As the main topic of this year’s festival, Docaviv will feature a select group of thought-provoking films about a world that is changing with the collapse of physical and social boundaries, growing economic disparities, the waves of refugees and immigrants, civil wars, international terrorism, and the ultimate undoing of social solidarity.
Within the framework of this theme the program does not only include documentaries about terror and refugees, but also about a fragmented society which is losing its solidarity. Both in Israel and elsewhere the gap between the haves and the have-nots is widening, and so are the frustrations and the unrest. Israeli and international titles correlating to these themes can be found throughout the entire festival program:
“Death in the terminal” - Directors Tali Shemesh (“The Cemetery Club”) and Assaf Surd
A tense, minute-by-minute, Rashomon-style account of a tragic day. On October 18, 2015, a terrorist armed with a gun and a knife entered Beersheba’s bus terminal. Within 18 minutes Omri Levy, a soldier was killed and Abtum Zarhum, Eritrean immigrant asylum seeker, was lynched after being mistaken for a terrorist.
“The Settlers” - Premiered in Sundance, Director Shimon Dotan.
A far-reaching, comprehensive look at the Jewish settlement enterprise in the West Bank. It examines the origins of the settlement movement and the religious and ideological visions that propelled it, while providing an intimate look at the people at the center of the greatest geopolitical challenge now facing Israel and the international community. (Isa Contact: Cinephil)
“Town on a Wire” - premiered at Cph: Dox Dir: Uri Rosenwaks
While Tel Aviv is thriving, just ten minutes away lies the town of Lod, right in the backyard of Israel’s bustling urban center. Unlike its affluent neighbor, Lod is a city that suffers from the blight of racism, crime, and sheer desperation. Can it be saved? Is there some way to bring hope to Lod’s Arab and Jewish residents?
“Foucoammare”/ “Fire at Sea” - by Gianfranco Rosi - winner of Golden Bear, Berlinale 2016 -every day the inhabitants of the Italian Island Lampedusa are confronted with the flight of refugees to Europe . These people long for peace and freedom and often only their dead bodies are pulled out of the water. (Contact Isa: Doc & Film Int’l. U.S.: Kino Lorber)
“Between fences” – by Avi Mograbi -. In an Israeli detention center asylum-seekers from Eritrea and Sudan can’t be sent back to their own countries, but have no prospects in Israel either thanks to the country’s policies. Chen Alon and Avi Mograbi, initiate a theatre workshop to give these people the opportunity to address their own experiences of forced migration and discrimination and to confront an Israeli society that views them as dangerous infiltrators.
“A Syrian Love Story” – by Sean McAllister -You can’t be Che Guevara and a mother Amer tells Raghda, but maybe she can't do it any other way. After years of struggle, life without her homeland and the revolution has no meaning for her. It is hard to determine what is more demanding in this bold film: the revolution, or the search for inner peace. (Contact Isa: Cat & Docs)
“Homo Sapiens” – by Nikolaus Geyrhalter - what does humanity leave behind when its gone? It sometimes seems as if the mark that humans leave on this planet will last forever. The truth is that the iron, bricks, cement, and steel – the human traces everywhere abandoned and forgotten – are erased by the forces of nature. This unusually beautiful film may lack people and words, but that leaves even more room for thought.(Contact Isa: Autlook)
“Land of the Enlightened” – Premiered at Sundance Ff 2016. Shot over seven years on evocative 16mm footage, first-time director Pieter-Jan De Pue paints a whimsical yet haunting look at the condition of Afghanistan left for the next generation. As American soldiers prepare to leave, we follow De Pue deep into this hidden land where young boys form wild gangs to control trade routes, sell explosives from mines left over from war, making the new rules of war based on the harsh landscape left to them. (Contact Isa: Films Boutique)
“Flickering Truth” - Premiered at Toronto Ff 2015. Director Pietra Brettkelly (The Art Star and the Sudanese Twins) directs this harrowing, compelling film about the power of cinema to preserve our history and in so doing potentially change our futures. (Contact Isa: Film Sales Company)
“Requiem for the American Dream” - Directed by Peter D. Hutchison, Kelly Nyks, Jared P. Scott. In ten chilling but lucid chapters, Noam Chomsky, one of the great intellectuals of our time, analyzes the “system,” which allows wealthy capitalists to seize the reins of government and turn those without wealth into a passive herd, willing to forego power, solidarity, and democracy itself. (U.S.: Gravitas. Contact Isa: Films Transit)
The festival will open with a first film by Israeli director Roman Shumunov
“Babylon Dreamers” Directed by Roman Somonob. An intimate report about a troupe of immigrants from the former Soviet Union, from one of Ashdod’s poorest neighborhoods; they struggle to survive facing harsh conditions - poverty, mental illness, and broken families. They channel their anger and cling to their dream of attending and winning the International Breakdance Championship.
Israeli Competition
Some 70 Israeli films produced over the last year were submitted out of which 13 films have been selected for the Israeli Competition. They will be competing for the largest cash prize for documentary filmmaking in Israel 70,000 Nis (Us$ 15,000). Other awards in the competition include the Mayor’s Prize for the Most Promising Filmmaker, the Prize for Editing, the Prize for Cinematography, the Prize for Research, and the Prize for Original Score.
"The Wonderful Kingdom of Papa Alaev," directors Tal Barda, Noam Pinchas -Tajikistan’s answer to the Jackson Family. A modern-day Shakespearean tale about a famous Tajik musical family, controlled by their charismatic patriarch-grandfather - Papa Alaev.
"A Tale of Two Balloons" by Zohar Wagner - The tale of a women who thought a pair of perfect breasts would help her find true love. But when that love came along, those perfect breasts had to go.
"Aida's Secrets," director Alon Schwarz - At 68, Izak learns he has a brother he never knew about. As part of the discoveries about the family, the film uncovers the story of the Displaced Persons camps- the vibrant and often wild social life that flourished immediately after WW2.
"Child Mother" by Yael Kipper and Ronen Zaretzky - The story of elderly women born in Morocco and Yemen, who were married off when they were still little girls. Only now, as they enter the final chapter of their lives, do they openly face their past and the ways it still affects them and their families.
"The Last Shaman" directed by Raz Degan - Inspired by an article he read, James decides to travel to the Amazon rainforests, in search of a shaman whom he thinks can save him from a clinical depression that haunts him.
"The Patriarch's Room" by Danae Elon -The bizarre imprisonment of the former head of the Greek Orthodox Church in a tiny monastic cell in Jerusalem’s Old City leads to a fascinating journey in search of the truth, penetrating the remote world of the priesthood. The complex and unfamiliar picture that emerges is revealed here, on camera, for the very first time.
"Poetics of the Brain" by Nurith Aviv –weaving associative links between her personal biographical stories and neuroscientists’ accounts of their work. They discuss topics such as memory, bilingualism, reading, mirror neurons, smell, traces of experience.
"Shalom Italia," by Tamar Tal Anati (winner of Docaviv for Life in Stills) -Three Italian Jewish brothers set off on a journey through Tuscany, in search of a cave where they hid as children to escape the Nazis. Their quest, full of humor, food and Tuscan landscapes, straddles the boundary between history and myth, both of which really, truly happened.
"Week 23" by Ohad Milstein - Rahel, the daughter of a Swiss bishop, is coping with a difficult pregnancy in Israel. One of the identical twins she is carrying has died in utero, and now poses an almost certain threat to its sibling. The doctors are unequivocal about it. They tell Rahel that she should abort the surviving fetus and end her pregnancy.
"The Settlers" by Shimon Dotan; Town On A Wire directed by Uri Rosenwaksand Eyal Blachson; Death in the Terminal by Tali Shemesh and Asaf Sudry, and Babylon Dreamers by Roman Shumunov.
The Members of the selection committee included Sinai Abt, artistic director of the Docaviv Film Festival; director Reuven Brodsky, winner of Docaviv in 2012 for his film Home Movie and of Honorable Mention at Docaviv in 2015 and film editor Ayelet Ofarim.
Twelve films have been selected for the International Competition, which will open with the The Happy Film by Stefan Seigmeister. Also competing are Jerzy Sladkowski’s Don Juan, winner of the Idfa Award; Author: The J.T. LeRoy Story about the imaginary cult figure who became the darling of New York society and nightlife, picked up by Amazon at Sundance as its first doc title. Another festival favorite is A Flickering Truth and Sean McAllister's daring award winning documentary A Syrian Love Story.
The Depth of Field Competition will open with LoveTrue by director Alma Har’el, who will be a juror for the Israeli Film Competition. This is the Competition’s third year, held in conjunction with the Film Critics’ Forum that will award films for an outstanding and daring artistic vision. Other films that will be screened as part of the competition include Sundance winners Kate Plays Christine by Robert Greene, and Pieter-Jan De Pue’s hybrid documentary The Land of the Enlightened; other titles that will be shown are Hotel Dallas by wife and husband artist duo Livia Ungur and Sherng-Lee Huang, The Hong Kong Trilogy by noted cinematographer Christopher Doyle , and the musical- turned into documentary London Road by Rufus Norris and Alecky Blythe.
The Masters Section, a new category in the festival, highlighting new films by world renowned directors will be opened by Fire at Sea by director Gianfranco Rosi, winner of the Golden Bear at this year’s Berlinale. Avi Mograbi’s Between Fences will be accompanied by a play by the Holot Legislative Theater, with a cast of actors that includes Israelis and African asylum seekers.
Other films in this section include amongst others Junun, Paul Thomas Anderson’s portrayal of a musical project involving Shye Ben-Tzur and Jonny Greenwood, Homo Sapiens by director Nikolaus Geyrhalter, Steve Jobs: The Man in the Machine by director Alex Gibney, To the Desert by director Judd Neeman, Unlocking the Cage by directors D.A. Pennebaker and Chris Hegedus, De Palma by co-director Noah Baumbach and He Named Me Malala by David Guggenheim.
The Panorama selection of films will include amongst others the moving Strike a Pose, by Ester Gould and Reijer Zwaan about the dancers who accompanied Madonna on her “Blond Ambition” tour, Roger Ross Williams ‘Life, Animated depicting the remarkable story of an autistic boy, who learned how to communicate with his surroundings through Disney films, Those Who Jump about an African refugee who films attempts by other refugees to jump the barbed wire border fence in North Africa and Louis Theroux: My Scientology Film.
This year’s Arts Section will include Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble by Academy Award winner Morgan Neville; I Don’t Belong Anywhere: The Cinema of Chantal Akerman, which was produced shortly before her tragic death, Listen to Me, Marlon, which tells the story of Marlon Brando through the audio recordings he made throughout his life, Peggy Guggenheim: Art Addict, the salacious story of art collector Peggy Guggenheim, Koudelka Shooting Holy Land, Gilad Baram’s film about famous Czech photographer Josef Koudelka’s travels along the Separation Fence, and more.
Seven films produced by the top film schools in Israel were selected to compete in the annual Student Film Competition. The prize for the competition was donated by the Gottesman family in memory of Ruti Gottesman, a leading supporter of Docaviv and of documentary.
The Members of the selection committee included Karin Ryvind Segal, programming director for Docaviv, Hila Avraham, curator and expert on film and audiovisual media preservation and screenwriter Danny Rosenberg, whose work includes the films My Father’s House , Susia and the television series Johnny and the Knights of the Galilee.
Special Guests attending the Festival:
Award winning Director Ondi Timoner, will be attending the Israeli premiere of her film Russell Brand: A Second Coming. Her Sundance-winning film Dig! will be among the music documentaries screened at the Tel Aviv Port. In conjunction with the Film Department of Beit Berl College, Timoner will also be conducting a special master class for students, professionals, and amateurs.
This year’s festival will include a special tribute to acclaimed director Nikolaus Geyrhalter who will be attending the festival with his recent Homo Sapiens. This year’s festival will also include two previous films of his, Our Daily Bread and Abendland,.
International jury members attending the festival include:
Adriek van Nieuwenhuyzen, Director of the Idfa industry office; Gary Kam, producer of Planet of Snail; film director Alma Har’el (Bombay Beach; LoveTrue) ; Nilotpal, Director of Docedge Kolkata, Sascha Lara Bleuler, Director of the Human Rights Film Festival in Zurich, and film director Tatiana Brandrup.
The Israeli jurors include:
Director Dror Moreh, director and producer Barak Heymann, director Robby Elmaliah, producer Elinor Kowarsky, photographer David Adika, and film editor Tal Rabiner.
Around town. A record number of twelve screening venues spread out across Tel Aviv will offer free screenings. These are: Habima Square, the Beit Danny Community Center, the Hatikvah neighborhood, the Arab-Jewish Community Center in Jaffa, the rooftop of Tel Aviv City Hall, WeWork, Levinsky Park, Bar Kayma, Beit Romano, the Nalaga’at Center, Picnic Little Italy-Sarona Tel Aviv, and Artport.
Outdoors. The Tel Aviv Port will continue to host the festival this year, with outdoor screenings of music films with guest deejays from KZRadio. Films to be screened at the port include Janis: Little Girl Blue, The Reflektor Tapes about the band Arcade Fire, P.T Andersoan’s Junun about the musical collaboration between Shye Ben Tzur, Jonny Greenwood, Nigel Godrich, and a dozen Indian musicians.
Festival Firsts. DocaviVR: a collaboration between Docaviv and Steamer, Israel’s first Interactive and Virtual Reality Film Festival, presents original documentary projects from Israel and around the world, created especially for viewing with Vr gear. The event will take place at Beit Romano. A cinema will pop up in one of Tel Aviv’s trendy hubs, with 25 stations equipped with Vr gear.
The Docommunity conference aims to promote dcomentary across the country by bringing together cultural coordinators and artistic directors from across the country to introduce them to the latest documentary films from Israel and around the world.
The Platform for Alternative Documentation at Artport art space: A performative piece that brings together film artists, social activists, and researchers studying the various aesthetic, social, and philosophical aspects of documentation. Curated by Laliv Melamed and Gilad Reich.
Young audiences. For the first time, films from The Next Doc will be screened, a special initiative of Docaviv, the Second Channel, and the New Fund for Film and Television, which led to the production of three films created especially for a teenage audience.
Docaviv will also be hosting the final event of Docu Young, at which films by students in residential schools, who participated in film workshops , will be screened.
The Docyouth Competition will feature the best documentary films produced by students in high school film programs throughout the country. For the first time, voting for this year’s competition will be held online and open to high school students across the country.
Among the Screenings of docs for kids are Victor Kosakovsky’s “Varicella”, and “Landfilharmonic”.
Over the course of the festival, 110 films will be screened.
Within the framework of this theme the program does not only include documentaries about terror and refugees, but also about a fragmented society which is losing its solidarity. Both in Israel and elsewhere the gap between the haves and the have-nots is widening, and so are the frustrations and the unrest. Israeli and international titles correlating to these themes can be found throughout the entire festival program:
“Death in the terminal” - Directors Tali Shemesh (“The Cemetery Club”) and Assaf Surd
A tense, minute-by-minute, Rashomon-style account of a tragic day. On October 18, 2015, a terrorist armed with a gun and a knife entered Beersheba’s bus terminal. Within 18 minutes Omri Levy, a soldier was killed and Abtum Zarhum, Eritrean immigrant asylum seeker, was lynched after being mistaken for a terrorist.
“The Settlers” - Premiered in Sundance, Director Shimon Dotan.
A far-reaching, comprehensive look at the Jewish settlement enterprise in the West Bank. It examines the origins of the settlement movement and the religious and ideological visions that propelled it, while providing an intimate look at the people at the center of the greatest geopolitical challenge now facing Israel and the international community. (Isa Contact: Cinephil)
“Town on a Wire” - premiered at Cph: Dox Dir: Uri Rosenwaks
While Tel Aviv is thriving, just ten minutes away lies the town of Lod, right in the backyard of Israel’s bustling urban center. Unlike its affluent neighbor, Lod is a city that suffers from the blight of racism, crime, and sheer desperation. Can it be saved? Is there some way to bring hope to Lod’s Arab and Jewish residents?
“Foucoammare”/ “Fire at Sea” - by Gianfranco Rosi - winner of Golden Bear, Berlinale 2016 -every day the inhabitants of the Italian Island Lampedusa are confronted with the flight of refugees to Europe . These people long for peace and freedom and often only their dead bodies are pulled out of the water. (Contact Isa: Doc & Film Int’l. U.S.: Kino Lorber)
“Between fences” – by Avi Mograbi -. In an Israeli detention center asylum-seekers from Eritrea and Sudan can’t be sent back to their own countries, but have no prospects in Israel either thanks to the country’s policies. Chen Alon and Avi Mograbi, initiate a theatre workshop to give these people the opportunity to address their own experiences of forced migration and discrimination and to confront an Israeli society that views them as dangerous infiltrators.
“A Syrian Love Story” – by Sean McAllister -You can’t be Che Guevara and a mother Amer tells Raghda, but maybe she can't do it any other way. After years of struggle, life without her homeland and the revolution has no meaning for her. It is hard to determine what is more demanding in this bold film: the revolution, or the search for inner peace. (Contact Isa: Cat & Docs)
“Homo Sapiens” – by Nikolaus Geyrhalter - what does humanity leave behind when its gone? It sometimes seems as if the mark that humans leave on this planet will last forever. The truth is that the iron, bricks, cement, and steel – the human traces everywhere abandoned and forgotten – are erased by the forces of nature. This unusually beautiful film may lack people and words, but that leaves even more room for thought.(Contact Isa: Autlook)
“Land of the Enlightened” – Premiered at Sundance Ff 2016. Shot over seven years on evocative 16mm footage, first-time director Pieter-Jan De Pue paints a whimsical yet haunting look at the condition of Afghanistan left for the next generation. As American soldiers prepare to leave, we follow De Pue deep into this hidden land where young boys form wild gangs to control trade routes, sell explosives from mines left over from war, making the new rules of war based on the harsh landscape left to them. (Contact Isa: Films Boutique)
“Flickering Truth” - Premiered at Toronto Ff 2015. Director Pietra Brettkelly (The Art Star and the Sudanese Twins) directs this harrowing, compelling film about the power of cinema to preserve our history and in so doing potentially change our futures. (Contact Isa: Film Sales Company)
“Requiem for the American Dream” - Directed by Peter D. Hutchison, Kelly Nyks, Jared P. Scott. In ten chilling but lucid chapters, Noam Chomsky, one of the great intellectuals of our time, analyzes the “system,” which allows wealthy capitalists to seize the reins of government and turn those without wealth into a passive herd, willing to forego power, solidarity, and democracy itself. (U.S.: Gravitas. Contact Isa: Films Transit)
The festival will open with a first film by Israeli director Roman Shumunov
“Babylon Dreamers” Directed by Roman Somonob. An intimate report about a troupe of immigrants from the former Soviet Union, from one of Ashdod’s poorest neighborhoods; they struggle to survive facing harsh conditions - poverty, mental illness, and broken families. They channel their anger and cling to their dream of attending and winning the International Breakdance Championship.
Israeli Competition
Some 70 Israeli films produced over the last year were submitted out of which 13 films have been selected for the Israeli Competition. They will be competing for the largest cash prize for documentary filmmaking in Israel 70,000 Nis (Us$ 15,000). Other awards in the competition include the Mayor’s Prize for the Most Promising Filmmaker, the Prize for Editing, the Prize for Cinematography, the Prize for Research, and the Prize for Original Score.
"The Wonderful Kingdom of Papa Alaev," directors Tal Barda, Noam Pinchas -Tajikistan’s answer to the Jackson Family. A modern-day Shakespearean tale about a famous Tajik musical family, controlled by their charismatic patriarch-grandfather - Papa Alaev.
"A Tale of Two Balloons" by Zohar Wagner - The tale of a women who thought a pair of perfect breasts would help her find true love. But when that love came along, those perfect breasts had to go.
"Aida's Secrets," director Alon Schwarz - At 68, Izak learns he has a brother he never knew about. As part of the discoveries about the family, the film uncovers the story of the Displaced Persons camps- the vibrant and often wild social life that flourished immediately after WW2.
"Child Mother" by Yael Kipper and Ronen Zaretzky - The story of elderly women born in Morocco and Yemen, who were married off when they were still little girls. Only now, as they enter the final chapter of their lives, do they openly face their past and the ways it still affects them and their families.
"The Last Shaman" directed by Raz Degan - Inspired by an article he read, James decides to travel to the Amazon rainforests, in search of a shaman whom he thinks can save him from a clinical depression that haunts him.
"The Patriarch's Room" by Danae Elon -The bizarre imprisonment of the former head of the Greek Orthodox Church in a tiny monastic cell in Jerusalem’s Old City leads to a fascinating journey in search of the truth, penetrating the remote world of the priesthood. The complex and unfamiliar picture that emerges is revealed here, on camera, for the very first time.
"Poetics of the Brain" by Nurith Aviv –weaving associative links between her personal biographical stories and neuroscientists’ accounts of their work. They discuss topics such as memory, bilingualism, reading, mirror neurons, smell, traces of experience.
"Shalom Italia," by Tamar Tal Anati (winner of Docaviv for Life in Stills) -Three Italian Jewish brothers set off on a journey through Tuscany, in search of a cave where they hid as children to escape the Nazis. Their quest, full of humor, food and Tuscan landscapes, straddles the boundary between history and myth, both of which really, truly happened.
"Week 23" by Ohad Milstein - Rahel, the daughter of a Swiss bishop, is coping with a difficult pregnancy in Israel. One of the identical twins she is carrying has died in utero, and now poses an almost certain threat to its sibling. The doctors are unequivocal about it. They tell Rahel that she should abort the surviving fetus and end her pregnancy.
"The Settlers" by Shimon Dotan; Town On A Wire directed by Uri Rosenwaksand Eyal Blachson; Death in the Terminal by Tali Shemesh and Asaf Sudry, and Babylon Dreamers by Roman Shumunov.
The Members of the selection committee included Sinai Abt, artistic director of the Docaviv Film Festival; director Reuven Brodsky, winner of Docaviv in 2012 for his film Home Movie and of Honorable Mention at Docaviv in 2015 and film editor Ayelet Ofarim.
Twelve films have been selected for the International Competition, which will open with the The Happy Film by Stefan Seigmeister. Also competing are Jerzy Sladkowski’s Don Juan, winner of the Idfa Award; Author: The J.T. LeRoy Story about the imaginary cult figure who became the darling of New York society and nightlife, picked up by Amazon at Sundance as its first doc title. Another festival favorite is A Flickering Truth and Sean McAllister's daring award winning documentary A Syrian Love Story.
The Depth of Field Competition will open with LoveTrue by director Alma Har’el, who will be a juror for the Israeli Film Competition. This is the Competition’s third year, held in conjunction with the Film Critics’ Forum that will award films for an outstanding and daring artistic vision. Other films that will be screened as part of the competition include Sundance winners Kate Plays Christine by Robert Greene, and Pieter-Jan De Pue’s hybrid documentary The Land of the Enlightened; other titles that will be shown are Hotel Dallas by wife and husband artist duo Livia Ungur and Sherng-Lee Huang, The Hong Kong Trilogy by noted cinematographer Christopher Doyle , and the musical- turned into documentary London Road by Rufus Norris and Alecky Blythe.
The Masters Section, a new category in the festival, highlighting new films by world renowned directors will be opened by Fire at Sea by director Gianfranco Rosi, winner of the Golden Bear at this year’s Berlinale. Avi Mograbi’s Between Fences will be accompanied by a play by the Holot Legislative Theater, with a cast of actors that includes Israelis and African asylum seekers.
Other films in this section include amongst others Junun, Paul Thomas Anderson’s portrayal of a musical project involving Shye Ben-Tzur and Jonny Greenwood, Homo Sapiens by director Nikolaus Geyrhalter, Steve Jobs: The Man in the Machine by director Alex Gibney, To the Desert by director Judd Neeman, Unlocking the Cage by directors D.A. Pennebaker and Chris Hegedus, De Palma by co-director Noah Baumbach and He Named Me Malala by David Guggenheim.
The Panorama selection of films will include amongst others the moving Strike a Pose, by Ester Gould and Reijer Zwaan about the dancers who accompanied Madonna on her “Blond Ambition” tour, Roger Ross Williams ‘Life, Animated depicting the remarkable story of an autistic boy, who learned how to communicate with his surroundings through Disney films, Those Who Jump about an African refugee who films attempts by other refugees to jump the barbed wire border fence in North Africa and Louis Theroux: My Scientology Film.
This year’s Arts Section will include Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble by Academy Award winner Morgan Neville; I Don’t Belong Anywhere: The Cinema of Chantal Akerman, which was produced shortly before her tragic death, Listen to Me, Marlon, which tells the story of Marlon Brando through the audio recordings he made throughout his life, Peggy Guggenheim: Art Addict, the salacious story of art collector Peggy Guggenheim, Koudelka Shooting Holy Land, Gilad Baram’s film about famous Czech photographer Josef Koudelka’s travels along the Separation Fence, and more.
Seven films produced by the top film schools in Israel were selected to compete in the annual Student Film Competition. The prize for the competition was donated by the Gottesman family in memory of Ruti Gottesman, a leading supporter of Docaviv and of documentary.
The Members of the selection committee included Karin Ryvind Segal, programming director for Docaviv, Hila Avraham, curator and expert on film and audiovisual media preservation and screenwriter Danny Rosenberg, whose work includes the films My Father’s House , Susia and the television series Johnny and the Knights of the Galilee.
Special Guests attending the Festival:
Award winning Director Ondi Timoner, will be attending the Israeli premiere of her film Russell Brand: A Second Coming. Her Sundance-winning film Dig! will be among the music documentaries screened at the Tel Aviv Port. In conjunction with the Film Department of Beit Berl College, Timoner will also be conducting a special master class for students, professionals, and amateurs.
This year’s festival will include a special tribute to acclaimed director Nikolaus Geyrhalter who will be attending the festival with his recent Homo Sapiens. This year’s festival will also include two previous films of his, Our Daily Bread and Abendland,.
International jury members attending the festival include:
Adriek van Nieuwenhuyzen, Director of the Idfa industry office; Gary Kam, producer of Planet of Snail; film director Alma Har’el (Bombay Beach; LoveTrue) ; Nilotpal, Director of Docedge Kolkata, Sascha Lara Bleuler, Director of the Human Rights Film Festival in Zurich, and film director Tatiana Brandrup.
The Israeli jurors include:
Director Dror Moreh, director and producer Barak Heymann, director Robby Elmaliah, producer Elinor Kowarsky, photographer David Adika, and film editor Tal Rabiner.
Around town. A record number of twelve screening venues spread out across Tel Aviv will offer free screenings. These are: Habima Square, the Beit Danny Community Center, the Hatikvah neighborhood, the Arab-Jewish Community Center in Jaffa, the rooftop of Tel Aviv City Hall, WeWork, Levinsky Park, Bar Kayma, Beit Romano, the Nalaga’at Center, Picnic Little Italy-Sarona Tel Aviv, and Artport.
Outdoors. The Tel Aviv Port will continue to host the festival this year, with outdoor screenings of music films with guest deejays from KZRadio. Films to be screened at the port include Janis: Little Girl Blue, The Reflektor Tapes about the band Arcade Fire, P.T Andersoan’s Junun about the musical collaboration between Shye Ben Tzur, Jonny Greenwood, Nigel Godrich, and a dozen Indian musicians.
Festival Firsts. DocaviVR: a collaboration between Docaviv and Steamer, Israel’s first Interactive and Virtual Reality Film Festival, presents original documentary projects from Israel and around the world, created especially for viewing with Vr gear. The event will take place at Beit Romano. A cinema will pop up in one of Tel Aviv’s trendy hubs, with 25 stations equipped with Vr gear.
The Docommunity conference aims to promote dcomentary across the country by bringing together cultural coordinators and artistic directors from across the country to introduce them to the latest documentary films from Israel and around the world.
The Platform for Alternative Documentation at Artport art space: A performative piece that brings together film artists, social activists, and researchers studying the various aesthetic, social, and philosophical aspects of documentation. Curated by Laliv Melamed and Gilad Reich.
Young audiences. For the first time, films from The Next Doc will be screened, a special initiative of Docaviv, the Second Channel, and the New Fund for Film and Television, which led to the production of three films created especially for a teenage audience.
Docaviv will also be hosting the final event of Docu Young, at which films by students in residential schools, who participated in film workshops , will be screened.
The Docyouth Competition will feature the best documentary films produced by students in high school film programs throughout the country. For the first time, voting for this year’s competition will be held online and open to high school students across the country.
Among the Screenings of docs for kids are Victor Kosakovsky’s “Varicella”, and “Landfilharmonic”.
Over the course of the festival, 110 films will be screened.
- 5/11/2016
- by Sydney Levine
- Sydney's Buzz
Two powerful documentaries look at the ever-growing wealth gap, and introduce us to some of those struggling through the resultant financial insecurity. I’m “biast” (pro): I’m a raging hippie leftist
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
Are you angry? Are you angry about everything? Are you angry about how you haven’t had a real raise (or any raise at all) in 10 years yet the price of everything keeps going up? Are you angry because it feels like you will never pay off your student loans? Are you angry because there’s no way in hell you will ever enjoy the same standard of living as your parents did? Are you angry because you’d rather not set your kids (if you can afford to have kids) on the hamster wheels of consumerism yet you don’t want...
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
Are you angry? Are you angry about everything? Are you angry about how you haven’t had a real raise (or any raise at all) in 10 years yet the price of everything keeps going up? Are you angry because it feels like you will never pay off your student loans? Are you angry because there’s no way in hell you will ever enjoy the same standard of living as your parents did? Are you angry because you’d rather not set your kids (if you can afford to have kids) on the hamster wheels of consumerism yet you don’t want...
- 4/27/2016
- by MaryAnn Johanson
- www.flickfilosopher.com
The Requiem For The American Dream is framed as Noam Chomsky‘s last long-form documented interviews. In the film, produced and directed by Peter Hutchison Kelly Nyks, and Jared P. Scott, Chomsky outlines the death of the American Dream, how it was fated from the very system that birthed it, and how it can be rebirthed by the only work that […]
The post ‘Requiem For the American Dream’ Movie Review: Insightful Words In A Distracting Film appeared first on uInterview.
The post ‘Requiem For the American Dream’ Movie Review: Insightful Words In A Distracting Film appeared first on uInterview.
- 3/24/2016
- by Jenny C Lu
- Uinterview
By Todd Garbarini
Noam Chomsky is widely regarded as one of the preeminent intellectuals in the world. As the Institute Professor Emeritus at the Massachusetts Institute of Technology (MIT) where he currently works, he has also written over one hundred books, among them Power and Terror: Conflict, Hegemony, and the Rule of Force, Profit Over People: Neoliberalism & Global Order, and the forthcoming The Culture of Terrorism which he co-wrote with Brian Jones. A seemingly tireless octogenarian, it is Mr. Chomsky’s Weltanschauung that director’s Peter D. Hutchison, Kelly Nyks, and Jared P. Scott recorded over a period of four years as the subject of their new and, unfortunately, quite timely documentary, the elegiacally-titled Requiem for the American Dream. The film, which runs a mere 73 minutes, focuses on what Mr. Chomsky refers to as the Ten Principles of Concentration of Wealth and Power, which essentially are the methods employed...
Noam Chomsky is widely regarded as one of the preeminent intellectuals in the world. As the Institute Professor Emeritus at the Massachusetts Institute of Technology (MIT) where he currently works, he has also written over one hundred books, among them Power and Terror: Conflict, Hegemony, and the Rule of Force, Profit Over People: Neoliberalism & Global Order, and the forthcoming The Culture of Terrorism which he co-wrote with Brian Jones. A seemingly tireless octogenarian, it is Mr. Chomsky’s Weltanschauung that director’s Peter D. Hutchison, Kelly Nyks, and Jared P. Scott recorded over a period of four years as the subject of their new and, unfortunately, quite timely documentary, the elegiacally-titled Requiem for the American Dream. The film, which runs a mere 73 minutes, focuses on what Mr. Chomsky refers to as the Ten Principles of Concentration of Wealth and Power, which essentially are the methods employed...
- 3/2/2016
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Noam Chomsky is one of America's most important thinkers, critical minds, and voices of dissent, and thus it's hardly a surprise that his gripping ideas have been the subject of more than one documentary. 1992's "Manufacturing Consent: Noam Chomsky and the Media" might be the most well known, and Michel Gondry's "Is the Man Who Is Tall Happy?" the quirkiest, but the upcoming "Requiem For The American Dream" — slated to premiere at the Tribeca Film Festival — might be the most relevant given social and economic landscape of the moment. Directed by Peter Hutchison, Kelly Nyks, and Jared P. Scott, the film is constructed from four years worth of interviews with Chomsky, and explores the growing inequality in the country and what that means for stability, democracy, and more. Here's the official synopsis: In his final long-form documentary interview - filmed over four years - Chomsky unpacks the principles that...
- 4/1/2015
- by Kevin Jagernauth
- The Playlist
In his final long-form documentary interview, Noam Chomsky exposes what we don’t know about inequality in America – creating the definitive account of how we’ve arrived at today’s distinct “Two Americas”. Chomsky articulates “10 Principles of Concentration of Wealth & Power” that perpetuate a vicious cycle – resulting in a concentration of resources in the hands of a select few, at the expense of everyone else. Requiem For The American Dream is a cogent reminder to all that what you don’t know can hurt you. Directed and produced by Peter Hutchison, Kelly Nyks, and Jared P. Scott. “Requiem For The American Dream” will make its world premiere in the Spotlight [ Read More ]
The post Exclusive: Requiem For The American Dream Gets A New Poster appeared first on Shockya.com.
The post Exclusive: Requiem For The American Dream Gets A New Poster appeared first on Shockya.com.
- 3/23/2015
- by Rudie Obias
- ShockYa
New work from William Monahan, Henry Hobson, Adrián García Bogliano and Neil Labute are among the Spotlight, Midnight and Special Screening selections announced on Thursday.
Tribeca Film Festival top brass announced the Spotlight section of 40 films comprising 23 narratives and 17 documentaries.
Twenty-four are world premieres, among them Monahan’s thriller Mojave, Labute’s Dirty Weekend and Henry Hobson’s zombie drama Maggie that Lionsgate/Roadside Attractions snapped up before Toronto before pulling the premiere.
Bogliano’s Here Comes The Devil follow-up Scherzo Diabolico plays in Midnight and is one of four world premieres in the five-strong genre strand.
Special Screenings include the world premiere of documentary Mary J. Blige – The London Sessions (pictured).
Work In Progress screenings include LoveTrue, the latest documentary from 2011 Best Documentary Feature Award winner Alma Har’el. Patrick Creadon, who directed 2011 entry Wordplay, will show a cut of All Work, All Play, which centres on the world of video game arena competitions.
“The Spotlight...
Tribeca Film Festival top brass announced the Spotlight section of 40 films comprising 23 narratives and 17 documentaries.
Twenty-four are world premieres, among them Monahan’s thriller Mojave, Labute’s Dirty Weekend and Henry Hobson’s zombie drama Maggie that Lionsgate/Roadside Attractions snapped up before Toronto before pulling the premiere.
Bogliano’s Here Comes The Devil follow-up Scherzo Diabolico plays in Midnight and is one of four world premieres in the five-strong genre strand.
Special Screenings include the world premiere of documentary Mary J. Blige – The London Sessions (pictured).
Work In Progress screenings include LoveTrue, the latest documentary from 2011 Best Documentary Feature Award winner Alma Har’el. Patrick Creadon, who directed 2011 entry Wordplay, will show a cut of All Work, All Play, which centres on the world of video game arena competitions.
“The Spotlight...
- 3/5/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
New work from William Monahan, Henry Hobson, Adrián García Bogliano and Neil Labute are among the Spotlight, Midnight and Special Screening selections announced on Thursday.
Tribeca Film Festival top brass announced the Spotlight section of 40 films comprising 23 narratives and 17 documentaries.
Twenty-four are world premieres, among them Monahan’s thriller Mojave, Labute’s Dirty Weekend and Henry Hobson’s zombie drama Maggie that Lionsgate/Roadside Attractions snapped up before Toronto before pulling the premiere.
Bogliano’s Here Comes The Devil follow-up Scherzo Diabolico plays in Midnight and is one of four world premieres in the five-strong genre strand.
Special Screenings include the world premiere of documentary Mary J. Blige – The London Sessions (pictured).
Work In Progress screenings include LoveTrue, the latest documentary from 2011 Best Documentary Feature Award winner Alma Har’el. Patrick Creadon, who directed 2011 entry Wordplay, will show a cut of All Work, All Play, which centres on the world of video game arena competitions.
“The Spotlight...
Tribeca Film Festival top brass announced the Spotlight section of 40 films comprising 23 narratives and 17 documentaries.
Twenty-four are world premieres, among them Monahan’s thriller Mojave, Labute’s Dirty Weekend and Henry Hobson’s zombie drama Maggie that Lionsgate/Roadside Attractions snapped up before Toronto before pulling the premiere.
Bogliano’s Here Comes The Devil follow-up Scherzo Diabolico plays in Midnight and is one of four world premieres in the five-strong genre strand.
Special Screenings include the world premiere of documentary Mary J. Blige – The London Sessions (pictured).
Work In Progress screenings include LoveTrue, the latest documentary from 2011 Best Documentary Feature Award winner Alma Har’el. Patrick Creadon, who directed 2011 entry Wordplay, will show a cut of All Work, All Play, which centres on the world of video game arena competitions.
“The Spotlight...
- 3/5/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
New work from William Monahan, Henry Hobson, Adrián García Bogliano and Neil Labute are among the Spotlight, Midnight and Special Screening selections announced on Thursday.
Tribeca Film Festival top brass announced the Spotlight section of 40 films comprising 23 narratives and 17 documentaries.
Twenty-four are world premieres, among them Monahan’s thriller Mojave, Labute’s Dirty Weekend and Henry Hobson’s zombie drama Maggie that Lionsgate/Roadside Attractions snapped up before Toronto before pulling the premiere.
Bogliano’s Here Comes The Devil follow-up Scherzo Diabolico plays in Midnight and is one of four world premieres in the five-strong genre strand.
Special Screenings include the world premiere of documentary Mary J. Blige – The London Sessions (pictured).
Work In Progress screenings include LoveTrue, the latest documentary from 2011 Best Documentary Feature Award winner Alma Har’el. Patrick Creadon, who directed 2011 entry Wordplay, will show a cut of All Work, All Play, which centres on the world of video game arena competitions.
“The Spotlight...
Tribeca Film Festival top brass announced the Spotlight section of 40 films comprising 23 narratives and 17 documentaries.
Twenty-four are world premieres, among them Monahan’s thriller Mojave, Labute’s Dirty Weekend and Henry Hobson’s zombie drama Maggie that Lionsgate/Roadside Attractions snapped up before Toronto before pulling the premiere.
Bogliano’s Here Comes The Devil follow-up Scherzo Diabolico plays in Midnight and is one of four world premieres in the five-strong genre strand.
Special Screenings include the world premiere of documentary Mary J. Blige – The London Sessions (pictured).
Work In Progress screenings include LoveTrue, the latest documentary from 2011 Best Documentary Feature Award winner Alma Har’el. Patrick Creadon, who directed 2011 entry Wordplay, will show a cut of All Work, All Play, which centres on the world of video game arena competitions.
“The Spotlight...
- 3/5/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Focus Forward Filmmaker Competition has announced Rafel Duran Torrent from Barcelona, Spain, as their grand prize winner. Torrent has been awarded $100K for his short film "Cyborg Foundation." You can watch the winning film below. The cash prize was presented to Torrent during a ceremony at the Sundance Film Festival. As part of Focus Forward's collaboration with the fest, Torrent will get to participate in a Sundance Institute ShortsLab of his choice in 2013. The runner-up awards were presented to Jared P. Scott & Kelly Nyks (“The Artificial Leaf," USA), Paul Lazarus (“Slingshot," USA), Kim Munsamy (“Bones Don't Lie and Don't Forget," Guatemala), and Callum Cooper (“Mine Kafon," UK), whose combined winnings totaled $200,000, the largest cummulative cash prize ever given to short documentary films. Twenty films were chosen as finalists in the competition from more than 600 submissions from 69...
- 1/24/2013
- by Beth Hanna
- Thompson on Hollywood
Barcelona-based filmmaker Rafel Duran Torrent has been awarded the grand jury prize in Ge and cinelan’s Focus Forward Filmmaker Competition. Torrent received a $100,000 cash prize and a collaboration with the Sundance Institute ShortsLab at a special awards ceremony at the Sundance Film Festival Tuesday. Jared P Scott & Kelly Nyks, Paul Lazarus, Kim Munsamy and Callum Cooper were given runner-up awards that combined total $200,000. The winners were chosen from more than 600 submissions from 69 countries. “We were impressed with the integrity, quality, and creativity of the submitted films,” said jury member Caroline Libresco. “Our deliberations went on for over a week by email and phone—it certainly wasn’t easy deciding how to award the prizes. From a programmer’s point of view, I found it heartening to see that so much great work is being made by filmmakers all over the world, including many at early points in...
- 1/22/2013
- by Jay A. Fernandez
- Indiewire
Spanish director Rafel Duran Torrent has won the $100,000 cash prize in the Focus Forward Filmmaker Competition at the Sundance Film Festival. The awards, the most lucrative ever given to short documentaries, went to five different shorts, with the top one being Duran Torrent's "Cyborg Foundation." The director will also be invited to a Sundance Institute ShortsLab program of his choice this year. Runners-up were Jared P. Scott and Kelly Nyks for "The Artificial Leaf," Paul Lazarus for "Slingshot," Kim Munsamy for "Bones Don't Lie and Don't Forget" and Callum Cooper for...
- 1/22/2013
- by Steve Pond
- The Wrap
Ge and cinelan today announced the five Jury Prize winners of its $200,000 Focus Forward Filmmaker Competition: Callum Cooper (Mine Kafon), Kim Munsamy (Bones Don’t Lie And Don’t Forget”, Paul Lazarus (Slingshot), Jared P. Scott & Kelly Nyks (The Artificial Leaf), and Rafel Duran Torrent (Cyborg Foundation). The Grand Jury Prize of $100,000 will be announced at a live Awards Ceremony on January 22 during the 2013 Sundance Film Festival. The jury for the Competition includes Sundance Film Festival Senior Programmer Caroline Libresco, actress Daryl Hannah (Kill Bill), and award-winning filmmakers Barbara Kopple (Harlan County, USA), José Padilha (Elite Squad), Joe Berlinger (Paradise Lost), Floyd Webb (Daughters of the Dust), and Peter...
- 1/7/2013
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Focus Forward Filmmaker Competition Names Five Jury Prize Winners; Grand Prize Announced at Sundance
The five jury-prize winners of the $200,000 Focus Forward Filmmaker competition have been announced. The Grand Jury Prize of $100,000 will be announced at a live awards ceremony on January 22 at the 2013 Sundance Film Festival. Full list of names and projects below. The five jury prize winners are: Callum Cooper (“Mine Kafon”) Kim Munsamy (“Bones Don’t Lie And Don’t Forget”) Paul Lazarus (“Slingshot”) Jared P. Scott and Kelly Nyks (“The Artificial Leaf”) Rafel Duran Torrent (“Cyborg Foundation”) In the Focus Forward "Short Films, Big Ideas" competition, participating filmmakers submit three-minute films featuring stories about people or organizations whose innovative efforts in medicine, computer science, robotics, engineering, green energy, or other fields of art and knowledge have had a significant positive impact on humanity. Last fall, a selection of 95 semifinalist...
- 1/7/2013
- by Beth Hanna
- Thompson on Hollywood
“Split: A Deeper Divide” is a new doc that attempts to take us deep into the cultural divide that exists today and explain where it came from. It’s not necessarily director Kelly Nyks’ fault that, while he attempts to plunge into this crevice like a moonshine-poisoned, wetsuit-clad James Cameron, he’s really just examining fault lines through binoculars. It’s an audaciously broad topic, and at less than eighty minutes, you wonder what exactly “Split” gives us that we haven’t received from countless other political documentaries. And it’s politics where the film slips up. Nyks takes on what is a fairly abstract social issue and too often reaches for the shorthand of contemporary Washington politics, with the film featuring obvious rhetorical placards such as “Do politics divide us?” What are politics if not an often-failed attempt of the government to recreate the tenor of it’s constituents?...
- 10/12/2012
- by Gabe Toro
- The Playlist
Forget just standing on opposite sides of the political line; Kelly Nyks’ follow up to “Split: A Divided America,” “Split: A Deeper Divide,” delves into how one side views the other not just as citizens with different viewpoints and values, but as pure evil. Just the other day we debuted the poster for “Split: A Deeper Divide” and now Shockya.com has the privilege of unveiling the trailer for the documentary, and it’s just as rousing as one for a narrative suspense film. Check it out for yourself below and catch the full feature when it arrives in New York City on October 12th followed by a wide release. By Perri [ Read More ]...
- 9/21/2012
- by Perri Nemiroff
- ShockYa
Director Kelly Nyks took a road trip approach to exploring the concept of political divides via cultural elements, media and campaign strategies in “Split: A Divided America” back in 2008, and now, just in time for the 2012 presidential election, he’s back for a look at an even deeper divide within American society. Similar to “A Divided America,” “Split: A Deeper Divide” offers up a portrait of a nation that’s divided more so than ever. Nyks talks to a number of political leaders including former Indiana Senator Evan Bayh, Lawrence Lessig of the Foundation of Ethics, Thomas Frank of the Wall Street Journal, and more about the overabundance of bitterness [ Read More ]...
- 9/17/2012
- by Perri Nemiroff
- ShockYa
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