Jessica Hausner on the references to Stanley Kubrick’s The Shining and Roman Polanski’s Rosemary’s Baby: “The idea behind Hotel [starring Franziska Weisz] was to use all those classical horror film elements on purpose, to put them together but to not lift the secret.”
In the second instalment with Jessica Hausner on three of her feature films before her latest, the bewitching Club Zero (European Film Award Best Original Score to Markus Binder), we move the conversation to Hotel, starring Franziska Weisz with Birgit Minichmayr (Michael Haneke’s The White Ribbon) and Lovely Rita with Barbara Osika as Rita, Wolfgang Kostal and Karina Brandlmayer as her parents, and Peter Fiala as her man of interest. The two films have the costumes, as always, designed by Tanja Hausner, cinematography by Martin Gschlacht, sound design by Erik Mischijew (Maren Ade’s multiple European Film...
In the second instalment with Jessica Hausner on three of her feature films before her latest, the bewitching Club Zero (European Film Award Best Original Score to Markus Binder), we move the conversation to Hotel, starring Franziska Weisz with Birgit Minichmayr (Michael Haneke’s The White Ribbon) and Lovely Rita with Barbara Osika as Rita, Wolfgang Kostal and Karina Brandlmayer as her parents, and Peter Fiala as her man of interest. The two films have the costumes, as always, designed by Tanja Hausner, cinematography by Martin Gschlacht, sound design by Erik Mischijew (Maren Ade’s multiple European Film...
- 5/11/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Jessica Hausner with Anne-Katrin Titze on Sylvie Testud’s Christine, Léa Seydoux’s Maria, Bruno Todeschini’s Kuno, and Gilette Barbier’s Frau Hartl in Lourdes: “I was thinking about the story of Heidi [by Johanna Spyri].”
In the first installment with Jessica Hausner on three of her feature films before her latest, the bewitching Club Zero (European Film Award Best Original Score to Markus Binder), we start the conversation with Lourdes, costumes, as always, designed by Tanja Hausner, cinematography by Martin Gschlacht, sound design by Erik Mischijew, and production design by Katharina Wöppermann (Shirin Neshat and Shoja Azari’s Women Without Men).
Kuno (Bruno Todeschini) with Christine (Sylvie Testud), Frau Hartl (Gilette Barbier) and Cécile (Elina Löwensohn)
Maria (Léa Seydoux), a newcomer to the...
In the first installment with Jessica Hausner on three of her feature films before her latest, the bewitching Club Zero (European Film Award Best Original Score to Markus Binder), we start the conversation with Lourdes, costumes, as always, designed by Tanja Hausner, cinematography by Martin Gschlacht, sound design by Erik Mischijew, and production design by Katharina Wöppermann (Shirin Neshat and Shoja Azari’s Women Without Men).
Kuno (Bruno Todeschini) with Christine (Sylvie Testud), Frau Hartl (Gilette Barbier) and Cécile (Elina Löwensohn)
Maria (Léa Seydoux), a newcomer to the...
- 4/26/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Ms Novak’s (Mia Wasikowska) students Fred (Luke Barker), Ragna (Florence Baker), Helen (Gwen Currant), Elsa (Ksenia Devriendt), and Ben (Samuel D Anderson) in Jessica Hausner’s bewitching Club Zero
In the second installment with Jessica Hausner on Club Zero (co-written with Geraldine Bajard) and scored by Markus Binder (European Film Award winner), starring Mia Wasikowska (as Conscious Eating instructor Ms Novak), we discussed her longtime collaborators, costume designer Tanja Hausner and cinematographer Martin Gschlacht plus Sidse Babett Knudsen and Peter & The Wolf.
Jessica Hausner on using Peter & The Wolf in Club Zero: “It’s a very common fairytale and we found out that it’s really very well known …” Photo: Anne Katrin Titze
The parents of the students are played by Elsa Zylberstein (Simone Veil in Olivier Dahan’s all-embracing portrait Simone: Woman Of The Century) Mathieu Demy, Camilla Rutherford...
In the second installment with Jessica Hausner on Club Zero (co-written with Geraldine Bajard) and scored by Markus Binder (European Film Award winner), starring Mia Wasikowska (as Conscious Eating instructor Ms Novak), we discussed her longtime collaborators, costume designer Tanja Hausner and cinematographer Martin Gschlacht plus Sidse Babett Knudsen and Peter & The Wolf.
Jessica Hausner on using Peter & The Wolf in Club Zero: “It’s a very common fairytale and we found out that it’s really very well known …” Photo: Anne Katrin Titze
The parents of the students are played by Elsa Zylberstein (Simone Veil in Olivier Dahan’s all-embracing portrait Simone: Woman Of The Century) Mathieu Demy, Camilla Rutherford...
- 4/2/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Club Zero director Jessica Hausner with Anne-Katrin Titze (in Batsheva): “I do see the film in connection to a fairy tale. I think in all my films there is a connection to one fairy tale or the other.”
Jessica Hausner’s bewitching Club Zero (co-written with Geraldine Bajard), shot by Martin Gschlacht, scored by Markus Binder (European Film Award winner) with costumes by the ever surprising Tanja Hausner, starts off with students Fred (Luke Barker), Elsa (Ksenia Devriendt), Ragna (Florence Baker), Ben (Samuel D Anderson), Helen (Gwen Currant), Joan (Sade McNichols-Thomas), and Corbinian (Andrei Hozoc), all dressed in gender-neutral pale yellow polo shirts, beige skorts, and purple knee socks, gathering insect-like chairs for a Conscious Eating class, led by recently hired instructor Ms Novak (Mia Wasikowska). Ms Dorset (Sidse Babett Knudsen), the head mistress of this elite and very expensive international boarding school, is well-meaning and oblivious of...
Jessica Hausner’s bewitching Club Zero (co-written with Geraldine Bajard), shot by Martin Gschlacht, scored by Markus Binder (European Film Award winner) with costumes by the ever surprising Tanja Hausner, starts off with students Fred (Luke Barker), Elsa (Ksenia Devriendt), Ragna (Florence Baker), Ben (Samuel D Anderson), Helen (Gwen Currant), Joan (Sade McNichols-Thomas), and Corbinian (Andrei Hozoc), all dressed in gender-neutral pale yellow polo shirts, beige skorts, and purple knee socks, gathering insect-like chairs for a Conscious Eating class, led by recently hired instructor Ms Novak (Mia Wasikowska). Ms Dorset (Sidse Babett Knudsen), the head mistress of this elite and very expensive international boarding school, is well-meaning and oblivious of...
- 3/14/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Early Modern times were messy: Europe was finding its footing in rationalism, seeking independence from the centuries-long spiritual yoke of Catholicism and Protestantism. Shedding the skin of the past seems, at least from our standpoint today, the best thing that could have happened to modern man. Preempting industrialization and a desire-fulfilling capitalist society, the journey towards Enlightenment positioned its preceding times as “The Dark Ages.” But the freedom to live or die was certainly a luxury for many––especially women caught in the patriarchal webs of rural life. Ewa Lizlfellner was one such woman who didn’t want to live, but to die.
In the 18th-century common beliefs, “the devil’s bath” figured as a metaphor for depression and suicidal ideation. Judging from the phrase alone––replete with pejoratives and a particularly spatialized horror––one can gather exactly how unfitting it was to be of “ill” mental health. While the...
In the 18th-century common beliefs, “the devil’s bath” figured as a metaphor for depression and suicidal ideation. Judging from the phrase alone––replete with pejoratives and a particularly spatialized horror––one can gather exactly how unfitting it was to be of “ill” mental health. While the...
- 2/29/2024
- by Savina Petkova
- The Film Stage
The Austrian director gave a masterclass at the Sarajevo Film Festival.
Austrian filmmaker Jessica Hausner is writing a film about workplace culture with the working title Toxic.
Hausner, most recently in Cannes Competition with Club Zero, said this will be her most optimistic and hopeful film. “The new idea is going to be about someone who tries to improve the world and the film has a happy end. It’s about the hope you can change things for the better.”
The film will be about “working hours, the working atmosphere - toxic workers,” she continued, explaining she had yet to...
Austrian filmmaker Jessica Hausner is writing a film about workplace culture with the working title Toxic.
Hausner, most recently in Cannes Competition with Club Zero, said this will be her most optimistic and hopeful film. “The new idea is going to be about someone who tries to improve the world and the film has a happy end. It’s about the hope you can change things for the better.”
The film will be about “working hours, the working atmosphere - toxic workers,” she continued, explaining she had yet to...
- 8/21/2023
- by Geoffrey Macnab
- ScreenDaily
The Teachers’ Lounge, İlker Çatak’s unsettling look at a teacher at the end of her rope, beat our multi-Oscar winner All Quiet on the Western Front to win the top prize for best film at the 2023 German Film Awards, known as the Lolas.
Çatak won the best director Lola and his drama also picked up prizes for best screenplay and best editing, as well as the best actress nod for star Leonie Benesch.
But All Quiet did not go home empty-handed. The first German-language adaptation of the Erich Maria Remarque classic 1929 anti-war novel won nine Lolas, including the runner-up silver Lola for best film.
Holy Spider, Ali Abbasi’s Iranian serial killer movie, which premiered in Cannes last year and was largely financed out of Germany, won the third prize Lola in bronze.
This year’s Lolas were held amid an atmosphere of turbulence and soul-searching. Recent revelations about the behavior of Till Schweiger,...
Çatak won the best director Lola and his drama also picked up prizes for best screenplay and best editing, as well as the best actress nod for star Leonie Benesch.
But All Quiet did not go home empty-handed. The first German-language adaptation of the Erich Maria Remarque classic 1929 anti-war novel won nine Lolas, including the runner-up silver Lola for best film.
Holy Spider, Ali Abbasi’s Iranian serial killer movie, which premiered in Cannes last year and was largely financed out of Germany, won the third prize Lola in bronze.
This year’s Lolas were held amid an atmosphere of turbulence and soul-searching. Recent revelations about the behavior of Till Schweiger,...
- 5/12/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Ulrich Seidl on Rimini: “I had images in my head of fog, of empty beaches, closed bars and restaurants, and hotels. All of this wrapped in a beautiful wintry sentimentality and loneliness.”
About a day as beautiful as today that should never fade away sings a row of inhabitants in an Austrian nursing home, holding on to their walkers for dear life. So begins Ulrich Seidl’s heartbreaking Rimini (72nd Berlin International Film Festival), co-written with Veronika Franz (The Lodge and Goodnight Mommy with Severin Fiala), shot by Wolfgang Thaler (Maria Schrader’s Stefan Zweig: Farewell to Europe), with costumes by Tanja Hausner. Rimini is as close to a musical as the director will probably ever get, conjuring up an eternal return of suffering, memories, and curated forgetting.
Ulrich Seidl with Anne-Katrin Titze on costume designer Tanja Hausner: “We first look into the closets of the performer.”
Seidl exposes in...
About a day as beautiful as today that should never fade away sings a row of inhabitants in an Austrian nursing home, holding on to their walkers for dear life. So begins Ulrich Seidl’s heartbreaking Rimini (72nd Berlin International Film Festival), co-written with Veronika Franz (The Lodge and Goodnight Mommy with Severin Fiala), shot by Wolfgang Thaler (Maria Schrader’s Stefan Zweig: Farewell to Europe), with costumes by Tanja Hausner. Rimini is as close to a musical as the director will probably ever get, conjuring up an eternal return of suffering, memories, and curated forgetting.
Ulrich Seidl with Anne-Katrin Titze on costume designer Tanja Hausner: “We first look into the closets of the performer.”
Seidl exposes in...
- 3/17/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Nearly 125 years after her assassination, the Empress Elisabeth of Austria — or Sisi to her enduring cultists — continues to inspire a veritable industry of portraiture in Europe: In the last year alone, a novel, two TV series (one of them a glossy Netflix affair) and two feature films have been dedicated to the tightly corseted royal icon. Viewers outside the Continental sphere of Sisi-mania may only have registered one of those films, Marie Kreutzer’s chic, subversive anti-biopic “Corsage,” which might make the second, German director Frauke Finsterwalder’s lush, irreverent “Sisi & I,” seem to them a too-soon spare — coincidentally repeating several tricks from Kreutzer’s anachronistic playbook with its modern feminist inflections, contemporary soundtrack cues and sensational fashions, albeit with plenty of its own panache.
That unfortunate timing, combined with the absence of a Vicky Krieps-style crossover arthouse star, may cost “Sisi & I” some distributor interest outside...
That unfortunate timing, combined with the absence of a Vicky Krieps-style crossover arthouse star, may cost “Sisi & I” some distributor interest outside...
- 3/12/2023
- by Guy Lodge
- Variety Film + TV
Markus Schleinzer is a filmmaker who knows how to wait for a payoff: Take the dry in-joke, for example, of waiting seven years to follow his 2011 debut “Michael” with a film called “Angelo.” His tartly brilliant second feature is awash with slow-building irony, though as with his first, there’s precious little mirth in its devastating kicker. An interpretive biopic of Angelo Soliman — an African man kidnapped into slavery as a child, who subsequently rose and fell through the ranks of 18th-century Viennese high society — Schleinzer’s film takes a chillingly but aptly clinical view of a life treated as an amusing human experiment by all but the man living it. Behavior is painstakingly observed and notes are extensively taken, before “Angelo” tersely delivers its own findings on the toxicity of the culture that colonized its title character.
Lest the “Michael”/”Angelo” segue lead viewers to expect a clear partner piece to Schleinzer’s debut,...
Lest the “Michael”/”Angelo” segue lead viewers to expect a clear partner piece to Schleinzer’s debut,...
- 9/29/2018
- by Guy Lodge
- Variety Film + TV
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