Park City ’07 Interview | Adam Bhala Lough: “I had a dream one night. I woke up and wrote it down. T
[Editors Note: indieWIRE is publishing two interviews daily with Sundance ’07 competition filmmakers through the end of the festival later this month. Directors with films screening in the four competition section were given the opportunity to participate in an email interview, and each was sent the same set of questions.]
Filmmaker Adam Bhala Lough brings his latest work to the Sundance Film Festival this year, entitled “Weapons.” The film follows a group of teenagers who become involved in a series of seemingly random killings over the course of a weekend. “A haunted hip-hop soundtrack drenches this insightful study of teenage character and value systems in a world where everyone seems to have a gun,” writes Sundance, “but the most dangerous weapon is the one unleashed by tender things broken inside innocent hearts.” Adam Bhala Lough other recent work includes Bomb the System, Farmhouse, and music videos for Mf Doom and Joe Strummer.
Please introduce yourself. What are some of your former jobs? Where did you grow up, and where do you live now?
27 right now, 24 when I wrote “Weapons.” I’ve had some interesting former jobs. I worked at Blockbuster Video, bagged groceries at Giant Food, was a clerk at...
Filmmaker Adam Bhala Lough brings his latest work to the Sundance Film Festival this year, entitled “Weapons.” The film follows a group of teenagers who become involved in a series of seemingly random killings over the course of a weekend. “A haunted hip-hop soundtrack drenches this insightful study of teenage character and value systems in a world where everyone seems to have a gun,” writes Sundance, “but the most dangerous weapon is the one unleashed by tender things broken inside innocent hearts.” Adam Bhala Lough other recent work includes Bomb the System, Farmhouse, and music videos for Mf Doom and Joe Strummer.
Please introduce yourself. What are some of your former jobs? Where did you grow up, and where do you live now?
27 right now, 24 when I wrote “Weapons.” I’ve had some interesting former jobs. I worked at Blockbuster Video, bagged groceries at Giant Food, was a clerk at...
- 1/27/2007
- by Indiewire
- Indiewire
PARK CITY -- Weapons brings the perennial problems of teenagers into the twenty-first century with a decidedly downbeat treatment. The film's stylish and innovative look, influenced by the slowed-down rhythms of Southern hip-hop, doesn't quite carry the elemental story of love and revenge. Its heart and soul may appeal to the new lost generation, but not the standard indie crowd.
Shot in the suburban nowhere of Southern California, the film could really take place wherever kids are restless, bored and disaffected. That's always been a recipe for violence, and director Adam Bhala Lough does not disappoint on that count. Film opens with a particularly gruesome shooting in which a kid's head is blown off in a hamburger joint. The story bobs and weaves backwards in time to eventually reveal how this came about.
Weapons centers on two groups of friends, one white and one black, who, in a nice touch, seem to more or less peacefully coexist until the explosion. On the white side is Jason (Riley Smith), a one-time high school basketball star who has fallen into a life of drugs and easy sex. His best buddy Sean Mark Webber) has, somewhat unbelievably, just returned to the neighborhood from his first year in college. Rounding out the trio is the Loose Cannon Chris (Paul Dano), a classic misfit who goes around sticking a video camera in everyone's face.
The story ignites when Reggie (Nick Cannon) discovers his kid sister Sabrina (Regine Nehy) with a black eye. She says Jason did it and in a rage Reggie sets out for revenge accompanied by his best friend Mikey (Jade Yorker) and Mikey's younger brother James (Brandon Mychal Smith). Although he's probably no more than sixteen Reggie is intent on getting a gun from Mikey's crazy uncle (Arliss Howard), who seems to be channeling the stoned-out Dennis Hooper from Apocalypse Now. After Reggie bludgeons him with a fire extinguisher all bets are off.
In between constantly getting high and stumbling around in a daze, the aggrieved parties are gradually drawn together with tragic results. But despite the buildup, the killings don't carry much weight when they finally happen. These are not characters most people can sympathy with. One tends to watch dispassionately as the inevitable plays out.
Constructed around the music of the southern hip hopper DJ Screw, which aims to simulate the laconic sound of a codeine high, the film relies on endless handheld shots and slow motion sequence in cars and at parties. There is a lot of super-saturated color meant to suggest the drug-induced state.
For their part, the kids are so high most of the time they have become matter-of-fact about the violence around them. Performances by the ensemble cast feel authentic, especially Dano as the loser Chris and Smith as the burnt out Jason. Amy Ferguson, as one of the neighborhood girls who has been around the block at sixteen, captures the dead-end feeling of a life evaporating before it starts.
With a keener eye for detail than story, Lough has definitely tapped a vein in the underbelly of America's youth. But for all its snappy editing (by Jay Rabinowitz) and visual bravado (by cinematographer Manuel Albert Claro), Weapons is not a pretty picture.
Weapons
Fried Films/Pantry Films
Credits: Director: Adam Bhala Lough; Writer: Lough; Producers: Rob Fried, Dan Keston, Bill Straus; Executive Producers: Jason Lust, Sol Tryon; Director of Photography: Manual Albert Claro; Production Designer: Alan E. Muraoka; Music: DJ Screw; Costume Designer: Tere Duncan; Editor: Jay Rabinowitz.
Cast:
Reggie: Nick Cannon; Chris: Paul Dano; Sean: Mark Webber; Jason: Riley Smith; Sabrina: Regine Nehy; Nikki: Amy Ferguson; Mikey: Jade Yorker; Mikeyis uncle: Arliss Howard; James: Brandon Mychal Smith
No MPAA rating, running time: 85 minutes...
Shot in the suburban nowhere of Southern California, the film could really take place wherever kids are restless, bored and disaffected. That's always been a recipe for violence, and director Adam Bhala Lough does not disappoint on that count. Film opens with a particularly gruesome shooting in which a kid's head is blown off in a hamburger joint. The story bobs and weaves backwards in time to eventually reveal how this came about.
Weapons centers on two groups of friends, one white and one black, who, in a nice touch, seem to more or less peacefully coexist until the explosion. On the white side is Jason (Riley Smith), a one-time high school basketball star who has fallen into a life of drugs and easy sex. His best buddy Sean Mark Webber) has, somewhat unbelievably, just returned to the neighborhood from his first year in college. Rounding out the trio is the Loose Cannon Chris (Paul Dano), a classic misfit who goes around sticking a video camera in everyone's face.
The story ignites when Reggie (Nick Cannon) discovers his kid sister Sabrina (Regine Nehy) with a black eye. She says Jason did it and in a rage Reggie sets out for revenge accompanied by his best friend Mikey (Jade Yorker) and Mikey's younger brother James (Brandon Mychal Smith). Although he's probably no more than sixteen Reggie is intent on getting a gun from Mikey's crazy uncle (Arliss Howard), who seems to be channeling the stoned-out Dennis Hooper from Apocalypse Now. After Reggie bludgeons him with a fire extinguisher all bets are off.
In between constantly getting high and stumbling around in a daze, the aggrieved parties are gradually drawn together with tragic results. But despite the buildup, the killings don't carry much weight when they finally happen. These are not characters most people can sympathy with. One tends to watch dispassionately as the inevitable plays out.
Constructed around the music of the southern hip hopper DJ Screw, which aims to simulate the laconic sound of a codeine high, the film relies on endless handheld shots and slow motion sequence in cars and at parties. There is a lot of super-saturated color meant to suggest the drug-induced state.
For their part, the kids are so high most of the time they have become matter-of-fact about the violence around them. Performances by the ensemble cast feel authentic, especially Dano as the loser Chris and Smith as the burnt out Jason. Amy Ferguson, as one of the neighborhood girls who has been around the block at sixteen, captures the dead-end feeling of a life evaporating before it starts.
With a keener eye for detail than story, Lough has definitely tapped a vein in the underbelly of America's youth. But for all its snappy editing (by Jay Rabinowitz) and visual bravado (by cinematographer Manuel Albert Claro), Weapons is not a pretty picture.
Weapons
Fried Films/Pantry Films
Credits: Director: Adam Bhala Lough; Writer: Lough; Producers: Rob Fried, Dan Keston, Bill Straus; Executive Producers: Jason Lust, Sol Tryon; Director of Photography: Manual Albert Claro; Production Designer: Alan E. Muraoka; Music: DJ Screw; Costume Designer: Tere Duncan; Editor: Jay Rabinowitz.
Cast:
Reggie: Nick Cannon; Chris: Paul Dano; Sean: Mark Webber; Jason: Riley Smith; Sabrina: Regine Nehy; Nikki: Amy Ferguson; Mikey: Jade Yorker; Mikeyis uncle: Arliss Howard; James: Brandon Mychal Smith
No MPAA rating, running time: 85 minutes...
- 1/21/2007
- The Hollywood Reporter - Movie News
Hollywood has always loved tales of redemption -- the poor, downtrodden or otherwise disenfranchised finding their true value with the help of an inspirational mentor. Sometimes the formula works. Unfortunately in "Gridiron Gang", Dwayne "The Rock" Johnson is about as inspirational as a yawn.
A true story, based on an award-winning documentary, about Inner City kids in juvenile detention who come together to forge a winning football team, is great material, but the film never catches fire. With rabid interest in the new football season and a major marketing blitz by Sony, the film could score a few early touchdowns in its first weekend but should tail off quickly after that.
Johnson plays Sean Porter, a dedicated probation officer at Camp Kilpatrick, the last stop for teenage gang members and violent offenders before the state locks them up with adults.
Frustrated by the frequency with which the kids return to the camp after being released, he imagines that by creating a football team he can instill discipline and a sense of self-worth in his charges. In other words, he's a man on a mission, and he's got plenty of work to do.
First, he must get the institution to go along with his plan. That means convincing reluctant camp director Paul Higa (Leon Rippy) and his assistant Dexter (Kevin Dunn) that it can work, and then finding other high school coaches willing to compete against convicted felons.
Then he has to put the team together. These kids, most of them from the Los Angles area, and many from rival gangs, already live in an environment of distrust and hatred.
His main reclamation project is Willie Weathers (Jade Yorker), a surly youth who killed his mother's boyfriend after losing his cousin in a drive-by shooting. Then there's his gang nemesis Kelvin (David Thomas), the angry Samoan Junior Palaita (Setu Taase), the team's water boy and mascot Bug (Brandon Mychal Smith) and the white but-not-too-trashy Kenny Bates (Trever O'Brien). In this sanitized version of street life, none of them are really bad kids, they just made bad choices.
Porter peppers them with uplifting messages about grit and determination and not being losers anymore. And -- surprise, surprise -- after numerous hardships and disappointments, the Mustangs, as they are called, become a self-respecting team that wins enough games to make it to the regional championship.
Director Phil Joanou, making his first feature in seven years, does a nice job giving the film a gritty, lived-in quality (much of the picture was shot at the real Camp Kilpatrick in the Santa Monica Mountains), and the football sequences, coached by Alan Graf, look and sound like The Real Thing. But screenwriter Jeff Maguire hasn't given them enough to work with.
The characters all have back stories -- Porter's mother is dying and he hates his father; Weathers is trying to go straight and win back his girlfriend; Junior longs to be reunited with his 2-year-old -- but not the depth to make them seem like anything more than types.
At an unbelievable 126 minutes, the film is bloated with story; too many things happen, mostly setbacks, to allow the movie to gather any momentum and soar, as this kind of picture must do to succeed. But Johnson is the real problem because the film is built around him. He is the latest in a long line of muscular hunks who don't so much emote as deliver lines. But in fairness, it is not easy to sell dialogue like, "accept this challenge and I promise you, you'll be winners."
Lensing by Jeff Cutter, production design by Floyd Albee, editing by Joel Negron and other tech credits are good enough to draw you into the film; unfortunately, there's nothing to keep you there.
GRIDIRON GANG
Sony Pictures
Columbia Pictures presents in association with Relativity Media an Original Film production
Credits:
Director: Phil Joanou
Screenwriter: Jeff Maguire
Executive producers: Michael Rachmil, Shane Stanley, Ryan Kavanaugh, Lynwood
Spinks
Producers: Neal H. Moritz, Lee Stanley
Director of photography: Jeff Cutter
Production designer: Floyd Albee
Music: Trevor Rabin
Co-producer: Amanda Cohen
Costume designer: Sanja Milkovic Hays
Editor: Joel Negron. Cast: Coach Sean Porter: Dwayne "The Rock" Johnson
Malcolm Moore: Xzibit
Ted Dexter: Kevin Dunn
Paul Higa: Leon Rippy
Willie Weathers: Jade Yorker
Kenny Bates: Trever O'Brien
Bug: Brandon Mychal Smith
Leon Hayes: Mo
Kelvin Owens: David Thomas
Junior Palaita: Setu Taase
Donald Madlock: James Earl III
Jamal Evans: Jamal Mixon
Danyelle Rollins: Jurnee Smollett
MPAA rating PG-13
Running time -- 126 minutes...
A true story, based on an award-winning documentary, about Inner City kids in juvenile detention who come together to forge a winning football team, is great material, but the film never catches fire. With rabid interest in the new football season and a major marketing blitz by Sony, the film could score a few early touchdowns in its first weekend but should tail off quickly after that.
Johnson plays Sean Porter, a dedicated probation officer at Camp Kilpatrick, the last stop for teenage gang members and violent offenders before the state locks them up with adults.
Frustrated by the frequency with which the kids return to the camp after being released, he imagines that by creating a football team he can instill discipline and a sense of self-worth in his charges. In other words, he's a man on a mission, and he's got plenty of work to do.
First, he must get the institution to go along with his plan. That means convincing reluctant camp director Paul Higa (Leon Rippy) and his assistant Dexter (Kevin Dunn) that it can work, and then finding other high school coaches willing to compete against convicted felons.
Then he has to put the team together. These kids, most of them from the Los Angles area, and many from rival gangs, already live in an environment of distrust and hatred.
His main reclamation project is Willie Weathers (Jade Yorker), a surly youth who killed his mother's boyfriend after losing his cousin in a drive-by shooting. Then there's his gang nemesis Kelvin (David Thomas), the angry Samoan Junior Palaita (Setu Taase), the team's water boy and mascot Bug (Brandon Mychal Smith) and the white but-not-too-trashy Kenny Bates (Trever O'Brien). In this sanitized version of street life, none of them are really bad kids, they just made bad choices.
Porter peppers them with uplifting messages about grit and determination and not being losers anymore. And -- surprise, surprise -- after numerous hardships and disappointments, the Mustangs, as they are called, become a self-respecting team that wins enough games to make it to the regional championship.
Director Phil Joanou, making his first feature in seven years, does a nice job giving the film a gritty, lived-in quality (much of the picture was shot at the real Camp Kilpatrick in the Santa Monica Mountains), and the football sequences, coached by Alan Graf, look and sound like The Real Thing. But screenwriter Jeff Maguire hasn't given them enough to work with.
The characters all have back stories -- Porter's mother is dying and he hates his father; Weathers is trying to go straight and win back his girlfriend; Junior longs to be reunited with his 2-year-old -- but not the depth to make them seem like anything more than types.
At an unbelievable 126 minutes, the film is bloated with story; too many things happen, mostly setbacks, to allow the movie to gather any momentum and soar, as this kind of picture must do to succeed. But Johnson is the real problem because the film is built around him. He is the latest in a long line of muscular hunks who don't so much emote as deliver lines. But in fairness, it is not easy to sell dialogue like, "accept this challenge and I promise you, you'll be winners."
Lensing by Jeff Cutter, production design by Floyd Albee, editing by Joel Negron and other tech credits are good enough to draw you into the film; unfortunately, there's nothing to keep you there.
GRIDIRON GANG
Sony Pictures
Columbia Pictures presents in association with Relativity Media an Original Film production
Credits:
Director: Phil Joanou
Screenwriter: Jeff Maguire
Executive producers: Michael Rachmil, Shane Stanley, Ryan Kavanaugh, Lynwood
Spinks
Producers: Neal H. Moritz, Lee Stanley
Director of photography: Jeff Cutter
Production designer: Floyd Albee
Music: Trevor Rabin
Co-producer: Amanda Cohen
Costume designer: Sanja Milkovic Hays
Editor: Joel Negron. Cast: Coach Sean Porter: Dwayne "The Rock" Johnson
Malcolm Moore: Xzibit
Ted Dexter: Kevin Dunn
Paul Higa: Leon Rippy
Willie Weathers: Jade Yorker
Kenny Bates: Trever O'Brien
Bug: Brandon Mychal Smith
Leon Hayes: Mo
Kelvin Owens: David Thomas
Junior Palaita: Setu Taase
Donald Madlock: James Earl III
Jamal Evans: Jamal Mixon
Danyelle Rollins: Jurnee Smollett
MPAA rating PG-13
Running time -- 126 minutes...
- 9/16/2006
- The Hollywood Reporter - Movie News
Hollywood has always loved tales of redemption -- the poor, downtrodden or otherwise disenfranchised finding their true value with the help of an inspirational mentor. Sometimes the formula works. Unfortunately in Gridiron Gang, Dwayne The Rock Johnson is about as inspirational as a yawn.
A true story, based on an award-winning documentary, about inner city kids in juvenile detention who come together to forge a winning football team, is great material, but the film never catches fire. With rabid interest in the new football season and a major marketing blitz by Sony, the film could score a few early touchdowns in its first weekend but should tail off quickly after that.
Johnson plays Sean Porter, a dedicated probation officer at Camp Kilpatrick, the last stop for teenage gang members and violent offenders before the state locks them up with adults.
Frustrated by the frequency with which the kids return to the camp after being released, he imagines that by creating a football team he can instill discipline and a sense of self-worth in his charges. In other words, he's a man on a mission, and he's got plenty of work to do.
First, he must get the institution to go along with his plan. That means convincing reluctant camp director Paul Higa (Leon Rippy) and his assistant Dexter (Kevin Dunn) that it can work, and then finding other high school coaches willing to compete against convicted felons.
Then he has to put the team together. These kids, most of them from the Los Angles area, and many from rival gangs, already live in an environment of distrust and hatred.
His main reclamation project is Willie Weathers (Jade Yorker), a surly youth who killed his mother's boyfriend after losing his cousin in a drive-by shooting. Then there's his gang nemesis Kelvin (David Thomas), the angry Samoan Junior Palaita (Setu Taase), the team's water boy and mascot Bug (Brandon Mychal Smith) and the white but-not-too-trashy Kenny Bates (Trever O'Brien). In this sanitized version of street life, none of them are really bad kids, they just made bad choices.
Porter peppers them with uplifting messages about grit and determination and not being losers anymore. And -- surprise, surprise -- after numerous hardships and disappointments, the Mustangs, as they are called, become a self-respecting team that wins enough games to make it to the regional championship.
Director Phil Joanou, making his first feature in seven years, does a nice job giving the film a gritty, lived-in quality (much of the picture was shot at the real Camp Kilpatrick in the Santa Monica Mountains), and the football sequences, coached by Alan Graf, look and sound like The Real Thing. But screenwriter Jeff Maguire hasn't given them enough to work with.
The characters all have back stories -- Porter's mother is dying and he hates his father; Weathers is trying to go straight and win back his girlfriend; Junior longs to be reunited with his 2-year-old -- but not the depth to make them seem like anything more than types.
At an unbelievable 126 minutes, the film is bloated with story; too many things happen, mostly setbacks, to allow the movie to gather any momentum and soar, as this kind of picture must do to succeed. But Johnson is the real problem because the film is built around him. He is the latest in a long line of muscular hunks who don't so much emote as deliver lines. But in fairness, it is not easy to sell dialogue like, "accept this challenge and I promise you, you'll be winners."
Lensing by Jeff Cutter, production design by Floyd Albee, editing by Joel Negron and other tech credits are good enough to draw you into the film; unfortunately, there's nothing to keep you there.
GRIDIRON GANG
Sony Pictures
Columbia Pictures presents in association with Relativity Media an Original Film production
Credits:
Director: Phil Joanou
Screenwriter: Jeff Maguire
Executive producers: Michael Rachmil, Shane Stanley, Ryan Kavanaugh, Lynwood
Spinks
Producers: Neal H. Moritz, Lee Stanley
Director of photography: Jeff Cutter
Production designer: Floyd Albee
Music: Trevor Rabin
Co-producer: Amanda Cohen
Costume designer: Sanja Milkovic Hays
Editor: Joel Negron. Cast: Coach Sean Porter: Dwayne The Rock Johnson
Malcolm Moore: Xzibit
Ted Dexter: Kevin Dunn
Paul Higa: Leon Rippy
Willie Weathers: Jade Yorker
Kenny Bates: Trever O'Brien
Bug: Brandon Mychal Smith
Leon Hayes: Mo
Kelvin Owens: David Thomas
Junior Palaita: Setu Taase
Donald Madlock: James Earl III
Jamal Evans: Jamal Mixon
Danyelle Rollins: Jurnee Smollett
MPAA rating PG-13
Running time -- 126 minutes...
A true story, based on an award-winning documentary, about inner city kids in juvenile detention who come together to forge a winning football team, is great material, but the film never catches fire. With rabid interest in the new football season and a major marketing blitz by Sony, the film could score a few early touchdowns in its first weekend but should tail off quickly after that.
Johnson plays Sean Porter, a dedicated probation officer at Camp Kilpatrick, the last stop for teenage gang members and violent offenders before the state locks them up with adults.
Frustrated by the frequency with which the kids return to the camp after being released, he imagines that by creating a football team he can instill discipline and a sense of self-worth in his charges. In other words, he's a man on a mission, and he's got plenty of work to do.
First, he must get the institution to go along with his plan. That means convincing reluctant camp director Paul Higa (Leon Rippy) and his assistant Dexter (Kevin Dunn) that it can work, and then finding other high school coaches willing to compete against convicted felons.
Then he has to put the team together. These kids, most of them from the Los Angles area, and many from rival gangs, already live in an environment of distrust and hatred.
His main reclamation project is Willie Weathers (Jade Yorker), a surly youth who killed his mother's boyfriend after losing his cousin in a drive-by shooting. Then there's his gang nemesis Kelvin (David Thomas), the angry Samoan Junior Palaita (Setu Taase), the team's water boy and mascot Bug (Brandon Mychal Smith) and the white but-not-too-trashy Kenny Bates (Trever O'Brien). In this sanitized version of street life, none of them are really bad kids, they just made bad choices.
Porter peppers them with uplifting messages about grit and determination and not being losers anymore. And -- surprise, surprise -- after numerous hardships and disappointments, the Mustangs, as they are called, become a self-respecting team that wins enough games to make it to the regional championship.
Director Phil Joanou, making his first feature in seven years, does a nice job giving the film a gritty, lived-in quality (much of the picture was shot at the real Camp Kilpatrick in the Santa Monica Mountains), and the football sequences, coached by Alan Graf, look and sound like The Real Thing. But screenwriter Jeff Maguire hasn't given them enough to work with.
The characters all have back stories -- Porter's mother is dying and he hates his father; Weathers is trying to go straight and win back his girlfriend; Junior longs to be reunited with his 2-year-old -- but not the depth to make them seem like anything more than types.
At an unbelievable 126 minutes, the film is bloated with story; too many things happen, mostly setbacks, to allow the movie to gather any momentum and soar, as this kind of picture must do to succeed. But Johnson is the real problem because the film is built around him. He is the latest in a long line of muscular hunks who don't so much emote as deliver lines. But in fairness, it is not easy to sell dialogue like, "accept this challenge and I promise you, you'll be winners."
Lensing by Jeff Cutter, production design by Floyd Albee, editing by Joel Negron and other tech credits are good enough to draw you into the film; unfortunately, there's nothing to keep you there.
GRIDIRON GANG
Sony Pictures
Columbia Pictures presents in association with Relativity Media an Original Film production
Credits:
Director: Phil Joanou
Screenwriter: Jeff Maguire
Executive producers: Michael Rachmil, Shane Stanley, Ryan Kavanaugh, Lynwood
Spinks
Producers: Neal H. Moritz, Lee Stanley
Director of photography: Jeff Cutter
Production designer: Floyd Albee
Music: Trevor Rabin
Co-producer: Amanda Cohen
Costume designer: Sanja Milkovic Hays
Editor: Joel Negron. Cast: Coach Sean Porter: Dwayne The Rock Johnson
Malcolm Moore: Xzibit
Ted Dexter: Kevin Dunn
Paul Higa: Leon Rippy
Willie Weathers: Jade Yorker
Kenny Bates: Trever O'Brien
Bug: Brandon Mychal Smith
Leon Hayes: Mo
Kelvin Owens: David Thomas
Junior Palaita: Setu Taase
Donald Madlock: James Earl III
Jamal Evans: Jamal Mixon
Danyelle Rollins: Jurnee Smollett
MPAA rating PG-13
Running time -- 126 minutes...
- 9/15/2006
- The Hollywood Reporter - Movie News
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