Head South.International Film Festival Rotterdam have announced the lineup for their 53rd edition, which will take place between January 25 to February 4. Opening FILMHead South (Jonathan Ogilvie)The Ballad of Suzanne Césaire.Tiger COMPETITIONThe Ballad of Suzanne Césaire (Madeleine Hunt-Ehrlich)Flathead (Jaydon Martin)Grey Bees (Dmytro Moiseiev)Kiss Wagon (Midhun Murali)Me, Maryam, the Children and 26 Others (Farshad Hashemi)MosesLa Parra (Alberto Gracia)Praia Formosa (Julia De Simone)Rei (Tanaka Toshihiko)Reise der Schatten (Yves Netzhammer)She Fell to Earth (Susie Au)sr (Lea Hartlaub)Swimming Home (Justin Anderson)Under a Blue Sun (Daniel Mann)Milk Teeth.Big Screen COMPETITIONAire: Just Breathe (Leticia Tonos Paniagua)Children of War and Peace (Ville Suhonen)Confidenza (Daniele Luchetti)Eternal (Ulaa Salim)Milk Teeth (Sophia Bösch)The Old Bachelor (Oktay Baraheni)Portrait of a Certain Orient (Marcelo Gomes)Seven Seas Seven Hills (Ram)Steppenwolf (Adilkhan Yerzhanov)TenementThe Worst Man in London (Rodrigo Areias...
- 12/18/2023
- MUBI
Sony looks for ‘Love Again’, with Celine Dion’s first on-screen role.
Universal comedy sequel Book Club: The Next Chapter leads the openers at this weekend’s UK-Ireland box office, starting its story in 612 cinemas.
Directed by Bill Holderman and written by Holderman and Erin Simms, the film follows four best friends who take their book club to Italy for the girls trip they never had.
It is a sequel to 2018’s Book Club, also directed by Holderman, which Paramount released and which opened to £721,512 in 519 cinemas at a £1,390 average. The film finished on a £4.2m cume; The Next Chapter...
Universal comedy sequel Book Club: The Next Chapter leads the openers at this weekend’s UK-Ireland box office, starting its story in 612 cinemas.
Directed by Bill Holderman and written by Holderman and Erin Simms, the film follows four best friends who take their book club to Italy for the girls trip they never had.
It is a sequel to 2018’s Book Club, also directed by Holderman, which Paramount released and which opened to £721,512 in 519 cinemas at a £1,390 average. The film finished on a £4.2m cume; The Next Chapter...
- 5/12/2023
- by Ben Dalton
- ScreenDaily
During the buildup to Omar al-Bashir’s ousting, an exploited manual worker at the Merowe dam develops a strange supernatural life
Lebanese artist and film-maker Ali Cherri, artist-in-residence at London’s National Gallery in 2021, makes his feature film debut with a visually striking, ruminative and mysterious piece of work, a kind of magic social realist vision. The script was developed with two French cinema heavyweights, producer and screenwriter Geoffroy Grison and director Bertrand Bonello and it premiered at Cannes in 2022 in the Directors’ Fortnight section.
It is a drama teetering on the verge of a heatstroke hallucination, with flourishes of violence. The setting is the hydroelectric Merowe dam in northern Sudan on the Nile; it’s 2019, and President Omar al-Bashir is about to be deposed by the army after months of protests. Maher (Maher El Khair) is working by the riverbank making bricks in the burning sun, for a foreman...
Lebanese artist and film-maker Ali Cherri, artist-in-residence at London’s National Gallery in 2021, makes his feature film debut with a visually striking, ruminative and mysterious piece of work, a kind of magic social realist vision. The script was developed with two French cinema heavyweights, producer and screenwriter Geoffroy Grison and director Bertrand Bonello and it premiered at Cannes in 2022 in the Directors’ Fortnight section.
It is a drama teetering on the verge of a heatstroke hallucination, with flourishes of violence. The setting is the hydroelectric Merowe dam in northern Sudan on the Nile; it’s 2019, and President Omar al-Bashir is about to be deposed by the army after months of protests. Maher (Maher El Khair) is working by the riverbank making bricks in the burning sun, for a foreman...
- 5/8/2023
- by Peter Bradshaw
- The Guardian - Film News
“Somewhere on the banks of the great nile works a man whose life is made of mud,” reads the French intertitle at the start of Ali Cherri’s film. Like that mud, this film is, in some ways, elemental but it’s also a slippery customer that shape-shifts when you least expect it. In addition to being a filmmaker, Cherri is a multimedia visual artist and it shows in this enigmatic film - the third part of a trilogy which began with short films Digger and The Disquiet - which is built on strong imagery rather than substantive narrative.
The action takes place near the Merowe dam in Sudan. In docu-real scenes we see men (who are all brick makers in real life) go about their business, digging the mud and pushing it into frames before it sets in the sun. The talk of revolution and the overthrow of President Omar al-Bashir overheard.
The action takes place near the Merowe dam in Sudan. In docu-real scenes we see men (who are all brick makers in real life) go about their business, digging the mud and pushing it into frames before it sets in the sun. The talk of revolution and the overthrow of President Omar al-Bashir overheard.
- 4/11/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
Organizers of the 33rd edition of the Singapore International Film Festival are naturally keen to prove that the event is as nearly as possible back to normal after two years of Covid turbulence. Thong Kay Wee, in his first full year as program director, has also been keen to put his mark on the lineup.
That effort has been embodied by a widening of the Asian-themed festival’s geographical catchment area and a simultaneous completion of the shift to thematic presentation of the selection.
“When I came in, I wanted to break the geographical mold of how curation is done. I wanted to actually profile them in terms of interests. So, I thought through them in terms of where you will position things,” Thong told Variety.
This year’s lineup stretches to 101 films (features and shorts) from 50 countries, to play out over 11 days. Local, Singapore-made films account for about a quarter.
That effort has been embodied by a widening of the Asian-themed festival’s geographical catchment area and a simultaneous completion of the shift to thematic presentation of the selection.
“When I came in, I wanted to break the geographical mold of how curation is done. I wanted to actually profile them in terms of interests. So, I thought through them in terms of where you will position things,” Thong told Variety.
This year’s lineup stretches to 101 films (features and shorts) from 50 countries, to play out over 11 days. Local, Singapore-made films account for about a quarter.
- 11/25/2022
- by Patrick Frater
- Variety Film + TV
Palestinian filmmaker Firas Khoury’s fiery coming-of-age drama “Alam” (The Flag) took home the Golden Pyramid at the Cairo Intl. Film Festival, which wrapped with a glitzy award ceremony in the Egyptian capital on Tuesday night.
Khoury’s politically charged debut, which world premiered at the Toronto Intl. Film Festival, struck a chord with both the international jury, headed by Japanese filmmaker Naomi Kawase, and moviegoers in Cairo, who also handed “Alam” the audience award. At a rousing Middle East premiere on Nov. 18, moviegoers burst into applause several times during the screening.
Khoury, who addressed the audience at Cairo’s Opera House with a pre-recorded message, was unable to attend the festival. The director, an Israeli citizen traveling on a Palestinian passport, was not granted a visa by Egyptian authorities.
“Alam” follows a Palestinian-Israeli teen who undergoes a political awakening sparked by a pretty, outspoken girl from his high school class,...
Khoury’s politically charged debut, which world premiered at the Toronto Intl. Film Festival, struck a chord with both the international jury, headed by Japanese filmmaker Naomi Kawase, and moviegoers in Cairo, who also handed “Alam” the audience award. At a rousing Middle East premiere on Nov. 18, moviegoers burst into applause several times during the screening.
Khoury, who addressed the audience at Cairo’s Opera House with a pre-recorded message, was unable to attend the festival. The director, an Israeli citizen traveling on a Palestinian passport, was not granted a visa by Egyptian authorities.
“Alam” follows a Palestinian-Israeli teen who undergoes a political awakening sparked by a pretty, outspoken girl from his high school class,...
- 11/23/2022
- by Christopher Vourlias
- Variety Film + TV
Greek prime minister attends festival to highlight incentives for international projects.
Costa Rican director Valentina Maurel’s I Have Electric Dreams has won the €10,000 Golden Alexander-Theo Angelopoulos prize for best film at Greece’s Thessaloniki International Film Festival (TIFF) which took place from November 3-13.
The film’s lead actor Reinaldo Amien Gutierrez also won the best actor award at the festival.
The French, Belgian and Costa Rican co-production, which premiered in Locarno, follows a young girl’s coming of age and her relationship with her estranged father. World sales are handled by Greece’s Heretic.
The international competition jury...
Costa Rican director Valentina Maurel’s I Have Electric Dreams has won the €10,000 Golden Alexander-Theo Angelopoulos prize for best film at Greece’s Thessaloniki International Film Festival (TIFF) which took place from November 3-13.
The film’s lead actor Reinaldo Amien Gutierrez also won the best actor award at the festival.
The French, Belgian and Costa Rican co-production, which premiered in Locarno, follows a young girl’s coming of age and her relationship with her estranged father. World sales are handled by Greece’s Heretic.
The international competition jury...
- 11/16/2022
- by Alexis Grivas
- ScreenDaily
Valentina Maurel’s “I Have Electric Dreams” continued its winning streak this week at the Thessaloniki Film Festival, where the Costa Rican director’s coming-of-age drama took home the Golden Alexander for best feature film.
Maurel’s debut follows a restless 16-year-old girl experiencing her sexual awakening. Desperate to leave the house she shares with her mother and younger sister, she opts to move in with her estranged father, a troubled artist.
The film won the prizes for best director, actress and actor at the Locarno Film Festival, where it bowed in the main competition, as well as the San Sebastián Film Festival’s Horizons Award.
The jury in Thessaloniki, which was comprised of Mexican producer and Pimienta Films founder Nicolas Selis, Polish writer-director Tomasz Wasilewski and Greek filmmaker Penny Panagiotopoulou, praised the film for its “beautiful and gentle portrait on how to love the flaws in a person you love.
Maurel’s debut follows a restless 16-year-old girl experiencing her sexual awakening. Desperate to leave the house she shares with her mother and younger sister, she opts to move in with her estranged father, a troubled artist.
The film won the prizes for best director, actress and actor at the Locarno Film Festival, where it bowed in the main competition, as well as the San Sebastián Film Festival’s Horizons Award.
The jury in Thessaloniki, which was comprised of Mexican producer and Pimienta Films founder Nicolas Selis, Polish writer-director Tomasz Wasilewski and Greek filmmaker Penny Panagiotopoulou, praised the film for its “beautiful and gentle portrait on how to love the flaws in a person you love.
- 11/14/2022
- by Christopher Vourlias
- Variety Film + TV
The Cairo Intl. Film Festival kicked off Nov. 13 with the Middle East premiere of Steven Spielberg’s “The Fabelmans,” and a new-look leadership team bringing fresh energy to the grande dame of Arab cinema.
This year’s event marks the first as festival director for Egyptian filmmaker Amir Ramses, who was appointed earlier this year, as well as industry head Reem Allam.
Ramses was tapped just weeks after Egyptian producer Mohamed Hefzy stepped down as festival president, after a four-year tenure in which he helped to revamp the long-running event.
Hefzy was particularly instrumental in expanding the fest’s international reach, bolstering ties with counterparts overseas, and launching an industry component that has quickly established itself as one of the leading platforms for filmmakers from the region.
The festival’s 44th edition, which runs until Nov. 22, unspools amid a crowded fall calendar of Arab fests, running parallel to Marrakech (Nov.
This year’s event marks the first as festival director for Egyptian filmmaker Amir Ramses, who was appointed earlier this year, as well as industry head Reem Allam.
Ramses was tapped just weeks after Egyptian producer Mohamed Hefzy stepped down as festival president, after a four-year tenure in which he helped to revamp the long-running event.
Hefzy was particularly instrumental in expanding the fest’s international reach, bolstering ties with counterparts overseas, and launching an industry component that has quickly established itself as one of the leading platforms for filmmakers from the region.
The festival’s 44th edition, which runs until Nov. 22, unspools amid a crowded fall calendar of Arab fests, running parallel to Marrakech (Nov.
- 11/14/2022
- by Christopher Vourlias
- Variety Film + TV
Following Maher (Maher El Kahir), a Sudanese bricklayer, Ali Cherri’s The Dam oscillates between the natural and fantastic. Maher works by the Merowe Dam, a project near the Nile River that displaced nearly 70,000 residents. He goes about his days without much complaint, zombie-like in duty. In his free time he builds a giant mud sculpture—a being that he cannot stop adding to, somewhat alive and somewhat dead.
Maher’s story exists amongst a political, militant coup of the Sudanese leader. Political ramifications play out behind these bricklayers, on radios and television screens, only subtly influencing their everyday life by seeping into their thoughts. So Maher gets away from it all, called to a presence that visits him in his dreams, a pull towards the mystical.
Beautiful in image, yet void of traditional narrative, Cherri’s film drifts towards a semblance of impact. It’s ephemeral in its interest in poetic mysticism,...
Maher’s story exists amongst a political, militant coup of the Sudanese leader. Political ramifications play out behind these bricklayers, on radios and television screens, only subtly influencing their everyday life by seeping into their thoughts. So Maher gets away from it all, called to a presence that visits him in his dreams, a pull towards the mystical.
Beautiful in image, yet void of traditional narrative, Cherri’s film drifts towards a semblance of impact. It’s ephemeral in its interest in poetic mysticism,...
- 10/21/2022
- by Michael Frank
- The Film Stage
Steven Spielberg’s semi-autobiographical, coming-of-age drama The Fabelmans has been announced as the opening film of 44th Cairo International Film Festival, running from November 13 to 22.
This year’s edition of the historic Egyptian festival will unfold under the direction of a new management team following the departure of former head Mohamed Hefzy in March.
Veteran actor Hussein Fahmy returns as president at the festival, a role he held in the past, while respected Egyptian film programmer Amir Ramses has taken up the baton of artistic director.
This year’s main International Competition features Ahmad Abdalla’s 19B (Egypt), Firas Khoury’s Alam (Palestine), Nicolas’s Giraud’s The Astronaut (France), Pierre Földes’s Blind Willow Sleeping Woman (France), Damian Kocur’s Bread And Salt (Poland), Maksym Nakonechnyi’s Butterfly Vision (Ukraine), Ali Cherri’s The Dam, Ivan Löwenberg’s I Don’t Want To Be Dust (Mexico), Ridha Behi...
This year’s edition of the historic Egyptian festival will unfold under the direction of a new management team following the departure of former head Mohamed Hefzy in March.
Veteran actor Hussein Fahmy returns as president at the festival, a role he held in the past, while respected Egyptian film programmer Amir Ramses has taken up the baton of artistic director.
This year’s main International Competition features Ahmad Abdalla’s 19B (Egypt), Firas Khoury’s Alam (Palestine), Nicolas’s Giraud’s The Astronaut (France), Pierre Földes’s Blind Willow Sleeping Woman (France), Damian Kocur’s Bread And Salt (Poland), Maksym Nakonechnyi’s Butterfly Vision (Ukraine), Ali Cherri’s The Dam, Ivan Löwenberg’s I Don’t Want To Be Dust (Mexico), Ridha Behi...
- 10/18/2022
- by Melanie Goodfellow
- Deadline Film + TV
Steven Spielberg’s “The Fabelmans” will open the 44th edition of the Cairo Film Festival, the Arab world’s venerable cinematic showcase, which takes place Nov. 13 – 22.
The Oscar-winning director’s semi-autobiographical film, which follows the formative years of a young man who discovers movies as a means to help him see the truth about others and himself, earned a standing ovation following its premiere at the Toronto Film Festival.
This year’s event in the Egyptian capital, which takes place as most film festivals and industry events have returned to business as usual after two years of pandemic cancellations and disruptions, nevertheless unfolds against a backdrop of global uncertainty.
Festival president Hussein Fahmy conjured the specter of war in Ukraine as he described a “year of ambitions and challenges” in a statement, posing the questions: “Where do we go from here? How can the festival take new steps, in particular,...
The Oscar-winning director’s semi-autobiographical film, which follows the formative years of a young man who discovers movies as a means to help him see the truth about others and himself, earned a standing ovation following its premiere at the Toronto Film Festival.
This year’s event in the Egyptian capital, which takes place as most film festivals and industry events have returned to business as usual after two years of pandemic cancellations and disruptions, nevertheless unfolds against a backdrop of global uncertainty.
Festival president Hussein Fahmy conjured the specter of war in Ukraine as he described a “year of ambitions and challenges” in a statement, posing the questions: “Where do we go from here? How can the festival take new steps, in particular,...
- 10/18/2022
- by Christopher Vourlias
- Variety Film + TV
The Egyptian festival runs November 13-22.
The Cairo International Film Festival has unveiled the line-up for its 44th edition.
Steven Spielberg’s The Fabelmans will open the festival following its world premiere at Toronto where it picked up the people’s choice award.
Scroll down for full line-up
Ciff’s international competition section contains 14 titles, including five world premieres.
Egyptian director Ahmad Abdalla’s 19B is one of the world premieres competing for the Golden Pyramid for best film. It follows an old guard whose peaceful job of watching over an abandoned villa is threatened when a young park attendant turns up.
The Cairo International Film Festival has unveiled the line-up for its 44th edition.
Steven Spielberg’s The Fabelmans will open the festival following its world premiere at Toronto where it picked up the people’s choice award.
Scroll down for full line-up
Ciff’s international competition section contains 14 titles, including five world premieres.
Egyptian director Ahmad Abdalla’s 19B is one of the world premieres competing for the Golden Pyramid for best film. It follows an old guard whose peaceful job of watching over an abandoned villa is threatened when a young park attendant turns up.
- 10/18/2022
- by Ellie Calnan
- ScreenDaily
Following the Main Slate and Spotlight announcements, the 60th New York Film Festival has unveiled its Currents section. The slate of boundary-pushing work features Bertrand Bonello’s Coma, João Pedro Rodrigues’ Will-o’-the-Wisp, Helena Wittmann’s Human Flowers of Flesh, Alessandro Comodin’s The Adventures of Gigi the Law, Joana Pimenta and Adirley Queirós’s Dry Ground Burning, Ruth Beckermann’s Mutzenbacher, and Ashley McKenzie’s Queens of the Qing Dynasty, plus new shorts by Bi Gan, Mark Jenkin, Simón Velez, Nicolás Pereda, Courtney Stephens, Ben Russell, and more.
“Each Currents lineup is an attempt to distill the spirit of innovation and playfulness in contemporary cinema, and this is, by design, the most expansive section of the festival,” said Dennis Lim, artistic director, New York Film Festival. “There are familiar names here—including multiple filmmakers who will be known to NYFF and Flc audiences—as well as some electrifying new talents,...
“Each Currents lineup is an attempt to distill the spirit of innovation and playfulness in contemporary cinema, and this is, by design, the most expansive section of the festival,” said Dennis Lim, artistic director, New York Film Festival. “There are familiar names here—including multiple filmmakers who will be known to NYFF and Flc audiences—as well as some electrifying new talents,...
- 8/18/2022
- by Leonard Pearce
- The Film Stage
1976 – Manuela Martelli [Review] [Interview]
Ashkal – Youssef Chebbi [Review]
The Dam – Ali Cherri
Continental Drift (South) – Lionel Baier [Review]
Enys Men – Mark Jenkin
De Humani Corporis Fabrica – Lucien Castaing-Taylor, Véréna Paravel [Review]
Falcon Lake – Charlotte Le Bon [Review]
Les Cinq Diables – Léa Mysius [Review]
Funny Pages – Owen Kline
God’s Creatures – Saela Davis, Anna Rose Holmer [Review]
Le Parfum vert – Nicolas Pariser
Les Harkis – Philippe Faucon
Un varón – Fabian Hernández [Review]
La Montagne – Thomas Salvador [Review]
Un beau matin – Mia Hansen-Løve [Review]
Pamfir – Dmytro Sukholytkyy-Sobchuk [Review]
Revoir Paris – Alice Winocour [Review]
L’Envol – Pietro Marcello [Review]
Les Années Super 8 – Annie Ernaux, David Ernaux-Briot [Review]
El agua – Elena López Riera [Review]
Will-o’-the-Wisp – João Pedro Rodrigues
Special Screening: Men – Alex Garland [Review]…...
Ashkal – Youssef Chebbi [Review]
The Dam – Ali Cherri
Continental Drift (South) – Lionel Baier [Review]
Enys Men – Mark Jenkin
De Humani Corporis Fabrica – Lucien Castaing-Taylor, Véréna Paravel [Review]
Falcon Lake – Charlotte Le Bon [Review]
Les Cinq Diables – Léa Mysius [Review]
Funny Pages – Owen Kline
God’s Creatures – Saela Davis, Anna Rose Holmer [Review]
Le Parfum vert – Nicolas Pariser
Les Harkis – Philippe Faucon
Un varón – Fabian Hernández [Review]
La Montagne – Thomas Salvador [Review]
Un beau matin – Mia Hansen-Løve [Review]
Pamfir – Dmytro Sukholytkyy-Sobchuk [Review]
Revoir Paris – Alice Winocour [Review]
L’Envol – Pietro Marcello [Review]
Les Années Super 8 – Annie Ernaux, David Ernaux-Briot [Review]
El agua – Elena López Riera [Review]
Will-o’-the-Wisp – João Pedro Rodrigues
Special Screening: Men – Alex Garland [Review]…...
- 6/14/2022
- by Eric Lavallée
- IONCINEMA.com
This year’s Cannes Film Festival may have been punctuated by big titles from returning stars that already have distribution homes — like Ruben Östlund’s Palme d’Or winner “Triangle of Sadness,” David Cronenberg’s “Crimes of the Future” (out this week!), or Claire Denis’ “The Stars at Noon” — and the wide variety of titles that picked up distribution while at the festival, but there are plenty of bright new gems that debuted on the Croisette that are still looking for smart buyers.
As ever, we’re more than happy to hand-pick a variety of films still up for sale and why we think they’d make some shingles very happy indeed. We’ve got known names, new stars, wild stories, and classic dramas to stump for, with plenty of reasons why they are so worthy of purchase.
As theaters keep looking for new ways to bring back audiences and...
As ever, we’re more than happy to hand-pick a variety of films still up for sale and why we think they’d make some shingles very happy indeed. We’ve got known names, new stars, wild stories, and classic dramas to stump for, with plenty of reasons why they are so worthy of purchase.
As theaters keep looking for new ways to bring back audiences and...
- 6/1/2022
- by Kate Erbland, Eric Kohn and David Ehrlich
- Indiewire
Fifteen years ago, I made my first trip to the Cannes Film Festival and spent two intense weeks consumed by cinema. It was a chaotic experience dominated by exhaustion and attempts to stay awake and consume as many movies as possible. After a dizzying ride through screenings of everything from “4 Months, 3 Weeks, and 2 Days” to “No Country For Old Men” and “Secret Sunshine,” I had a hard time processing the world outside of dark, crowded rooms. And I couldn’t wait to return.
Back home, my euphoria gave way to frustration and envy. Cannes rolled out the red carpet for auteurs and treated cinema as high art; even in New York, movies felt like a much smaller piece of the cultural equation. What gives? The answer, of course, comes down to money. It helps to have a government with formidable resources invested in the arts, as France does, and...
Back home, my euphoria gave way to frustration and envy. Cannes rolled out the red carpet for auteurs and treated cinema as high art; even in New York, movies felt like a much smaller piece of the cultural equation. What gives? The answer, of course, comes down to money. It helps to have a government with formidable resources invested in the arts, as France does, and...
- 5/28/2022
- by Eric Kohn
- Indiewire
The mass-market movie industry must continually justify its existence by finding new ways to entertain. The Cannes Film Festival also makes a case for the medium, however contrarian: The most important movies are the hardest ones to watch.
This year, body horror landed as a double bill in the festival’s second week. In competition was David Cronenberg’s dystopian “Crimes of the Future,” which envisioned an eerie future in which performance artists grow their own organs and futz with them onstage. Down the street at the Directors’ Fortnight sidebar, an even greater provocation could be found with the innovative documentary “De Humani Corporis Fabrica.”
Directors Lucien Castaing-Taylor and Verena Paravel probe the intricacies of the human body with such precision that at first the film initially seems like dare. As the images of magnified blood vessels and brain tissue continue to dominate the screen, they take on a haunting abstract dimension.
This year, body horror landed as a double bill in the festival’s second week. In competition was David Cronenberg’s dystopian “Crimes of the Future,” which envisioned an eerie future in which performance artists grow their own organs and futz with them onstage. Down the street at the Directors’ Fortnight sidebar, an even greater provocation could be found with the innovative documentary “De Humani Corporis Fabrica.”
Directors Lucien Castaing-Taylor and Verena Paravel probe the intricacies of the human body with such precision that at first the film initially seems like dare. As the images of magnified blood vessels and brain tissue continue to dominate the screen, they take on a haunting abstract dimension.
- 5/26/2022
- by Eric Kohn
- Indiewire
Each project will receive €10,000 in funding.
International Film Festival Rotterdam (IFFR)’s Hubert Bals Fund (Hbf) has selected 10 projects, all from female filmmakers, for its 2022 Script and Project Development Support scheme.
Each of the 10 projects receives a grant of €10,000 to be spent on development.
The selection includes Iranian filmmaker Rakhshan Banietemad, whose previous flm Tales picked up best screenplay at Venice Film festival in 2014, and Tamar Shavgulidze, the Georgian director of Comets which screened at the Toronto International Film Festival in 2019.
Two Brazilian projects, Everlane Moraes’ The Secret Of Sikán and Maíra Bühler’s The Marriage, are featured and will...
International Film Festival Rotterdam (IFFR)’s Hubert Bals Fund (Hbf) has selected 10 projects, all from female filmmakers, for its 2022 Script and Project Development Support scheme.
Each of the 10 projects receives a grant of €10,000 to be spent on development.
The selection includes Iranian filmmaker Rakhshan Banietemad, whose previous flm Tales picked up best screenplay at Venice Film festival in 2014, and Tamar Shavgulidze, the Georgian director of Comets which screened at the Toronto International Film Festival in 2019.
Two Brazilian projects, Everlane Moraes’ The Secret Of Sikán and Maíra Bühler’s The Marriage, are featured and will...
- 5/23/2022
- by Ellie Calnan
- ScreenDaily
Each project will receive €10,000 in funding.
International Film Festival Rotterdam (IFFR)’s Hubert Bals Fund (Hbf) has selected 10 projects, all from female filmmakers, for its 2022 Script and Project Development Support scheme.
Each of the 10 projects receives a grant of €10,000 to be spent on development.
The selection includes Iranian filmmaker Rakhshan Banietemad, whose previous flm Tales picked up best screenplay at Venice Film festival in 2014, and Tamar Shavgulidze, the Georgian director of Comets which screened at the Toronto International Film Festival in 2019.
Two Brazilian projects, Everlane Moraes’ The Secret Of Sikán and Maíra Bühler’s The Marriage, are featured and will...
International Film Festival Rotterdam (IFFR)’s Hubert Bals Fund (Hbf) has selected 10 projects, all from female filmmakers, for its 2022 Script and Project Development Support scheme.
Each of the 10 projects receives a grant of €10,000 to be spent on development.
The selection includes Iranian filmmaker Rakhshan Banietemad, whose previous flm Tales picked up best screenplay at Venice Film festival in 2014, and Tamar Shavgulidze, the Georgian director of Comets which screened at the Toronto International Film Festival in 2019.
Two Brazilian projects, Everlane Moraes’ The Secret Of Sikán and Maíra Bühler’s The Marriage, are featured and will...
- 5/23/2022
- by Ellie Calnan
- ScreenDaily
The 23rd edition of European Film Promotion's (Efp) long-established Producers on the Move networking program, held during Festival de Cannes is again inviting 20 up-and-coming young producers from all over Europe as participants in 2022. Germany will be represented by Alexander Wadouh (Chromosom Film) who was nominated by Efp member German Films.
Alexander Wadouh has been working in the film industry since 1999. A graduate of the German Film and Television Academy Berlin (dffb), he worked for the production company Essential Film (Women Without Men, You the Living, Dau) as well as for the French sales company Coproduction Office. In 2006, he founded his Berlin-based company Chromosom Film to develop and produce national and international feature films in the field of fiction and documentary with a political ethos and zeitgeist, and has since expanded into the production of high-end series. He has received numerous awards for his films. Wadouh is a graduate of Ace and Eave as well as being a member of the German Film Academy and European Film Academy. He has also been active as a distributor with Across Nations since 2020.
Alexander Wadouh on his nomination: "I am very happy to be able to be part of this year’s edition of Producers on the Move, the more so because Europe must grow even closer together so as to guarantee peace and freedom in the long term. That also includes being able to say and show everything in the spirit of cultural freedom without facing the danger of state repression. We can really achieve this through constant exchange and collaboration across national borders. I’m pleased that I can become part of a larger network of people who are moved and driven by similar things, who see their surroundings in a critical light and tell stories about the world."
Selected films of Alexander Wadouth include
Time of the Monsters
in financing, 2024
by Florian Hoffmann
Germany, France, Switzerland, Ghana
What YouCall Love
in financing, 2023
by Luzie Loose
Germany, France, Japan
The Wolves Always Come at Night
in financing, 2022
by Gabrielle Brady
Germany, Australia, Mongolia
Borga 2021
by York-Fabian Raabe
Germany, Ghana
trailer
Whispers of War 2021
by Florian Hoffmann
Germany
trailer
A Coffee in Berlin 2012
by Jan-Ole Gerster
Germany
Germany is also represented in the festival with one solo production and seven coproductions:
Cannes Ff Special Screenings will show The Vagabonds (eligible for Camera d’Or)directed by Doroteya Droumeva of Germany.
Berlin based producer Sol Bondy has Cannes Competition title Holy Spider directed by Iranian born Ali Abbasi, a coproductio of France, Germany, Sweden, snd Denmark. In Holy Spider, we follow family man Saeed as he embarks on his own religious quest — to “cleanse” the holy Iranian city of Mashhad of immoral and corrupt street prostitutes. After murdering several women, he grows ever more desperate about the lack of public interest in his divine mission.
Ace producer Janine Jakowski is among the producers of Austria, France, Germany, and Luxembourg responsible Corsage directed by Marie Kreutzer which is showing in Un Certain Regard. This story of Sisi (Elizabeth) Empress of Austsria, wife of Franz Joseph who tries to keep her cult of beauty alive after she turns 40 (and old) is being sold by MK2. Already in place as distributors are Austria: Panda Lichtspiele, Germany: Alamode, Hungary: Circo, and Italy: Bim.
More Than Ever/ Plus que jamais directed by German director Emily Atef is a coproduciton of Germany, France, Luxembourg, and Norway. The story is about Hélène and Mathieu who have been happy together for many years. The bond between them is deep. Faced with an existential decision, Hélène travels alone to Norway to seek peace and test the strength of their love. The Match Factory has already placed the film in France with Jour2Fête, Germany with Pandora, and in Norway with Mer.
Directors’ Fortnight film Scarlet/ L’Envol directed by Pietro Marcello is a copro of France, Germany, Italy, and Russia.
Directors’ Fortnight film A Male/ Un varón directed by Fabian Hernández of Colombia is a copro of France, Germany, Netherlands and Colombia.
Critics’ Week Competition film The Woodcutter Story/ Metsurin tarina directed by Mikko Myllylahti is a coproduction of Finland, Denmark, Netherlands, and Germany.
Directors’ Fortnight One Fine Morning/ Un beau matin directed by Mia Hansen-Løve, produced by Razor Film Produktion GmbH, Germany, Arte France Cinéma, Mubi. Internationa sales by Les Films du Losange to Weltkino Filmverleih (Germany), Alambique Filmes (Portugal), Andrews Film (Taiwan), Challan (Korea), Cherry Pickers Filmdistributie (Belgium), Elastica (Spain), Palace Films (Australia and New Zealand) (all media), Weird Wave (Greece).
Directors’ Fortnight The Dam/ السد directed by Ali Cherri of Sudan is a copro of Germany, France, Serbia, and Sudan being sold by Indie Sales. The drama is set against the backdrop of the 2018 Sudanese revolution, near the Merowe Dam in the north of the country and revolves around a man who works in a traditional brickyard fed by the waters of the Nile. Every evening, he secretly wanders off into the desert to build a mysterious construction made of mud. While the Sudanese people rise to claim their freedom, his creation slowly starts to take on a life of its own.Cherri’s short films The Disquiet (2013) and The Digger (2015) played at a number of festivals including Berlinale, Toronto, and Rotterdam. He is also a celebrated artist. He is currently an artist in residence at the UK’s National Gallery in London, where his show If You Prick Us, Do We Not Bleed? is running until June 12. He is also participating in the Venice Biennale this year and his work has been shown at the Guggenheim, British Museum and Centre Pompidou.
To return to Producers on the Move:
This year will again see the Producers on the Move platform offering its participants a tailor-made program to support the exchange among European producers and give them the opportunity to create new networks and thus foster international co-productions. Online 1:1 speed dating as well as roundtables and pitching sessions will be held ahead of the festival until 5 May, 2022. Producers from 20 different countries will then meet in person at the Festival de Cannes from 19 to 23 May, 2022 to take part in an exclusive programme which will include case studies of successful projects, social events, an extensive publicity campaign by the international trade magazines, and various opportunities for transnational discussions. Each year sees the programme resulting in a number of international co-productions between the participants or with partners they have come into contact with during the project.
Producers on the Move is supported by the Creative Europe - Media Programme of the European Union, as well as the Efp member organizations, including German Films.
Please click here for more information about Producers on the Move 2022.
Alexander Wadouh has been working in the film industry since 1999. A graduate of the German Film and Television Academy Berlin (dffb), he worked for the production company Essential Film (Women Without Men, You the Living, Dau) as well as for the French sales company Coproduction Office. In 2006, he founded his Berlin-based company Chromosom Film to develop and produce national and international feature films in the field of fiction and documentary with a political ethos and zeitgeist, and has since expanded into the production of high-end series. He has received numerous awards for his films. Wadouh is a graduate of Ace and Eave as well as being a member of the German Film Academy and European Film Academy. He has also been active as a distributor with Across Nations since 2020.
Alexander Wadouh on his nomination: "I am very happy to be able to be part of this year’s edition of Producers on the Move, the more so because Europe must grow even closer together so as to guarantee peace and freedom in the long term. That also includes being able to say and show everything in the spirit of cultural freedom without facing the danger of state repression. We can really achieve this through constant exchange and collaboration across national borders. I’m pleased that I can become part of a larger network of people who are moved and driven by similar things, who see their surroundings in a critical light and tell stories about the world."
Selected films of Alexander Wadouth include
Time of the Monsters
in financing, 2024
by Florian Hoffmann
Germany, France, Switzerland, Ghana
What YouCall Love
in financing, 2023
by Luzie Loose
Germany, France, Japan
The Wolves Always Come at Night
in financing, 2022
by Gabrielle Brady
Germany, Australia, Mongolia
Borga 2021
by York-Fabian Raabe
Germany, Ghana
trailer
Whispers of War 2021
by Florian Hoffmann
Germany
trailer
A Coffee in Berlin 2012
by Jan-Ole Gerster
Germany
Germany is also represented in the festival with one solo production and seven coproductions:
Cannes Ff Special Screenings will show The Vagabonds (eligible for Camera d’Or)directed by Doroteya Droumeva of Germany.
Berlin based producer Sol Bondy has Cannes Competition title Holy Spider directed by Iranian born Ali Abbasi, a coproductio of France, Germany, Sweden, snd Denmark. In Holy Spider, we follow family man Saeed as he embarks on his own religious quest — to “cleanse” the holy Iranian city of Mashhad of immoral and corrupt street prostitutes. After murdering several women, he grows ever more desperate about the lack of public interest in his divine mission.
Ace producer Janine Jakowski is among the producers of Austria, France, Germany, and Luxembourg responsible Corsage directed by Marie Kreutzer which is showing in Un Certain Regard. This story of Sisi (Elizabeth) Empress of Austsria, wife of Franz Joseph who tries to keep her cult of beauty alive after she turns 40 (and old) is being sold by MK2. Already in place as distributors are Austria: Panda Lichtspiele, Germany: Alamode, Hungary: Circo, and Italy: Bim.
More Than Ever/ Plus que jamais directed by German director Emily Atef is a coproduciton of Germany, France, Luxembourg, and Norway. The story is about Hélène and Mathieu who have been happy together for many years. The bond between them is deep. Faced with an existential decision, Hélène travels alone to Norway to seek peace and test the strength of their love. The Match Factory has already placed the film in France with Jour2Fête, Germany with Pandora, and in Norway with Mer.
Directors’ Fortnight film Scarlet/ L’Envol directed by Pietro Marcello is a copro of France, Germany, Italy, and Russia.
Directors’ Fortnight film A Male/ Un varón directed by Fabian Hernández of Colombia is a copro of France, Germany, Netherlands and Colombia.
Critics’ Week Competition film The Woodcutter Story/ Metsurin tarina directed by Mikko Myllylahti is a coproduction of Finland, Denmark, Netherlands, and Germany.
Directors’ Fortnight One Fine Morning/ Un beau matin directed by Mia Hansen-Løve, produced by Razor Film Produktion GmbH, Germany, Arte France Cinéma, Mubi. Internationa sales by Les Films du Losange to Weltkino Filmverleih (Germany), Alambique Filmes (Portugal), Andrews Film (Taiwan), Challan (Korea), Cherry Pickers Filmdistributie (Belgium), Elastica (Spain), Palace Films (Australia and New Zealand) (all media), Weird Wave (Greece).
Directors’ Fortnight The Dam/ السد directed by Ali Cherri of Sudan is a copro of Germany, France, Serbia, and Sudan being sold by Indie Sales. The drama is set against the backdrop of the 2018 Sudanese revolution, near the Merowe Dam in the north of the country and revolves around a man who works in a traditional brickyard fed by the waters of the Nile. Every evening, he secretly wanders off into the desert to build a mysterious construction made of mud. While the Sudanese people rise to claim their freedom, his creation slowly starts to take on a life of its own.Cherri’s short films The Disquiet (2013) and The Digger (2015) played at a number of festivals including Berlinale, Toronto, and Rotterdam. He is also a celebrated artist. He is currently an artist in residence at the UK’s National Gallery in London, where his show If You Prick Us, Do We Not Bleed? is running until June 12. He is also participating in the Venice Biennale this year and his work has been shown at the Guggenheim, British Museum and Centre Pompidou.
To return to Producers on the Move:
This year will again see the Producers on the Move platform offering its participants a tailor-made program to support the exchange among European producers and give them the opportunity to create new networks and thus foster international co-productions. Online 1:1 speed dating as well as roundtables and pitching sessions will be held ahead of the festival until 5 May, 2022. Producers from 20 different countries will then meet in person at the Festival de Cannes from 19 to 23 May, 2022 to take part in an exclusive programme which will include case studies of successful projects, social events, an extensive publicity campaign by the international trade magazines, and various opportunities for transnational discussions. Each year sees the programme resulting in a number of international co-productions between the participants or with partners they have come into contact with during the project.
Producers on the Move is supported by the Creative Europe - Media Programme of the European Union, as well as the Efp member organizations, including German Films.
Please click here for more information about Producers on the Move 2022.
- 5/8/2022
- by Sydney
- Sydney's Buzz
The lineup for the 2022 Directors' Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced. See also the lineup of the Official Selection.Feature Films Scarlet (Pietro Marcello): In northern France, Juliette grows up alone with her father, Raphaël, a veteran of the First World War. Passionate about singing and music, the lonely young girl meets a magician one summer who promises that scarlet sails will one day take her away from her village.1976 (Manuela Martelli): Carmen is 49 years old. Her life as a bourgeois housewife is interrupted when the priest at the church where she does charity work asks her to take care of a young revolutionary, a man he is giving asylum to, who has just been hurt.The Water (Elena López Riera)The Dam (Ali Cherri): Sudan. Maher works in a traditional brickyard fed by the waters of the Nile. Every evening, he secretly wanders...
- 4/27/2022
- MUBI
Lebanese director Cherri is also a celebrated artist whose work is currently showing at The National Gallery and Venice Biennale
Paris-based company Indie Sales has acquired world sales rights to Lebanese director and artist Ali Cherri’s first feature The Dam, ahead of its world premiere in Cannes Directors’ Fortnight (May 18-27).
As a first film, it is also a contender for the Caméra d’Or covering all the first films in Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
The drama is set against the backdrop of the 2018 Sudanese revolution, near the Merowe Dam in the north of the country.
Paris-based company Indie Sales has acquired world sales rights to Lebanese director and artist Ali Cherri’s first feature The Dam, ahead of its world premiere in Cannes Directors’ Fortnight (May 18-27).
As a first film, it is also a contender for the Caméra d’Or covering all the first films in Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
The drama is set against the backdrop of the 2018 Sudanese revolution, near the Merowe Dam in the north of the country.
- 4/22/2022
- by Melanie Goodfellow
- ScreenDaily
The Cannes official competition lineup didn’t exactly see a surge in the number of female filmmakers represented. Enter Quinzaine, a.k.a. Director’s Fortnight, the beloved sidebar of the festival this year kicking off May 18. The lineup of titles includes 11 films directed by women, including Mia Hansen-Løve’s “One Fine Morning,” a romance starring Léa Seydoux and Melvil Poupaud; the new film from “Disorder” director Alice Winocour, “Paris Memories”; the feature directing debut of actor Charlotte Le Bon, “Falcon Lake”; and more.
This year’s lineup also includes new works from genre filmmakers: Alex Garland’s “Men,” releasing stateside May 20 from A24, will premiere as a Special Screening of the festival. Plus, there’s British director Mark Jenkin’s anticipated experimental horror film “Enys Men.” Paul Mescal stars in the psychological thriller “God’s Creatures,” directed by Saela Davis and Anna Rose Holmer, who directed the 2015 Venice hit “The Fits.
This year’s lineup also includes new works from genre filmmakers: Alex Garland’s “Men,” releasing stateside May 20 from A24, will premiere as a Special Screening of the festival. Plus, there’s British director Mark Jenkin’s anticipated experimental horror film “Enys Men.” Paul Mescal stars in the psychological thriller “God’s Creatures,” directed by Saela Davis and Anna Rose Holmer, who directed the 2015 Venice hit “The Fits.
- 4/19/2022
- by Ryan Lattanzio
- Indiewire
Following the main lineup, Quinzaine des Réalisateurs aka Directors’ Fortnight at the Cannes Film Festival has unveiled their 2022 slate. Featuring the already-announced opening film, Scarlet, from Martin Eden director Pietro Marcello, the lineup also includes Mia Hansen-Løve’s One Fine Morning, Alice Winocour’s Paris Memories, Mark Jenkin’s Bait follow-up Enys Men, Anna Rose Holmer & Saela Davis’ God’s Creatures, João Pedro Rodrigues’ Will-o’-the-Wisp, Véréna Paravel & Lucien Castaing-Taylor’s De Humani Corporis Fabrica, and Alex Garland’s Men, which will arrive in the U.S. soon after its Cannes premiere.
See the lineup below.
Scarlet by Pietro Marcello – Opening Film
1976 by Manuela Martelli
The Water by Elena López Riera
The Dam by Ali Cherri
The Super 8 Years by Annie Ernaux & David Ernaux-Briot
Ashkal by Youssef Chebbi
The Five Devils by Léa Mysius
De Humani Corporis Fabrica by Véréna Paravel & Lucien Castaing-Taylor
Continental Drift (South) by Lionel Baier
Enys...
See the lineup below.
Scarlet by Pietro Marcello – Opening Film
1976 by Manuela Martelli
The Water by Elena López Riera
The Dam by Ali Cherri
The Super 8 Years by Annie Ernaux & David Ernaux-Briot
Ashkal by Youssef Chebbi
The Five Devils by Léa Mysius
De Humani Corporis Fabrica by Véréna Paravel & Lucien Castaing-Taylor
Continental Drift (South) by Lionel Baier
Enys...
- 4/19/2022
- by Jordan Raup
- The Film Stage
Directors’ Fortnight, the sidebar running alongside the Cannes Film Festival, has unveiled a strong lineup for its 54th edition, which will be the last one for outgoing artistic director Paolo Moretti.
The sidebar has landed a pair of movies from A24, Alex Garland’s horror film “Men” with Jessie Buckley which will play in the Special Screening section, and “God’s Creatures,” a psychological thriller directed by Saela Davis and Anna Rose Holmer, the filmmaking duo who made their feature debut with the Sundance film “The Fits.” Set in an Irish fishing village, “God’s Creatures” stars Aisling Franciosi, Emily Watson and Paul Mescal. Other elevated genre films on the roster include British helmer Mark Jenkin’s anticipated “Enys Men.”
Directors’ Fortnight will showcase films by 11 female directors and eight feature debuts. By comparison, Cannes Film Festival’s competition currently has only three films helmed by women.
Several French female helmers who...
The sidebar has landed a pair of movies from A24, Alex Garland’s horror film “Men” with Jessie Buckley which will play in the Special Screening section, and “God’s Creatures,” a psychological thriller directed by Saela Davis and Anna Rose Holmer, the filmmaking duo who made their feature debut with the Sundance film “The Fits.” Set in an Irish fishing village, “God’s Creatures” stars Aisling Franciosi, Emily Watson and Paul Mescal. Other elevated genre films on the roster include British helmer Mark Jenkin’s anticipated “Enys Men.”
Directors’ Fortnight will showcase films by 11 female directors and eight feature debuts. By comparison, Cannes Film Festival’s competition currently has only three films helmed by women.
Several French female helmers who...
- 4/19/2022
- by Elsa Keslassy
- Variety Film + TV
Alex Garland’s “Men,” Mia Hansen-Love’s “One Fine Morning” and Alice Winocour’s “Paris Memories” are among the films that will screen in the independent Directors Fortnight section at the 2022 Cannes Film Festival, Directors Fortnight organizers announced at a press conference in Paris on Tuesday.
Garland, the director of “Ex Machina,” will be making his Cannes debut with “Men,” while Hansen-Love will be returning to a different section of the festival where she was in the main competition a year ago with “Bergman Island.”
Other films include Owen Kline’s “Funny Pages,” produced by the Safdie brothers. Of the 23 films announced on Tuesday, 11 have female directors.
Previously, Directors Fortnight announced that Pietro Marcello’s “L’envol” (“Scarlett”) would serve as the opening screening in the section.
Directors Fortnight is an independent section that runs concurrent with the main Cannes Film Festival. It was launched in 1969 on the heels of the...
Garland, the director of “Ex Machina,” will be making his Cannes debut with “Men,” while Hansen-Love will be returning to a different section of the festival where she was in the main competition a year ago with “Bergman Island.”
Other films include Owen Kline’s “Funny Pages,” produced by the Safdie brothers. Of the 23 films announced on Tuesday, 11 have female directors.
Previously, Directors Fortnight announced that Pietro Marcello’s “L’envol” (“Scarlett”) would serve as the opening screening in the section.
Directors Fortnight is an independent section that runs concurrent with the main Cannes Film Festival. It was launched in 1969 on the heels of the...
- 4/19/2022
- by Steve Pond
- The Wrap
Cannes Directors’ Fortnight has unveiled its line-up for 2022. Scroll down to see the full list.
The selection include Alex Garland’s Cannes debut Men, the Jessie Buckley-starring movie from the surreal sci-fi master. The film will play as a Special Screening in Cannes before A24 releases in the U.S. in May.
Opening the selection will be Pietro Marcello’s Scarlet, and closing will be The Green Perfume by Nicolas Pariser.
Prominent French director Mia Hansen-Løve is back with One Fine Morning, starring Lea Seydoux, and Proxima filmmaker Alice Winocour will show her new pic Paris Memories.
Also on the list is the Paul Mescal and Emily Watson starring God’s Creatures (a second A24 title), and Mark Jenkin’s follow-up to his indie UK breakout Bait, the 1970s-set horror Enys Men.
Kelly Reichardt will receive this year’s Director’s Fortnight’s honorary Carrosse d’Or honor and will...
The selection include Alex Garland’s Cannes debut Men, the Jessie Buckley-starring movie from the surreal sci-fi master. The film will play as a Special Screening in Cannes before A24 releases in the U.S. in May.
Opening the selection will be Pietro Marcello’s Scarlet, and closing will be The Green Perfume by Nicolas Pariser.
Prominent French director Mia Hansen-Løve is back with One Fine Morning, starring Lea Seydoux, and Proxima filmmaker Alice Winocour will show her new pic Paris Memories.
Also on the list is the Paul Mescal and Emily Watson starring God’s Creatures (a second A24 title), and Mark Jenkin’s follow-up to his indie UK breakout Bait, the 1970s-set horror Enys Men.
Kelly Reichardt will receive this year’s Director’s Fortnight’s honorary Carrosse d’Or honor and will...
- 4/19/2022
- by Tom Grater
- Deadline Film + TV
The parallel section unveiled 23 titles on Tuesday, with a 24th selection to follow in the coming days.
UK director Alex Garland’s horror film Men and French filmmaker Mia Hansen-Løve’s romantic drama One Fine Morning are among the 24 features due to world premiere in the 54th Cannes Directors’ Fortnight, running May 18-27.
The non-competitive Cannes parallel section, run by French directors guild the Société des Réalisateurs (Srf), unveiled 23 of the selected titles at a news conference at the Forum cultural centre in central Paris on Tuesday morning. A final selected film will be revealed in the coming days along with the short film line-up.
UK director Alex Garland’s horror film Men and French filmmaker Mia Hansen-Løve’s romantic drama One Fine Morning are among the 24 features due to world premiere in the 54th Cannes Directors’ Fortnight, running May 18-27.
The non-competitive Cannes parallel section, run by French directors guild the Société des Réalisateurs (Srf), unveiled 23 of the selected titles at a news conference at the Forum cultural centre in central Paris on Tuesday morning. A final selected film will be revealed in the coming days along with the short film line-up.
- 4/19/2022
- by Melanie Goodfellow
- ScreenDaily
The eighth edition of the annual talent incubator takes place online from March 18-23.
The Doha Film Institute (Dfi) has unveiled the 45 projects that will participate in the eighth edition of its annual talent incubator Qumra, taking place online March 18-23.
The event is running as a virtual edition for the third year due to ongoing health concerns and travel restrictions related to the Covid-19 pandemic.
The selection spans 28 features, 11 shorts and 6 series in different stages of development and production from 21 territories.
Features in development include Oscar-nominated Palestinian filmmaker Farah Nabulsi’s debut feature The Teacher and Syrian director Anas Khalaf...
The Doha Film Institute (Dfi) has unveiled the 45 projects that will participate in the eighth edition of its annual talent incubator Qumra, taking place online March 18-23.
The event is running as a virtual edition for the third year due to ongoing health concerns and travel restrictions related to the Covid-19 pandemic.
The selection spans 28 features, 11 shorts and 6 series in different stages of development and production from 21 territories.
Features in development include Oscar-nominated Palestinian filmmaker Farah Nabulsi’s debut feature The Teacher and Syrian director Anas Khalaf...
- 3/2/2022
- by Melanie Goodfellow
- ScreenDaily
The eighth edition of the annual talent incubator takes place online from March 18-23.
The Doha Film Institute (Dfi) has unveiled the 48 projects that will participate in the eighth edition of its annual talent incubator Qumra, taking place online March 18-23.
The event is running as a virtual edition for the third year due to ongoing health concerns and travel restrictions related to the Covid-19 pandemic.
The selection spans 28 features, 11 shorts and 6 series in different stages of development and production from 21 territories.
Features in development include Oscar-nominated Palestinian filmmaker Farah Nabulsi’s debut feature The Teacher and Syrian director Anas Khalaf...
The Doha Film Institute (Dfi) has unveiled the 48 projects that will participate in the eighth edition of its annual talent incubator Qumra, taking place online March 18-23.
The event is running as a virtual edition for the third year due to ongoing health concerns and travel restrictions related to the Covid-19 pandemic.
The selection spans 28 features, 11 shorts and 6 series in different stages of development and production from 21 territories.
Features in development include Oscar-nominated Palestinian filmmaker Farah Nabulsi’s debut feature The Teacher and Syrian director Anas Khalaf...
- 3/2/2022
- by Melanie Goodfellow
- ScreenDaily
New titles from Petra Costa, Guido Hendrikx and Mila Turajlic.
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 33 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 33 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
- 2/6/2019
- by Ben Dalton
- ScreenDaily
New titles from Petra Costa, Guido Hendrikx and Mila Turajlic.
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 32 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
Cph:forum, the co-production and financing strand of Denmark’s Cph: Dox, has unveiled the 32 projects it will showcase in Copenhagen from March 26-28.
The projects include Brazilian director Petra Costa’s new work Fatherland, about a daughter’s investigation into her father’s memories as he attempts to change the system in a country shaped by slavery. Costa’s most recent film, The Edge Of Democracy, made its world premiere at the Sundance Film Festival last month.
Also selected is Guido Hendrikx’s A Wonderful Horrible Story, which blends archive footage,...
- 2/6/2019
- by Ben Dalton
- ScreenDaily
Other winners include Among The Believers and The Fear Of 13.Scroll Down For Full List
Cph:dox (Nov 5-15), Copenhagen’s festival of documentary cinema, has revealed its award winners for 2015, with God Bless The Child taking the top prize.
Robert Machoian & Rodrigo Ojeda-Beck’s film, which follows four young boys and their 13-year-old sister who are left to their own devices in their Californian home, was presented with the Dox:award, including a prize of $5400 (€5000).
The prize’s jury was composed of Elena Fortes, director of Ambulante, a non-profit organization working to support and promote a documentary film culture in Mexico; Miguel Valverde, festival director and programmer at IndieLisboa; Jim Kolmar, film Programmer for SXSW; Bernie Krause, professional musician turned soundscape ecologist and author; and Katja Adomeit, producer and freelancer for Corpoduction Office Denmark.
Regarding their decision, they stated: “Establishing an otherworldly tone of extraordinary realism and a near magical evocation of family dynamics, the winning...
Cph:dox (Nov 5-15), Copenhagen’s festival of documentary cinema, has revealed its award winners for 2015, with God Bless The Child taking the top prize.
Robert Machoian & Rodrigo Ojeda-Beck’s film, which follows four young boys and their 13-year-old sister who are left to their own devices in their Californian home, was presented with the Dox:award, including a prize of $5400 (€5000).
The prize’s jury was composed of Elena Fortes, director of Ambulante, a non-profit organization working to support and promote a documentary film culture in Mexico; Miguel Valverde, festival director and programmer at IndieLisboa; Jim Kolmar, film Programmer for SXSW; Bernie Krause, professional musician turned soundscape ecologist and author; and Katja Adomeit, producer and freelancer for Corpoduction Office Denmark.
Regarding their decision, they stated: “Establishing an otherworldly tone of extraordinary realism and a near magical evocation of family dynamics, the winning...
- 11/13/2015
- ScreenDaily
Anne Wivel’s Mand Falder will open the festival, which will screen 200 docs including 60 world premieres.
Copenhagen documentary festival Cph:dox has revealed the programme for its 13th edition, which runs Nov 5-15.
The line-up features 200 documentaries including 60 world premieres, 18 European premieres and 14 international premieres.
Danish film Mand Falder, directed by Anne Wivel, will open the festival. The film centres around the artist Per Kirkeby and his recovery after suffering from a brain hemorrhage.
16 documentaries will compete in the main competition for the Dox:award, including Friedrich Moser’s journalistic docu-thriller A Good American about William Binney’s programme ‘Thinthread’ that could have prevented 9/11, but was cancelled by the Nsa, and Aslaug Holm’s Norwegian documentary Brodre, which was shot over 8 years and centres around two boys growing up.
Helena Trestikova’s Czech documentary Mallory about life at the bottom of Czech society also features in the competition, which was won last year by Joshua Oppenheimer’s The Look of Silence.
Sean McAllister...
Copenhagen documentary festival Cph:dox has revealed the programme for its 13th edition, which runs Nov 5-15.
The line-up features 200 documentaries including 60 world premieres, 18 European premieres and 14 international premieres.
Danish film Mand Falder, directed by Anne Wivel, will open the festival. The film centres around the artist Per Kirkeby and his recovery after suffering from a brain hemorrhage.
16 documentaries will compete in the main competition for the Dox:award, including Friedrich Moser’s journalistic docu-thriller A Good American about William Binney’s programme ‘Thinthread’ that could have prevented 9/11, but was cancelled by the Nsa, and Aslaug Holm’s Norwegian documentary Brodre, which was shot over 8 years and centres around two boys growing up.
Helena Trestikova’s Czech documentary Mallory about life at the bottom of Czech society also features in the competition, which was won last year by Joshua Oppenheimer’s The Look of Silence.
Sean McAllister...
- 10/16/2015
- by sarah.cooper@screendaily.com (Sarah Cooper)
- ScreenDaily
The 52nd annual Ann Arbor Film Festival will be a jam-packed experimental feature and short film screening event running for six days and nights, this time on March 25-30.
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
- 3/18/2014
- by Mike Everleth
- Underground Film Journal
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