Welcome to My Favorite Scene! In this series, IndieWire speaks to actors behind a few of our favorite television performances about their personal-best onscreen moment and how it came together.
Editor’s note: The following interview contains spoilers for Netflix’s “The Fall of the House of Usher.”
Much like her character in Netflix’s “The Fall of the House of Usher,” Carla Gugino is an actor who feels like she’s everywhere.
From her film work in “Gerald’s Game,” “Spy Kids,” “Watchmen,” and more, to TV roles dating back to “Saved by the Bell” through “Entourage” and as recent as “The Girls on the Bus” on Max (I had to spare a few moments of our interview to bring up Greg Berlanti’s “Political Animals”), Gugino feels as powerful, versatile, and ubiquitous as Verna, the shape-shifting devil puppeteering the eponymous fall.
But even with more than 20 years in the...
Editor’s note: The following interview contains spoilers for Netflix’s “The Fall of the House of Usher.”
Much like her character in Netflix’s “The Fall of the House of Usher,” Carla Gugino is an actor who feels like she’s everywhere.
From her film work in “Gerald’s Game,” “Spy Kids,” “Watchmen,” and more, to TV roles dating back to “Saved by the Bell” through “Entourage” and as recent as “The Girls on the Bus” on Max (I had to spare a few moments of our interview to bring up Greg Berlanti’s “Political Animals”), Gugino feels as powerful, versatile, and ubiquitous as Verna, the shape-shifting devil puppeteering the eponymous fall.
But even with more than 20 years in the...
- 5/14/2024
- by Proma Khosla
- Indiewire
This X-Men ’97 article contains spoilers.
Seldom have audiences been treated to a “requel” as exceptional as X-Men ‘97. Critics and fans alike have had nothing but praise for the show, and how it has taken a Saturday morning staple and elevated almost every aspect of production, storytelling, and acting.
When other reboots attempt to cater to a mixed-generation audience, they often have to let the legacy characters (those actors from the original property) share screen time with a new generation. X-Men ‘97 was in a unique position to bring back the original voice cast as if no time had gone by whatsoever.
Lenore Zann, returning as the sassy southerner Rogue, has had plenty of time to evolve outside of the Xavier School for Gifted Youngsters, and that has given her a new perspective on portraying the iconic X-Woman, especially as the character herself has changed. In X-Men ’97, Rogue...
Seldom have audiences been treated to a “requel” as exceptional as X-Men ‘97. Critics and fans alike have had nothing but praise for the show, and how it has taken a Saturday morning staple and elevated almost every aspect of production, storytelling, and acting.
When other reboots attempt to cater to a mixed-generation audience, they often have to let the legacy characters (those actors from the original property) share screen time with a new generation. X-Men ‘97 was in a unique position to bring back the original voice cast as if no time had gone by whatsoever.
Lenore Zann, returning as the sassy southerner Rogue, has had plenty of time to evolve outside of the Xavier School for Gifted Youngsters, and that has given her a new perspective on portraying the iconic X-Woman, especially as the character herself has changed. In X-Men ’97, Rogue...
- 5/8/2024
- by John Saavedra
- Den of Geek
X-Men ’97 has had massive success among the Marvel fans. The animated series, which is a revival and continuation of the ’90s X-Men show, has generated immense hype. However, it has also attracted very strong criticism regarding the character of Rogue. The fans did not appreciate how the show pulled off some insane de-sexualization of the curvaceous figure of Rogue.
Rogue in X-Men ’97
Since the first trailer dropped, many fans who found their first love in Rogue in the 90s complained on the internet that her physique was drastically changed in the new animation. In some scenes, Rogue’s butt looked extremely flat. However, the Rogue voice actress, Lenore Zann, seems to have found the perfect way to address the criticism by paying homage to the iconic “America’s Ass.”
How did Lenore Zann address the criticisms of Rogue in X-Men ’97?
The much-talked-about scene of Rogue in the original...
Rogue in X-Men ’97
Since the first trailer dropped, many fans who found their first love in Rogue in the 90s complained on the internet that her physique was drastically changed in the new animation. In some scenes, Rogue’s butt looked extremely flat. However, the Rogue voice actress, Lenore Zann, seems to have found the perfect way to address the criticism by paying homage to the iconic “America’s Ass.”
How did Lenore Zann address the criticisms of Rogue in X-Men ’97?
The much-talked-about scene of Rogue in the original...
- 4/27/2024
- by Subham Mandal
- FandomWire
Soon after the New Hollywood generation took over the entertainment industry, they started having children. And more than any filmmakers that came before—they were terrified. Rosemary’s Baby (1968), The Exorcist (1973), The Omen (1976), Eraserhead (1977), The Brood (1979), The Shining (1980), Possession (1981), and many others all deal, at least in part, with the fears of becoming or being a parent. What if my child turns out to be a monster? is corrupted by some evil force? or turns out to be the fucking Antichrist? What if I screw them up somehow, or can’t help them, or even go insane and try to kill them? Horror has always been at its best when exploring relatable fears through extreme circumstances. A prime example of this is Larry Cohen’s 1974 monster-baby movie It’s Alive, which explores the not only the rollercoaster of emotions that any parent experiences when confronted with the difficulties of raising a child,...
- 4/26/2024
- by Brian Keiper
- bloody-disgusting.com
If you’re a person with simmering rage directed at the Sackler family and Purdue Pharma for their alleged contributions to the opioid epidemic, chronicles like Hulu’s Dopesick and Netflix’s Painkiller face a major stumbling block when it comes to delivering resolution: When one side of the ledger has hundreds of thousands of deaths and the other has a few settlements and some bankruptcy filings, reality can be a real bummer. No such restrictions confine Mike Flanagan in his latest spooky-season Netflix limited series.
Half creative writing project tied to a freshman seminar on Edgar Allan Poe, half horror-filled karmic catharsis, Flanagan’s The Fall of the House of Usher is a bluntly entertaining exercise. It’s easily the most specifically topical of Flanagan’s Netflix minis, fueled by an often palpable anger. But that anger frequently gets in the way of the thematic richness that gave The Haunting of Hill House,...
Half creative writing project tied to a freshman seminar on Edgar Allan Poe, half horror-filled karmic catharsis, Flanagan’s The Fall of the House of Usher is a bluntly entertaining exercise. It’s easily the most specifically topical of Flanagan’s Netflix minis, fueled by an often palpable anger. But that anger frequently gets in the way of the thematic richness that gave The Haunting of Hill House,...
- 9/26/2023
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
Creator Mike Flanagan’s latest and final series collaboration with Netflix, “The Fall of the House of Usher,” takes on the works of Edgar Allan Poe. Much like “The Haunting of Bly Manor,” Flanagan’s latest uses a classic short story as the central narrative framework to remix a variety of Poe’s macabre poems and short stories but with Flanagan’s signature pathos. Unlike previous Netflix series, “The Fall of the House of Usher” eschews the familiar melancholy and dials up the gallows humor for a twisted tale that’s unafraid to get grisly.
In the process, however, it’s less effective at organically adapting Poe.
Like the source story, “The Fall of the House of Usher” begins with Auguste Dupin (Carl Lumbly) called to a crumbling estate for a final meeting with the deteriorating Roderick Usher (Bruce Greenwood). With time drawing to a close and haunted by horrific...
In the process, however, it’s less effective at organically adapting Poe.
Like the source story, “The Fall of the House of Usher” begins with Auguste Dupin (Carl Lumbly) called to a crumbling estate for a final meeting with the deteriorating Roderick Usher (Bruce Greenwood). With time drawing to a close and haunted by horrific...
- 9/23/2023
- by Meagan Navarro
- bloody-disgusting.com
What if Edgar Allan Poe had penned "Succession"? The result might be "The Fall of the House of Usher," the latest streaming terror from Mike Flanagan ("Midnight Mass"). Flanagan, once again working with his usual stable of players, takes a "shut up and play the hits" approach to Poe here, dipping into the legendary author's work to reference nearly everything you can think of -- "The Raven," "The Tell-Tale Heart," "The Masque of the Red Death," "Murders in the Rue Morgue," and on and on. Even Poe's famous detective character C. Auguste Dupin has a part to play, only now he's been upgraded from a sleuth to a crusading district attorney, played with calm gravitas by Carl Lumbly.
At the center of it all is an obscenely wealthy, and morally corrupt family of siblings, all of whom are under the thumb of their ruthless patriarch, Roderick Usher (Bruce Greenwood). Flanagan...
At the center of it all is an obscenely wealthy, and morally corrupt family of siblings, all of whom are under the thumb of their ruthless patriarch, Roderick Usher (Bruce Greenwood). Flanagan...
- 9/23/2023
- by Chris Evangelista
- Slash Film
Sharon Farrell, whose screen credits include the original “Hawaii Five-o”, several years on “The Young and the Restless” and the cult horror film “It’s Alive”, has died at age 82.
According to Deadline, Farrell died back in May, but her death had only recently been discovered by relatives.
Among Farrell’s extensive credits also included the films “The Stunt Man”, “Lone Wolf McQuade”, “Marlowe”, “The Reivers” and “Can’t Buy Me Love”.
Read More: Mark Margolis, ‘Breaking Bad’ And ‘Scarface’ Actor, Dead At 83
In 1974’s “It’s Alive”, she starred as Lenore, mother of a monstrously deformed baby who goes on a killing spree.
On television, Farrell joined the cast of “Hawaii Five-o” in its final season, playing as Det. Lori Wilson. She also portrayed Florence Webster on “Y&R” between 1991-97.
“Hawaii Five-o” (L-r): Jack Lord, William Smith, Sharon Farrell, Moe Keale, Herman Wedemeyer. Photo: Everett Collection
Following her first screen appearance in the late 1950s,...
According to Deadline, Farrell died back in May, but her death had only recently been discovered by relatives.
Among Farrell’s extensive credits also included the films “The Stunt Man”, “Lone Wolf McQuade”, “Marlowe”, “The Reivers” and “Can’t Buy Me Love”.
Read More: Mark Margolis, ‘Breaking Bad’ And ‘Scarface’ Actor, Dead At 83
In 1974’s “It’s Alive”, she starred as Lenore, mother of a monstrously deformed baby who goes on a killing spree.
On television, Farrell joined the cast of “Hawaii Five-o” in its final season, playing as Det. Lori Wilson. She also portrayed Florence Webster on “Y&R” between 1991-97.
“Hawaii Five-o” (L-r): Jack Lord, William Smith, Sharon Farrell, Moe Keale, Herman Wedemeyer. Photo: Everett Collection
Following her first screen appearance in the late 1950s,...
- 8/6/2023
- by Brent Furdyk
- ET Canada
Wayfarer Studios, P&g Studios/Gillette Venus fully financed.
Blue Fox Entertainment has added Wayfarer Studios’ body-positive, coming-of-age YA film Empire Waist starring Rainn Wilson, Missi Pyle and Mia Kaplan to its Cannes slate.
Claire Ayoub wrote and directed her feature directorial debut about a group of teens who overcome societal bias and celebrate self-acceptance through inclusive fashion design and friendship.
Lenore (Kaplan) is a teen deeply insecure about her weight. Hiding her passion for fashion design, she tries to make herself invisible in her day-to-day life to avoid being bullied by her classmates and image-conscious mother (Pyle).
Lenore’s father...
Blue Fox Entertainment has added Wayfarer Studios’ body-positive, coming-of-age YA film Empire Waist starring Rainn Wilson, Missi Pyle and Mia Kaplan to its Cannes slate.
Claire Ayoub wrote and directed her feature directorial debut about a group of teens who overcome societal bias and celebrate self-acceptance through inclusive fashion design and friendship.
Lenore (Kaplan) is a teen deeply insecure about her weight. Hiding her passion for fashion design, she tries to make herself invisible in her day-to-day life to avoid being bullied by her classmates and image-conscious mother (Pyle).
Lenore’s father...
- 5/15/2023
- by Jeremy Kay
- ScreenDaily
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