Chicago P.D. fans, we’ve got a fresh off the press preview for the new Season 11 Episode 2 episode titled Retread!
Find out everything you need to know about the Retread episode of Chicago P.D., including a full preview, videos, release date, cast information and how to watch!
Chicago P.D. Retread Season 11 Episode 2 Preview
In the upcoming episode of “Chicago P.D.,” titled “Retread,” scheduled to air on NBC at 10:00 Pm on January 24, 2024, viewers can anticipate another intense and thought-provoking investigation led by the city’s most formidable crime-fighting unit—the Intelligence Unit. Under the steadfast leadership of Sgt. Hank Voight, played by the compelling Jason Beghe, the team delves into Chicago’s most challenging offenses, navigating the complex web of crime and justice.
“Retread” promises to offer a glimpse into the evolving landscape of the criminal justice system, forcing Sgt. Voight and his team to adapt to the transformations happening around them.
Find out everything you need to know about the Retread episode of Chicago P.D., including a full preview, videos, release date, cast information and how to watch!
Chicago P.D. Retread Season 11 Episode 2 Preview
In the upcoming episode of “Chicago P.D.,” titled “Retread,” scheduled to air on NBC at 10:00 Pm on January 24, 2024, viewers can anticipate another intense and thought-provoking investigation led by the city’s most formidable crime-fighting unit—the Intelligence Unit. Under the steadfast leadership of Sgt. Hank Voight, played by the compelling Jason Beghe, the team delves into Chicago’s most challenging offenses, navigating the complex web of crime and justice.
“Retread” promises to offer a glimpse into the evolving landscape of the criminal justice system, forcing Sgt. Voight and his team to adapt to the transformations happening around them.
- 1/17/2024
- by News
- TV Regular
Chicago P.D. fans, we’ve got a fresh off the press preview for the new Season 10 Episode 22 episode titled A Better Place!
Find out everything you need to know about the A Better Place episode of Chicago P.D., including a full preview, videos, release date, cast information and how to watch!
Chicago P.D. A Better Place Season 10 Episode 22 Preview
In “A Better Place,” the tension mounts as Richard Beck’s timeline for a deadly attack moves up, causing Samantha (Caroline Neff) to panic. As the clock ticks down, Detective Adam Ruzek (Patrick John Flueger) and the rest of the Intelligence Unit must scramble to prevent a disaster of unthinkable proportions.
The ensemble cast, led by Sergeant Hank Voight (Jason Beghe), is sure to deliver captivating performances as they navigate the high-stakes situation. The team, including Detective Jay Halstead (Jesse Lee Soffer), Officer Kim Burgess (Marina Squerciati), Detective Kevin...
Find out everything you need to know about the A Better Place episode of Chicago P.D., including a full preview, videos, release date, cast information and how to watch!
Chicago P.D. A Better Place Season 10 Episode 22 Preview
In “A Better Place,” the tension mounts as Richard Beck’s timeline for a deadly attack moves up, causing Samantha (Caroline Neff) to panic. As the clock ticks down, Detective Adam Ruzek (Patrick John Flueger) and the rest of the Intelligence Unit must scramble to prevent a disaster of unthinkable proportions.
The ensemble cast, led by Sergeant Hank Voight (Jason Beghe), is sure to deliver captivating performances as they navigate the high-stakes situation. The team, including Detective Jay Halstead (Jesse Lee Soffer), Officer Kim Burgess (Marina Squerciati), Detective Kevin...
- 5/17/2023
- by News
- TV Regular
[Warning: The below contains Major spoilers for Chicago P.D. Season 9, Episode 17 “Adrift.”] Chicago P.D. ends the April 6 episode on a (very) painful note for Burzek. Officer Kim Burgess (Marina Squerciati) and Officer Adam Ruzek (Patrick John Flueger) do finally get on the same page, but in doing so, it leaves their future completely up in the air. At the start of “Adrift,” Makayla’s (Ramona Edith Williams) already asleep when Ruzek comes home, expecting a family dinner. She’s on a new schedule, Burgess reminds him, with an earlier bedtime to help with her sleep following her abduction. He claims she didn’t tell him and points out she could’ve texted him, but she’s not in the mood to get into it. “We have to communicate with each other,” he says. The therapist told them they have to talk about what happened when Makayla was taken. But Burgess is tired, and Ruzek chooses to go out ...
- 4/7/2022
- TV Insider
“They are like wounded soldiers,” says Chicago P.D.‘s Marina Squerciati of officer Kim Burgess and her Intelligence Unit partner/sometime co-parent Adam Ruzek (Patrick John Flueger). In the aftermath of her newly adopted daughter Makayla’s (Ramona Edith Williams) abduction, “They’ve put on armor.” Although they wanted the same end—rescue the child before the kidnappers would kill her as they did her nanny—they angrily disagreed over the means. “Adam’s propensity to break the rules always helped solve crimes, but this time, it got in the way,” the actress explains. “I don’t know if she’ll be able to forgive that, or how they build back from where they are, [having] said things to each other that cannot be unsaid. They’re going to find out the hard way what’s best for Makayla.” Therapy will be involved. Lori Allen/NBC This week’s episode...
- 4/5/2022
- TV Insider
Your burning questions ahead of Chicago P.D. Season 9 have been answered (sort of)! How critical is Officer Kim Burgess’ (Marina Squerciati) condition? While working a sex-trafficking case, Burgess was kidnapped—and shot. As Season 9 begins, she’s at Med “fighting for her life,” says exec producer Rick Eid. “She is by no means through the woods.” Will this bring Burgess and her former fiancé Adam Ruzek (Patrick John Flueger) closer? At Burgess’ request, the fellow cop is caring for her adopted daughter, Makayla (Ramona Edith Williams). “Whatever stage their romance is in, they are each other’s family,” Eid says. As a guardian, Ruzek is true to form: “He’ll do it from the heart, making mistakes as he goes.” What’s the fallout for the death of Burgess’ shooter? Intelligence Unit leader Hank Voight (Jason Beghe) wanted to kill the guy after he refused to give up Burgess’ location.
- 9/15/2021
- TV Insider
Filmmakers Kelly O’Sullivan and Alex Thompson know the official log line for their charming dramedy “Saint Frances” isn’t exactly inspiring: “After an accidental pregnancy turned abortion, a deadbeat nanny finds an unlikely friendship with the six-year old she’s charged with protecting.”
“That log line, yeah,” O’Sullivan said with a laugh during a recent interview with Thompson. “We struggled with that line too. It’s so funny, every time we describe the movie, we just want to say like, ‘We know, but—'”
Thompson cut in: “It’s funny! It’s good!”
But that’s the sneaky power of the movie, starring and written by O’Sullivan and directed by Thompson, her partner both in work and life. The pair readily admit the log line smacks of cliche, but underneath that so often lurks the truth, one pulled directly from O’Sullivan’s own life. “It’s not...
“That log line, yeah,” O’Sullivan said with a laugh during a recent interview with Thompson. “We struggled with that line too. It’s so funny, every time we describe the movie, we just want to say like, ‘We know, but—'”
Thompson cut in: “It’s funny! It’s good!”
But that’s the sneaky power of the movie, starring and written by O’Sullivan and directed by Thompson, her partner both in work and life. The pair readily admit the log line smacks of cliche, but underneath that so often lurks the truth, one pulled directly from O’Sullivan’s own life. “It’s not...
- 1/7/2021
- by Kate Erbland
- Indiewire
Writer and star Kelly O’Sullivan’s Saint Frances is as close as it gets in recent times to a realistic screen portrayal of what it is like being a female millennial at child-bearing age, navigating the pressures of societal expectations. Directed by Alex Thompson, this poignant satirical tale does not shy away from depicting life’s ‘messier’ moments either, but just incorporates them within the natural course of events in a matter of fact way. It also does not attempt to resolve any of the key issues raised by the start of the closing credits. It simply presents them as everyday occurrences for the viewer to past comment on, if needs be. However, as refreshingly honest and playfully eccentric as this piece of fiction feels, there are moments any parent watching might feel greatly stretch the imagination, in order to tell the story. This then detracts from its authenticity.
What...
What...
- 7/28/2020
- by Lisa Giles-Keddie
- HeyUGuys.co.uk
"I'm not going to get it," Bridget (Kelly O'Sullivan) tells someone after her job interview to be a summer holiday nanny for six-year-old Frances (Ramona Edith Williams). "I was too honest."
It's a statement that cuts to the heart of this comedy drama, which wears its heart on its sleeve and is refreshingly open about the sort of female experiences - period sex, abortion and 'geriatric' pregnancy among other things - that rarely make it into dramas let alone lighter fare. This being a feel-good film, of course Bridget gets the job, albeit a few weeks later, and starts to mind the feisty Frances for her lesbian parents, stay-at-home mum Maya (Charin Alvarez) - who has just had their second baby, Wally - and workaholic Annie (Lily Mojekwu).
If working life hasn't quite turned out to be everything she'd hoped by age 34, things on the home front are proving difficult for Bridget too,...
It's a statement that cuts to the heart of this comedy drama, which wears its heart on its sleeve and is refreshingly open about the sort of female experiences - period sex, abortion and 'geriatric' pregnancy among other things - that rarely make it into dramas let alone lighter fare. This being a feel-good film, of course Bridget gets the job, albeit a few weeks later, and starts to mind the feisty Frances for her lesbian parents, stay-at-home mum Maya (Charin Alvarez) - who has just had their second baby, Wally - and workaholic Annie (Lily Mojekwu).
If working life hasn't quite turned out to be everything she'd hoped by age 34, things on the home front are proving difficult for Bridget too,...
- 7/23/2020
- by Amber Wilkinson
- eyeforfilm.co.uk
Plans have changed for the SXSW award-winner, which was set for a digital-only release in the UK until cinemas were given the green light to reopen.
SXSW award-winner Saint Frances is shifting from a digital-only release in the UK to a full theatrical run as cinemas prepare to reopen after months of lockdown.
Vertigo Releasing had planned to release the comedy drama direct to digital platforms on July 10, after acquiring the feature from Visit Films around the time all cinemas were closed in mid-March in the wake of the Covid-19 outbreak.
But with cinemas set to reopen in England from...
SXSW award-winner Saint Frances is shifting from a digital-only release in the UK to a full theatrical run as cinemas prepare to reopen after months of lockdown.
Vertigo Releasing had planned to release the comedy drama direct to digital platforms on July 10, after acquiring the feature from Visit Films around the time all cinemas were closed in mid-March in the wake of the Covid-19 outbreak.
But with cinemas set to reopen in England from...
- 6/23/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Distributor pivoted after coronavirus pandemic forced theatre closures.
Films released via Oscilloscope Laboratories’ virtual cinema initiative have generated more than $200,000 since the company reconfigured its distribution plans when the coronavirus pandemic forced theatres to close.
Through Thursday (May 14), Saint Frances, Other Music, Best Of CatVideoFest, The Infiltrators and Clementine had generated $215,108 at the virtual box office.
O-Scope kicked off its virtual cinema programme with The Avalon venue in Washington DC on March 16 as soon as it became clear theatre closures would endure for a while.
The New York-based distrbutor splits net revenue with participating theatres, who typically set a $12 price point for online ticket sales.
Films released via Oscilloscope Laboratories’ virtual cinema initiative have generated more than $200,000 since the company reconfigured its distribution plans when the coronavirus pandemic forced theatres to close.
Through Thursday (May 14), Saint Frances, Other Music, Best Of CatVideoFest, The Infiltrators and Clementine had generated $215,108 at the virtual box office.
O-Scope kicked off its virtual cinema programme with The Avalon venue in Washington DC on March 16 as soon as it became clear theatre closures would endure for a while.
The New York-based distrbutor splits net revenue with participating theatres, who typically set a $12 price point for online ticket sales.
- 5/15/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
In today’s film news roundup, Oscilloscope Laboratories and Kino Lorber are offering digital viewing alternatives in response to the coronavirus pandemic, and the DGA Health Plan has announced that participants won’t be charged for telemedicine/telepsychology visits.
Digital Viewing
Oscilloscope Laboratories has unveiled a 10-film promotion — dubbed Circle of Quarantine — in order to offer distraction, promote social distancing and support the independent film industry during the coronavirus pandemic.
Oscilloscope is offering 10 digital downloads of its films for $49.99 and is donating $10 from every purchase to the Cinema Worker Solidarity Fund, to help those affected in the business. The company noted that it is scrapping its theatrical expansion of “Saint Frances” and will not release the documentary “The Infiltrators” on Friday.
“O-Scope looks to innovate in ways to reach audiences safely in their homes,” it said. “The Circle of Quarantine is an attempt to bridge the social distance.”
Oscilloscope acquired U.
Digital Viewing
Oscilloscope Laboratories has unveiled a 10-film promotion — dubbed Circle of Quarantine — in order to offer distraction, promote social distancing and support the independent film industry during the coronavirus pandemic.
Oscilloscope is offering 10 digital downloads of its films for $49.99 and is donating $10 from every purchase to the Cinema Worker Solidarity Fund, to help those affected in the business. The company noted that it is scrapping its theatrical expansion of “Saint Frances” and will not release the documentary “The Infiltrators” on Friday.
“O-Scope looks to innovate in ways to reach audiences safely in their homes,” it said. “The Circle of Quarantine is an attempt to bridge the social distance.”
Oscilloscope acquired U.
- 3/20/2020
- by Dave McNary
- Variety Film + TV
The shape of Alex Thompson’s winning “Saint Frances” is familiar enough: a disaffected and unattached millennial finds purpose and meaning in an unexpected connection with a spunky kid who forces her to grow up and face the real world in all its terrifying glory. Cute kids are easy outs in modern cinema (“do you know that the human head weighs eight pounds?”); so are ennui-laden young adults more adept at scrolling social media than carving out a career, but .
O’Sullivan, is a real find, the kind of “voice of a generation” talent who spends less time talking about her genius insight and more time simply delivering on it.
At 34, Bridget is unmoored: no house, no partner, no career, no direction. Her low-simmering disaffection and barely disguised fear of not making her life count are thrown into sharp relief during the film’s opening credits, illustrated by a party...
O’Sullivan, is a real find, the kind of “voice of a generation” talent who spends less time talking about her genius insight and more time simply delivering on it.
At 34, Bridget is unmoored: no house, no partner, no career, no direction. Her low-simmering disaffection and barely disguised fear of not making her life count are thrown into sharp relief during the film’s opening credits, illustrated by a party...
- 2/28/2020
- by Kate Erbland
- Indiewire
Anyone feeling stuck in a rut will appreciate “Saint Frances,” Alex Thompson’s sensitive feature debut, which earned both the Audience and Grand Jury awards at SXSW last year. Though he focuses on one small season of one woman’s life, the details don’t go unnoticed.
Bridget is used to the patronizing pity in people’s eyes when she admits she dropped out of Northwestern after a year. When she tells them she’s 34, single, and works in a diner. When she stands in awkward silence, after someone pushes her to admit what she really wants with her life.
If she knew, maybe she’d be doing it already. Or maybe not. But either way, the issue isn’t that her meandering path is making others unhappy. After all, none of the married, professional, parenting people she knows seem especially content.
Also Read: 'Running With Beto,' Shia Labeouf...
Bridget is used to the patronizing pity in people’s eyes when she admits she dropped out of Northwestern after a year. When she tells them she’s 34, single, and works in a diner. When she stands in awkward silence, after someone pushes her to admit what she really wants with her life.
If she knew, maybe she’d be doing it already. Or maybe not. But either way, the issue isn’t that her meandering path is making others unhappy. After all, none of the married, professional, parenting people she knows seem especially content.
Also Read: 'Running With Beto,' Shia Labeouf...
- 2/26/2020
- by Elizabeth Weitzman
- The Wrap
The Chicago Critics Film Festival Runs May 17th – 23rd. Stephen Tronicek is covering the event for We Are Movie Geeeks
Before the opening night screening of Saint Frances last night Erik Childress and Brian Tallerico, two of the programmers for the 7th Chicago Critics Film Festival stood on the stage and professed something to the degree that, “This festival takes all the best films that would be otherwise unavailable and show them in the Midwest (hometown Chicago) all in one week.” This is an adept description for the festival. With screenings of Peter Strickland’s In Fabric, Jennifer Kent’s The Nightingale and Lulu Wang’s The Farewell, the Ccff has a pretty much perfect lineup this year.
Opening Night:
Now, if you notice I’m being noticeably vague, I’ve got my hands tied. I have to simply write capsule reviews, meaning vague descriptions of and the qualities of the film.
Before the opening night screening of Saint Frances last night Erik Childress and Brian Tallerico, two of the programmers for the 7th Chicago Critics Film Festival stood on the stage and professed something to the degree that, “This festival takes all the best films that would be otherwise unavailable and show them in the Midwest (hometown Chicago) all in one week.” This is an adept description for the festival. With screenings of Peter Strickland’s In Fabric, Jennifer Kent’s The Nightingale and Lulu Wang’s The Farewell, the Ccff has a pretty much perfect lineup this year.
Opening Night:
Now, if you notice I’m being noticeably vague, I’ve got my hands tied. I have to simply write capsule reviews, meaning vague descriptions of and the qualities of the film.
- 5/18/2019
- by Movie Geeks
- WeAreMovieGeeks.com
The Chicago Critics Film Festival Runs May 17th – 23rd. Stephen Tronicek will be covering the event for We Are Movie Geeeks
Saint Frances follows Bridget (Kelly O’ Sullivan), a young woman who has just gotten a nanny job watching over Frances (a revelatory Ramona Edith Williams). As their friendship develops, Bridget must deal with her own problems following an abortion. It’s a charming, socially aware film that could make for one of the biggest crowd pleasers of the year.
Yesterday, I had the great fortune to sit down with the writer/lead actor Kelly O’ Sullivan and director Alex Thompson to talk about the development of Saint Frances and the dynamics of working with the brilliant young actress at its center.
S: I wanted to start the interview with the writing of the piece. Kelly, you wrote the piece and I wanted to ask where the inspiration thematically really came from in your life?...
Saint Frances follows Bridget (Kelly O’ Sullivan), a young woman who has just gotten a nanny job watching over Frances (a revelatory Ramona Edith Williams). As their friendship develops, Bridget must deal with her own problems following an abortion. It’s a charming, socially aware film that could make for one of the biggest crowd pleasers of the year.
Yesterday, I had the great fortune to sit down with the writer/lead actor Kelly O’ Sullivan and director Alex Thompson to talk about the development of Saint Frances and the dynamics of working with the brilliant young actress at its center.
S: I wanted to start the interview with the writing of the piece. Kelly, you wrote the piece and I wanted to ask where the inspiration thematically really came from in your life?...
- 5/18/2019
- by Movie Geeks
- WeAreMovieGeeks.com
Following the news they would open with the world premiere of Jordan Peele’s Us, the 2019 South by Southwest by Southwest Film Festival have announced their features and episodic premieres lineup.
Among the slate is a handful of our most-anticipated films of the year, including Harmony Korine’s The Beach Bum, Chris Morris’s Four Lions follow-up The Day Shall Come starring Anna Kendrick, and Riley Stearns’ Faults follow-up The Art of Self-Defense. Olivia Wilde’s directorial debut Booksmart will premiere at the festival as will Seth Rogen and Charlize Theron’s new comedy formerly titled Flarsky.
“As we head into our 26th edition, we couldn’t be more excited to once again share a completely fresh SXSW 2019 slate with our uniquely smart and enthusiastic SXSW audience,” said Janet Pierson, Director of Film. “As always, we looked for a wide range of work, contemplating scale, style, tenor and tone. We...
Among the slate is a handful of our most-anticipated films of the year, including Harmony Korine’s The Beach Bum, Chris Morris’s Four Lions follow-up The Day Shall Come starring Anna Kendrick, and Riley Stearns’ Faults follow-up The Art of Self-Defense. Olivia Wilde’s directorial debut Booksmart will premiere at the festival as will Seth Rogen and Charlize Theron’s new comedy formerly titled Flarsky.
“As we head into our 26th edition, we couldn’t be more excited to once again share a completely fresh SXSW 2019 slate with our uniquely smart and enthusiastic SXSW audience,” said Janet Pierson, Director of Film. “As always, we looked for a wide range of work, contemplating scale, style, tenor and tone. We...
- 1/16/2019
- by Leonard Pearce
- The Film Stage
South by Southwest Conference and Festivals has announced its feature lineup for the 2019 film festival, which will include Matthew McConaughey’s “The Beach Bum,” Olivia Wilde’s directorial debut “Booksmart” and Shia Labeouf’s “The Peanut Butter Falcon.”
Jordan Peele’s “Us” was previously announced as the festival’s Opening Night film.
Annabelle Attanasio’s “Mickey and the Bear,” starring Camila Morrone and James Badge Dale, “The Highwaymen” starring Kevin Coster, Woody Harrelson and Kathy Bates, Logan Marshall Green’s “Adopt a Highway” starring Ethan Hawke and Elaine Hendrix, “The Day Shall Come” starring Anna Kendrick and Denis O’Hare, and “Villains” starring Bill Skarsgard and Maika Monroe have also been added to the lineup.
Also Read: SXSW 2019: Olivia Wilde, A$AP Rocky and Jeffrey Katzenberg Among Featured and Keynote Speakers
Nearly 8,500 films were submitted this year. Feature films in the lineup screen in the following categories: Narrative Feature Competition,...
Jordan Peele’s “Us” was previously announced as the festival’s Opening Night film.
Annabelle Attanasio’s “Mickey and the Bear,” starring Camila Morrone and James Badge Dale, “The Highwaymen” starring Kevin Coster, Woody Harrelson and Kathy Bates, Logan Marshall Green’s “Adopt a Highway” starring Ethan Hawke and Elaine Hendrix, “The Day Shall Come” starring Anna Kendrick and Denis O’Hare, and “Villains” starring Bill Skarsgard and Maika Monroe have also been added to the lineup.
Also Read: SXSW 2019: Olivia Wilde, A$AP Rocky and Jeffrey Katzenberg Among Featured and Keynote Speakers
Nearly 8,500 films were submitted this year. Feature films in the lineup screen in the following categories: Narrative Feature Competition,...
- 1/16/2019
- by Beatrice Verhoeven
- The Wrap
The 26th edition of the SXSW Film Festival will feature movies directed by Harmony Korine and Olivia Wilde, an untitled romantic comedy starring Seth Rogen and Charlize Theron and a concert film with comedian Kathy Griffin.
The annual gathering in Austin, Texas, which starts on March 8, will open with Jordan Peele’s “Us,” which was previously announced. The thriller stars Lupita Nyong’o, Winston Duke and Elisabeth Moss.
There will be 102 features and TV episodes featured over nine days.
In recent years, SXSW has upped its game as a festival that covers a lot of ground. It reliably launches a few spring studio hits, such as last year’s “The Quiet Place” and “Blockers,” and also discovers under-the-radar storytellers. For attendees, there’s also keynote addresses with filmmakers and actors.
The standouts in this year’s lineup include Korine’s “The Beach Bum,” a much-anticipated comedy starring Matthew McConaughey, Snoop Dogg and Zac Efron.
The annual gathering in Austin, Texas, which starts on March 8, will open with Jordan Peele’s “Us,” which was previously announced. The thriller stars Lupita Nyong’o, Winston Duke and Elisabeth Moss.
There will be 102 features and TV episodes featured over nine days.
In recent years, SXSW has upped its game as a festival that covers a lot of ground. It reliably launches a few spring studio hits, such as last year’s “The Quiet Place” and “Blockers,” and also discovers under-the-radar storytellers. For attendees, there’s also keynote addresses with filmmakers and actors.
The standouts in this year’s lineup include Korine’s “The Beach Bum,” a much-anticipated comedy starring Matthew McConaughey, Snoop Dogg and Zac Efron.
- 1/16/2019
- by Ramin Setoodeh
- Variety Film + TV
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