Pierrette is beset with troubles, from a robbery to a house flood and more, but the neorealist drama comes with solidarity and surprising humour
The simple image of pushing a seam through a sewing machine becomes a profound life statement in Rosine Mbakam’s debut feature, which is focused on talented clothier Pierrette (played by the director’s cousin Pierrette Aboheu Njeuthat) in the Cameroonian city Douala. It’s emblematic of the need to keep moving forward in daily life – and to come out the other side smiling, with stoicism and resilience. As one customer puts it: “I’m getting by. That’s life. When you fall down, you get up again.”
Pierrette is having, it has to be said, an especially rough day. A single mother also caring for an elderly parent (Marguerite Mbakop), she is already scraping for cash. Regularly bartered into submission by her clientele, she always...
The simple image of pushing a seam through a sewing machine becomes a profound life statement in Rosine Mbakam’s debut feature, which is focused on talented clothier Pierrette (played by the director’s cousin Pierrette Aboheu Njeuthat) in the Cameroonian city Douala. It’s emblematic of the need to keep moving forward in daily life – and to come out the other side smiling, with stoicism and resilience. As one customer puts it: “I’m getting by. That’s life. When you fall down, you get up again.”
Pierrette is having, it has to be said, an especially rough day. A single mother also caring for an elderly parent (Marguerite Mbakop), she is already scraping for cash. Regularly bartered into submission by her clientele, she always...
- 5/6/2024
- by Phil Hoad
- The Guardian - Film News
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Drift (Anthony Chen)
Singaporean director Anthony Chen’s English-language debut follows a West African refugee, Jacqueline (Cynthia Erivo), who washes up on a Greek island homeless, cashless, and friendless. She doesn’t speak until ten minutes into Drift, taking in her surroundings, plagued by a fear that’s nestled deep within her. Understandably, she’s scared of everyone and everything, living in a cave, eating whatever she can find, making money by washing tourists’ feet on the beach. – Michael F. (full review)
Where to Stream: VOD
A Drifting Up (Jacob Lee)
Coming off antidepressants for the first time, young London-based filmmaker Jacob Lee decided to dance his way through it and record the process. This BAFTA-nominated short documentary captures his joyful interactions...
Drift (Anthony Chen)
Singaporean director Anthony Chen’s English-language debut follows a West African refugee, Jacqueline (Cynthia Erivo), who washes up on a Greek island homeless, cashless, and friendless. She doesn’t speak until ten minutes into Drift, taking in her surroundings, plagued by a fear that’s nestled deep within her. Understandably, she’s scared of everyone and everything, living in a cave, eating whatever she can find, making money by washing tourists’ feet on the beach. – Michael F. (full review)
Where to Stream: VOD
A Drifting Up (Jacob Lee)
Coming off antidepressants for the first time, young London-based filmmaker Jacob Lee decided to dance his way through it and record the process. This BAFTA-nominated short documentary captures his joyful interactions...
- 3/29/2024
- by Jordan Raup
- The Film Stage
Happy New Year! As we continue to wrap up 2023 in cinema, we’re also looking toward what awaits in 2024. Ahead of more expansive 2024 previews, we’re taking an in-depth look at this first month of the year. We should also note that a batch of December favorites will continue to expand, including All of Us Strangers, The Zone of Interest, The Sweet East, and American Fiction.
10. Mambar Pierrette (Rosine Mbakam; Jan. 26)
A selection from Cannes, NYFF, and TIFF, Rosine Mbakam’s narrative feature debut will begin its U.S. run at Anthology Film Archives this month. Edward Frumkin said in his NYFF review, “Cameroonian filmmaker Rosine Mbakam uses familiar spaces as microcosms of society. After capturing her subjects in one setting, such as a mall in Chez Jolie Coiffure (2018) and the protagonist’s home in Delphine’s Prayers (2021), her narrative-feature debut Mambar Pierrette foregrounds the eponymous tailor and love for...
10. Mambar Pierrette (Rosine Mbakam; Jan. 26)
A selection from Cannes, NYFF, and TIFF, Rosine Mbakam’s narrative feature debut will begin its U.S. run at Anthology Film Archives this month. Edward Frumkin said in his NYFF review, “Cameroonian filmmaker Rosine Mbakam uses familiar spaces as microcosms of society. After capturing her subjects in one setting, such as a mall in Chez Jolie Coiffure (2018) and the protagonist’s home in Delphine’s Prayers (2021), her narrative-feature debut Mambar Pierrette foregrounds the eponymous tailor and love for...
- 1/2/2024
- by Jordan Raup
- The Film Stage
Cameroonian filmmaker Rosine Mbakam uses familiar spaces as microcosms of society. After capturing her subjects in one setting, such as a mall in Chez Jolie Coiffure (2018) and the protagonist’s home in Delphine’s Prayers (2021), her narrative-feature debut Mambar Pierrette foregrounds the eponymous tailor and love for her complex family while attempting to make ends meet in Douala. She asserts a determined work ethic in her sewing, attracting a breadth of customers just large enough for Pierrette and co. to get by.
Unlike Mbakam’s past works, Mambar Pierrette puts Mambar across multiple settings: a store; her mother; and her divorced, abusive spouse’s residence. These voyages are laborious and aimed at improving her children’s lives. Her independent fashion work is what makes her kids fulfill their dreams. As her children and their friends play and mingle outside, Pierrette fatigues herself from her job and works in a living...
Unlike Mbakam’s past works, Mambar Pierrette puts Mambar across multiple settings: a store; her mother; and her divorced, abusive spouse’s residence. These voyages are laborious and aimed at improving her children’s lives. Her independent fashion work is what makes her kids fulfill their dreams. As her children and their friends play and mingle outside, Pierrette fatigues herself from her job and works in a living...
- 10/2/2023
- by Edward Frumkin
- The Film Stage
The 67th BFI London Film Festival has unveiled the titles that will compete in its official, first feature, documentary and short film competitions.
Festival director Kristy Matheson said: “The films represented in each of these competitive strands offer audiences an exciting array of U.K. and global filmmaking voices and cinematic forms. We’re so proud to be showcasing each of these films and thank all the filmmaking teams in competition for sharing their films with us.”
Official Competition
“Baltimore”
“Dear Jassi”
“Europa”
“Evil Does Not Exist”
“Fingernails”
“Gasoline Rainbow”
“I Am Sirat”
“The Royal Hotel”
“Self Portrait: 47 Km 2020”
“Starve Acre”
“Together 99”
First Feature Competition
“Black Dog”
“Earth Mama” (U.S. Dir-scr. Savanah Leaf)
“Hoard”
“In Camera”
“Mambar Pierrette”
“Paradise is Burning”
“Penal Cordillera”
“The Queen of My Dreams”
“Sky Peals”
“Tiger Stripes”
“Tuesday”
Documentary Competition
“Bye Bye Tiberias”
“Celluloid Underground”
“Chasing Chasing Amy”
“A Common Sequence”
“Dancing On...
Festival director Kristy Matheson said: “The films represented in each of these competitive strands offer audiences an exciting array of U.K. and global filmmaking voices and cinematic forms. We’re so proud to be showcasing each of these films and thank all the filmmaking teams in competition for sharing their films with us.”
Official Competition
“Baltimore”
“Dear Jassi”
“Europa”
“Evil Does Not Exist”
“Fingernails”
“Gasoline Rainbow”
“I Am Sirat”
“The Royal Hotel”
“Self Portrait: 47 Km 2020”
“Starve Acre”
“Together 99”
First Feature Competition
“Black Dog”
“Earth Mama” (U.S. Dir-scr. Savanah Leaf)
“Hoard”
“In Camera”
“Mambar Pierrette”
“Paradise is Burning”
“Penal Cordillera”
“The Queen of My Dreams”
“Sky Peals”
“Tiger Stripes”
“Tuesday”
Documentary Competition
“Bye Bye Tiberias”
“Celluloid Underground”
“Chasing Chasing Amy”
“A Common Sequence”
“Dancing On...
- 8/29/2023
- by Naman Ramachandran
- Variety Film + TV
The Toronto Film Festival has unveiled its Wavelengths program for artist-driven experimental work that includes films by avant garde directors Denis Côté, Radu Jude, the late Chantal Akerman and Wang Bing.
There’s selections for Isiah Medina’s He Thought He Died, an experimental heist film; Angela Schanelec’s Music, a retelling of the Oedipus myth; and Denis Côté’s Mademoiselle Kenopsia, which stars Larissa Corriveau and will first bow at the Locarno Film Festival.
Wavelengths also booked fiction debuts with Rosine Mbakam’s Mambar Pierrette, a portrait of a Cameroonian seamstress; and Phạm Thiên Ân’s Inside the Yellow Cocoon Shell, the Vietnamese director’s hypnotic first feature about a man haunted by past memories when returning to his hometown that picked up the Caméra d’Or in Cannes.
“The increasing necessity to support artists willing to take risks, break rules and challenge the status quo — especially in our over-saturated media landscape — bears repeating,...
There’s selections for Isiah Medina’s He Thought He Died, an experimental heist film; Angela Schanelec’s Music, a retelling of the Oedipus myth; and Denis Côté’s Mademoiselle Kenopsia, which stars Larissa Corriveau and will first bow at the Locarno Film Festival.
Wavelengths also booked fiction debuts with Rosine Mbakam’s Mambar Pierrette, a portrait of a Cameroonian seamstress; and Phạm Thiên Ân’s Inside the Yellow Cocoon Shell, the Vietnamese director’s hypnotic first feature about a man haunted by past memories when returning to his hometown that picked up the Caméra d’Or in Cannes.
“The increasing necessity to support artists willing to take risks, break rules and challenge the status quo — especially in our over-saturated media landscape — bears repeating,...
- 8/11/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
The Toronto International Film Festival has announced this year’s Wavelengths and Classics sidebars, the former section known for its politically charged, geographically diverse fare with a wide range of work drawn from the worlds of documentary, contemporary art, and international art-house cinema.
Wavelengths this year counts 12 feature films and 19 shorts, as well as a suite of four restored early films by the singular Chantal Akerman.
Of note in the Wavelengths short section, North American audiences will finally get to see Jean-Luc Godard’s swan song short, Trailer of the Film That Will Never Exist: Phony Wars, which played Cannes this past spring.
Another highlight in the Classics sidebar is the 4K uncut restoration of Chen Kaige’s Farewell My Concubine, the only movie from China to win the Palme d’Or. The original film had 20 minutes cut by then Miramax Boss Harvey Weinstein much to the chagrin of jury...
Wavelengths this year counts 12 feature films and 19 shorts, as well as a suite of four restored early films by the singular Chantal Akerman.
Of note in the Wavelengths short section, North American audiences will finally get to see Jean-Luc Godard’s swan song short, Trailer of the Film That Will Never Exist: Phony Wars, which played Cannes this past spring.
Another highlight in the Classics sidebar is the 4K uncut restoration of Chen Kaige’s Farewell My Concubine, the only movie from China to win the Palme d’Or. The original film had 20 minutes cut by then Miramax Boss Harvey Weinstein much to the chagrin of jury...
- 8/11/2023
- by Anthony D'Alessandro
- Deadline Film + TV
The Cannes Directors’ Fortnight lineup has been unveiled ahead of this year’s festival.
Set for May 16 through May 27, the Directors’ Fortnight will debut 20 feature films and 10 short films this year.
Cédric Kahn’s “The Goldman Case” is the opening night selection. The film centers on the 1976 trial of left-wing revolutionary Pierre Goldman who was convicted of multiple armed robberies and later murdered.
Korean director Hong Sangsoo’s “In Our Day” will conclude the festival. The feature stars Kim Minhee and Ki Joobong in parallel stories of cat owners grappling with their felines’ respective mortality.
Directors’ Fortnight highlights also include Oscar winner Michel Gondry’s French comedy “The Book of Solutions,” starring Pierre Niney as a filmmaker with writer’s block. The film marks “Eternal Sunshine of the Spotless Mind” director Gondry’s first feature in seven years.
“Good Time” director of photography Sean Price William makes his directorial feature...
Set for May 16 through May 27, the Directors’ Fortnight will debut 20 feature films and 10 short films this year.
Cédric Kahn’s “The Goldman Case” is the opening night selection. The film centers on the 1976 trial of left-wing revolutionary Pierre Goldman who was convicted of multiple armed robberies and later murdered.
Korean director Hong Sangsoo’s “In Our Day” will conclude the festival. The feature stars Kim Minhee and Ki Joobong in parallel stories of cat owners grappling with their felines’ respective mortality.
Directors’ Fortnight highlights also include Oscar winner Michel Gondry’s French comedy “The Book of Solutions,” starring Pierre Niney as a filmmaker with writer’s block. The film marks “Eternal Sunshine of the Spotless Mind” director Gondry’s first feature in seven years.
“Good Time” director of photography Sean Price William makes his directorial feature...
- 4/18/2023
- by Samantha Bergeson
- Indiewire
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