Un viaje a Lisboa se convierte en un juego de detectives para unos turistas. © Disney Plus+
Disney Plus+ ha anunciado el inicio del rodaje en Lisboa de “Si es Martes, es Asesinato”, una nueva serie original dirigida por Salvador Calvo y Abigail Schaaff (“El Ministerio del Tiempo”).
La serie de comedia cuenta la historia de un grupo de turistas durante un viaje organizado a Lisboa. Un grupo de lo más diverso: jóvenes, parejas, solteros, adultos… y apenas tienen cosas en común. Cuando uno de los turistas aparece muerto la mañana siguiente de su llegada, cuatro de ellos, aficionados a las novelas policíacas y de misterio, comienzan a investigar si uno de ellos podría ser el asesino.
“Si es Martes, es Asesinato” está protagonizada por Álex García (“Antidisturbios”), Inma Cuesta (“La Novia”), Ana Wagener (“Te Estoy Amando Locamente”), Pedro Casablanc (“Extraña Forma de Vida”), y Biel Montoro (“Mano de Hierro”). El...
Disney Plus+ ha anunciado el inicio del rodaje en Lisboa de “Si es Martes, es Asesinato”, una nueva serie original dirigida por Salvador Calvo y Abigail Schaaff (“El Ministerio del Tiempo”).
La serie de comedia cuenta la historia de un grupo de turistas durante un viaje organizado a Lisboa. Un grupo de lo más diverso: jóvenes, parejas, solteros, adultos… y apenas tienen cosas en común. Cuando uno de los turistas aparece muerto la mañana siguiente de su llegada, cuatro de ellos, aficionados a las novelas policíacas y de misterio, comienzan a investigar si uno de ellos podría ser el asesino.
“Si es Martes, es Asesinato” está protagonizada por Álex García (“Antidisturbios”), Inma Cuesta (“La Novia”), Ana Wagener (“Te Estoy Amando Locamente”), Pedro Casablanc (“Extraña Forma de Vida”), y Biel Montoro (“Mano de Hierro”). El...
- 5/28/2024
- by Marta Medina
- mundoCine
Toma nota: la película llegará este verano. © Filmax
“Norberta”, la película española dirigida por las debutantes Sonia Escolano, que firma también el guion, y Belén López Albert, ya tiene fecha de estreno. Se trata de una comedia ágil con mucho amor y verdad que cuenta con un trasfondo Lgtbiq+. Se inspira no solo en una historia real, sino en miles de ellas.
La comedia sigue a una pareja, Norberto y María, que son gente humilde, de barrio, y de vez en cuando atracadores. Pero Norberto necesita dar un giro para sentirse vivo, libre, para sentirse Ella misma. Una confesión inesperada que pondrá en jaque toda su vida.
“Norberta” está encabezada por Luis Bermejo (“Magical Girl”) y Adriana Ozores (“Los Pequeños Amores”) como la pareja protagonista. Completan el reparto Mariona Terés, María Romanillos, Adelfa Calvo, Carme Balagué, María Lanau, Ramon Agirre, Xavier Deltell y César Tormo.
En palabras de Sonia Escolano,...
“Norberta”, la película española dirigida por las debutantes Sonia Escolano, que firma también el guion, y Belén López Albert, ya tiene fecha de estreno. Se trata de una comedia ágil con mucho amor y verdad que cuenta con un trasfondo Lgtbiq+. Se inspira no solo en una historia real, sino en miles de ellas.
La comedia sigue a una pareja, Norberto y María, que son gente humilde, de barrio, y de vez en cuando atracadores. Pero Norberto necesita dar un giro para sentirse vivo, libre, para sentirse Ella misma. Una confesión inesperada que pondrá en jaque toda su vida.
“Norberta” está encabezada por Luis Bermejo (“Magical Girl”) y Adriana Ozores (“Los Pequeños Amores”) como la pareja protagonista. Completan el reparto Mariona Terés, María Romanillos, Adelfa Calvo, Carme Balagué, María Lanau, Ramon Agirre, Xavier Deltell y César Tormo.
En palabras de Sonia Escolano,...
- 5/24/2024
- by Marta Medina
- mundoCine
Spanish cinema was celebrated at the 38th Annual Goya Awards in Valladolid, with Netflix’s The Society of the Snow taking a total of 12 trophies, the most of the night.
J.A. Bayona won in the Best Director category for The Society of the Snow (La Sociedad de la Nieve), with the film also taking Best Film.
The top acting awards went to Malena Alterio for Antonio Méndez Esparza’s Que Nadie Duerma (Something Is About to Happen) and to David Verdaguer for David Trueba’s Saben aquell (Jokes & Cigarettes).
Sigourney Weaver was honored with an International Goya during the ceremony with Juan Mariné receiving an honorary Goya.
See all the winners in the list below.
Premios Goya 2024 Complete Winners List
Honorary Goya
Juan Mariné
Best Supporting Actor
José Coronado
Cerrar los ojos (Close Your Eyes)
Best Original Song
“Yo solo quiero amor”
Rigoberta Bandini
Te estoy amando locamente
Best...
J.A. Bayona won in the Best Director category for The Society of the Snow (La Sociedad de la Nieve), with the film also taking Best Film.
The top acting awards went to Malena Alterio for Antonio Méndez Esparza’s Que Nadie Duerma (Something Is About to Happen) and to David Verdaguer for David Trueba’s Saben aquell (Jokes & Cigarettes).
Sigourney Weaver was honored with an International Goya during the ceremony with Juan Mariné receiving an honorary Goya.
See all the winners in the list below.
Premios Goya 2024 Complete Winners List
Honorary Goya
Juan Mariné
Best Supporting Actor
José Coronado
Cerrar los ojos (Close Your Eyes)
Best Original Song
“Yo solo quiero amor”
Rigoberta Bandini
Te estoy amando locamente
Best...
- 2/11/2024
- by Armando Tinoco
- Deadline Film + TV
Netflix's White Lines is a wild ride of violence, all-night parties, and falling in love with people you shouldn't fall in love with. The Ibiza-set story follows Zoe Walker (Laura Haddock) as she tries to figure out exactly what happened to her brother, Axel (Tom Rhys Harries), 20 years ago when he left home in Manchester, England, and set off for a new life in Ibiza. It takes all 10 episodes of the first (and perhaps only) season to get to the bottom of his disappearance, and the end is definitely not what we expected.
Axel is best friends with his younger sister, Zoe, and wants her to come along with him to Ibiza when their dad kicks him out. She stays behind, though, because she's still underage. She promises Axel that when she turns 18, she'll come join him and his friends in their lavish life. He disappears, though, and Zoe...
Axel is best friends with his younger sister, Zoe, and wants her to come along with him to Ibiza when their dad kicks him out. She stays behind, though, because she's still underage. She promises Axel that when she turns 18, she'll come join him and his friends in their lavish life. He disappears, though, and Zoe...
- 5/18/2020
- by Hedy Phillips
- Popsugar.com
The coming together of the creative brains behind two of Netflix’s biggest international hits, The Crown and Money Heist, certainly sounds like an eye-catching proposition on paper. For Netflix, it was irresistible.
Left Bank Pictures boss Andy Harries and Vancouver Media’s Álex Pina flew into La in February 2018 to sell their vision for a sun-soaked, sepia-toned saga, set in the breathtaking climes of the Balearic Islands.
Netflix was their first stop, with their meeting coming just weeks after Money Heist had taken off like a rocket on the streaming service. “They basically bought it in the room,” Harries recalls.
Fast-forward more than two years and Netflix is dropping White Lines this Friday, a 10-part series that tells the story of a British Ibiza DJ who is brutally murdered in the 1990s and his sister’s investigation into his death 20 years on.
Not only is the drama set across two different periods in time,...
Left Bank Pictures boss Andy Harries and Vancouver Media’s Álex Pina flew into La in February 2018 to sell their vision for a sun-soaked, sepia-toned saga, set in the breathtaking climes of the Balearic Islands.
Netflix was their first stop, with their meeting coming just weeks after Money Heist had taken off like a rocket on the streaming service. “They basically bought it in the room,” Harries recalls.
Fast-forward more than two years and Netflix is dropping White Lines this Friday, a 10-part series that tells the story of a British Ibiza DJ who is brutally murdered in the 1990s and his sister’s investigation into his death 20 years on.
Not only is the drama set across two different periods in time,...
- 5/13/2020
- by Jake Kanter
- Deadline Film + TV
Madrid — Rolling off the success of “El Pueblo” on both Spain’s Amazon Prime Video and Telecinco, the main commercial channel of top Spanish broadcast network Mediaset España, the U.S. online giant has clinched pay/TV and Svod rights to four Mediaset España dramas and two docu series.
The deal was sealed between Amazon Prime Video and Mediterráneo Mediaset España Group, the broadcaster’s sales and distribution arm.
Announced Tuesday in Madrid, the agreement takes in the second season of rural relocation comedy series “El Pueblo,” whose Season 1 bowed May 14 last year on Amazon Prime Video, and then on Jan. 15 on Telecinco, to buoyant audience results.
“El Pueblo” turns on a group of urbanites who flee the city for different reasons – existential and economic crisis, need for fresh air, search for peace, inspiration to compose – and the conflict in the way of living between them and their new rural neighbors.
The deal was sealed between Amazon Prime Video and Mediterráneo Mediaset España Group, the broadcaster’s sales and distribution arm.
Announced Tuesday in Madrid, the agreement takes in the second season of rural relocation comedy series “El Pueblo,” whose Season 1 bowed May 14 last year on Amazon Prime Video, and then on Jan. 15 on Telecinco, to buoyant audience results.
“El Pueblo” turns on a group of urbanites who flee the city for different reasons – existential and economic crisis, need for fresh air, search for peace, inspiration to compose – and the conflict in the way of living between them and their new rural neighbors.
- 2/4/2020
- by John Hopewell and Jamie Lang
- Variety Film + TV
Pedro Almodovar’s Pain and Glory, a double Oscar nominee for star Antonio Banderas and the film itself in the Best International Feature race, swept the top categories Saturday at Spain’s Goya Awards. Scroll down for the full list.
Banderas, up for Best Actor at the Oscars, won best actor award at the Spanish film academy’s annual ceremony, held this year in Malaga. Almodovar won best director and for best screenplay, and the film took a total of seven awards from 16 nominations. One of those misses was Penelope Cruz, who lost in the best actress category to Belen Cuesta of The Endless Trench.
Alejandro Amenabar’s While at War, the Spanish Civil War drama that came in with a leading 17 nominations, won five awards including Eduard Fernandez for supporting actor.
Pain and Glory played in competition this year at the Cannes Film Festival, where Banderas won the Best...
Banderas, up for Best Actor at the Oscars, won best actor award at the Spanish film academy’s annual ceremony, held this year in Malaga. Almodovar won best director and for best screenplay, and the film took a total of seven awards from 16 nominations. One of those misses was Penelope Cruz, who lost in the best actress category to Belen Cuesta of The Endless Trench.
Alejandro Amenabar’s While at War, the Spanish Civil War drama that came in with a leading 17 nominations, won five awards including Eduard Fernandez for supporting actor.
Pain and Glory played in competition this year at the Cannes Film Festival, where Banderas won the Best...
- 1/26/2020
- by Patrick Hipes
- Deadline Film + TV
15 Years + 1 Day, Spain's Submission for the Academy Award Nomination for Best Foreign Language Film. U.S. : None Yet. International Sales Agent: Latido
"It takes a village to raise a child" is a phrased coined more like an understatement than literal speech. The shared responsibility of providing a new individual with the guidelines to be a member of a determined society is indeed a collective effort that parents cannot accomplish alone. Multiple sources of encouragement and advising are required to embed the young and malleable mind with the tools to abide by the desired parameters, and to function as what is seen as civilized by that group. Teachers, mentors, and relatives, all bestow onto this untainted developing person their own cognitive skills that allow them to see the world in a specific way. In Gracia Querejeta’s heartwarming and thoughtful feature 15 Years +1 Day this joined task is incredibly crucial when the protagonist disrespectful and rebellious behavior gets out of hand.
Affluent homemaker and aspiring actress Margo (Maribel Verdú) is at wit's end unable to decipher the reasons for her teenage son’s constant misbehavior. Jon (Arón Piper), is an overly confident 14 year old troublemaker, who like many kids his age seems to have a hard time dealing with authority and anyone who prevents him from doing anything as he pleases. Expelled from school for pulling hazardous pranks on teachers and after mischievously poisoning the neighbor’s dog, his mother finds herself debating what to do with him. She is left with no alternative but to send him to a coastal town with his estrange grandfather Max (Tito Valverde). Once there, Jon is forced to adapt to life without much modern technology and Max’s strict moral standards as an ex-soldier.
To fight the intolerable boredom Jon makes friends with the local kids who instantly prove to be the wrong crowd. Nelson (Pau Poch), an Ecuadorian boy, is the leader of the pack of young bandits who steal and resell goods for a living. Then there is Elsa (Sfía Mohamed), a simple-minded but caring girl who acts as the voice of reason trying to prevent the testosterone-fueled brutes from acting impulsively. Believing it would help him get back on track, Max hires Toni (Boris Cucalón), a boy accused of being homosexual, to give Jon private lessons, which doesn’t suit him well. As part of the gang now, Jon expresses his aversion towards Toni, to which hardheaded Nelson responds by retaliating against the innocent dedicated young man. The aftermath of the attack leaves Jon in a coma, another boy dead, and a mystery, which Max will try to solve against the advise of his longtime romantic interest inspector Aledo (Belén López).
In this character driven piece about the complexity of parent/children relationships, Valverde marvelously plays a man whose incapacity to act irrationally and get in touch with his emotions has led him to live in a reclusive state. Strangely enough his relationship with Jon serves as a lesson on the fact that sometimes doing the wrong thing is what is best for the heart, and that love is not ruled by any absolute principles. His performance is matched by Piper’s, as the boy whose defiance simply hides the honest and loving guy battling with hormones and trying to understand the adults’ ambivalence. Seasoned actress Verdu can certainly turn any seemingly common role into a commendable acting job. Broken and surely regretful as Margo, she exposes herself as a villain to her own child and vents into deaf ears all the wrongdoings of her past. Touching and miraculously nuanced she proves once more why she is one of the most important Spanish performers of her generation.
Immensely entertaining, the film is reminiscent of master Pedro Almodvar’s work with a less stylized but equally successful analysis of the Spanish society. There is a witty and acidic comedic tone in the dialogue and intelligently developed characters throughout, all attributed to Querejeta's sophisticated writing. She penned and directed a film about male role models with a heavily feminine point of view. This intimate piece blends the evident unresolved family feuds with a whodunit plot, both of which reinforce the idea that every person is a reflection of his/her parents’ mistakes, achievements, idiosyncrasies, and prejudices. Querejeta makes sure to inform the viewer about every character’s family dynamics, their flaws and expectations of each other, and thanks to this the story about adolescent problems transmutes into a movingly insightful exploration of parenthood. Profound and engaging 15 Years +1 Day is a story about the children’s realization that parents are imperfect creatures, and that whatever they can teach or pass on is a diluted version of their fears and fascinations rather than fixed instructions for life.
Read more about all the 76 Best Foreign Language Film Submission for the 2014 Academy Awards...
"It takes a village to raise a child" is a phrased coined more like an understatement than literal speech. The shared responsibility of providing a new individual with the guidelines to be a member of a determined society is indeed a collective effort that parents cannot accomplish alone. Multiple sources of encouragement and advising are required to embed the young and malleable mind with the tools to abide by the desired parameters, and to function as what is seen as civilized by that group. Teachers, mentors, and relatives, all bestow onto this untainted developing person their own cognitive skills that allow them to see the world in a specific way. In Gracia Querejeta’s heartwarming and thoughtful feature 15 Years +1 Day this joined task is incredibly crucial when the protagonist disrespectful and rebellious behavior gets out of hand.
Affluent homemaker and aspiring actress Margo (Maribel Verdú) is at wit's end unable to decipher the reasons for her teenage son’s constant misbehavior. Jon (Arón Piper), is an overly confident 14 year old troublemaker, who like many kids his age seems to have a hard time dealing with authority and anyone who prevents him from doing anything as he pleases. Expelled from school for pulling hazardous pranks on teachers and after mischievously poisoning the neighbor’s dog, his mother finds herself debating what to do with him. She is left with no alternative but to send him to a coastal town with his estrange grandfather Max (Tito Valverde). Once there, Jon is forced to adapt to life without much modern technology and Max’s strict moral standards as an ex-soldier.
To fight the intolerable boredom Jon makes friends with the local kids who instantly prove to be the wrong crowd. Nelson (Pau Poch), an Ecuadorian boy, is the leader of the pack of young bandits who steal and resell goods for a living. Then there is Elsa (Sfía Mohamed), a simple-minded but caring girl who acts as the voice of reason trying to prevent the testosterone-fueled brutes from acting impulsively. Believing it would help him get back on track, Max hires Toni (Boris Cucalón), a boy accused of being homosexual, to give Jon private lessons, which doesn’t suit him well. As part of the gang now, Jon expresses his aversion towards Toni, to which hardheaded Nelson responds by retaliating against the innocent dedicated young man. The aftermath of the attack leaves Jon in a coma, another boy dead, and a mystery, which Max will try to solve against the advise of his longtime romantic interest inspector Aledo (Belén López).
In this character driven piece about the complexity of parent/children relationships, Valverde marvelously plays a man whose incapacity to act irrationally and get in touch with his emotions has led him to live in a reclusive state. Strangely enough his relationship with Jon serves as a lesson on the fact that sometimes doing the wrong thing is what is best for the heart, and that love is not ruled by any absolute principles. His performance is matched by Piper’s, as the boy whose defiance simply hides the honest and loving guy battling with hormones and trying to understand the adults’ ambivalence. Seasoned actress Verdu can certainly turn any seemingly common role into a commendable acting job. Broken and surely regretful as Margo, she exposes herself as a villain to her own child and vents into deaf ears all the wrongdoings of her past. Touching and miraculously nuanced she proves once more why she is one of the most important Spanish performers of her generation.
Immensely entertaining, the film is reminiscent of master Pedro Almodvar’s work with a less stylized but equally successful analysis of the Spanish society. There is a witty and acidic comedic tone in the dialogue and intelligently developed characters throughout, all attributed to Querejeta's sophisticated writing. She penned and directed a film about male role models with a heavily feminine point of view. This intimate piece blends the evident unresolved family feuds with a whodunit plot, both of which reinforce the idea that every person is a reflection of his/her parents’ mistakes, achievements, idiosyncrasies, and prejudices. Querejeta makes sure to inform the viewer about every character’s family dynamics, their flaws and expectations of each other, and thanks to this the story about adolescent problems transmutes into a movingly insightful exploration of parenthood. Profound and engaging 15 Years +1 Day is a story about the children’s realization that parents are imperfect creatures, and that whatever they can teach or pass on is a diluted version of their fears and fascinations rather than fixed instructions for life.
Read more about all the 76 Best Foreign Language Film Submission for the 2014 Academy Awards...
- 12/5/2013
- by Carlos Aguilar
- Sydney's Buzz
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