In the vast plethora of misery porn that comes from West Asia (or at least picked from European film festivals) it is a joy to stumble upon a movie that manages to be entertaining throughout its duration, even if its focus is on social issues. Reza Dormishian, in his sixth feature, has struck gold in this approach.
“No Choice” screened at Vesoul International Film Festival of Asian Cinemas
The story revolves around three women. Street girl Golbahar is a baby-making machine for her pimp Mojtaba, who sells her offspring to his rich clients. All hell breaks loose when they realize her tubes have been tied during a miscarriage operation in the hospital, without her consent. Sara Nedayi, a tough attorney from a middle class background, takes up the case of the young girl, believing that the doctors in the hospital somehow exploited the young girl. With the help of a doctor friend,...
“No Choice” screened at Vesoul International Film Festival of Asian Cinemas
The story revolves around three women. Street girl Golbahar is a baby-making machine for her pimp Mojtaba, who sells her offspring to his rich clients. All hell breaks loose when they realize her tubes have been tied during a miscarriage operation in the hospital, without her consent. Sara Nedayi, a tough attorney from a middle class background, takes up the case of the young girl, believing that the doctors in the hospital somehow exploited the young girl. With the help of a doctor friend,...
- 2/15/2022
- by Panos Kotzathanasis
- AsianMoviePulse
Australian director Stephen Page has won an Asia Pacific Screen Award .Special Mention for feature film Spear at a ceremony in Brisbane.
Spear tells a contemporary Indigenous story through movement and Dance..
The film follows young Indigenous man, Djali, as learns the ancient tradtions of becoming a man in a modern world.
Cemetery of Splendour, from Thai auteur Apichatpong Weerasethakul, won Best Feature Film.
Films from Thailand, Russian Federation, Turkey, People.s Republic of China, Japan, Palestine, Korea, Taiwan, Japan and Australia received accolades at the event.
The awards recognise and promote cinematic excellence and cultural diversity of the world.s fastest-growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world.s film output. In 2015, 39 films from 22 Asia Pacific countries and areas received Apsa nominations.
The Apsa Unesco Award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded...
Spear tells a contemporary Indigenous story through movement and Dance..
The film follows young Indigenous man, Djali, as learns the ancient tradtions of becoming a man in a modern world.
Cemetery of Splendour, from Thai auteur Apichatpong Weerasethakul, won Best Feature Film.
Films from Thailand, Russian Federation, Turkey, People.s Republic of China, Japan, Palestine, Korea, Taiwan, Japan and Australia received accolades at the event.
The awards recognise and promote cinematic excellence and cultural diversity of the world.s fastest-growing film region: comprising 70 countries and areas, 4.5 billion people, and responsible for half of the world.s film output. In 2015, 39 films from 22 Asia Pacific countries and areas received Apsa nominations.
The Apsa Unesco Award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded...
- 11/26/2015
- by Inside Film Correspondent
- IF.com.au
Asia Pacific prizes also awarded to Hany Abu-Assad for The Idol, Alexey German Jr for Under Electric Clouds and cinematographer Mark Lee Ping-bing for The Assassin.Scroll down for full list of winners
Cemetery of Splendour, by Thai auteur Apichatpong Weerasethakul, has won best feature film at the 9th Asia Pacific Screen Awards (Apsa) in Australia.
The Thai-language drama, which debuted at Cannes, centres on a middle-aged woman who experiences strange visions while tending a soldier with sleeping sickness.
The awards, announced at a ceremony at Brisbane’s City Hall, saw films honoured from Thailand, Russia, Turkey, China, Japan, Palestine, Korea, Taiwan, Japan and Australia.
The Apsa Unesco Award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded to Palestinian director Hany Abu-Assad for The Idol, which debuted at Toronto.
Speaking from the set of his latest production, the director said of the award: “Thank you dear jury for this great...
Cemetery of Splendour, by Thai auteur Apichatpong Weerasethakul, has won best feature film at the 9th Asia Pacific Screen Awards (Apsa) in Australia.
The Thai-language drama, which debuted at Cannes, centres on a middle-aged woman who experiences strange visions while tending a soldier with sleeping sickness.
The awards, announced at a ceremony at Brisbane’s City Hall, saw films honoured from Thailand, Russia, Turkey, China, Japan, Palestine, Korea, Taiwan, Japan and Australia.
The Apsa Unesco Award for outstanding contribution to the promotion and preservation of cultural diversity through film was awarded to Palestinian director Hany Abu-Assad for The Idol, which debuted at Toronto.
Speaking from the set of his latest production, the director said of the award: “Thank you dear jury for this great...
- 11/26/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Stephen Page.s innovative debut Spear is one of five nominees for the Unesco award in the 9th Asia Pacific Screen Awards. Adapted from Page.s original work, Spear tells a contemporary Aboriginal story through movement and dance as it follows young Aboriginal man Djali as he journeys through his community to understand what it means to be a man with ancient traditions in a modern world.
The producer is John Harvey, co-produced with Page.s Bangarra Dance Theatre and supported by he Adelaide Film Festival.s Hive Fund. The film had its world premiere in the discovery program at the Toronto International Film Festival.
Determined by the Apsa international jury, the Unesco award recognises outstanding contribution to the promotion and preservation of the cultural diversity through the medium of film.
In previous years the prize-winner was selected from all Apsa-nominated films. For the first time this year, five films...
The producer is John Harvey, co-produced with Page.s Bangarra Dance Theatre and supported by he Adelaide Film Festival.s Hive Fund. The film had its world premiere in the discovery program at the Toronto International Film Festival.
Determined by the Apsa international jury, the Unesco award recognises outstanding contribution to the promotion and preservation of the cultural diversity through the medium of film.
In previous years the prize-winner was selected from all Apsa-nominated films. For the first time this year, five films...
- 10/5/2015
- by Don Groves
- IF.com.au
Biff co-founder and honorary director Kim Dong-ho has been appointed as president of the international jury for this year’s Asia Pacific Screen Awards (Apsa).
Kim will be joined on the jury by award-winning Bangladeshi filmmaker Mostofa Sarwar Farooki; director/writer/curator and Beijing Film Academy Professor, Zhang Xianmin; Malaysian writer-director U-Wei Bin Hajisaari; Russian writer-director Alexei Popogrebsky; and Iranian actress Negar Javaherian.
Attending a joint Apsa, Unesco, Mpa reception in Busan, Kim announced the nominations for the Apsa Unesco Award, presented annually for outstanding contribution to the promotion and preservation of cultural diversity through the medium of film.
In previous years, all Apsa-nominated films were eligible for the award, while this year a shortlist of five films has been nominated.
The five nominated films are:
Miaoyan Zhang for A Corner Of Heaven (China, France) – produced by Miaoyan Zhang, Guillaume de Seille.
Ella Manzheeva for The Gulls (Russia) – produced by Elena Glikman, Yaroslav Zhivov...
Kim will be joined on the jury by award-winning Bangladeshi filmmaker Mostofa Sarwar Farooki; director/writer/curator and Beijing Film Academy Professor, Zhang Xianmin; Malaysian writer-director U-Wei Bin Hajisaari; Russian writer-director Alexei Popogrebsky; and Iranian actress Negar Javaherian.
Attending a joint Apsa, Unesco, Mpa reception in Busan, Kim announced the nominations for the Apsa Unesco Award, presented annually for outstanding contribution to the promotion and preservation of cultural diversity through the medium of film.
In previous years, all Apsa-nominated films were eligible for the award, while this year a shortlist of five films has been nominated.
The five nominated films are:
Miaoyan Zhang for A Corner Of Heaven (China, France) – produced by Miaoyan Zhang, Guillaume de Seille.
Ella Manzheeva for The Gulls (Russia) – produced by Elena Glikman, Yaroslav Zhivov...
- 10/4/2015
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
One of the most gripping films I've seen in ages, Nima Javidi's fiction feature debut Melbourne just won the Golden Pyramid for Best Film at the Cairo International Film Festival, and deservedly so. It proves that you don't need an unbelievable, far-fetched scenario to create great suspense. Ostensibly a domestic drama, Melbourne sets up its scene in 20 minutes, and then spends the remainder of the film keeping its audience on the edge of their seats, all in one location, with a simple yet plausible and all-too-frightening turn of events that will leave a couple shattered.Amir (Peyman Moaadi) and Sara (Negar Javaherian) are preparing to move to Melbourne later that night. They and Sara's sister are packing up their things and having typical yet light...
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- 11/20/2014
- Screen Anarchy
A man, a woman, and a baby that doesn’t belong to them – this is the backdrop of writer/director Nima Javidi’s Melbourne. Set in present-day Tehran, the film bears strong influence from Asghar Fahardi’s 2011 hit A Separation, not least because it also features leading man Peyman Moaadi. Tense and expertly edited, Melbourne digs deep into what goes on behind closed doors in an urban apartment building and how far people will go when responsibility, morality and self-interest collide.
Set almost entirely within the same apartment, Melbourne follows married couple Amir (Moaadi) and Sara (Negar Javaherian) on the day that they are set to leave for Australia on student visas. With personal effects packed up and appointments set for furniture removal and building inspection, it seems that the worst of the couple’s problems is the constant flow of friends and family lamenting and agonizing their departure. However,...
Set almost entirely within the same apartment, Melbourne follows married couple Amir (Moaadi) and Sara (Negar Javaherian) on the day that they are set to leave for Australia on student visas. With personal effects packed up and appointments set for furniture removal and building inspection, it seems that the worst of the couple’s problems is the constant flow of friends and family lamenting and agonizing their departure. However,...
- 11/1/2014
- by Misa Shikuma
- SoundOnSight
Ritesh Batra’s The Lunchbox, Amit Virmani’s Menstrual Man and Shilpa Ranade’s The World of Goopi and Bagha have been nominated under different categories for the Asia Pacific Screen Awards. Rajeev Ravi has earned a nomination for Achievement in Cinematography in Amit Kumar’s Monsoon Shootout.
The Lunchbox has been nominated for Best Screenplay while The World of Goopi and Bagha has been nominated in the Best Animated Feature Film category.
Amit Virmani’s Menstrual Man, a Singapore – India co-production, has been nominated for the Best Documentary Feature Film. The film made its Canadian Premiere at the HotDocs, the Canadian International Documentary Film Festival in Toronto and was screened at International Documentary Festival Amsterdam (Idfa).
A total of 39 films from 22 countries will compete in nine different categories. The award ceremony will be held December 12, 2013 in Brisbane.
The jury is headed by Shyam Benegal and comprises South Korean director Kim Tae-yong,...
The Lunchbox has been nominated for Best Screenplay while The World of Goopi and Bagha has been nominated in the Best Animated Feature Film category.
Amit Virmani’s Menstrual Man, a Singapore – India co-production, has been nominated for the Best Documentary Feature Film. The film made its Canadian Premiere at the HotDocs, the Canadian International Documentary Film Festival in Toronto and was screened at International Documentary Festival Amsterdam (Idfa).
A total of 39 films from 22 countries will compete in nine different categories. The award ceremony will be held December 12, 2013 in Brisbane.
The jury is headed by Shyam Benegal and comprises South Korean director Kim Tae-yong,...
- 11/12/2013
- by NewsDesk
- DearCinema.com
Palestine’s Omar and Bangladesh’s Television among best feature nominees in the upcoming Asia Pacific Screen Awards.Scoll down for full list of nominations
Mostofa Sarwar Farooki’s Television is one of six films in the running to win best feature at the 7th Asia Pacific Screen Awards (APSAs) - the first film from Bangladesh to ever be nominated.
Television directly deals with issues of modernity versus tradition in rural Bangladesh, making it a film well worth debating within the context of the APSAs, which celebrate both quality cinema and the cultural importance of film.
Television closed the Busan International Film Festival last year. If it wins Apsa’s highest accolade it will have impressed the jury more than Omar from Palestine; With You, Without You from Sri Lanka; Like Father, Like Son from Japan; The Turning;, an anthology film from Australia and The Past, directed by one of Apsa’s most high-profile regular contenders, Iranian...
Mostofa Sarwar Farooki’s Television is one of six films in the running to win best feature at the 7th Asia Pacific Screen Awards (APSAs) - the first film from Bangladesh to ever be nominated.
Television directly deals with issues of modernity versus tradition in rural Bangladesh, making it a film well worth debating within the context of the APSAs, which celebrate both quality cinema and the cultural importance of film.
Television closed the Busan International Film Festival last year. If it wins Apsa’s highest accolade it will have impressed the jury more than Omar from Palestine; With You, Without You from Sri Lanka; Like Father, Like Son from Japan; The Turning;, an anthology film from Australia and The Past, directed by one of Apsa’s most high-profile regular contenders, Iranian...
- 11/11/2013
- by Sandy.George@me.com (Sandy George)
- ScreenDaily
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