French producer Dimitri Rassam is enjoying a high-profile Cannes Film Festival as producer of Competition title Limonov: The Ballad and The Count Of Monte Cristo, which scored a rousing 12-minute ovation at its Out of Competition debut.
“It’s my first film in Competition, it has been a tremendous ride,” says Rassam, who is a producer on Limonov under his Paris-based Chapter 2 banner, alongside Italy’s Lorenzo Gangarossa, Mario Gianani and director Kirill Serebrennikov’s long-time collaborator Ilya Stewart.
Rassam is no stranger to the Cannes red carpet having regularly accompanied his actress mother Carole Bouquet in his early 20s, before mounting the festival’s famed steps in his own right as the producer of The Little Prince and co-producer of L’Immensità.
Cinema is also in his blood on his paternal side through his late producer father Jean-Pierre Rassam, and uncle Paul Rassam, the long-time friend and collaborator of Francis Ford Coppola...
“It’s my first film in Competition, it has been a tremendous ride,” says Rassam, who is a producer on Limonov under his Paris-based Chapter 2 banner, alongside Italy’s Lorenzo Gangarossa, Mario Gianani and director Kirill Serebrennikov’s long-time collaborator Ilya Stewart.
Rassam is no stranger to the Cannes red carpet having regularly accompanied his actress mother Carole Bouquet in his early 20s, before mounting the festival’s famed steps in his own right as the producer of The Little Prince and co-producer of L’Immensità.
Cinema is also in his blood on his paternal side through his late producer father Jean-Pierre Rassam, and uncle Paul Rassam, the long-time friend and collaborator of Francis Ford Coppola...
- 5/24/2024
- by Melanie Goodfellow
- Deadline Film + TV
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
At a wake for the murder of Russian journalist and activist Anna Politkovskaya, shot dead in 2006 in the elevator of her apartment block in Moscow, French writer Emmanuel Carrère spotted a familiar silhouette. Though born Eduard Veniaminovich Savenko, by the mid-2000s “Limonov” had lived a dozen lives. A poet, editor, and politician who’d recently finished a two-year stint in prison on terrorism chargers, Limonov was a man who embodied all the contradictions of the 20th century, a greater-than-life iconoclast and extremist whose existence had unraveled as a tumultuous cavalcade of U-turns, aliases, literary aspirations. and political intrigue. He’d been a factory worker in the Ussr; an exile, hobo, butler, and budding novelist in New York; a successful author in Paris; and finally, by the time Carrère came across him, a Bolshevik nostalgist who’d been a vocal supporter of Serbian expansionism during the 1990s Balkan Wars (here...
- 5/21/2024
- by Leonardo Goi
- The Film Stage
Mathias Holtz has been elected as the new president of European exhibition network Europa Cinemas, with Metka Dariš confirmed as vice-president.
Holtz is programming manager for Swedish exhibitor Folkets Hus och Parker and was previously VP of the organisation, and he replaces outgoing president Nico Simon. Dariš is the director of the cinema Kinodvor in the Slovenian capital Lublijana.
Europa Cinemas comprises a network of 1,263 cinemas and 3,121 screens in 39 countries, providing financial, training and networking support to cinemas that devote significant part of their screenings to non-national European films. It is headed by CEO Fatima Djoumer who took over last year from founder Claude-Eric Poiroux.
Holtz is programming manager for Swedish exhibitor Folkets Hus och Parker and was previously VP of the organisation, and he replaces outgoing president Nico Simon. Dariš is the director of the cinema Kinodvor in the Slovenian capital Lublijana.
Europa Cinemas comprises a network of 1,263 cinemas and 3,121 screens in 39 countries, providing financial, training and networking support to cinemas that devote significant part of their screenings to non-national European films. It is headed by CEO Fatima Djoumer who took over last year from founder Claude-Eric Poiroux.
- 5/21/2024
- ScreenDaily
Coralie Fargeat’s The Substance is out in front on Screen’s Cannes jury grid with 2.7.
The comedy horror scored one star four (excellent) from the UK’s The Telegraph and eight three stars (good). This was followed by two two stars (average) while Mathieu Macharet gave it a zero (bad).
Demi Moore, Margaret Qualley and Dennis Quaid star in the Fargeat’s English-language debut in a tale of a fading star who takes drastic measures to stay youthful.
Also arriving on the jury was Kirill Serebrennikov’s Limonov: The Ballad which received an average of 2.2.
The biopic starring Ben Whishaw...
The comedy horror scored one star four (excellent) from the UK’s The Telegraph and eight three stars (good). This was followed by two two stars (average) while Mathieu Macharet gave it a zero (bad).
Demi Moore, Margaret Qualley and Dennis Quaid star in the Fargeat’s English-language debut in a tale of a fading star who takes drastic measures to stay youthful.
Also arriving on the jury was Kirill Serebrennikov’s Limonov: The Ballad which received an average of 2.2.
The biopic starring Ben Whishaw...
- 5/20/2024
- ScreenDaily
Dissident Russian director Kirill Serebrennikov has backed the ongoing demonstrations in Georgia at a press conference for his Cannes competition entry, Limonov: The Ballad, saying of the situation, “It’s absolutely awful.”
The streets of Georgia are lined with young protestors urging their country to join the European Union (EU), and against a law that is expected to demonise many civil society groups as ‘foreign agents’. The law is similar to one introduced in Russia, and is seen as a marker of Russia’s influence in the country.
On Tuesday (May 14), politicians passed a controversial law which requires non-governmental organisations...
The streets of Georgia are lined with young protestors urging their country to join the European Union (EU), and against a law that is expected to demonise many civil society groups as ‘foreign agents’. The law is similar to one introduced in Russia, and is seen as a marker of Russia’s influence in the country.
On Tuesday (May 14), politicians passed a controversial law which requires non-governmental organisations...
- 5/20/2024
- ScreenDaily
by Cláudio Alves
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
- 5/20/2024
- by Cláudio Alves
- FilmExperience
Thierry Frémaux sure does like mister Kirill Serebrennikov. Since showcasing The Student in 2016’s Un Certain Regard section, the Russian filmmaker (in exile) has been a fixture in the competition section (there was even the rumor he might showcase his two of his 2024 releases) with 2018’s Leto, 2021’s Petrov’s Flu and 2022’s Tchaikovsky’s Wife. In what was a complicated shoot due to the war, Liminov: The Ballad stars Ben Whishaw as Limonov.
Gist: Based on the novel by Emmanuel Carrère, this is about the revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan.…...
Gist: Based on the novel by Emmanuel Carrère, this is about the revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan.…...
- 5/19/2024
- by Eric Lavallée
- IONCINEMA.com
In the Moscow Times’ obituary for Eduard Limonov, who died four years ago aged 77, writer Mark Galeotti summed up the poet-turned-politician in two simple sentences: “Was Limonov a visionary or a poser, an artist or a politician, a leftist or a rightist? The answer to all of them is, of course, yes.” This is key to understanding Kirill Serebrennikov’s latest movie, a boundary-blasting biopic that simply drips with punk-rock energy, revealing everything and nothing about a slippery character whose modus operandi was reinvention from the get-go and for whom consistency really was the hobgoblin of small minds.
Limonov, the poet, fits into a long line of miscreant artists, such as writer Vladimir Mayakovsky, who co-wrote the manifesto of the Russian Futurist group (“A Slap in the Face of Public Taste”) in 1912, and Dziga Vertov, the avant-garde director whose Man with a Movie Camera (1929) changed the face of documentary altogether.
Limonov, the poet, fits into a long line of miscreant artists, such as writer Vladimir Mayakovsky, who co-wrote the manifesto of the Russian Futurist group (“A Slap in the Face of Public Taste”) in 1912, and Dziga Vertov, the avant-garde director whose Man with a Movie Camera (1929) changed the face of documentary altogether.
- 5/19/2024
- by Damon Wise
- Deadline Film + TV
That the name Limonov is pronounced Lee-mwah-nov is one of two main things that Kirill Serebrennikov’s “Limonov: The Ballad” teaches us about Eduard Limonov, the Russian radical, poet, dissident, emigré, returnee, detainee, bête noire and cause célèbre who in 1993 co-founded the ultra-nationalist National Bolshevik Party. The second is that, as imagined in this adaptation of Emmanuel Carrère’s 2015 fictionalized biography, for all the shifting identities and attitudes he assumed over the course of his controversial life, his persona as an aggravatingly self-aggrandizing solipsist never wavered.
A sharper film could have excavated his contradictions to illuminating effect — the rise of populist, crypto-fascist political movements and their self-ordained maverick leaders being a not-irrelevant phenomenon these days. But Serebrennikov, in love with the posture of the rebel that Limonov adopted without being terribly interested in what, at any given moment, he claimed to be rebelling against, mistakes the trappings for the substance...
A sharper film could have excavated his contradictions to illuminating effect — the rise of populist, crypto-fascist political movements and their self-ordained maverick leaders being a not-irrelevant phenomenon these days. But Serebrennikov, in love with the posture of the rebel that Limonov adopted without being terribly interested in what, at any given moment, he claimed to be rebelling against, mistakes the trappings for the substance...
- 5/19/2024
- by Jessica Kiang
- Variety Film + TV
Sex is politics and politics is sex in Kirill Serebrennikov’s recklessly beautiful, wildly entertaining English-language debut “Limonov: The Ballad.” This punk rock epic moves at the pace of a train coming off its tracks across Moscow, New York, Paris, and back to Russia again, starring Ben Whishaw in a career-crowning lead performance as the self-styled alternative poet and political dissident Eduard Limonov (who died in 2020). Based on French writer and journalist Emmanuel Carrère’s biographical novel, “Limonov” spans the 1960s to near present-day Siberia to tell with orgiastic excess the life story of the eventual founder of the National Bolshevik Party, which married a far-left youth movement to far-right fascist ideology. But while Limonov’s politics are inextricable from the libertine hedonist he was, Serebrennikov’s film is more a purely pleasurable romantic odyssey than political deep dive, radiating a countercultural energy that smacks of freewheeling ‘70s cinema more...
- 5/19/2024
- by Ryan Lattanzio
- Indiewire
Cannes film festival
Eduard Limonov’s bizarre career, from rebel émigré writer in New York to leader of a fascistic, militaristic political group, is told with gusto by Kirill Serebrennikov
Fascism, punk, euphoria and despair … it’s all here, or mostly, in this hilarious biopic of Eduard Limonov, the rock’n’roll émigré Russian writer and patriot-dissident who wound up poverty-stricken in New York at about the same time as Sid Vicious. Limonov became an angry bohemian, a sexual outlaw and a celebrated adulte terrible in French literary circles in the 80s, railing against the prissy liberals and mincing hypocrites. Then he returned to Russia and became the leader of a violent group called the National Bolshevik Party. Tactfully, nobody here points out the similarity to “national socialist party”. It was if someone had given Michel Houellebecq a machine gun.
Ben Whishaw gives a glorious performance as Limonov – funny, dour,...
Eduard Limonov’s bizarre career, from rebel émigré writer in New York to leader of a fascistic, militaristic political group, is told with gusto by Kirill Serebrennikov
Fascism, punk, euphoria and despair … it’s all here, or mostly, in this hilarious biopic of Eduard Limonov, the rock’n’roll émigré Russian writer and patriot-dissident who wound up poverty-stricken in New York at about the same time as Sid Vicious. Limonov became an angry bohemian, a sexual outlaw and a celebrated adulte terrible in French literary circles in the 80s, railing against the prissy liberals and mincing hypocrites. Then he returned to Russia and became the leader of a violent group called the National Bolshevik Party. Tactfully, nobody here points out the similarity to “national socialist party”. It was if someone had given Michel Houellebecq a machine gun.
Ben Whishaw gives a glorious performance as Limonov – funny, dour,...
- 5/19/2024
- by Peter Bradshaw
- The Guardian - Film News
Reflecting the peculiarities and contradictions of the man who gives the film its title, Limonov: The Ballad is a strange, stilted, inventive, kaleidoscopic, challenging, imaginative and — above all, and perhaps entirely intentionally — irritating biopic of the Russian poet-punk-prisoner-gadfly-neo-Fascist Eduard Limonov (né Eduard Veniaminovich Savenko in 1948). To paraphrase the novelist Julian Barnes’ review of Emmanuel Carrere’s sort-of novel, sort-of biography on which this film is loosely based, Limonov: The Ballad is a work viewers may enjoy having seen more than they would enjoy seeing it.
It’s anybody’s guess how many will make the actual effort to watch this 138-minute ramshackle romp about a man who, before he died in 2020, applauded Russia’s annexation of Crimea and fought on the side of the invaders in Ukraine’s Donbas and Donetsk regions. Limonov’s unsavory sympathies would likely turn off most Western viewers, apart from the fearless fans of dramas about political monsters.
It’s anybody’s guess how many will make the actual effort to watch this 138-minute ramshackle romp about a man who, before he died in 2020, applauded Russia’s annexation of Crimea and fought on the side of the invaders in Ukraine’s Donbas and Donetsk regions. Limonov’s unsavory sympathies would likely turn off most Western viewers, apart from the fearless fans of dramas about political monsters.
- 5/19/2024
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Jia Zhangke’s Caught By The Tides is the new leader on Screen International’s Cannes jury grid with an average score of 2.6.
The Chinese romance epic received one four (excellent) from Justin Chang (LA Times) followed by seven threes (good). On the other end, The Telegraph and Katja Nicodemus of Germany’s Die Zeit gave it just one star.
This is Jia’s sixth time in Competition with highlights including 2015’s Mountains May Depart which scored 2.8 and 2013’s A Touch Of Sin on 3.
Click on the jury grid above for the most up-to-date version.
Caught By The Tides chronicles...
The Chinese romance epic received one four (excellent) from Justin Chang (LA Times) followed by seven threes (good). On the other end, The Telegraph and Katja Nicodemus of Germany’s Die Zeit gave it just one star.
This is Jia’s sixth time in Competition with highlights including 2015’s Mountains May Depart which scored 2.8 and 2013’s A Touch Of Sin on 3.
Click on the jury grid above for the most up-to-date version.
Caught By The Tides chronicles...
- 5/19/2024
- ScreenDaily
Selena Gomez has credited the Emilia Perez script for providing her with a potentially iconic line, speaking at the press conference for Jacques Audiard’s Cannes Competition title.
Gomez was asked by a journalist whether a particular speech of hers in the film would become “iconic erotic dialogue… some of the sexiest dialogue ever heard in Spanish.”
“I don’t know if I’m sexy!” responded Gomez. “That’s the writing, it’s not me.”
“It’s a very powerful moment in the movie and it was very poetic.”
Emilia Perez is written by Audiard, with collaboration from Thomas Bidegain and Lea Mysius.
Gomez was asked by a journalist whether a particular speech of hers in the film would become “iconic erotic dialogue… some of the sexiest dialogue ever heard in Spanish.”
“I don’t know if I’m sexy!” responded Gomez. “That’s the writing, it’s not me.”
“It’s a very powerful moment in the movie and it was very poetic.”
Emilia Perez is written by Audiard, with collaboration from Thomas Bidegain and Lea Mysius.
- 5/19/2024
- ScreenDaily
Russian auteur Kirill Serebrennikov (“Leto,” “Petrov’s Flu,” “Tchaikovsky’s Wife”) is back in the Cannes competition with “Limonov,” an epic about Russian punk poet Eduard Limonov that the director describes as “probably the most complicated project in my life.”
Based on the best-selling book by Emmanuelle Carrere, “Limonov” delves into the story of its titular character who lived many lives. He was an underground writer in the Soviet Union who escaped to the U.S. where he became a punk-poet and also a butler to a millionaire in Manhattan. “Eddie” then became a literary sensation in Paris before returning to Russia where he morphed into a charismatic dissident party leader with rock star status, only to be incarcerated by Vladimir Putin.
Serebrennikov was shooting “Limonov” in Moscow on Feb. 24, 2022, when Russia invaded Ukraine. The director – who himself has had troubles with Putin – was able to leave the country and eventually complete...
Based on the best-selling book by Emmanuelle Carrere, “Limonov” delves into the story of its titular character who lived many lives. He was an underground writer in the Soviet Union who escaped to the U.S. where he became a punk-poet and also a butler to a millionaire in Manhattan. “Eddie” then became a literary sensation in Paris before returning to Russia where he morphed into a charismatic dissident party leader with rock star status, only to be incarcerated by Vladimir Putin.
Serebrennikov was shooting “Limonov” in Moscow on Feb. 24, 2022, when Russia invaded Ukraine. The director – who himself has had troubles with Putin – was able to leave the country and eventually complete...
- 5/19/2024
- by Nick Vivarelli
- Variety Film + TV
Reflecting the breadth of Mediawan CEO Pierre-Antoine Capton’s vast network and friendships, an impressive roster of film industry players flocked to celebrate him as he received Variety‘s International Visionary Award at the Cannes Film Festival on Thursday.
Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon. The event also gathered star producers within Mediawan’s galaxy, from Hugo Selignac (Chi-Fou-Mi) to Dimitri Rassam (Chapter 2), Matthias Weber (2425 Films) and Federica Sainte-Rose (Blue Morning Pictures), and entertainment attorney Elsa Huisman. There were also leaders from the various streamers, such as Sahar Baghery and Thomas Dubois from Amazon Prime Video in France and Anne-Gabrielle Dauba-Pantanacce from Netflix, among others.
The Variety award coincides...
Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon. The event also gathered star producers within Mediawan’s galaxy, from Hugo Selignac (Chi-Fou-Mi) to Dimitri Rassam (Chapter 2), Matthias Weber (2425 Films) and Federica Sainte-Rose (Blue Morning Pictures), and entertainment attorney Elsa Huisman. There were also leaders from the various streamers, such as Sahar Baghery and Thomas Dubois from Amazon Prime Video in France and Anne-Gabrielle Dauba-Pantanacce from Netflix, among others.
The Variety award coincides...
- 5/17/2024
- by Elsa Keslassy
- Variety Film + TV
Logical Pictures is launching a new Africa venture that will see the production, financing and distribution outfit expand its global footprint into the fast-growing African market.
According to the group’s head, Frédéric Fiore, the move will help position Logical Pictures as the preferred financing partner on the continent for the international industry and the leading production company of African content with global ambitions.
“Logical Pictures has now established in Europe a uniquely positioned group that can finance, distribute and produce content internationally with outstanding talents,” said Fiore. “With Logical Pictures Africa, we want to emulate a similar ecosystem in one of the most creative places in the world, dovetailing our approach to the specificities of each part of the world.”
Launched in 2016, the Logical Pictures Group has become a leading player in film and TV equity, producing, financing and distributing a range of content in France and internationally through...
According to the group’s head, Frédéric Fiore, the move will help position Logical Pictures as the preferred financing partner on the continent for the international industry and the leading production company of African content with global ambitions.
“Logical Pictures has now established in Europe a uniquely positioned group that can finance, distribute and produce content internationally with outstanding talents,” said Fiore. “With Logical Pictures Africa, we want to emulate a similar ecosystem in one of the most creative places in the world, dovetailing our approach to the specificities of each part of the world.”
Launched in 2016, the Logical Pictures Group has become a leading player in film and TV equity, producing, financing and distributing a range of content in France and internationally through...
- 5/17/2024
- by Christopher Vourlias
- Variety Film + TV
Paul Dano, Alicia Vikander, Jude Law, Zach Galifianakis and Tom Sturridge team up in Olivier Assayas’ political thriller “The Wizard of the Kremlin”, based on Giuliano da Empoli’s bestseller by the same name.
Produced by Olivier Delbosc’s banner Curiosa Films and Gaumont – who last partnered on Cannes prizewinning “The Taste of Things” — “The Wizard of the Kremlin” is one of the hottest packages launching at the Cannes Film Market where Alexis Cassanet, Gaumont’s EVP international sales and distribution, is kicking off pre-sales.
“The Wizard of the Kremlin” is co-written by Assayas and Emmanuel Carrère, whose novel “Limonov” has been adapted for the big screen by Kirill Serebrennikov and will premiere in official selection at Cannes.
The story opens in Russia, in the early 1990’s, in the aftermath of the Ussr’s collapse. In a new world that promises freedom and flirts with chaos, a young artist-turned-tv producer,...
Produced by Olivier Delbosc’s banner Curiosa Films and Gaumont – who last partnered on Cannes prizewinning “The Taste of Things” — “The Wizard of the Kremlin” is one of the hottest packages launching at the Cannes Film Market where Alexis Cassanet, Gaumont’s EVP international sales and distribution, is kicking off pre-sales.
“The Wizard of the Kremlin” is co-written by Assayas and Emmanuel Carrère, whose novel “Limonov” has been adapted for the big screen by Kirill Serebrennikov and will premiere in official selection at Cannes.
The story opens in Russia, in the early 1990’s, in the aftermath of the Ussr’s collapse. In a new world that promises freedom and flirts with chaos, a young artist-turned-tv producer,...
- 5/17/2024
- by Elsa Keslassy
- Variety Film + TV
Russian director Kirill Serebrennikov to Cannes this year with his fourth film in Competition and his first in English. Titled Limonov: The Ballad, it tells the incredible story of Eduard Limonov — pronounced “Le-morrr-nov” not “Limunuv” — a Russian renegade poet who traversed the world, reinventing himself whenever times got hard (and they usually did). To star, the director chose British actor Ben Whishaw, himself a chameleonic actor who’s just as at home taking tea with the Queen in his Paddington guise as he is playing Hamlet onstage at the Old Vic. Here, he talks about getting to grips with an enigma and recalls his first-ever Cannes for her movie Bright Star in 2009.
Deadline: How did you get involved with this project?
Ben Whishaw: It was during lockdown, so I think it was maybe sent to me around August or September 2020. Goodness… A long time ago now! It was during...
Deadline: How did you get involved with this project?
Ben Whishaw: It was during lockdown, so I think it was maybe sent to me around August or September 2020. Goodness… A long time ago now! It was during...
- 5/16/2024
- by Damon Wise
- Deadline Film + TV
This year’s Cannes Film Festival should prove particularly festive for Mediawan Pictures managing director Elisabeth d’Arvieu. With five in-house productions premiering in the official selection and another in Critics’ Week, the exec and her team will hit the Croisette with cause for celebration.
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
- 5/16/2024
- by Elsa Keslassy and Ben Croll
- Variety Film + TV
Andrea Scrosati, Fremantle’s group COO and CEO for continental Europe, is understandably proud that the company has landed five titles in the Cannes official selection, three of which – “Kinds of Kindness,” by Yorgos Lanthimos, Paolo Sorrentino’s “Parthenope” and Russian director Kirill Serebrennikov’s “Limonov” — are in competition.
The other two are Rungano Nyoni’s “On becoming a Guinea Fowl” and Ariane Labed’s “September Says,” both in Un Certain Regard.
“The incredible diversity of these titles – even in terms of the geographies and cultures they’re based on – is exactly the result of our strategy,” he tells Variety.
Scrosati, who is the architect of Fremantle’s expansion under a business model comprising a cluster of companies across Europe and beyond, discussed how he’s navigating a changing marketplace ahead of Cannes.
It looks like you’re scaling up on the film side. Why?
I think this comes from...
The other two are Rungano Nyoni’s “On becoming a Guinea Fowl” and Ariane Labed’s “September Says,” both in Un Certain Regard.
“The incredible diversity of these titles – even in terms of the geographies and cultures they’re based on – is exactly the result of our strategy,” he tells Variety.
Scrosati, who is the architect of Fremantle’s expansion under a business model comprising a cluster of companies across Europe and beyond, discussed how he’s navigating a changing marketplace ahead of Cannes.
It looks like you’re scaling up on the film side. Why?
I think this comes from...
- 5/16/2024
- by Nick Vivarelli
- Variety Film + TV
Italian producers Mario Gianani and Lorenzo Mieli are entering the Mediawan fold after recently exiting Fremantle to jointly form a new independent outfit.
The two producers will both be in Cannes as executive producers with Fremantle movies premiering in the Cannes competition, Kirill Serebrennikov’s “Limonov” and Paolo Sorrentino’s “Parthenope,” respectively.
Mediawan, the production powerhouse that now comprises more than 85 labels around the world, is in the process of acquiring a 51% majority stake in Gianani and Mieli’s Rome-based Our Films company under a deal that will officially close in September, according to several sources.
Gianani and Mieli, who declined to be interviewed for this article, are still closely tied to Fremantle even after exiting their Fremantle-owned banners, Wildside and the Apartment, earlier this year. As previously announced, they have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they had in the Fremantle pipeline.
The two producers will both be in Cannes as executive producers with Fremantle movies premiering in the Cannes competition, Kirill Serebrennikov’s “Limonov” and Paolo Sorrentino’s “Parthenope,” respectively.
Mediawan, the production powerhouse that now comprises more than 85 labels around the world, is in the process of acquiring a 51% majority stake in Gianani and Mieli’s Rome-based Our Films company under a deal that will officially close in September, according to several sources.
Gianani and Mieli, who declined to be interviewed for this article, are still closely tied to Fremantle even after exiting their Fremantle-owned banners, Wildside and the Apartment, earlier this year. As previously announced, they have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they had in the Fremantle pipeline.
- 5/14/2024
- by Nick Vivarelli and Elsa Keslassy
- Variety Film + TV
German star August Diehl (Inglourious Basterds, A Hidden Life) and Oscar-nominated actress Andrea Riseborough (Birdman, To Leslie) have signed on to star in The Noise of Time, a new drama about the life of Russian composer Dimitri Shostakovich and his wife Nina, adapted from Julian Barnes’ book of the same name.
Two-time Oscar-winning screenwriter Christopher Hampton (The Father, Dangerous Liaisons) is adapting Barnes’ novel for the screen, with Polish director Jan Komasa (the Oscar-nominated Corpus Christi) attached to direct.
The film will trace the trajectory of Shostakovich’s life and career, beginning in 1936 when the 30-year-old composer first faced Stalin’s wrath after one of his operas is condemned as counter-revolutionary. He escapes execution but for decades Shostakovich is forced to be a cultural representative of the Soviet state, and struggles to maintain the integrity of his music.
Beta Cinema is handling world sales on the film and will be...
Two-time Oscar-winning screenwriter Christopher Hampton (The Father, Dangerous Liaisons) is adapting Barnes’ novel for the screen, with Polish director Jan Komasa (the Oscar-nominated Corpus Christi) attached to direct.
The film will trace the trajectory of Shostakovich’s life and career, beginning in 1936 when the 30-year-old composer first faced Stalin’s wrath after one of his operas is condemned as counter-revolutionary. He escapes execution but for decades Shostakovich is forced to be a cultural representative of the Soviet state, and struggles to maintain the integrity of his music.
Beta Cinema is handling world sales on the film and will be...
- 5/14/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Fremantle revenues dropped 9.2% in the first quarter of 2024 to €395m, with parent company Rtl blaming ‘timing effects’ of show deliveries in the UK, Italy and Germany for the fall.
Rtl said it was confident Fremantle will make up the shortfall in the second quarter, citing the delivery of productions such as the second season of The Responder and new thriller series Nightsleeper for the BBC in the UK as well as season 19 of America’s Got Talent for NBC in the US.
The first quarter drop comes after Fremantle’s full-year 2023 turnover fell by 3.5%, leading Rtl to delay by up to...
Rtl said it was confident Fremantle will make up the shortfall in the second quarter, citing the delivery of productions such as the second season of The Responder and new thriller series Nightsleeper for the BBC in the UK as well as season 19 of America’s Got Talent for NBC in the US.
The first quarter drop comes after Fremantle’s full-year 2023 turnover fell by 3.5%, leading Rtl to delay by up to...
- 5/8/2024
- ScreenDaily
The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
Reviews will have to wait till the Cannes Film Festival kicks off on May 14, but it’s not too early for a critic to weigh in on this year’s lineup — or how it looks on paper, at least, and what the selection might say about the state of things.
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
- 4/12/2024
- by Peter Debruge
- Variety Film + TV
Russian filmmaker Kirill Serebrennikov returns to Cannes once again this year with Limonov: The Ballad starring Ben Whishaw, for which we can share a first-look image from above.
The film’s synopsis reads: A revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan. But also a switchblade-waving poet, a lover of beautiful women, a warmonger, a political agitator, and a novelist who wrote of his greatness. Eduard Limonov’s life story is a journey through Russia, America, and Europe during the second half of the 20th century.
The film was written by Pawel Pawlikowski, Ben Hopkins, and Serebrennikov, based on the novel ‘Limonov’ by Emmanuel Carrère, published in the US by Macmillan Publishers and in France by Pol.
Producers are Mario Gianani and Lorenzo Gangarossa for Wildside, a Fremantle Company, Dimitri Rassam for Chapter 2, a Mediawan Company, Ilya Stewart for Hype Studios and coproduced by...
The film’s synopsis reads: A revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan. But also a switchblade-waving poet, a lover of beautiful women, a warmonger, a political agitator, and a novelist who wrote of his greatness. Eduard Limonov’s life story is a journey through Russia, America, and Europe during the second half of the 20th century.
The film was written by Pawel Pawlikowski, Ben Hopkins, and Serebrennikov, based on the novel ‘Limonov’ by Emmanuel Carrère, published in the US by Macmillan Publishers and in France by Pol.
Producers are Mario Gianani and Lorenzo Gangarossa for Wildside, a Fremantle Company, Dimitri Rassam for Chapter 2, a Mediawan Company, Ilya Stewart for Hype Studios and coproduced by...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Female directors are thin on the ground – plus ça change – but the lineup promises intriguing new films from modern day masters, as well as some unknown hot potatoes
• Donald Trump biopic and new films by Yorgos Lanthimos and Andrea Arnold to premiere at Cannes
The new Cannes selection has been unveiled in one of the most tense and fraught geopolitical situations for years, giving even more of a frisson to the traditional rune-reading activity of scrutinising the festival’s list, and scrutinising cinema itself, for contemporary meaning. There is a very prominent Russian director in competition, Kirill Serebrennikov, with his film Limonov: The Ballad, starring Ben Whishaw as Russian opposition leader and poet Eduard Limonov, based on the novel by the veteran French author and public intellectual Emmanuel Carrère. Of course, the point is that Serebrennikov is a notable anti-government figure.
As far as the Gaza situation goes, there is...
• Donald Trump biopic and new films by Yorgos Lanthimos and Andrea Arnold to premiere at Cannes
The new Cannes selection has been unveiled in one of the most tense and fraught geopolitical situations for years, giving even more of a frisson to the traditional rune-reading activity of scrutinising the festival’s list, and scrutinising cinema itself, for contemporary meaning. There is a very prominent Russian director in competition, Kirill Serebrennikov, with his film Limonov: The Ballad, starring Ben Whishaw as Russian opposition leader and poet Eduard Limonov, based on the novel by the veteran French author and public intellectual Emmanuel Carrère. Of course, the point is that Serebrennikov is a notable anti-government figure.
As far as the Gaza situation goes, there is...
- 4/11/2024
- by Peter Bradshaw
- The Guardian - Film News
Acclaimed auteurs Francis Ford Coppola, Yorgos Lanthimos, Paolo Sorrentino and Andrea Arnold are among the filmmakers set to compete for the coveted Palme d’Or at the 77th Cannes Film Festival.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
- 4/11/2024
- ScreenDaily
As expected, the Cannes Film Festival line-up is pretty spectacular with new films from Yorgos Lanthimos, Andrea Arnold and David Cronenberg heading to the fest.
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
- 4/11/2024
- by Maria Lattila
- Film Stories
Sovereign is proud to announce that award-winning Mexican director Amat Escalante’s powerful thriller Lost In The Night received its UK premiere at the 2023 BFI London Film Festival, as part of the ‘Thrill’ section, and now the film is available to rent/buy on Amazon Prime Video in the UK.
From acclaimed Mexican director Amat Escalante, following Heli, for which he won Best Director at Cannes in 2013, and The Untamed, which won him the Best Director prize at Venice in 2016, comes Lost In The Night, a taut, engrossing thriller that blends traditional elements of Latin American cinema with astute social commentary on Mexican society and contemporary influencer culture.
The film, which premiered at Cannes this year, stars Juan Daniel García Treviño (Narcos México), and Latin American influencer superstar Ester Expósito, who has 27 million followers, and features a superb score by Stranger Things composers Kyle Dixon and Michael Stein.
The film...
From acclaimed Mexican director Amat Escalante, following Heli, for which he won Best Director at Cannes in 2013, and The Untamed, which won him the Best Director prize at Venice in 2016, comes Lost In The Night, a taut, engrossing thriller that blends traditional elements of Latin American cinema with astute social commentary on Mexican society and contemporary influencer culture.
The film, which premiered at Cannes this year, stars Juan Daniel García Treviño (Narcos México), and Latin American influencer superstar Ester Expósito, who has 27 million followers, and features a superb score by Stranger Things composers Kyle Dixon and Michael Stein.
The film...
- 4/11/2024
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
The Official Selection for the 77th Cannes Film Festival was revealed Thursday, with 19 movies in Competition (see full lists below).
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival.
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
- 4/11/2024
- by Jordan Raup
- The Film Stage
Ali Abbasi’s Donald Trump drama The Apprentice, Anora, the latest from The Florida Project and Red Rocket director Sean Baker, and Andrea Arnold’s Bird, starring Barry Keoghan and Franz Rogowski, are among the highlights of this year’s Cannes Film Festival competition.
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
- 4/11/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
In what looks to be another robust year in the making, the 77th edition of the Cannes Film Festival will bring together several iconic filmmakers, including Francis Ford Coppola with “Megalopolis” starring Adam Driver, George Miller with “Furiosa” starring Anya Taylor-Joy, as well as George Lucas who will be feted with an honorary Palme d’Or. Kevin Costner will also be on hand with the first installment of his Western epic “Horizon, an American Saga.”
Some of the high-profile films in the pipeline for this year’s competition include Yorgos Lanthimos’ “Kinds of Kindness,” a stylized three-part story set in the present that reunites the “Poor Things” helmer with Emma Stone and Willem Dafoe; Paul Schrader’s “Oh, Canada” with Richard Gere, based on a novel by the late Russell Banks (“Affliction”); Jacques Audiard’s musical melodrama “Emilia Perez” starring Zoe Saldana and Selena Gomez; Paolo Sorrentino’s “Parthenope” with...
Some of the high-profile films in the pipeline for this year’s competition include Yorgos Lanthimos’ “Kinds of Kindness,” a stylized three-part story set in the present that reunites the “Poor Things” helmer with Emma Stone and Willem Dafoe; Paul Schrader’s “Oh, Canada” with Richard Gere, based on a novel by the late Russell Banks (“Affliction”); Jacques Audiard’s musical melodrama “Emilia Perez” starring Zoe Saldana and Selena Gomez; Paolo Sorrentino’s “Parthenope” with...
- 4/11/2024
- by Elsa Keslassy, Ellise Shafer, Alex Ritman and Peter Debruge
- Variety Film + TV
Oscar contenders and Berlin prize-winners will be among the European films represented by visiting companies to FilMart that are making use of the European Film Promotion umbrella stand within the annual Hong Kong market.
In total, 29 European film sales companies are making the trip, including more than a dozen from France under the Unifrance banner. Prominent rights brokers include Charades, Goodfellas, Fandango and Filmax.
“Efp has built up the European brand at Hong Kong for many years through setting up a prominent umbrella. The aim was always to prominently flag our mission as being the one-stop shop for the European industry and European films,” said Efp executive Susanne Davis. “And we’re happily surprised that so many of them are taking advantage.”
The 29 companies are collectively representing over 140 new European titles, including Oscar contender “Anatomy of a Fall,” represented by MK2 Films, while “Four Daughters” is handled by the Party Film Sales.
In total, 29 European film sales companies are making the trip, including more than a dozen from France under the Unifrance banner. Prominent rights brokers include Charades, Goodfellas, Fandango and Filmax.
“Efp has built up the European brand at Hong Kong for many years through setting up a prominent umbrella. The aim was always to prominently flag our mission as being the one-stop shop for the European industry and European films,” said Efp executive Susanne Davis. “And we’re happily surprised that so many of them are taking advantage.”
The 29 companies are collectively representing over 140 new European titles, including Oscar contender “Anatomy of a Fall,” represented by MK2 Films, while “Four Daughters” is handled by the Party Film Sales.
- 3/10/2024
- by Patrick Frater
- Variety Film + TV
At last year’s Cannes Film Festival, Leonardo DiCaprio, Harrison Ford and Scarlett Johansson hit the red carpet to premiere their latest big movies. But Hollywood may have a much lighter presence at the 2024 edition of one of the world’s most notable film festivals.
The culprit is the combination of last year’s actors and writers strikes, which created production delays, as well as a tough economy that’s leading studios to tighten the purse-strings. But there will still be stars on the Croisette, in addition to “Barbie” director Greta Gerwig, who will be presiding over the jury.
Based on intelligence from industry insiders on both sides of the Atlantic, the upcoming edition will have a larger emphasis on European auteurs, along the lines of Justine Triet’s “Anatomy of a Fall” and Jonathan Glazer’s “The Zone of Interest,” which were each nominated for five Oscars.
While the...
The culprit is the combination of last year’s actors and writers strikes, which created production delays, as well as a tough economy that’s leading studios to tighten the purse-strings. But there will still be stars on the Croisette, in addition to “Barbie” director Greta Gerwig, who will be presiding over the jury.
Based on intelligence from industry insiders on both sides of the Atlantic, the upcoming edition will have a larger emphasis on European auteurs, along the lines of Justine Triet’s “Anatomy of a Fall” and Jonathan Glazer’s “The Zone of Interest,” which were each nominated for five Oscars.
While the...
- 3/4/2024
- by Elsa Keslassy
- Variety Film + TV
Fremantle has appointed new heads for its Italian labels The Apartment and Wildside and has agreed a co-production deal with their former CEOs Lorenzo Mieli and Mario Gianani.
Film and TV producer Annamaria Morelli becomes CEO of The Apartment while former Sky Italia exec Sonia Rovai has been named CEO of Wildside.
Their appointments follow the recent departures of The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani from the Fremantle-owned companies.
Mieli and Gianani are launching a new company together, full details of which will be announced in the near future. Fremantle has signed a co-production agreement with...
Film and TV producer Annamaria Morelli becomes CEO of The Apartment while former Sky Italia exec Sonia Rovai has been named CEO of Wildside.
Their appointments follow the recent departures of The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani from the Fremantle-owned companies.
Mieli and Gianani are launching a new company together, full details of which will be announced in the near future. Fremantle has signed a co-production agreement with...
- 2/29/2024
- ScreenDaily
Fremantle has appointed new bosses for its Italian production subsidiaries The Apartment and Wildside but will continue to work with outgoing CEOs Lorenzo Mieli and Mario Gianani.
Fremantle on Thursday announced that Annamaria Morelli will be taking over as CEO of The Apartment and Sonia Rovai as CEO of Wildside. Fremantle said both companies will continue to have editorial autonomy while coordinating with Fremantle on an organizational basis, and will continue to work with the same talents, Italian and international, going forward.
“Annamaria Morelli and Sonia Rovai have vision, experience and passion. I am so happy to welcome them to The Apartment and Wildside, two labels that have attracted some of the best talent, both Italian and international,” said Andrea Scrosati, group COO and CEO, continental Europe at Fremantle. “We are and will continue to be the place creatives want to call home. A place where you can express your...
Fremantle on Thursday announced that Annamaria Morelli will be taking over as CEO of The Apartment and Sonia Rovai as CEO of Wildside. Fremantle said both companies will continue to have editorial autonomy while coordinating with Fremantle on an organizational basis, and will continue to work with the same talents, Italian and international, going forward.
“Annamaria Morelli and Sonia Rovai have vision, experience and passion. I am so happy to welcome them to The Apartment and Wildside, two labels that have attracted some of the best talent, both Italian and international,” said Andrea Scrosati, group COO and CEO, continental Europe at Fremantle. “We are and will continue to be the place creatives want to call home. A place where you can express your...
- 2/29/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Well-established Italian producers Mario Gianani and Lorenzo Mieli — who left their Fremantle-owned banners, Wildside and The Apartment, respectively, earlier this year — are returning to the growing TV and film powerhouse with their new scripted outfit.
The duo — who co-founded “The Young Pope” and “My Brilliant Friend” production house Wildside in 2009 before Mieli exited to set up The Apartment, which was behind the recent hit “Priscilla” — are yet to reveal details of their new company. But the pair have now signed a co-production deal with Fremantle that will see them collaborate on several projects.
Among those in production and post-production from the two producers are Paolo Sorrentino’s latest film, Kirill Serebrennikov’s “Limonov -The Ballad,” “Queer” by Luca Guadagnino starring Daniel Craig, the new film by Gabriele Mainetti, “Maria” by Pablo Larraín starring Angelina Jolie, plus the TV series “M. The Son of the Century” by Joe Wright and “Il Mostro” by Stefano Sollima.
The duo — who co-founded “The Young Pope” and “My Brilliant Friend” production house Wildside in 2009 before Mieli exited to set up The Apartment, which was behind the recent hit “Priscilla” — are yet to reveal details of their new company. But the pair have now signed a co-production deal with Fremantle that will see them collaborate on several projects.
Among those in production and post-production from the two producers are Paolo Sorrentino’s latest film, Kirill Serebrennikov’s “Limonov -The Ballad,” “Queer” by Luca Guadagnino starring Daniel Craig, the new film by Gabriele Mainetti, “Maria” by Pablo Larraín starring Angelina Jolie, plus the TV series “M. The Son of the Century” by Joe Wright and “Il Mostro” by Stefano Sollima.
- 2/29/2024
- by Alex Ritman
- Variety Film + TV
Following their departures as CEOs of Fremantle’s Wildside and The Apartment, Mario Gianani and Lorenzo Mieli have struck a co-production deal with their old employer Fremantle on several projects as they unveil their new company.
More details about the new company, whose name was not revealed today, will be “announced in the near future.”
Gianani and Mieli departed Fremantle in mid-January.
The Fremantle pact will lead to a new film from Paolo Sorrentino, Limonov – The Ballad, by Kirill Serebrennikov; Queer from Luca Guadagnino and starring Daniel Craig; a new film by Gabriele Mainetti, Maria by Pablo Larraín starring Angelina Jolie; and the TV series M. The Son of the Century by Joe Wright and Il Mostro by Stefano Sollima.
Fremantle continues to operate Wildside and The Apartment with new leadership in place.
Andrea Scrosati, Group COO and CEO, Continental Europe, Fremantle said: “I am really happy to continue collaborating...
More details about the new company, whose name was not revealed today, will be “announced in the near future.”
Gianani and Mieli departed Fremantle in mid-January.
The Fremantle pact will lead to a new film from Paolo Sorrentino, Limonov – The Ballad, by Kirill Serebrennikov; Queer from Luca Guadagnino and starring Daniel Craig; a new film by Gabriele Mainetti, Maria by Pablo Larraín starring Angelina Jolie; and the TV series M. The Son of the Century by Joe Wright and Il Mostro by Stefano Sollima.
Fremantle continues to operate Wildside and The Apartment with new leadership in place.
Andrea Scrosati, Group COO and CEO, Continental Europe, Fremantle said: “I am really happy to continue collaborating...
- 2/29/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Michael Winterbottom’s drama centres on the romance between a British police officer and a socialist Zionist writer but puts history-telling over emotion
Working with co-writers Laurence Coriat and Paul Viragh, Michael Winterbottom hits a clear, confident stride with a robustly well made, if emotionally flavourless historical drama set during the British mandate in what was then Palestine. It is a film that speaks in a complex way to the current Gaza debate, contending that Zionism has anti-colonialism and anti-imperialism in its 20th-century manifestation: a rage against the British masters. But the implication is that it learned habits of ruthlessness from these very people.
The film is based on the true story of Shoshana Borochov, a socialist Zionist writer who came with her Ukrainian family to Tel Aviv as a child in the 1920s and grew up to have a long-term romantic relationship with a British police officer called Thomas Wilkin,...
Working with co-writers Laurence Coriat and Paul Viragh, Michael Winterbottom hits a clear, confident stride with a robustly well made, if emotionally flavourless historical drama set during the British mandate in what was then Palestine. It is a film that speaks in a complex way to the current Gaza debate, contending that Zionism has anti-colonialism and anti-imperialism in its 20th-century manifestation: a rage against the British masters. But the implication is that it learned habits of ruthlessness from these very people.
The film is based on the true story of Shoshana Borochov, a socialist Zionist writer who came with her Ukrainian family to Tel Aviv as a child in the 1920s and grew up to have a long-term romantic relationship with a British police officer called Thomas Wilkin,...
- 2/21/2024
- by Peter Bradshaw
- The Guardian - Film News
Lorenzo Mieli and Mario Gianani are exiting their Fremantle-owned Italian production companies.
The pair are among Italy’s most well known TV and film producers, but their exits have been confirmed, with their next moves not yet official. They may team together to launch their own indie together, reports say.
A Fremantle spokesperson said the super-indie would look to work with Mieli and Gianani “in a different structure” in the future.
The Hollywood Reporter Italy, which revealed the news towards the end of 2023, reported the pair are planning their own production company, but neither could be contacted for comment before press time.
Fremantle confirmed it remains the 100% owner of both indies and new leadership to be announced in due course.
Gianani’s Wildside makes features such as There’s Still Tomorrow and Finally Dawn and TV shows including Disney+ original The Good Mothers, while Mieli’s company, The Apartment, made...
The pair are among Italy’s most well known TV and film producers, but their exits have been confirmed, with their next moves not yet official. They may team together to launch their own indie together, reports say.
A Fremantle spokesperson said the super-indie would look to work with Mieli and Gianani “in a different structure” in the future.
The Hollywood Reporter Italy, which revealed the news towards the end of 2023, reported the pair are planning their own production company, but neither could be contacted for comment before press time.
Fremantle confirmed it remains the 100% owner of both indies and new leadership to be announced in due course.
Gianani’s Wildside makes features such as There’s Still Tomorrow and Finally Dawn and TV shows including Disney+ original The Good Mothers, while Mieli’s company, The Apartment, made...
- 1/19/2024
- by Jesse Whittock
- Deadline Film + TV
One of the phenomena to emerge from the last few years of increasing female representation in cinema has been an exploration of the roles played by women married to great men, often uncovering significant contributions to that greatness, or at least equally interesting personalities. Whilst this might seem to be another contribution to that process, it’s doing something slightly different. Antonina Miliukova is not the sort of subject to whom cinema normally pays much heed. What records remain of her life – including what were most probably her memoirs – suggest, instead, a damaged and vulnerable person with a fragile grip on reality.
Kirill Serebrennikov’s drama sticks closely to this interpretation. “I’m not some mad person,” she begins, having invited the composer, her sometimes music instructor, to her lonely room. In the same conversation, however, she switches from discussing her dowry to saying that she may kill herself without even drawing.
Kirill Serebrennikov’s drama sticks closely to this interpretation. “I’m not some mad person,” she begins, having invited the composer, her sometimes music instructor, to her lonely room. In the same conversation, however, she switches from discussing her dowry to saying that she may kill herself without even drawing.
- 12/29/2023
- by Jennie Kermode
- eyeforfilm.co.uk
Warner Bros.’ “Wonka” enjoyed a barnstorming second weekend at the U.K. and Ireland box office with £6.3 million ($8.09 million), according to numbers released by Comscore.
After two weekends at the top, the Timothée Chalamet starrer now has a mighty total of £18.4 million. In the process, the film staved off the challenge of Anime Ltd’s “Godzilla Minus One,” which debuted in second place with £816,891. That total was enough to make “Godzilla Minus One” the highest-grossing Japanese live-action film in U.K. and Ireland box office history.
In third place, in its fifth weekend, Lionsgate’s “The Hunger Games: The Ballad Of Songbirds And Snakes” collected £612,656 for a total of £15.8 million.
In fourth place, in its fourth weekend, Disney’s “Wish” earned £587,619 for a total of £6.6 million. Rounding off the top five was Sony’s “Napoleon” with £499,388 in its fourth weekend for a total of £12.4 million.
Warner Bros.’ “Saltburn” continued displaying...
After two weekends at the top, the Timothée Chalamet starrer now has a mighty total of £18.4 million. In the process, the film staved off the challenge of Anime Ltd’s “Godzilla Minus One,” which debuted in second place with £816,891. That total was enough to make “Godzilla Minus One” the highest-grossing Japanese live-action film in U.K. and Ireland box office history.
In third place, in its fifth weekend, Lionsgate’s “The Hunger Games: The Ballad Of Songbirds And Snakes” collected £612,656 for a total of £15.8 million.
In fourth place, in its fourth weekend, Disney’s “Wish” earned £587,619 for a total of £6.6 million. Rounding off the top five was Sony’s “Napoleon” with £499,388 in its fourth weekend for a total of £12.4 million.
Warner Bros.’ “Saltburn” continued displaying...
- 12/19/2023
- by Naman Ramachandran
- Variety Film + TV
Kirill Serebrennikov, the celebrated Russian playwright and director whose last three films competed at Cannes, is set to create and direct a sensual, gothic TV adaptation of “The Phantom of the Opera,” Gaston Leroux’s 19th century novel.
Serebrennikov’s TV debut, the subversive six-part miniseries will be shot in English and is being produced by Aude Albano at Pathé, in association with Ilya Stewart at Hype Studios. The latter has collaborated with Serebrennikov on his critically acclaimed movies, including “Leto,” “Petrov’s Flu” and “Tchaikovsky’s Wife,” all of which have played at Cannes.
Described as a “riveting psychological thriller with horrific undertones” by the production team, the story of “The Phantom of the Opera” revolves around an up-and-coming artist, Christine Daaé, who becomes the obsession of a disfigured musical genius, a monster haunting the Paris Opera House. Known as the Phantom of the Opera, the maleficent figure is a controlling,...
Serebrennikov’s TV debut, the subversive six-part miniseries will be shot in English and is being produced by Aude Albano at Pathé, in association with Ilya Stewart at Hype Studios. The latter has collaborated with Serebrennikov on his critically acclaimed movies, including “Leto,” “Petrov’s Flu” and “Tchaikovsky’s Wife,” all of which have played at Cannes.
Described as a “riveting psychological thriller with horrific undertones” by the production team, the story of “The Phantom of the Opera” revolves around an up-and-coming artist, Christine Daaé, who becomes the obsession of a disfigured musical genius, a monster haunting the Paris Opera House. Known as the Phantom of the Opera, the maleficent figure is a controlling,...
- 9/6/2023
- by Elsa Keslassy
- Variety Film + TV
”It’s all about enthusiam, stubborness and determination,” he says.
Aged 85, Roger Gibson is preparing for his final edition as artistic director of the Chichester International Film Festival. He has built it into one of the UK’s leading regional film festivals since launching it in 1992.
Over the years guests travelling to the south of England festival have included Alec Guinness, Stephen Poliakoff, Kathleen Turner, Ken Russell, Mike Leigh and Ralph Fiennes. This year’s guest list is equally impressive: the festival has programmed retrospectives of work by Cate Blanchett and Hugh Bonneville, and both actors are set to attend,...
Aged 85, Roger Gibson is preparing for his final edition as artistic director of the Chichester International Film Festival. He has built it into one of the UK’s leading regional film festivals since launching it in 1992.
Over the years guests travelling to the south of England festival have included Alec Guinness, Stephen Poliakoff, Kathleen Turner, Ken Russell, Mike Leigh and Ralph Fiennes. This year’s guest list is equally impressive: the festival has programmed retrospectives of work by Cate Blanchett and Hugh Bonneville, and both actors are set to attend,...
- 8/1/2023
- by Tim Dams
- ScreenDaily
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