For the majority of John Oates’ professional career, solo work was a means to keep busy and creatively fulfilled between the Daryl Hall & John Oates projects that took up most of his time. But now that the duo has hopelessly fractured after more than 50 years of partnership, Oates has the time to concentrate all his energies on his own music, beginning with his new LP, Reunion, out May 17.
The album is the culmination of years of work and features original compositions he wrote with A.J. Croce, Keith Sykes, Jim Lauderdale,...
The album is the culmination of years of work and features original compositions he wrote with A.J. Croce, Keith Sykes, Jim Lauderdale,...
- 4/10/2024
- by Andy Greene
- Rollingstone.com
We thought all the great vintage music documentaries were accounted for, but Murray Lerner’s look at the Newport Folk Festival in the mid-‘sixties is a terrific time machine to a kindler, gentler musical era. The mix of talent is broad and deep, and we get to see excellent vintage coverage of some real legends, before the hype & marketing plague arrived.
Festival: Folk Music at Newport, 1963-1966
Blu-ray
The Criterion Collection 892
1967 / B&W / 1:33 flat full frame / 97 min. / available through The Criterion Collection / Street Date September 12, 2017 / 39.95
Starring: Joan Baez, Johnny Cash, Judy Collins, Donovan, Bob Dylan, Buffy Sainte-Marie, Pete Seeger, Peter Yarrow, Mary Travers, Odetta, Ronnie Gilbert, Mike Bloomfield, Paul Butterfield, Theodore Bikel, Cousin Emmy, Horton Barker, Fiddler Beers, Mimi Fariña, Richard Farina, Mrs. Ollie Gilbert, Fannie Lou Hamer, Son House, Mississippi John Hurt, John Koerner, Jim Kweskin, Tex Logan, Mel Lyman, Spokes Mashiyane, Fred McDowell, Brownie McGhee, Pappy Clayton McMichen,...
Festival: Folk Music at Newport, 1963-1966
Blu-ray
The Criterion Collection 892
1967 / B&W / 1:33 flat full frame / 97 min. / available through The Criterion Collection / Street Date September 12, 2017 / 39.95
Starring: Joan Baez, Johnny Cash, Judy Collins, Donovan, Bob Dylan, Buffy Sainte-Marie, Pete Seeger, Peter Yarrow, Mary Travers, Odetta, Ronnie Gilbert, Mike Bloomfield, Paul Butterfield, Theodore Bikel, Cousin Emmy, Horton Barker, Fiddler Beers, Mimi Fariña, Richard Farina, Mrs. Ollie Gilbert, Fannie Lou Hamer, Son House, Mississippi John Hurt, John Koerner, Jim Kweskin, Tex Logan, Mel Lyman, Spokes Mashiyane, Fred McDowell, Brownie McGhee, Pappy Clayton McMichen,...
- 8/29/2017
- by Glenn Erickson
- Trailers from Hell
Could there be a more perfect moment than this? Sitting in the garden behind the Hotel Nacional, looking at the Cuban flag so proudly waving over the Straits of Florida and the Gulf of Mexico. The same site where the defense was built during the Cuban Missile Crisis, this moment of time marks a particularly precarious balance between peaceful coexistence and military aggression as we contemplate the recent death of Castro and election of Trump, wondering how it will play out in 2017.Hotel Nacional, Headquarters of Festival de Cine Nuevo Iberoamericano, Havana, Cuba
Cuba, ten days after the death of Fidel Castro, head of state for 52 years,may be a bit more subdued, but life here goes on, even with the influx of American tourists (other tourists have always been here); there is a sense of harmony. And in spite of the scarcity of luxuries for its people, the people...
Cuba, ten days after the death of Fidel Castro, head of state for 52 years,may be a bit more subdued, but life here goes on, even with the influx of American tourists (other tourists have always been here); there is a sense of harmony. And in spite of the scarcity of luxuries for its people, the people...
- 12/29/2016
- by Sydney Levine
- Sydney's Buzz
Linda Keith lent a young blues player a guitar belonging to her boyfriend, Keith Richards – and the rest is history. In a rare interview, she tells her story
Rock'n'roll has had many pivotal moments, but few are as clear cut as when Linda Keith, a 20-year-old British Vogue model and blues fanatic, lent a virtually unknown Jimi Hendrix a white Fender Stratocaster, the instrument that would become forever entwined with the guitarist's legendary and unsurpassed technique.
One person rightfully aggrieved by this gesture was the guitar's owner and Linda's boyfriend of three years, Keith Richards. Richards, then on the Rolling Stones' 1966 tour of the Us, wasn't going to get his guitar or his striking, dark-haired girlfriend back – she had made it her mission to launch Hendrix's career. But he and Brian Jones did write the song Ruby Tuesday about her – "Goodbye Ruby Tuesday/ Who could hang a name on you?...
Rock'n'roll has had many pivotal moments, but few are as clear cut as when Linda Keith, a 20-year-old British Vogue model and blues fanatic, lent a virtually unknown Jimi Hendrix a white Fender Stratocaster, the instrument that would become forever entwined with the guitarist's legendary and unsurpassed technique.
One person rightfully aggrieved by this gesture was the guitar's owner and Linda's boyfriend of three years, Keith Richards. Richards, then on the Rolling Stones' 1966 tour of the Us, wasn't going to get his guitar or his striking, dark-haired girlfriend back – she had made it her mission to launch Hendrix's career. But he and Brian Jones did write the song Ruby Tuesday about her – "Goodbye Ruby Tuesday/ Who could hang a name on you?...
- 9/14/2013
- by Edward Helmore
- The Guardian - Film News
Kidney Brothers: Coal Tattoo (Hearpen)
Having grown up and loved from afar, forced to do so after I moved to NYC, there are few bands still playing live -- four decades later -- worthy of my unbridled accolades and devotion but so it is with the heady agro-blues of 15-60-75 Aka The Numbers Band. If you dig music and happen to hail from Northeast Ohio, you know what I'm talking about. Having followed their entire career, I can proudly boast that I'm one of their biggest fans. Yet, it's no leap of faith or youthful nostalgia.
If you've seen them live, regardless of the decade, then you know the passion and verve that the brothers Kidney -- singer/guitarist Bob and harpist/sax/keyboardist/vocalist Jack -- share with their audience, regardless of the size, every single time they take the stage.
Along with horn player Terry Hynde (Pretender...
Having grown up and loved from afar, forced to do so after I moved to NYC, there are few bands still playing live -- four decades later -- worthy of my unbridled accolades and devotion but so it is with the heady agro-blues of 15-60-75 Aka The Numbers Band. If you dig music and happen to hail from Northeast Ohio, you know what I'm talking about. Having followed their entire career, I can proudly boast that I'm one of their biggest fans. Yet, it's no leap of faith or youthful nostalgia.
If you've seen them live, regardless of the decade, then you know the passion and verve that the brothers Kidney -- singer/guitarist Bob and harpist/sax/keyboardist/vocalist Jack -- share with their audience, regardless of the size, every single time they take the stage.
Along with horn player Terry Hynde (Pretender...
- 4/5/2013
- by Dusty Wright
- www.culturecatch.com
Werner Herzog is personally participating in two events in New York this week, beginning tonight with Paul Holdengräber's Live from the New York Public Library conversation series and again with Holdengräber tomorrow at the Brooklyn Academy of Music for a post-screening discussion of Herzog's use of music in The White Diamond and beyond. Screenings of Fitzcarraldo Friday night fill out Bam's duet of a series, Ode to the Dawn of Man: Film and Music with Werner Herzog. In addition, Herzog's video installation in the Whitney Biennial goes on display Thursday incorporating footage he filmed during an improvisation between cello and organ (here is a spellbinding clip of some of the footage from that session). Truly, 'tis the season in New York to contemplate the director's transformation of the world into music.
Herzog's knack for fusing his own astonishing images to somehow equally astonishing music has always been exceptional, to the...
Herzog's knack for fusing his own astonishing images to somehow equally astonishing music has always been exceptional, to the...
- 2/29/2012
- MUBI
With Drive Angry 3D on the horizon, we celebrate the cinematic majesty of Nicolas Cage in full flow. And there is a lot to celebrate, too...
I am well aware that the Internet is full to brimming with a variety of Nicolas Cage compilations, with titles such as 'Cage Rage' and ‘Cage losing his shit' becoming part of the web vernacular, but the idea behind this list is to try and reflect the various emotional effects that his films and performances are capable of, not just to list his onscreen outbursts. Though don't get me wrong, there's always room for some of that too.
I've been itching to defend his work for a while now, as the majority of negative comments about him tend to be centred on the misconception that all he does is make ‘bad' movies, without people taking the time to look at his career as a whole.
I am well aware that the Internet is full to brimming with a variety of Nicolas Cage compilations, with titles such as 'Cage Rage' and ‘Cage losing his shit' becoming part of the web vernacular, but the idea behind this list is to try and reflect the various emotional effects that his films and performances are capable of, not just to list his onscreen outbursts. Though don't get me wrong, there's always room for some of that too.
I've been itching to defend his work for a while now, as the majority of negative comments about him tend to be centred on the misconception that all he does is make ‘bad' movies, without people taking the time to look at his career as a whole.
- 1/13/2011
- Den of Geek
With 2010 almost over, Glen rounds up his favourite movie songs of the year…
With the year drawing to a close I thought I’d draw my first year of Music In The Movies to a close in the same way it started – with a look back at the best movie songs of the year…
Sonny Terry – Old Lost John
Bad Lieutenant: Port Of Call – New Orleans
This accompanies one of the crazier scenes in Werner Herzog’s exploration of excess, and that’s saying something. The film is wonderfully entertaining, as Herzog unleashes his unique creative sensibilities to tackle many aspects of the film in unconventional ways. This particular scene, the “His soul is still dancing” scene, really is quite remarkable, and this crazy song from Sonny Terry provides a great accompaniment.
The Used – The Bird And The Worm
Clash Of The Titans
Okay, so this was only used in the trailer,...
With the year drawing to a close I thought I’d draw my first year of Music In The Movies to a close in the same way it started – with a look back at the best movie songs of the year…
Sonny Terry – Old Lost John
Bad Lieutenant: Port Of Call – New Orleans
This accompanies one of the crazier scenes in Werner Herzog’s exploration of excess, and that’s saying something. The film is wonderfully entertaining, as Herzog unleashes his unique creative sensibilities to tackle many aspects of the film in unconventional ways. This particular scene, the “His soul is still dancing” scene, really is quite remarkable, and this crazy song from Sonny Terry provides a great accompaniment.
The Used – The Bird And The Worm
Clash Of The Titans
Okay, so this was only used in the trailer,...
- 12/20/2010
- Den of Geek
Bad Lieutenant: Port of Call New Orleans Directed by: Werner Herzog Written by: Willam M. Finkelstein Starring: Nicolas Cage, Eva Mendes, Shawn Hatosy, Irma P. Hall, Val Kilmer, Xzibit There was a lot of confusion when it was first announced that Werner Herzog would be directing a remake of the 1992 film Bad Lieutenant starring Harvey Keitel, and even more confusion when a trailer finally surfaced online last year. As it turns out, the movie is not a remake of Abel Ferrara's original at all, and shares little more than a title and the same general premise. But if it isn't a remake and it isn't a sequel, the question remains... what exactly is it? Somehow the folks at Millennium Films (Rambo, Brooklyn's Finest) managed to scoop up the rights to the original, and thought that it might make a good starting point for a franchise. Bad Lieutenant: Port of Call New Orleans...
- 4/15/2010
- by Sean
- FilmJunk
Envy me, because Werner Herzog's "The Bad Lieutenant: Port of Call New Orleans" is more fun to write about than it is to watch, and it is barrel-of-monkeys fun to watch. Everything about it is wrong, so wrong that categorizing it that way is meaningless, but wrong nonetheless, down to its title (that awkward "the" on the film's opening title card, that anachronistic and irrelevant "port of call," the subtitle itself, erroneously suggesting sequel-hood, etc.).
Of course, the film has no relation to the 1992 Abel Ferrara film, except it involves a police detective who is "bad," insofar as he dopes, gambles and isn't very effective as a cop. In the first film, the character's self-immolation was an existential passion; here it's... I don't know what it is. Herzog was brought on as a director-for-hire (which is very wrong, in the grand cultural scheme of things), after screenwriter William Finkelstein ("Doogie Howser,...
Of course, the film has no relation to the 1992 Abel Ferrara film, except it involves a police detective who is "bad," insofar as he dopes, gambles and isn't very effective as a cop. In the first film, the character's self-immolation was an existential passion; here it's... I don't know what it is. Herzog was brought on as a director-for-hire (which is very wrong, in the grand cultural scheme of things), after screenwriter William Finkelstein ("Doogie Howser,...
- 11/18/2009
- by Michael Atkinson
- ifc.com
I wasn’t very familiar with Sonny Terry and Brownie McGhee before starting this little blogging project, but as soon as I heard them, I knew I had to feature them. (So thanks for the recommendation, Bee Man Caught In Sting and Batman: The Horse.) Best known as a duo act, Walter “Brownie” McGhee and Sonny Terry (born Saunders Terrell) played together for four decades through the mid-1970s. Here’s a clip from the 1996 video Blues Masters, which gathers performances recorded in 1966 for Canadian TV, with an introduction by Canadian musician Colin James that obviates the need for me to write a bio about them, and I’m always up for letting someone else do my work: Oh, what the hell, I'll write a short bio anyway. Unlike other musicians I’ve featured so far, Terry and...
- 5/30/2008
- avclub.com
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