped and murdered wealthy people, looks more than promising. “The Clan” is also produced by Almodovar’s El Deso, just as Damian Szifron’s “Tales” was. There are several other films that have enough merits to be considered, but might prove insufficient when faced with Trapero’s film. “Refugiado,” “El Patron,” “Two Shots” and, even “Jauaja,” starring Viggo Mortensen, qualify
Brazil
"The Second Mother"
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Brazilian Release Date: August 27, 2015
Undoubtedly the most awarded Brazilian film of the year is also their best bet at the Oscars. Anna Muylaert's “The Second Mother” premiered at Sundance where it won a Special Jury Prize for both of its leading actresses Regina Casé and Camila Márdila. It went on to screen in the Panorama section of the Berlinale and took home the C.I.C.A.E. Award and the Audience Award. The film tells the story of a live-in housekeeper and his daughter as they navigate the class divisions prevalent in Brazilian society. Another factor in its favor is the fact that the film has secured U.S. distribution thanks to Oscilloscope. “The Second Mother” opens in Brazil on August 27 and, in a strange turn of events, on August 28 in the U.S. While there are plenty of other great Brazilian works that qualify to be submitted, it’s unlikely that the selection committee will look elsewhere. Other films that could have a shot at being chosen are “August Winds,” “Casa Grande.” “Blue Blood,” and “White Out, Black In”
Bulgaria
"The Judgement"
Dir. Stephan Komandarev
Isa: Premium Film
U.S. Distribution: None Yet
Bulgarian Release Date: October 16, 2014
Following last year’s scandalous selection of “Bulgarian Rhapsody” over the more deserving “Viktoria,” the Eastern European country has a two-way race in which both candidates have almost equal chances at being chosen. Stephan Komandarev’s drama “The Judgement” is the larger production of the two and revolves around a desperate father trying to amend his relationship with his estrange son. At the same time the protagonist is also trying to make ends meet and decides to take on the dangerous job of smuggling illegal immigrant from Syria through a remote area of the Turkish-Greek-Bulgarian border. The other film is Kristina Grozeva & Petar Valchanov's “The Lesson,” about a devoted teacher who is faced with corrupt bureaucracy after her classroom is burglarized. Winning awards at the Sofia International Film Festival, San Sebastian, Thessaloniki, and screening at Tiff and Rotterdam, “The Lesson” should be the frontrunner. However, “The Judgement” might have the edge not only because it sports a larger budget and wider appeal, but because Komandarev is the filmmaker behind “The World is Big and Salvation Lurks Around the Corner,” which is the one Bulgarian film that has gotten the closest to Oscar glory when it was shortlisted by the Academy in 2010. Less likely to be selected but still viable possibilities are “Adultery,”"Buffer Zone," and "The Petrov File."
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
Canadian Release Date: January 30th, 2015
As of now Canada’s ideal representative would be the small, but touching, “Felix & Meir,” about a married woman from the Orthodox Jewish community who falls in love with a secular man, as way to know life beyond the restrictions of her faith. This tiny gem won the Best Canadian Feature award at last year’s Tiff and received four awards at the Whistler Film Festival including Best Film and Best Director. “Felix & Meira” was acquired by Oscilloscope for U.S. distribution and was released last April. To date it has grossed nearly $500,00, which, for a subtle and niche film like this, is a great feat. Giroux’ film should take this easily, unless the new film by Oscar-nominated director Philippe Falardeau decides to push for the opportunity. Falardeau newest film “Guibord Goes to War” (Guibord s’en va-t-en guerre) is a political dark comedy that premiered at Locarno and is scheduled to open in Canada on October 2- just two days after AMPAS’ deadline. If the distributor decides to have a one-week qualifying run ahead of the release, then it would become the new frontrunner to represent Canada. However, it’s still unknown if that is being considered or if the film will just wait till next year. Falardeau was nominated in the category for “Monsieur Lazhar” in 2012. “Chorus,” which premiered at Sundance, Berlin’s “Corbo,” Tiff’s “In Her Place,” and the “Les Loups” also qualify.
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Chilean Release Date: May 28, 2015
With Pablo Larraín’s Silver Bear-winner film, Chile has an easy choice to make. “The Club,” which was recently picked up for U.S. distribution by Music Box Films, has received universal critical acclaimed and has cemented its director as one of the most important figures in Latin American cinema. Larraín’s latest centers on a group of priests and nuns sent to a beach town to purify their sinful pasts involving everything from pedophilia to kidnapping. The only other film that truly stands a chance is Matias Lira's “El Bosque de Karadima,” which deals with similar themes regarding secrecy and crimes against children within the Catholic Church. But even if this film has been well-received at home, “The Club” has had more much more international visibility and it has the distinction of being the newest work from the director behind “No,” Chile’s only Oscar-nominated film to date. Other notable works that will be part of the conversation include historical drama “Allende en su Laberinto” by veteran director Miguel Littin, Rodrigo Sepúlveda’s touching “Aurora," and indie flick “La Voz en Off.”
China
"Mountains May Depart" (山河故人)
Dir. Zhangke Jia
Isa: MK2
U.S. Distribution: Kino Lorber
Chinese Release Date: Unknown
Censorship has always played a role in China’s decision-making process when it comes to their Oscar submissions. Some of the best Chinese films in recent years are never considered given their controversial topics or because they were made outside of the state-run system. Under this circumstances patriotic epics or lavish period dramas are often selected even when their quality is subpar. The country’s big production this year is “The Lady of the Dynasty,” which was a box-office disappointment and garnered mostly negative reviews locally. With this in mind, the hope is that they will finally look at more compelling films with greater international exposure, such as Jia Zhangke’s “Mountains May Depart.” Premiering at Cannes to mostly positive responses, the film looks at Chinese society from three perspectives scattered over three decades. The film has passed the censors' revisions and will be allowed to screen in mainland Chine, which means it’s possible one of Zhangke’s film might finally represent his homeland. His previous effort, “A Touch of Sin,” was ignored because of its thematic elements. Jean-Jacques Annaud’s stunning “Wolf Totem” is a close second choice, but given the fact that China submitted a film by a French director last, they might want to highlight a homegrown talent this time. There is also “Red Amnesia,” a thriller about a widow that compulsively needs to take careof those around her until strange incidents shake her life. Er Cheng’s “The Wasted Times,” which appears to be a delirious visual treat, but it opens just a few days after the September 30th deadline. A qualifying run prior to that date is possible, but not likely. “Mountains May Depart” is definitely the strongest candidate.
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Colombian Release Date: May 25th, 2015
The Colombian film industry has had an outstanding year and that has produced an impressive lineup of films from which their strongest Oscar entry to date will emerge. Three films that screened at the Cannes Film Festival - two of which earned prizes – are at the top of the list. Winning the Art Cinema Award at the Directors’ Fortnight Ciro Guerra’s black-and-white “Embrace of the Serpent” is the one to beat among these trio of art house wonders. Guerra’s film is a period piece about the clash between the native people of the Amazon and a European explorer, which has received stellar reviews and was picked up for U.S. distribution by Oscilloscope. Two of Guerra’s previous films, “Wandering Shadows” and “The Wind Journey,” also represented Colombia at the Academy Awards. Nevertheless, the other films that screen at the Croisette, Golden Camera-winner “Land and Shade” and war drama “Alias Maria,” shouldn’t be completely counted out of the running. Films like Franco Lolli's “Gente de Bien” (Cannes 2014), Josef Wladyka's “Manos Sucias,” "Todos Se Van," and “Ruido Rosa” qualify and testify of the great moment Colombian filmmaking is experiencing, but they will have a difficult time pulling off an upset.
Croatia
"The High Sun" (Zvizdan)
Dir. Dalibor Matanic
Isa: Cercamon
U.S. Distribution: None Yet
Croatian Release Date: Septemeber 2015
It’s not often that a Croatian feature manage to grab Cannes’ attention and take home a prestigious award like the Un Certain Regard Jury Prize. “The High Sun” achieved such feat and should be almost a lock to become the country’s Oscar entry. This intense drama, that expands over three decades and explores the Balkan region’s turbulent history, also won 7 awards at the Pula Film Festival including Best Film, Director, Leading Actress, Supporting Actor, and Supporting Actress. If there’s another film with a reasonable shot, it would be Ognjen Svilicic's “These Are the Rules” about a family questioning their moral compass after a violent incident, which did well in the festival circuit winning awards in Venice, Warsaw, Stockholm, and Pula. Svilicic’s 2007 feature “Armin” represented the country at the 80th Academy Awards. “The Bridge at the End of the World,” “Ungiven,” “The Reaper,” “Number 55” are other noteworthy Croatian films released during the past year, but Matanic’s highly praised wok should have no trouble becoming the official entry.
Dominican Republic
"Sand Dollar" (Dólares de Arena)
Dir. Israel Cárdenas & Laura Amelia Guzmán
Isa: FIGa Films
U.S. Distribution: Breaking Glass Pictures
Dominican Release Date: November 13th, 2014
Thanks to a growing film industry, Dominican films have participated every year starting in 2011 after being absent from the race since 1995. Their submissions have included romantic comedies and low-budget crime dramas that weren’t successful at getting AMPAS’ attention. Fortunately, this year they might have their strongest candidate yet with “Sand Dollars.” In Israel Cárdenas & Laura Amelia Guzmán's film starring Geraldine Chaplin, a local girl becomes the object of desire for an older French woman visiting the Caribbean country, influenced by her boyfriend the Dominican beauty decides to take advantage of the foreigner’s interest. “Sand Dollars” has screened at countless festivals around the world winning a handful of awards and has secured U.S. distribution. Guillermo Zouain's road-trip comedy “Algún Lugar” has also been well-received at a couple of international festivals, but is less likely to be picked. “Pueto Pa’ Mí,” a drama about urban music, documentary “Tu y Yo," and biopic “Maria Montez,” might be out of luck. It’s unclear if Agliberto Meléndez political film “Del Color de La Noche,” has premiered yet, so that could a contender next year given that the director was behind the country’s first ever Oscar submission.
Ethiopia
"Lamb"
Dir. Yared Zeleke
Isa: Films Distribution
U.S. Distribution: None Yet
Ethiopian Release Date: Unknown
The East African nation has only sent two films for consideration. Last year it was the Angeline Jolie-supported “Difret,” which was part of the World Cinema competition at the 2014 Sundance Film Festival. This year only two films seem to qualify. “Lamb” is the first-ever Ethiopian film to screen at Cannes, which makes it the unquestionable favorite. It’s a rural story about a boy and his beloved sheep moving in with relatives as his mother goes to work in the city. Reviews were positive praising the film’s cinematography and layered storytelling. The other film that could possibly be selected is Hermon Hailay’s “Prince of Love” about a prostitute and a cab driver struggling to get by in the capital city of Addis Ababa. “Prince of Love” represented the country at Fespaco, one of Africa’s most renowned festivals, and will screen at Tiff in September. Ethiopia might choose to send “Lamb” this time around and save Hailay’s feature for next year depending on release date.
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish Release Date: March 13th, 2015
Peculiar teen drama “They Have Escaped” won four Jussi Awards from the Finnish Academy earlier this year including Best Film and Best Director; however, it will probably face an uphill battle to become Finland’s Oscar entry. Instead, Estonian-language period piece, “The Fencer,” looks like a more feasible alternative because of its classic story, elegant cinematography, and the director behind it: Klaus Härö. The film tells the story of a young Estonian fencer who leaves his homeland to become a Pe teacher and escape persecution by the Russian authorities in the 1950s. Some critics have gone as far as to call it “the best Finnish film in a decade.” Three of Härö’s previous films (“Elina: As If I Wasn’t There,””Mother of Mine, “ and Letter to Father Jacob) were selected as Oscar entries. The only obstacle in its path is the fact that this is an Estonian story with mostly Estonian dialogue. If the selection committee can overlook that, this will be their pick. Antti Jokinen's “Wildeye,” a visually arresting war drama that opens in September is another strong option, particularly because Jokinen’s previous film, “Purge,” represent the country in 2013. “Absolution,” “Head First,” ”Homecoming,” and “Tsamo” are proof a strong year in Finnish cinema but won’t make the cut.
France
"Dheepan"
Dir. Jacques Audiard
Isa: Wild Bunch
U.S. Distribution: Sundance Selects
French Release Date: August 26th, 2015
Given the amount of films produced in France each year, this is the most difficult country to narrow down. However, this year there is a heavyweight contender among the scores of worthy productions. Surprise Palme d’Or-winner “Deephan” by the Academy Award-nominated director of “A Prophet," Jacques Audiard, is a clear favorite. Audiard is a legend and it’s hard to think France won’t support the film that took home one of cinema’s most coveted prizes. Following the relevant immigrant story of a Sri Lankan warrior in France, “Dheepan” is almost a safe bet. If for some unimaginable reason Audiard’s latest is not chosen, the most likely alternative would be well-received “My Golden Days” by Arnaud Desplechin, which has been picked up for U.S. distribution by Magnolia Pictures. While there are dozens of films that could be considered, here are some other important French films that qualify based on their release dates: “Girlhood,” “Standing Tall,” “The Measure of Man,” “The New Girlfriend,” “Valley of Love,” “Eden,”"The Connection."
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
German Release Date: November 6th, 2014
After an 8-film shortlist was released, - which sadly doesn’t include “Phoenix” because it opened late last September – things look pretty clear for the German selection committee. It’s really a 3-film race between “13 Minutes,” Labyrinth of Lies,” and “Victoria.” Unfortunately, and despite incredibly positive reviews, Sebastian Schipper's “Victoria” might be considered a risky choice because a big part of it is in English. That leaves Oliver Hirschbiegel’s “13 Minutes,” about a man who tried to assassinate Hitler in 1939. On the surface this looks like the prime title to send to AMPAS since Hirschbiegel’s “Downfall” earned him a nomination and he has worked in Hollywood for several years now. Yet, reception wasn’t as warm for his first German film in a decade. On the other “Labyrinth of Lies,” which deals with Post-World War II Germany and how the government tried to cover up its recent Nazi past, had better luck. Critical reception has been better for this film and it was a financial success in Germany and France, which gives the edge. Both “13 Minutes” and “Labyrinth of Lies” were acquired by Sony Pictures Classics for U.S. distribution. The complete list of shortlisted films can be found Here
Greece
"Xenia" (Ξενία)
Dir. Panos H. Koutras
Isa: Pyramide International
U.S. Distribution: Strand Releasing
Greek Release Date: October 2nd, 2014
Although it’s not an official rule, Greece almost-automatically selects the winner of the Best Film Prize at the Hellenic Film Awards as their Oscar submissions. This year’s winner was the Lgbt dramedy “Xenia,” which follows two Albanian brothers searching for their Greek father after their mother’s death. The film was nominated for 15 Hellenic Film Awards and won a total of six. “Xenia” premiered in the Un Certain Regard section at the Cannes Film Festival and will be released in the U.S. in October by Strand Releasing. I can’t see any other film being selected other than Koutras’ Almodovar-infused film, but if that were the case the other Best Film nominees – that meet AMPAS requirements- would be the ones to look to: “Electra,” “A Blast,” and “Forever.”
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Guatemalan Release Date: August 27th, 2015
This is a no-brainer. Guatemala has only sent a film once back in 1994, but this year director Jayro Bustamante delivered the most awarded Guatemalan film in history. That should be a good enough reason to enter the race once again. “Ixcanul” won the Alfred Bauer Award at the Berlinale and has screened across the world to great success. Bustamante’s film centers on a Mayan girl who wants to escape the arrange marriage that awaits her to see what’s beyond her village. Another Guatemalan film, which also screened in Berlin, Edgar Sajcabún's “La Casa Más Grande del Mundo,” will probably not open theatrically in time and should be considered next year.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
Icelandic Release Date: May 28th, 2015
Two middle-aged brothers in an Icelandic rural town leave their differences behind and come together to save their beloved farm animals in the Un Certain Regard Award-winner “Rams.” With such recognition under its belt and having just been picked for U.S. distribution by Cohen Media Group, Grímur Hákonarson's film is certainly the handsomest choice. Still, “Rams” is not without a strong rival. Crowd-pleaser “Virgin Mountain,” about a lonely man whose life changes when he meets a new friend, had its U.S. premiere at the Tribecca Film Festival where it won three awards: Best Narrative Feature, Best Actor, and Best Screenplay. It could go either way, but the Cannes prestige and having found a U.S. distributor give “Rams” the upper hand. Iceland produced several qualifying features this year including “Brave Men’s Blood,” “East of the Mountain, “ and “The Homecoming.”
Iran
"Muhammad: The Messenger of God"
Dir. Majid Majidi
PC: Nourtaban Film Industry
U.S. Distribution: None Yet
Iranian Release Date: August 26, 2015
Iran will have to make an incredibly difficult decision that unfortunately may have political repercussions. Majid Majidi’s latest film “Muhammad: The Messenger of God” is the most expense Iranian feature ever made. The historical epic brings to life the early years of the prophet's life with impressive locations, costumes, and cinematography courtesy of Three-time Oscar-winner Vittorio Storaro. Majidi himself is no stranger to the Academy having earned Iran’s first-ever Academy Award nomination with “Children of Heaven.” Taking these facts into consideration, “Muhammad” seems to be the obvious selection, but there are many religious and political concerns that could get in its way. Islam prohibits the depiction of the prophet and other sacred figures in any artistic work. Knowing this, Majidi shot the entire film - which is the first part in what’s to become a trilogy – without ever showing the prophet’s face by shooting most scenes from his point of view or showing him with his back to the camera. This was acceptable for Iran’s censors, as the film will open this week in theaters across the Middle Eastern country. However, other Muslim countries, particularly Sunni Muslims, have been outspoken about their discontent with the film. Whether Iran will still choose to submit the film to AMPAS is a mystery, but it will certainly have more to do with outside influences rather than artistic merit. “Muhammad” will have its North American premiere at the Montreal World Film Festival.
“Nahid” by Ida Panahandeh, about a woman’s journey from divorce to remarrying, won the Avenir Prize in the Un Certain Regard section at Cannes, but - although censors have said the film will be allowed the screen in Iran - it might not open theatrically in time. It also deals with a controversial subject and that might limit it chances. A third, and much safer option, is romantic drama “What’s the Time in Your World?” starring Leila Hatami (“A Speration”) and Ali Mosaffa (“The Past”). Directed by Safi Yazdanian, the film looks beautifully done and sports two of the most talented Iranian actors working today. It could definitely be a good alternative. Other films include “Borderless,” “Track 143,” "Tales” and “Confessions of a Dangerous Mind.” Perhaps Iran will ignore the risk and submit their most lavish film to date by one of their most celebrated filmmakers who still works within the state’s parameters.
Israel
"The Kind Words" (Ha'milim ha'tovot )
Dir. Shemi Zarhin
Isa: Beta Cinema
U.S. Distribution: None Yet
Israeli Release Date: May 28, 2015
With 12 nominations to Israel’s Ophir Awards, “The Kind Words” including Best Film, Best Director, Best Screenplay, Best Actor, and Best Actress Shem Zarhin’s film is the one to beat. Since the winner of the Ophir Award for Best Film automatically becomes Israel’s Oscar submission, “The Kind Words” has a strong shot at both honors. The film follows a group of siblings as they travel abroad to uncover a secret. By default the other contenders are the rest of the films nominated for Best Film: “Wounded Land,” ”Afterthought,” “Wedding Doll,” and “Baba Joon.” Of this Elad Keidan's “Afterthought,” which premiered at Cannes to positive reviews, and Erez Tadmor's intense drama “Wounded Land” appear to be the strongest alternatives. Despite being nominated several times Israel has never won the Best Foreign Language Film Academy Award.
Italy
"My Mother" (Mia Madre)
Dir. Nanni Moretti
Isa: Films Distribution
U.S. Distribution: Alchemy
Italian Release Date: April 16th, 2015
Nanni Moretti is back with “Mia Madre,” a new family drama that screened in competition at this year’s Cannes Film Festival and won a few awards at the Italian David di Donatello Awards. Since the big winner at the national awards, “Black Souls,” was considered last year, Moretti’s film is the frontrunner. However, there is a wild card that could change things. Veteran filmmaker Marco Bellocchio will release his newest work “Blood of My Blood,” a historical drama about a 17th century woman accused of being a witch, on September 9 - just in time to qualify. It’s likely that Moretti will have enough support to pull it off, but there is still a chance that might not be set in stone. Besides these two films there is Mario Martone’s “Leopardi,” a biopic about poet Giacomo Leopardi, which won several David di Donatello Awards and was also recognized in Venice. With even less possibilities are Sundance’s “Cloro,” “Greenery Will Bloom Again,” and Albanian-language “Sworn Virgin,”
Ivory Coast
"Run"
Dir. Philippe Lacôte
PC: Banshee Films
U.S. Distribution: None Yet
Ivorian Release Date: December 17th, 2014
The first and only time a film represent Ivory Coast at the Oscars was back in 1977. That film, “Black and White in Color,” won the first and only Academy Award attributed to a Sub-Saharan African country. Nevertheless, that landmark work was directed by a Frenchmen, Jean-Jacques Annaud, and had mostly French talent in the leading roles. Now, almost 40 years later, an actual Ivorian film looks presents a fantastic opportunity for the country to return to the race. Philippe Lacote’s political drama “Run” screened in the Un Certain Regard section in Cannes 2014, Tiff, and AFI Fest, and later opened commercially in Abidjan, the Ivorian Capital, and Paris. Ivory Coast has only one eligible film to submit as their Oscar entry, and fortunately it’s a good one.
Japan
"Our Little Sister" (海街 diary)
Dir. Hirokazu Koreeda
Isa: Wild Bunch
U.S. Distribution: Sony Pictures Classics
Japanese Release Date: June 13th, 2015
Japan hasn’t had a successful entry since unexpectedly winning the award in 2009 with “Departures.” Their selections are often baffling because they tend to ignore festival winners and critically acclaimed films to pick obscure titles that rarely connect with voters. In recent years outstanding films such as “Like Father, Like Son” have been overlooked. Having said this, one can only hope that this time around they will chose more wisely. This year another film by Hirokazu Koreeda, “Our Little Sister,” debuted at Cannes and has been picked up for U.S. distribution by Sony Pictures Classic – a powerhouse distributor in the Best Foreign Language Film race. Based on a manga series, the film revolves around a group of young women who decide to adopt their stepsister after their father dies. “Our Little Sister” was also a financial success in its homeland. Even with all these positive qualities on its side, Japan might refuse to submit Koreeda’s film and look elsewhere. Other options from the festival circuit include Naomi Kawase's “An- Sweet Red Bean Paste,” which less positive reviews; “Journey to the Shore,” though it opens on October 1; “Kabukicho Love Hotel,” which screened at Tiff last year, and “Cape Nostalgia.”
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Jordanian Release Date: March 19th, 2015
In 2008 Jordan submitted their first-ever Oscar submission, and the first feature film made in the country in half a century. That film, “Captain Abu Raed,” did very well in festivals like Sundance and Dubai. Since then, Jordanian cinema has been scarce forcing the country to be absent from the race. That could change this year with “Theeb” by UK-born filmmaker Naji Abu Nowar. His period piece about a Bedouin boy during World War I has played at numerous festivals and will have a U.S. theatrical release via Film Movement.
Lithuania
"The Summer of Sangailé" (Sangaile)
Dir. Alanté Kavaïté
Isa: Films Distribution
U.S. Distribution: Strand Releasing
Lithuanian Release Date: August 21st, 2015
The Sundance Film Festival screened its first-ever Lithuanian feature this past January, “The Summer of Sangailé” by Alanté Kavaïté. This Lgbt coming-of-age story showcases captivating cinematography and nuanced performances. “Sangailé” went on to win the Directing Award in the World Cinema Competition at the Park City festival. It will also become one of the very few Lithuanian films to have been distributed in the U.S. when Strand Releasing schedules its theatrical release. Being the most awarded narrative film from the Baltic nation, it should be a shoo-in. "Sangailé" also won three Silver Crane Awards (Lithuanian Oscars): Best Film, Best Actress for Julija Steponaityte and best set design for Ramunas Rastauskas. Its only realistic adversary is the documentary “Master and Tatyana,” which won the Best Documentary, Best Director, and Best Cinematography prizes at the Silver Crane. Lithuania has shown to be fond of submitting documentaries, but one could presume that “Sangaile’s” wider international appeal will help it succeed.
Mexico
"The Thin Yellow Line" (La Delgada Línea Amarilla)
Dir. Celso R. García
Isa: Latido Films
U.S. Distribution: None Yet
Mexican Release Date: Unknown
Among the 14 films that the Mexican Academy announced as candidates to become the official Oscar submission, only a handful of them have a real chance at representing Mexico. It’s really a three-way race between “600 Miles,” “La Tirisia,” and “The Thin Yellow Line.” Each of these has distinctive assets as well as factors that could play against them. Gabriel Ripstein's “600 Miles” stars Tim Roth, which could be beneficial because Academy voters would see a familiar face on screen. At the same time Roth’s participation means that there is a considerable amount of English dialogue that could make the film feel less authentic when considered as a “foreign language film” representing a country. Then there is Jorge Pérez Solano's art house marvel, “La Tirisia,” about the role of women in a very traditional Mexican community. This is a film that truly showcases an unseen aspect of Mexican culture and has garnered international recognition, but it might be too small in scope to be selected.
Lastly, “The Yellow Thin Line,” which was awarded at the Guadalajara Film Festival but hasn’t travel much. It will screen at the Chicago International Film Festival in October. “The Thin Yellow Line” tells the story of a group of men working on a deserted road as they are forced to come to terms with their yearnings and failures. The premise seems unique; the cast includes some of Mexico’s most recognizable talents, and it’s partly produced my Guillermo del Toro. That last fact is what could set the film apart from the rest because the general public and Academy voters will be intrigued to see what was it about this story that interested Del Toro, who hasn’t been involved in a Mexican project in several years. It’s a tough race, but having someone like the “Pan’s Labyrinth’s” director supporting the film could be a deal breaker.
Peru
"The Vanished Elephant" (El Elefante Desaparecido)
Dir. Javier Fuentes-León
Isa: Mundial
U.S. Distribution: Oscilloscope Laboratories
Peruvian Release Date: October 9th, 2015
Javier Fuentes-Leon’s “The Vanished Elephant” premiered at last year’s Tiff and was also part of this year’s Los Angeles Film Festival making it the highest profile Peruvian film of the year. At home, the critical response was very positive and the quality of the film, in comparison to other Peruvian works released in the last 12 months, is undeniable. “The Vanished Elephant” tells the cryptic story of a writer whose girlfriend disappears without a trace. After receiving a series of strange photographs, he delves into deceitful conspiracy that defies the lines between reality and fiction. Fuentes-Leon debut feature “Undertow” was submitted to the Academy back in 2010. Enrica Perez’ “Climas” about three Peruvian women from different walks of life and Héctor Gálvez forensic mystery “Nn” have both screened at several international festivals, and though they are much smaller film’s than “The Vanished Elephant,”either of them could be the next best choice to become Peru’s Oscar entry. Less likely titles include “Videophilia,” “Solos,” and historical drama “Gloria del Pacífico.”
The Philippines
"Trap" (Taklub)
Dir. Brillante Mendoza
Isa: Films Distribution
U.S. Distribution: None Yet
Filipino Release Date: Unknown
Brillante Mendoza is one the Philippines most acclaimed auteurs and yet none of his films have ever been selected to represent the Southeast Asian nation at the Oscars. His latest work, “Trap,” won Special Mention from the Ecumenical Jury at Cannes and it’s the prime contender to travel to L.A. this year. “Trap” follows a group of survivors soon after Typhoon Haiyan devastated a great part of the country. The film stars Filipino actress Nora Aunor, who also the lead in Mendoza’s “Thy Womb,” which was the Filipino entry at the Golden Globes a couple years back. Given that Mendoza’s work has never been selected, there is a chance he might miss out once more. If that happens, the film that could benefit is Paul Soriano's Manny Pacquiao biopic titled “Kid Kulafo,” which would evidently ring a bell with Americans. Other films to be considered include “Justice,” also starring Aunor, “Crocodile,” or even lighthearted comedy “English Only, Please.”
Russia
"Sunstroke"
Dir. Nikita Mikhalkov
Isa: Wild Bunch
U.S. Distribution: None Yet
Russian Release Date: October 4th, 2014
Even after winning the Golden Globe and being nominated for an Academy Awards, Andrey Zvyagintsev “Leviathan” couldn’t get the Best Film award from the Russian Academy. Instead, they decided to bestow that honor on veteran filmmaker Nikita Mikhalkov's period piece "Sunstroke.” This is the type of film that Russia loves to submit: patriotic, historical, and epic. Even though last year the Russian selection committee showed they could overlook their political agenda to ensure the best film represented the country, this year they will go back to their old ways. This is not to say “Sunstroke” is a bad film, as hardly anyone outside of Russia has seen, but it does mean that other more daring offers like Yuriy Bykov's festival darling “The Fool” and Aleksey German's “Under Electric Clouds" have little hope at becoming the country’s entry and getting the exposure that comes with it. Mikhalkov won the Oscar in for “Burnt by the Sun” in 1995 and was nominated again for "12" in 2008, which means he will be hard to beat this year. "The Fool" would be a much more interesting selection but its story about a regular citizen fighting the corrupt system might prove too controversial. There is also another war epic titled "Batalion" by Dmitriy Meskhiev, which could pull off a surprise.
Serbia
"Enclave" (Enklava)
Dir. Goran Radovanovic
PC: Nana Filam
U.S. Distribution: None Yet
Serbian Eelease Date: March 19, 2015
Serbia’s 6-film shortlist includes worlds that deal with a variety of subjects, from the recurrent tales of war and its aftermath, triumphant sports stories, and even the peculiar case of a boy who grew up wild in the woods. Of all these possibilities, the film that seems to have the most gravitas is Goran Radovanovic's “Enclave,” a film about the ethnic divide in Kosovo and the atrocities that perpetuates. This is definitely not the film with the most international exposure, but the story might be enough to warrant its submission. Films that deal with similar issues like, “Circles,” have been previous selected. But the Serbian committee wants to stay away from both war and sports dramas, they might go with Vuk Rsumovic “No One’s Child” which did very well at a few festivals including Venice and Palm Springs. It could either way. Original comedy "Monument to Michael Jackson" could also be a more lighthearted choice. The shortlist is completed by "We Will Be the World Champions"," The Man Who Defended Gavrilo Princip," and "The Disobedient" (Sundance 2014).
Spain
"Ma Ma"
Dir. Julio Medem
Isa: Seville International
U.S. Distribution: None Yet
Spanish Release Date: September 11, 2015
For a long time I had hope that Spain would find a loophole and submit their most honored film at this year’s Goya Awards, “Marshland” (La Isla Minima), but that seems like a farfetched hope now. Luckily, another film that looks like a winner will be released just in time. “Ma Ma” directed by Julio Medem and starring Academy Award-winner Penelope Cruz has Oscar written all over it. Cruz plays a mother diagnosed with cancer and whose ferocious battle with the disease will reinvigorate her love for life. The actress also served as a producer in what has become one of the most anticipated films of the year. The only films that could challenge are coming-of-ager “A Cambio de Nada” and Basque-language drama “Loreak.” The former appears to be feel-good story that might seem slight in comparison to both “Ma Ma” and “Loreak,” which deals with a woman who starts receiving flowers from a mysterious sender. “Magical Girl” is a brilliantly twisty film, but being so edgy it will probably be considered to risky for the Oscar race. Penelope Cruz’ star power will decide this race.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
Swedish Release Date: November 14th, 2014
The two previous chapters sin Andersson’s trilogy about being human were submitted to AMPAS, and even if they didn’t get a nomination, it’s hard to imagine them not submitting “A Pigeon.” The film has been critically acclaimed and it won the Golden Lion at last year’s Venice Film festival. Furthermore, it has already been released in the U.S. by Magnolia, the company that handled last year’s Swedish submission, “Force Majeure.” While I’d love to see Andersson be selected, there are several other films that could prevent that from happening. Kay Pollack, who earned Sweden’s most recent nomination for “As It Is in Heaven,” has a new film opening in early September titled “Heaven on Earth.” Depending on how that film is received the tables may or may not turn. The third strongest option is the romantic costume drama “Gentlemen,” which won several awards from the Swedish Academy and has already been picked up for U.S. distribution by, of course, Magnolia. Smaller, yet worthy candidates, include “My Skinny Sister” and “Flocking,” both of which premiered in Berlin.
Switzerland
"Vanity" (La Vanité)
Dir. Lionel Baier
Isa: Wide
U.S. Distribution: None Yet
Swiss Release Date: September 2, 2015
Out of the 7 films shortlisted by the Swiss, the one that immediately stands out is dark comedy “Vanity.” The film just premiered at Locarno and it stars Spanish actress, and one of Almodovar’s favorites, Carmen Maura, as well as Patrick Lapp. Although the film deals with suicide, the approach seems to be very comedic. In a list of several obscure titles, “Vanity” should come out on top. A second option could be Stina Werenfels' “Dora or the Sexual Neuroses of Our Parents,” which screened in Berlin’s Panorama section and tells the story of a mentally disabled woman discovering her sexuality. “War” by Simon Jaquemet, about a rebellious teenager, had some festival play as well but is less likely to be chosen. The other four titles in the shortlist are: “Pause,” doc “Iraqi Odyssey,” “Chubby,” and “L’oasis des mendiants.”
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Taiwanese Release Date: August 28th, 2015
There is really no race here. “The Assassin” will be Taiwan’s entry almost certainly. Winner of the Best Director Award at the Cannes Film Festival and clearly one of the best reviewed films of the year, this martial arts epic, which is said to showcase marvelous imagery, should be consider a strong contender. I can’t see Taiwan not choosing the film, but there are still other films that could be considered. Of those the most viable, but very distant, second choice could be Tso-chi Chang's “Thanatos, Drunk,” which was awarded in Berlin and received six prizes at the Taipei Film Festival. The film revolves around to brothers in Taipei trying to find jobs.
Thailand
"Cemetery of Splendor" (รักที่ขอนแก่น)
Dir. Apichatpong Weerasethakul
Isa: The Match Factory
U.S. Distribution: Strand Releasing
Thai Release Date: Unknown
It was a great year for Thai art house cinema, which means the country has several prominent titles to choose from. Strangely enough, even when there are films with international recognition, Thailand often decides to submit a quirky romantic comedy or a random horror film. The reasons behind their selections are unknown. Still, assuming that they will pay attention to their most respected filmmakers, the number one choice should be "Cemetery of Splendor." However, Apichatpong Weerasethakul's films are not as well liked in his homeland are they are abroad, but it seems irrational for them not consider the film. It might be too abstract for AMPAS’ taste, but it’s still the most prestigious work. Other possibilities include “How to Win at Checkers (Every Time)," which is partially in English, “The Blue Hours” (Berlin’s Panorama), and Rotterdam’s “Vanishing Point.” Of course, there are scores of more commercial titles from which the committee might pick.
Turkey
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Turkish Release Date: Unknown
Last year Nuri Bilge Ceylan’s Palme d’Or-winning film “Winter Sleep” failed to receive a nomination, perhaps due to it’s length and cerebral screenplay. This year another title out of Cannes shows more promise. “Mustang” tells the story of five sisters living in a small village and subjected to the sexist prejudices of the townspeople. With extensive festival play and in the hands of Cohen Media Group - the company behind this year’s nominee “Timbuktu" - Deniz Gamze Ergüven’s film is the ideal pick. Sundance’s “Ivy” by Tolga Karaçelik, about a group of men trapped aboard a ship could definitely be a top contender. Kutlug Ataman's “Kuzu,” winner of the C.I.C.A.E. Award in Berlin’s Panorama section would be the third most likely film to represent Turkey at the Oscars. Lastly, “The Miracle,” a romantic period piece, is a large local production that could be considered, but lacks the festival exposure of the other three.
Venezuela
"Gone With the River" (Dauna, Lo que lleva el río)
Dir. Mario Crespo
Isa: Centro Nacional Autonomo de Cinematografía
U.S. Distribution: None Yet
Venezuelan Release Date: March 20, 2015
With Alberto Arvelo’s “The Liberator,” the South American nation got as close as it’s ever been to Oscar glory this year. The biopic about Simón Bolívar starring Edgar Ramírez managed to become one of the 9 shortlisted finalists out of 83 submissions. Venezuela has several options to submit for the 88th Academy Awards, but they are much smaller in magnitude on this occasion. Appearing at the NATIVe sidebar of the Berlinale, “Dauna, lo que lleva el río” or “ Gone with the River” is the most important Venezuelan film of the year and gives voice to the country’s indigenous people by telling story that rarely gets seen on screen. On the other hand, the film “3 Beauties,” about another of Venezuelan’s most well-known obsessions, beauty pageants, has received critical praise at home but it seems to be a lighter satirical comedy. Their Oscar entry could be either one of the two, but I think they will go with the more socially relevant story. A smaller film, “Espejos,” could be part of the conversation but is possibilities are very limited.
Trying to predict what a particular nation will enter is a tall order because of the numerous factors that weight in, especially when dealing with countries with a large film industry. In other cases, however, there are usually just a couple standouts that meet the standards to be submitted. Whatever the case, even with the most obvious choices there could be surprises such as Indian choosing not to submitting "The Lunchbox" or Chile choosing another film over Silva's "The Maid."
While there is no sure-fie formula to predict what films will be competing for the Best Foreign Language Film Academy Award, by looking at festivals, release dates, national awards, previous submissions, and with a hefty dose of educated speculation, I've put together a list of 35 titles that, at this point, seem like excellent choices.
Update 08/28: Several countries have announced their official submissions: Croatia ("The High Sun"), Germany ("Labyrinth of Lies"), Guatemala ("Ixcanul"), Switzerland ("Iraqi Odyssey"), and Palestine ("The Wanted 18").
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Argentine Release Date: August 13th, 2015
Coming off the success of this year’s nominee “Wild Tales,” which also did very well at the U.S. box-office for Sony Pictures Classics and became a spectacular hit back home, Argentina seems to have another strong contender this year with Pablo Trapero’s latest work “The Clan” (El Clan). Two of the director’s previous films have been submitted before (“Lion’s Den” and “Carrancho”), and this one about the Puccio family, which was criminal organization that kidnapped and murdered wealthy people, looks more than promising. “The Clan” is also produced by Almodovar’s El Deso, just as Damian Szifron’s “Tales” was. There are several other films that have enough merits to be considered, but might prove insufficient when faced with Trapero’s film. “Refugiado,” “El Patron,” “Two Shots” and, even “Jauaja,” starring Viggo Mortensen, qualify
Brazil
"The Second Mother"
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Brazilian Release Date: August 27, 2015
Undoubtedly the most awarded Brazilian film of the year is also their best bet at the Oscars. Anna Muylaert's “The Second Mother” premiered at Sundance where it won a Special Jury Prize for both of its leading actresses Regina Casé and Camila Márdila. It went on to screen in the Panorama section of the Berlinale and took home the C.I.C.A.E. Award and the Audience Award. The film tells the story of a live-in housekeeper and his daughter as they navigate the class divisions prevalent in Brazilian society. Another factor in its favor is the fact that the film has secured U.S. distribution thanks to Oscilloscope. “The Second Mother” opens in Brazil on August 27 and, in a strange turn of events, on August 28 in the U.S. While there are plenty of other great Brazilian works that qualify to be submitted, it’s unlikely that the selection committee will look elsewhere. Other films that could have a shot at being chosen are “August Winds,” “Casa Grande.” “Blue Blood,” and “White Out, Black In”
Bulgaria
"The Judgement"
Dir. Stephan Komandarev
Isa: Premium Film
U.S. Distribution: None Yet
Bulgarian Release Date: October 16, 2014
Following last year’s scandalous selection of “Bulgarian Rhapsody” over the more deserving “Viktoria,” the Eastern European country has a two-way race in which both candidates have almost equal chances at being chosen. Stephan Komandarev’s drama “The Judgement” is the larger production of the two and revolves around a desperate father trying to amend his relationship with his estrange son. At the same time the protagonist is also trying to make ends meet and decides to take on the dangerous job of smuggling illegal immigrant from Syria through a remote area of the Turkish-Greek-Bulgarian border. The other film is Kristina Grozeva & Petar Valchanov's “The Lesson,” about a devoted teacher who is faced with corrupt bureaucracy after her classroom is burglarized. Winning awards at the Sofia International Film Festival, San Sebastian, Thessaloniki, and screening at Tiff and Rotterdam, “The Lesson” should be the frontrunner. However, “The Judgement” might have the edge not only because it sports a larger budget and wider appeal, but because Komandarev is the filmmaker behind “The World is Big and Salvation Lurks Around the Corner,” which is the one Bulgarian film that has gotten the closest to Oscar glory when it was shortlisted by the Academy in 2010. Less likely to be selected but still viable possibilities are “Adultery,”"Buffer Zone," and "The Petrov File."
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
Canadian Release Date: January 30th, 2015
As of now Canada’s ideal representative would be the small, but touching, “Felix & Meir,” about a married woman from the Orthodox Jewish community who falls in love with a secular man, as way to know life beyond the restrictions of her faith. This tiny gem won the Best Canadian Feature award at last year’s Tiff and received four awards at the Whistler Film Festival including Best Film and Best Director. “Felix & Meira” was acquired by Oscilloscope for U.S. distribution and was released last April. To date it has grossed nearly $500,00, which, for a subtle and niche film like this, is a great feat. Giroux’ film should take this easily, unless the new film by Oscar-nominated director Philippe Falardeau decides to push for the opportunity. Falardeau newest film “Guibord Goes to War” (Guibord s’en va-t-en guerre) is a political dark comedy that premiered at Locarno and is scheduled to open in Canada on October 2- just two days after AMPAS’ deadline. If the distributor decides to have a one-week qualifying run ahead of the release, then it would become the new frontrunner to represent Canada. However, it’s still unknown if that is being considered or if the film will just wait till next year. Falardeau was nominated in the category for “Monsieur Lazhar” in 2012. “Chorus,” which premiered at Sundance, Berlin’s “Corbo,” Tiff’s “In Her Place,” and the “Les Loups” also qualify.
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Chilean Release Date: May 28, 2015
With Pablo Larraín’s Silver Bear-winner film, Chile has an easy choice to make. “The Club,” which was recently picked up for U.S. distribution by Music Box Films, has received universal critical acclaimed and has cemented its director as one of the most important figures in Latin American cinema. Larraín’s latest centers on a group of priests and nuns sent to a beach town to purify their sinful pasts involving everything from pedophilia to kidnapping. The only other film that truly stands a chance is Matias Lira's “El Bosque de Karadima,” which deals with similar themes regarding secrecy and crimes against children within the Catholic Church. But even if this film has been well-received at home, “The Club” has had more much more international visibility and it has the distinction of being the newest work from the director behind “No,” Chile’s only Oscar-nominated film to date. Other notable works that will be part of the conversation include historical drama “Allende en su Laberinto” by veteran director Miguel Littin, Rodrigo Sepúlveda’s touching “Aurora," and indie flick “La Voz en Off.”
China
"Mountains May Depart" (山河故人)
Dir. Zhangke Jia
Isa: MK2
U.S. Distribution: Kino Lorber
Chinese Release Date: Unknown
Censorship has always played a role in China’s decision-making process when it comes to their Oscar submissions. Some of the best Chinese films in recent years are never considered given their controversial topics or because they were made outside of the state-run system. Under this circumstances patriotic epics or lavish period dramas are often selected even when their quality is subpar. The country’s big production this year is “The Lady of the Dynasty,” which was a box-office disappointment and garnered mostly negative reviews locally. With this in mind, the hope is that they will finally look at more compelling films with greater international exposure, such as Jia Zhangke’s “Mountains May Depart.” Premiering at Cannes to mostly positive responses, the film looks at Chinese society from three perspectives scattered over three decades. The film has passed the censors' revisions and will be allowed to screen in mainland Chine, which means it’s possible one of Zhangke’s film might finally represent his homeland. His previous effort, “A Touch of Sin,” was ignored because of its thematic elements. Jean-Jacques Annaud’s stunning “Wolf Totem” is a close second choice, but given the fact that China submitted a film by a French director last, they might want to highlight a homegrown talent this time. There is also “Red Amnesia,” a thriller about a widow that compulsively needs to take careof those around her until strange incidents shake her life. Er Cheng’s “The Wasted Times,” which appears to be a delirious visual treat, but it opens just a few days after the September 30th deadline. A qualifying run prior to that date is possible, but not likely. “Mountains May Depart” is definitely the strongest candidate.
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Colombian Release Date: May 25th, 2015
The Colombian film industry has had an outstanding year and that has produced an impressive lineup of films from which their strongest Oscar entry to date will emerge. Three films that screened at the Cannes Film Festival - two of which earned prizes – are at the top of the list. Winning the Art Cinema Award at the Directors’ Fortnight Ciro Guerra’s black-and-white “Embrace of the Serpent” is the one to beat among these trio of art house wonders. Guerra’s film is a period piece about the clash between the native people of the Amazon and a European explorer, which has received stellar reviews and was picked up for U.S. distribution by Oscilloscope. Two of Guerra’s previous films, “Wandering Shadows” and “The Wind Journey,” also represented Colombia at the Academy Awards. Nevertheless, the other films that screen at the Croisette, Golden Camera-winner “Land and Shade” and war drama “Alias Maria,” shouldn’t be completely counted out of the running. Films like Franco Lolli's “Gente de Bien” (Cannes 2014), Josef Wladyka's “Manos Sucias,” "Todos Se Van," and “Ruido Rosa” qualify and testify of the great moment Colombian filmmaking is experiencing, but they will have a difficult time pulling off an upset.
Croatia
"The High Sun" (Zvizdan)
Dir. Dalibor Matanic
Isa: Cercamon
U.S. Distribution: None Yet
Croatian Release Date: Septemeber 2015
It’s not often that a Croatian feature manage to grab Cannes’ attention and take home a prestigious award like the Un Certain Regard Jury Prize. “The High Sun” achieved such feat and should be almost a lock to become the country’s Oscar entry. This intense drama, that expands over three decades and explores the Balkan region’s turbulent history, also won 7 awards at the Pula Film Festival including Best Film, Director, Leading Actress, Supporting Actor, and Supporting Actress. If there’s another film with a reasonable shot, it would be Ognjen Svilicic's “These Are the Rules” about a family questioning their moral compass after a violent incident, which did well in the festival circuit winning awards in Venice, Warsaw, Stockholm, and Pula. Svilicic’s 2007 feature “Armin” represented the country at the 80th Academy Awards. “The Bridge at the End of the World,” “Ungiven,” “The Reaper,” “Number 55” are other noteworthy Croatian films released during the past year, but Matanic’s highly praised wok should have no trouble becoming the official entry.
Dominican Republic
"Sand Dollar" (Dólares de Arena)
Dir. Israel Cárdenas & Laura Amelia Guzmán
Isa: FIGa Films
U.S. Distribution: Breaking Glass Pictures
Dominican Release Date: November 13th, 2014
Thanks to a growing film industry, Dominican films have participated every year starting in 2011 after being absent from the race since 1995. Their submissions have included romantic comedies and low-budget crime dramas that weren’t successful at getting AMPAS’ attention. Fortunately, this year they might have their strongest candidate yet with “Sand Dollars.” In Israel Cárdenas & Laura Amelia Guzmán's film starring Geraldine Chaplin, a local girl becomes the object of desire for an older French woman visiting the Caribbean country, influenced by her boyfriend the Dominican beauty decides to take advantage of the foreigner’s interest. “Sand Dollars” has screened at countless festivals around the world winning a handful of awards and has secured U.S. distribution. Guillermo Zouain's road-trip comedy “Algún Lugar” has also been well-received at a couple of international festivals, but is less likely to be picked. “Pueto Pa’ Mí,” a drama about urban music, documentary “Tu y Yo," and biopic “Maria Montez,” might be out of luck. It’s unclear if Agliberto Meléndez political film “Del Color de La Noche,” has premiered yet, so that could a contender next year given that the director was behind the country’s first ever Oscar submission.
Ethiopia
"Lamb"
Dir. Yared Zeleke
Isa: Films Distribution
U.S. Distribution: None Yet
Ethiopian Release Date: Unknown
The East African nation has only sent two films for consideration. Last year it was the Angeline Jolie-supported “Difret,” which was part of the World Cinema competition at the 2014 Sundance Film Festival. This year only two films seem to qualify. “Lamb” is the first-ever Ethiopian film to screen at Cannes, which makes it the unquestionable favorite. It’s a rural story about a boy and his beloved sheep moving in with relatives as his mother goes to work in the city. Reviews were positive praising the film’s cinematography and layered storytelling. The other film that could possibly be selected is Hermon Hailay’s “Prince of Love” about a prostitute and a cab driver struggling to get by in the capital city of Addis Ababa. “Prince of Love” represented the country at Fespaco, one of Africa’s most renowned festivals, and will screen at Tiff in September. Ethiopia might choose to send “Lamb” this time around and save Hailay’s feature for next year depending on release date.
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish Release Date: March 13th, 2015
Peculiar teen drama “They Have Escaped” won four Jussi Awards from the Finnish Academy earlier this year including Best Film and Best Director; however, it will probably face an uphill battle to become Finland’s Oscar entry. Instead, Estonian-language period piece, “The Fencer,” looks like a more feasible alternative because of its classic story, elegant cinematography, and the director behind it: Klaus Härö. The film tells the story of a young Estonian fencer who leaves his homeland to become a Pe teacher and escape persecution by the Russian authorities in the 1950s. Some critics have gone as far as to call it “the best Finnish film in a decade.” Three of Härö’s previous films (“Elina: As If I Wasn’t There,””Mother of Mine, “ and Letter to Father Jacob) were selected as Oscar entries. The only obstacle in its path is the fact that this is an Estonian story with mostly Estonian dialogue. If the selection committee can overlook that, this will be their pick. Antti Jokinen's “Wildeye,” a visually arresting war drama that opens in September is another strong option, particularly because Jokinen’s previous film, “Purge,” represent the country in 2013. “Absolution,” “Head First,” ”Homecoming,” and “Tsamo” are proof a strong year in Finnish cinema but won’t make the cut.
France
"Dheepan"
Dir. Jacques Audiard
Isa: Wild Bunch
U.S. Distribution: Sundance Selects
French Release Date: August 26th, 2015
Given the amount of films produced in France each year, this is the most difficult country to narrow down. However, this year there is a heavyweight contender among the scores of worthy productions. Surprise Palme d’Or-winner “Deephan” by the Academy Award-nominated director of “A Prophet," Jacques Audiard, is a clear favorite. Audiard is a legend and it’s hard to think France won’t support the film that took home one of cinema’s most coveted prizes. Following the relevant immigrant story of a Sri Lankan warrior in France, “Dheepan” is almost a safe bet. If for some unimaginable reason Audiard’s latest is not chosen, the most likely alternative would be well-received “My Golden Days” by Arnaud Desplechin, which has been picked up for U.S. distribution by Magnolia Pictures. While there are dozens of films that could be considered, here are some other important French films that qualify based on their release dates: “Girlhood,” “Standing Tall,” “The Measure of Man,” “The New Girlfriend,” “Valley of Love,” “Eden,”"The Connection."
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
German Release Date: November 6th, 2014
After an 8-film shortlist was released, - which sadly doesn’t include “Phoenix” because it opened late last September – things look pretty clear for the German selection committee. It’s really a 3-film race between “13 Minutes,” Labyrinth of Lies,” and “Victoria.” Unfortunately, and despite incredibly positive reviews, Sebastian Schipper's “Victoria” might be considered a risky choice because a big part of it is in English. That leaves Oliver Hirschbiegel’s “13 Minutes,” about a man who tried to assassinate Hitler in 1939. On the surface this looks like the prime title to send to AMPAS since Hirschbiegel’s “Downfall” earned him a nomination and he has worked in Hollywood for several years now. Yet, reception wasn’t as warm for his first German film in a decade. On the other “Labyrinth of Lies,” which deals with Post-World War II Germany and how the government tried to cover up its recent Nazi past, had better luck. Critical reception has been better for this film and it was a financial success in Germany and France, which gives the edge. Both “13 Minutes” and “Labyrinth of Lies” were acquired by Sony Pictures Classics for U.S. distribution. The complete list of shortlisted films can be found Here
Greece
"Xenia" (Ξενία)
Dir. Panos H. Koutras
Isa: Pyramide International
U.S. Distribution: Strand Releasing
Greek Release Date: October 2nd, 2014
Although it’s not an official rule, Greece almost-automatically selects the winner of the Best Film Prize at the Hellenic Film Awards as their Oscar submissions. This year’s winner was the Lgbt dramedy “Xenia,” which follows two Albanian brothers searching for their Greek father after their mother’s death. The film was nominated for 15 Hellenic Film Awards and won a total of six. “Xenia” premiered in the Un Certain Regard section at the Cannes Film Festival and will be released in the U.S. in October by Strand Releasing. I can’t see any other film being selected other than Koutras’ Almodovar-infused film, but if that were the case the other Best Film nominees – that meet AMPAS requirements- would be the ones to look to: “Electra,” “A Blast,” and “Forever.”
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Guatemalan Release Date: August 27th, 2015
This is a no-brainer. Guatemala has only sent a film once back in 1994, but this year director Jayro Bustamante delivered the most awarded Guatemalan film in history. That should be a good enough reason to enter the race once again. “Ixcanul” won the Alfred Bauer Award at the Berlinale and has screened across the world to great success. Bustamante’s film centers on a Mayan girl who wants to escape the arrange marriage that awaits her to see what’s beyond her village. Another Guatemalan film, which also screened in Berlin, Edgar Sajcabún's “La Casa Más Grande del Mundo,” will probably not open theatrically in time and should be considered next year.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
Icelandic Release Date: May 28th, 2015
Two middle-aged brothers in an Icelandic rural town leave their differences behind and come together to save their beloved farm animals in the Un Certain Regard Award-winner “Rams.” With such recognition under its belt and having just been picked for U.S. distribution by Cohen Media Group, Grímur Hákonarson's film is certainly the handsomest choice. Still, “Rams” is not without a strong rival. Crowd-pleaser “Virgin Mountain,” about a lonely man whose life changes when he meets a new friend, had its U.S. premiere at the Tribecca Film Festival where it won three awards: Best Narrative Feature, Best Actor, and Best Screenplay. It could go either way, but the Cannes prestige and having found a U.S. distributor give “Rams” the upper hand. Iceland produced several qualifying features this year including “Brave Men’s Blood,” “East of the Mountain, “ and “The Homecoming.”
Iran
"Muhammad: The Messenger of God"
Dir. Majid Majidi
PC: Nourtaban Film Industry
U.S. Distribution: None Yet
Iranian Release Date: August 26, 2015
Iran will have to make an incredibly difficult decision that unfortunately may have political repercussions. Majid Majidi’s latest film “Muhammad: The Messenger of God” is the most expense Iranian feature ever made. The historical epic brings to life the early years of the prophet's life with impressive locations, costumes, and cinematography courtesy of Three-time Oscar-winner Vittorio Storaro. Majidi himself is no stranger to the Academy having earned Iran’s first-ever Academy Award nomination with “Children of Heaven.” Taking these facts into consideration, “Muhammad” seems to be the obvious selection, but there are many religious and political concerns that could get in its way. Islam prohibits the depiction of the prophet and other sacred figures in any artistic work. Knowing this, Majidi shot the entire film - which is the first part in what’s to become a trilogy – without ever showing the prophet’s face by shooting most scenes from his point of view or showing him with his back to the camera. This was acceptable for Iran’s censors, as the film will open this week in theaters across the Middle Eastern country. However, other Muslim countries, particularly Sunni Muslims, have been outspoken about their discontent with the film. Whether Iran will still choose to submit the film to AMPAS is a mystery, but it will certainly have more to do with outside influences rather than artistic merit. “Muhammad” will have its North American premiere at the Montreal World Film Festival.
“Nahid” by Ida Panahandeh, about a woman’s journey from divorce to remarrying, won the Avenir Prize in the Un Certain Regard section at Cannes, but - although censors have said the film will be allowed the screen in Iran - it might not open theatrically in time. It also deals with a controversial subject and that might limit it chances. A third, and much safer option, is romantic drama “What’s the Time in Your World?” starring Leila Hatami (“A Speration”) and Ali Mosaffa (“The Past”). Directed by Safi Yazdanian, the film looks beautifully done and sports two of the most talented Iranian actors working today. It could definitely be a good alternative. Other films include “Borderless,” “Track 143,” "Tales” and “Confessions of a Dangerous Mind.” Perhaps Iran will ignore the risk and submit their most lavish film to date by one of their most celebrated filmmakers who still works within the state’s parameters.
Israel
"The Kind Words" (Ha'milim ha'tovot )
Dir. Shemi Zarhin
Isa: Beta Cinema
U.S. Distribution: None Yet
Israeli Release Date: May 28, 2015
With 12 nominations to Israel’s Ophir Awards, “The Kind Words” including Best Film, Best Director, Best Screenplay, Best Actor, and Best Actress Shem Zarhin’s film is the one to beat. Since the winner of the Ophir Award for Best Film automatically becomes Israel’s Oscar submission, “The Kind Words” has a strong shot at both honors. The film follows a group of siblings as they travel abroad to uncover a secret. By default the other contenders are the rest of the films nominated for Best Film: “Wounded Land,” ”Afterthought,” “Wedding Doll,” and “Baba Joon.” Of this Elad Keidan's “Afterthought,” which premiered at Cannes to positive reviews, and Erez Tadmor's intense drama “Wounded Land” appear to be the strongest alternatives. Despite being nominated several times Israel has never won the Best Foreign Language Film Academy Award.
Italy
"My Mother" (Mia Madre)
Dir. Nanni Moretti
Isa: Films Distribution
U.S. Distribution: Alchemy
Italian Release Date: April 16th, 2015
Nanni Moretti is back with “Mia Madre,” a new family drama that screened in competition at this year’s Cannes Film Festival and won a few awards at the Italian David di Donatello Awards. Since the big winner at the national awards, “Black Souls,” was considered last year, Moretti’s film is the frontrunner. However, there is a wild card that could change things. Veteran filmmaker Marco Bellocchio will release his newest work “Blood of My Blood,” a historical drama about a 17th century woman accused of being a witch, on September 9 - just in time to qualify. It’s likely that Moretti will have enough support to pull it off, but there is still a chance that might not be set in stone. Besides these two films there is Mario Martone’s “Leopardi,” a biopic about poet Giacomo Leopardi, which won several David di Donatello Awards and was also recognized in Venice. With even less possibilities are Sundance’s “Cloro,” “Greenery Will Bloom Again,” and Albanian-language “Sworn Virgin,”
Ivory Coast
"Run"
Dir. Philippe Lacôte
PC: Banshee Films
U.S. Distribution: None Yet
Ivorian Release Date: December 17th, 2014
The first and only time a film represent Ivory Coast at the Oscars was back in 1977. That film, “Black and White in Color,” won the first and only Academy Award attributed to a Sub-Saharan African country. Nevertheless, that landmark work was directed by a Frenchmen, Jean-Jacques Annaud, and had mostly French talent in the leading roles. Now, almost 40 years later, an actual Ivorian film looks presents a fantastic opportunity for the country to return to the race. Philippe Lacote’s political drama “Run” screened in the Un Certain Regard section in Cannes 2014, Tiff, and AFI Fest, and later opened commercially in Abidjan, the Ivorian Capital, and Paris. Ivory Coast has only one eligible film to submit as their Oscar entry, and fortunately it’s a good one.
Japan
"Our Little Sister" (海街 diary)
Dir. Hirokazu Koreeda
Isa: Wild Bunch
U.S. Distribution: Sony Pictures Classics
Japanese Release Date: June 13th, 2015
Japan hasn’t had a successful entry since unexpectedly winning the award in 2009 with “Departures.” Their selections are often baffling because they tend to ignore festival winners and critically acclaimed films to pick obscure titles that rarely connect with voters. In recent years outstanding films such as “Like Father, Like Son” have been overlooked. Having said this, one can only hope that this time around they will chose more wisely. This year another film by Hirokazu Koreeda, “Our Little Sister,” debuted at Cannes and has been picked up for U.S. distribution by Sony Pictures Classic – a powerhouse distributor in the Best Foreign Language Film race. Based on a manga series, the film revolves around a group of young women who decide to adopt their stepsister after their father dies. “Our Little Sister” was also a financial success in its homeland. Even with all these positive qualities on its side, Japan might refuse to submit Koreeda’s film and look elsewhere. Other options from the festival circuit include Naomi Kawase's “An- Sweet Red Bean Paste,” which less positive reviews; “Journey to the Shore,” though it opens on October 1; “Kabukicho Love Hotel,” which screened at Tiff last year, and “Cape Nostalgia.”
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Jordanian Release Date: March 19th, 2015
In 2008 Jordan submitted their first-ever Oscar submission, and the first feature film made in the country in half a century. That film, “Captain Abu Raed,” did very well in festivals like Sundance and Dubai. Since then, Jordanian cinema has been scarce forcing the country to be absent from the race. That could change this year with “Theeb” by UK-born filmmaker Naji Abu Nowar. His period piece about a Bedouin boy during World War I has played at numerous festivals and will have a U.S. theatrical release via Film Movement.
Lithuania
"The Summer of Sangailé" (Sangaile)
Dir. Alanté Kavaïté
Isa: Films Distribution
U.S. Distribution: Strand Releasing
Lithuanian Release Date: August 21st, 2015
The Sundance Film Festival screened its first-ever Lithuanian feature this past January, “The Summer of Sangailé” by Alanté Kavaïté. This Lgbt coming-of-age story showcases captivating cinematography and nuanced performances. “Sangailé” went on to win the Directing Award in the World Cinema Competition at the Park City festival. It will also become one of the very few Lithuanian films to have been distributed in the U.S. when Strand Releasing schedules its theatrical release. Being the most awarded narrative film from the Baltic nation, it should be a shoo-in. "Sangailé" also won three Silver Crane Awards (Lithuanian Oscars): Best Film, Best Actress for Julija Steponaityte and best set design for Ramunas Rastauskas. Its only realistic adversary is the documentary “Master and Tatyana,” which won the Best Documentary, Best Director, and Best Cinematography prizes at the Silver Crane. Lithuania has shown to be fond of submitting documentaries, but one could presume that “Sangaile’s” wider international appeal will help it succeed.
Mexico
"The Thin Yellow Line" (La Delgada Línea Amarilla)
Dir. Celso R. García
Isa: Latido Films
U.S. Distribution: None Yet
Mexican Release Date: Unknown
Among the 14 films that the Mexican Academy announced as candidates to become the official Oscar submission, only a handful of them have a real chance at representing Mexico. It’s really a three-way race between “600 Miles,” “La Tirisia,” and “The Thin Yellow Line.” Each of these has distinctive assets as well as factors that could play against them. Gabriel Ripstein's “600 Miles” stars Tim Roth, which could be beneficial because Academy voters would see a familiar face on screen. At the same time Roth’s participation means that there is a considerable amount of English dialogue that could make the film feel less authentic when considered as a “foreign language film” representing a country. Then there is Jorge Pérez Solano's art house marvel, “La Tirisia,” about the role of women in a very traditional Mexican community. This is a film that truly showcases an unseen aspect of Mexican culture and has garnered international recognition, but it might be too small in scope to be selected.
Lastly, “The Yellow Thin Line,” which was awarded at the Guadalajara Film Festival but hasn’t travel much. It will screen at the Chicago International Film Festival in October. “The Thin Yellow Line” tells the story of a group of men working on a deserted road as they are forced to come to terms with their yearnings and failures. The premise seems unique; the cast includes some of Mexico’s most recognizable talents, and it’s partly produced my Guillermo del Toro. That last fact is what could set the film apart from the rest because the general public and Academy voters will be intrigued to see what was it about this story that interested Del Toro, who hasn’t been involved in a Mexican project in several years. It’s a tough race, but having someone like the “Pan’s Labyrinth’s” director supporting the film could be a deal breaker.
Peru
"The Vanished Elephant" (El Elefante Desaparecido)
Dir. Javier Fuentes-León
Isa: Mundial
U.S. Distribution: Oscilloscope Laboratories
Peruvian Release Date: October 9th, 2015
Javier Fuentes-Leon’s “The Vanished Elephant” premiered at last year’s Tiff and was also part of this year’s Los Angeles Film Festival making it the highest profile Peruvian film of the year. At home, the critical response was very positive and the quality of the film, in comparison to other Peruvian works released in the last 12 months, is undeniable. “The Vanished Elephant” tells the cryptic story of a writer whose girlfriend disappears without a trace. After receiving a series of strange photographs, he delves into deceitful conspiracy that defies the lines between reality and fiction. Fuentes-Leon debut feature “Undertow” was submitted to the Academy back in 2010. Enrica Perez’ “Climas” about three Peruvian women from different walks of life and Héctor Gálvez forensic mystery “Nn” have both screened at several international festivals, and though they are much smaller film’s than “The Vanished Elephant,”either of them could be the next best choice to become Peru’s Oscar entry. Less likely titles include “Videophilia,” “Solos,” and historical drama “Gloria del Pacífico.”
The Philippines
"Trap" (Taklub)
Dir. Brillante Mendoza
Isa: Films Distribution
U.S. Distribution: None Yet
Filipino Release Date: Unknown
Brillante Mendoza is one the Philippines most acclaimed auteurs and yet none of his films have ever been selected to represent the Southeast Asian nation at the Oscars. His latest work, “Trap,” won Special Mention from the Ecumenical Jury at Cannes and it’s the prime contender to travel to L.A. this year. “Trap” follows a group of survivors soon after Typhoon Haiyan devastated a great part of the country. The film stars Filipino actress Nora Aunor, who also the lead in Mendoza’s “Thy Womb,” which was the Filipino entry at the Golden Globes a couple years back. Given that Mendoza’s work has never been selected, there is a chance he might miss out once more. If that happens, the film that could benefit is Paul Soriano's Manny Pacquiao biopic titled “Kid Kulafo,” which would evidently ring a bell with Americans. Other films to be considered include “Justice,” also starring Aunor, “Crocodile,” or even lighthearted comedy “English Only, Please.”
Russia
"Sunstroke"
Dir. Nikita Mikhalkov
Isa: Wild Bunch
U.S. Distribution: None Yet
Russian Release Date: October 4th, 2014
Even after winning the Golden Globe and being nominated for an Academy Awards, Andrey Zvyagintsev “Leviathan” couldn’t get the Best Film award from the Russian Academy. Instead, they decided to bestow that honor on veteran filmmaker Nikita Mikhalkov's period piece "Sunstroke.” This is the type of film that Russia loves to submit: patriotic, historical, and epic. Even though last year the Russian selection committee showed they could overlook their political agenda to ensure the best film represented the country, this year they will go back to their old ways. This is not to say “Sunstroke” is a bad film, as hardly anyone outside of Russia has seen, but it does mean that other more daring offers like Yuriy Bykov's festival darling “The Fool” and Aleksey German's “Under Electric Clouds" have little hope at becoming the country’s entry and getting the exposure that comes with it. Mikhalkov won the Oscar in for “Burnt by the Sun” in 1995 and was nominated again for "12" in 2008, which means he will be hard to beat this year. "The Fool" would be a much more interesting selection but its story about a regular citizen fighting the corrupt system might prove too controversial. There is also another war epic titled "Batalion" by Dmitriy Meskhiev, which could pull off a surprise.
Serbia
"Enclave" (Enklava)
Dir. Goran Radovanovic
PC: Nana Filam
U.S. Distribution: None Yet
Serbian Eelease Date: March 19, 2015
Serbia’s 6-film shortlist includes worlds that deal with a variety of subjects, from the recurrent tales of war and its aftermath, triumphant sports stories, and even the peculiar case of a boy who grew up wild in the woods. Of all these possibilities, the film that seems to have the most gravitas is Goran Radovanovic's “Enclave,” a film about the ethnic divide in Kosovo and the atrocities that perpetuates. This is definitely not the film with the most international exposure, but the story might be enough to warrant its submission. Films that deal with similar issues like, “Circles,” have been previous selected. But the Serbian committee wants to stay away from both war and sports dramas, they might go with Vuk Rsumovic “No One’s Child” which did very well at a few festivals including Venice and Palm Springs. It could either way. Original comedy "Monument to Michael Jackson" could also be a more lighthearted choice. The shortlist is completed by "We Will Be the World Champions"," The Man Who Defended Gavrilo Princip," and "The Disobedient" (Sundance 2014).
Spain
"Ma Ma"
Dir. Julio Medem
Isa: Seville International
U.S. Distribution: None Yet
Spanish Release Date: September 11, 2015
For a long time I had hope that Spain would find a loophole and submit their most honored film at this year’s Goya Awards, “Marshland” (La Isla Minima), but that seems like a farfetched hope now. Luckily, another film that looks like a winner will be released just in time. “Ma Ma” directed by Julio Medem and starring Academy Award-winner Penelope Cruz has Oscar written all over it. Cruz plays a mother diagnosed with cancer and whose ferocious battle with the disease will reinvigorate her love for life. The actress also served as a producer in what has become one of the most anticipated films of the year. The only films that could challenge are coming-of-ager “A Cambio de Nada” and Basque-language drama “Loreak.” The former appears to be feel-good story that might seem slight in comparison to both “Ma Ma” and “Loreak,” which deals with a woman who starts receiving flowers from a mysterious sender. “Magical Girl” is a brilliantly twisty film, but being so edgy it will probably be considered to risky for the Oscar race. Penelope Cruz’ star power will decide this race.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
Swedish Release Date: November 14th, 2014
The two previous chapters sin Andersson’s trilogy about being human were submitted to AMPAS, and even if they didn’t get a nomination, it’s hard to imagine them not submitting “A Pigeon.” The film has been critically acclaimed and it won the Golden Lion at last year’s Venice Film festival. Furthermore, it has already been released in the U.S. by Magnolia, the company that handled last year’s Swedish submission, “Force Majeure.” While I’d love to see Andersson be selected, there are several other films that could prevent that from happening. Kay Pollack, who earned Sweden’s most recent nomination for “As It Is in Heaven,” has a new film opening in early September titled “Heaven on Earth.” Depending on how that film is received the tables may or may not turn. The third strongest option is the romantic costume drama “Gentlemen,” which won several awards from the Swedish Academy and has already been picked up for U.S. distribution by, of course, Magnolia. Smaller, yet worthy candidates, include “My Skinny Sister” and “Flocking,” both of which premiered in Berlin.
Switzerland
"Vanity" (La Vanité)
Dir. Lionel Baier
Isa: Wide
U.S. Distribution: None Yet
Swiss Release Date: September 2, 2015
Out of the 7 films shortlisted by the Swiss, the one that immediately stands out is dark comedy “Vanity.” The film just premiered at Locarno and it stars Spanish actress, and one of Almodovar’s favorites, Carmen Maura, as well as Patrick Lapp. Although the film deals with suicide, the approach seems to be very comedic. In a list of several obscure titles, “Vanity” should come out on top. A second option could be Stina Werenfels' “Dora or the Sexual Neuroses of Our Parents,” which screened in Berlin’s Panorama section and tells the story of a mentally disabled woman discovering her sexuality. “War” by Simon Jaquemet, about a rebellious teenager, had some festival play as well but is less likely to be chosen. The other four titles in the shortlist are: “Pause,” doc “Iraqi Odyssey,” “Chubby,” and “L’oasis des mendiants.”
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Taiwanese Release Date: August 28th, 2015
There is really no race here. “The Assassin” will be Taiwan’s entry almost certainly. Winner of the Best Director Award at the Cannes Film Festival and clearly one of the best reviewed films of the year, this martial arts epic, which is said to showcase marvelous imagery, should be consider a strong contender. I can’t see Taiwan not choosing the film, but there are still other films that could be considered. Of those the most viable, but very distant, second choice could be Tso-chi Chang's “Thanatos, Drunk,” which was awarded in Berlin and received six prizes at the Taipei Film Festival. The film revolves around to brothers in Taipei trying to find jobs.
Thailand
"Cemetery of Splendor" (รักที่ขอนแก่น)
Dir. Apichatpong Weerasethakul
Isa: The Match Factory
U.S. Distribution: Strand Releasing
Thai Release Date: Unknown
It was a great year for Thai art house cinema, which means the country has several prominent titles to choose from. Strangely enough, even when there are films with international recognition, Thailand often decides to submit a quirky romantic comedy or a random horror film. The reasons behind their selections are unknown. Still, assuming that they will pay attention to their most respected filmmakers, the number one choice should be "Cemetery of Splendor." However, Apichatpong Weerasethakul's films are not as well liked in his homeland are they are abroad, but it seems irrational for them not consider the film. It might be too abstract for AMPAS’ taste, but it’s still the most prestigious work. Other possibilities include “How to Win at Checkers (Every Time)," which is partially in English, “The Blue Hours” (Berlin’s Panorama), and Rotterdam’s “Vanishing Point.” Of course, there are scores of more commercial titles from which the committee might pick.
Turkey
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Turkish Release Date: Unknown
Last year Nuri Bilge Ceylan’s Palme d’Or-winning film “Winter Sleep” failed to receive a nomination, perhaps due to it’s length and cerebral screenplay. This year another title out of Cannes shows more promise. “Mustang” tells the story of five sisters living in a small village and subjected to the sexist prejudices of the townspeople. With extensive festival play and in the hands of Cohen Media Group - the company behind this year’s nominee “Timbuktu" - Deniz Gamze Ergüven’s film is the ideal pick. Sundance’s “Ivy” by Tolga Karaçelik, about a group of men trapped aboard a ship could definitely be a top contender. Kutlug Ataman's “Kuzu,” winner of the C.I.C.A.E. Award in Berlin’s Panorama section would be the third most likely film to represent Turkey at the Oscars. Lastly, “The Miracle,” a romantic period piece, is a large local production that could be considered, but lacks the festival exposure of the other three.
Venezuela
"Gone With the River" (Dauna, Lo que lleva el río)
Dir. Mario Crespo
Isa: Centro Nacional Autonomo de Cinematografía
U.S. Distribution: None Yet
Venezuelan Release Date: March 20, 2015
With Alberto Arvelo’s “The Liberator,” the South American nation got as close as it’s ever been to Oscar glory this year. The biopic about Simón Bolívar starring Edgar Ramírez managed to become one of the 9 shortlisted finalists out of 83 submissions. Venezuela has several options to submit for the 88th Academy Awards, but they are much smaller in magnitude on this occasion. Appearing at the NATIVe sidebar of the Berlinale, “Dauna, lo que lleva el río” or “ Gone with the River” is the most important Venezuelan film of the year and gives voice to the country’s indigenous people by telling story that rarely gets seen on screen. On the other hand, the film “3 Beauties,” about another of Venezuelan’s most well-known obsessions, beauty pageants, has received critical praise at home but it seems to be a lighter satirical comedy. Their Oscar entry could be either one of the two, but I think they will go with the more socially relevant story. A smaller film, “Espejos,” could be part of the conversation but is possibilities are very limited.
- 8/26/2015
- by Carlos Aguilar
- Sydney's Buzz
Global Screen and Picture Tree International are lining up a number of market premieres to be unveiled at the European Film Market (Efm) in Berlin later this week.
Munich-based Global Screen’s market premieres include the first 3D screening of Toby Genkel’s animation film Ooops! Noah Is Gone as well as a presentation of the Danish Christmas film The Christmas Family, directed by Carsten Rudolf.
The company is also using this year’s Efm to begin presales on the apocalyptic sci-fi film Sum 1 to be directed by Christian Pasquariellio, with Games Of Thrones actor Iwan Rheon in the starring role opposite German actor André Hennicke.
The English-language film is being produced by Christian Alvart’s production outfit Syrreal Entertainment and is the first title to go into production from a first look and co-development deal signed with Global Screen. Shooting is set to roll on February 9.
In addition, presales are planned on another four animation productions:...
Munich-based Global Screen’s market premieres include the first 3D screening of Toby Genkel’s animation film Ooops! Noah Is Gone as well as a presentation of the Danish Christmas film The Christmas Family, directed by Carsten Rudolf.
The company is also using this year’s Efm to begin presales on the apocalyptic sci-fi film Sum 1 to be directed by Christian Pasquariellio, with Games Of Thrones actor Iwan Rheon in the starring role opposite German actor André Hennicke.
The English-language film is being produced by Christian Alvart’s production outfit Syrreal Entertainment and is the first title to go into production from a first look and co-development deal signed with Global Screen. Shooting is set to roll on February 9.
In addition, presales are planned on another four animation productions:...
- 2/2/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
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