Singer-songwriter Chris Knight, who released his major-label debut 20 years ago and has since gone on to issue a handful of independent albums, will release his first new music in more than seven years this fall. The musician who came to prominence during the birth of the Americana movement toward the end of the last century – and has since become one of its most influential progenitors – will issue the LP Almost Daylight on October 11th.
Produced, mixed and mastered by Ray Kennedy, the Grammy-winner behind acclaimed projects from Steve Earle, Rodney Crowell and Lucinda Williams,...
Produced, mixed and mastered by Ray Kennedy, the Grammy-winner behind acclaimed projects from Steve Earle, Rodney Crowell and Lucinda Williams,...
- 7/15/2019
- by Stephen L. Betts
- Rollingstone.com
Drivin N’ Cryin pay tribute to Ian McLagan — the electrifying keyboardist for the Faces and Small Faces, who died in 2014 — in this sneaky bar-band jam that bears his name. A track off the Georgia rock group’s upcoming album Live the Love Beautiful, “Ian McLagan” is framed by singer Kevn Kinney’s first-person lyrics, which vividly recall the last time he saw McLagan alive: schlepping his gear down an Austin alleyway in the rain.
Kinney uses the image to reinforce both the humble nature of McLagan, who played on classic-rock...
Kinney uses the image to reinforce both the humble nature of McLagan, who played on classic-rock...
- 5/10/2019
- by Joseph Hudak
- Rollingstone.com
It’s a little after 2 o’clock on Great Stirrup Cay — Norwegian Cruise Line’s “private island” in the Bahamas — and the Bacardi Beach Bar is blaring Steve Earle’s escapist 1986 rocker “Someday.”
About 200 yards away in a discreet cabana, within earshot, sits Earle himself, reclining on a chair in sunglasses and a Shooter Jennings T-shirt. It’s an off-kilter juxtaposition, the sober since 1995 singer listening to one of the songs from his drugging years as it serves as the soundtrack to unleashed vacationers getting hammered on the beach.
That,...
About 200 yards away in a discreet cabana, within earshot, sits Earle himself, reclining on a chair in sunglasses and a Shooter Jennings T-shirt. It’s an off-kilter juxtaposition, the sober since 1995 singer listening to one of the songs from his drugging years as it serves as the soundtrack to unleashed vacationers getting hammered on the beach.
That,...
- 2/24/2019
- by Joseph Hudak
- Rollingstone.com
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