The Moscow-based company is looking for partners at EFM.
Moscow’s Hype Film, whose credits include Mona Fastvold’s Venice Competition contender The World To Come and Kirill Serebrennikov’s buzzy Petrov’s Flu (sold by Charades), is lining up a project exploring the lives of contemporary Russians with disabilities.
The Carpenter is to be directed by Avdotya (Dunya) Smirnova, whose previous filmmaker credits include Two Days (2011) starring Fedor Bondarchuk, and Andrei Konchalovsky’s 2007 comedy drama Gloss, which she co-wrote.
Smirnova’s drama will look at the experiences of parents who make huge sacrifices to give their disabled child a comfortable life.
Moscow’s Hype Film, whose credits include Mona Fastvold’s Venice Competition contender The World To Come and Kirill Serebrennikov’s buzzy Petrov’s Flu (sold by Charades), is lining up a project exploring the lives of contemporary Russians with disabilities.
The Carpenter is to be directed by Avdotya (Dunya) Smirnova, whose previous filmmaker credits include Two Days (2011) starring Fedor Bondarchuk, and Andrei Konchalovsky’s 2007 comedy drama Gloss, which she co-wrote.
Smirnova’s drama will look at the experiences of parents who make huge sacrifices to give their disabled child a comfortable life.
- 3/4/2021
- by Geoffrey Macnab
- ScreenDaily
Ida producer Opus Film and distributors Against Gravity and Next Film were among the winners at the 8th Polish Film Institute Awards.
The awards were presented at a gala ceremony last night during the Gdynia Film Festival (Sept 14-29).
Lodz-based Opus Film and the Acme PR agency won the prize for ¨International Promotion of Polish Cinema¨ for its Oscar campaign for Pawel Pawlikowski’s Ida, which won Best Foreign-Language Film at the Academy Awards.
Next Film was recognised for its distribution of Jan Komasa’s Warsaw Uprising and Lukasz Palkowski’s Gods, the big winner at last year’s Gdynia Film Festival with admissions topping 2.2 million in Polish cinemas.
Against Gravity received the award for ¨Distribution of a Non-Commercial Foreign Film in Poland¨ for its release of Russian director Andrey Zvyagintsev’s Oscar-nominated Leviathan.
In addition, the 41st Film Summer in Insk beat off competition from the 5th American Film Festival in Wroclaw and the 21st Nationwide...
The awards were presented at a gala ceremony last night during the Gdynia Film Festival (Sept 14-29).
Lodz-based Opus Film and the Acme PR agency won the prize for ¨International Promotion of Polish Cinema¨ for its Oscar campaign for Pawel Pawlikowski’s Ida, which won Best Foreign-Language Film at the Academy Awards.
Next Film was recognised for its distribution of Jan Komasa’s Warsaw Uprising and Lukasz Palkowski’s Gods, the big winner at last year’s Gdynia Film Festival with admissions topping 2.2 million in Polish cinemas.
Against Gravity received the award for ¨Distribution of a Non-Commercial Foreign Film in Poland¨ for its release of Russian director Andrey Zvyagintsev’s Oscar-nominated Leviathan.
In addition, the 41st Film Summer in Insk beat off competition from the 5th American Film Festival in Wroclaw and the 21st Nationwide...
- 9/17/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Russia has made headlines lately for no shortage of reasons (the Olympics, Edward Snowden, Ukraine, you name it) and so there are plenty of stories to tell from the country. Russia’s Ministry of Culture is backing a project that we'd wager they're hoping will shine a different light on the nation, and they're rounding up some big names to help out. The omnibus "Petersburg: A Category Of Feelings" is being put together and a roster of directors, including Todd Solondz, Ralph Fiennes, Sam Rockwell, Timur Bekmambetov, Avdotya Smirnova, Bakur Bakuradze, Cedric Klapisch, Igor Voloshin and Ilmar Raag are on board to direct episodes of the project. The movie will use the letters from the titular city as descriptions or qualities—Pleasure, Effort, Trust, Envy, Repose, Shrewdness, Bravery, Uncertainty, Refuge and Glee—for the filmmakers to follow in their works. And in case you're wondering, this is a different project than the "Saint Petersburg,...
- 6/2/2014
- by Kevin Jagernauth
- The Playlist
Films by Todd Solondz, Ralph Fiennes and Andrei Konchalovsky as well as an adaptation of Fyodor Dostoevsky’s White Nights, starring Daniel Brühl, are among 12 projects to be supported by Russia’s Ministry of Culture this year.
Solondz, Fiennes and Bekmambetov are set to join director colleagues Avdotya Smirnova, Bakur Bakuradze, Cedric Klapisch, Igor Voloshin, Ilmar Raag and Sam Rockwell in shooting episodes of the omnibus film Petersburg: A Category Of Feelings.
The project, which is to be produced by Lenfilm Studio in cooperation with Sergey Selyanov’s St Petersburg-based production powerhouse Ctb Company, will invite the filmmakers to present their views of the “Venice of the North” through emotions or qualities whose first letters make up the city’s name: Pleasure, Effort, Trust, Envy, Repose, Shrewdness, Bravery, Uncertainty, Refuge and Glee.
The idea for the project originates from Selyanov, and one of the episodes will be directed by actor-director-producer Fedor Bondarchuk who is also serving as the...
Solondz, Fiennes and Bekmambetov are set to join director colleagues Avdotya Smirnova, Bakur Bakuradze, Cedric Klapisch, Igor Voloshin, Ilmar Raag and Sam Rockwell in shooting episodes of the omnibus film Petersburg: A Category Of Feelings.
The project, which is to be produced by Lenfilm Studio in cooperation with Sergey Selyanov’s St Petersburg-based production powerhouse Ctb Company, will invite the filmmakers to present their views of the “Venice of the North” through emotions or qualities whose first letters make up the city’s name: Pleasure, Effort, Trust, Envy, Repose, Shrewdness, Bravery, Uncertainty, Refuge and Glee.
The idea for the project originates from Selyanov, and one of the episodes will be directed by actor-director-producer Fedor Bondarchuk who is also serving as the...
- 6/2/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
As we reach the end of an inspiring year for cinema, here are ten titles that stood out for me in 2012, and an explanation of why I chose each of them. Although I saw many of these at film festivals, so they may not make it to your local art house cinema, in the coming year you may be able to catch them at small festivals of different national/regional cinemas in your city, or at least on DVD.
From Thursday to Sunday (De Jueves a domingo)(dir. Dominga Sotomayor)
On a family road trip through rural Chile, a young girl witnesses her parents’ marriage fall apart.
-For its tender portrayal of childhood, complete with extroverted playfulness and introverted worry. For its subtle but consistent exploration of foreground versus background space, which reflects two separations: between children and adults, and between husband and wife.
Neighbouring Sounds (O som ao redor) (dir.
From Thursday to Sunday (De Jueves a domingo)(dir. Dominga Sotomayor)
On a family road trip through rural Chile, a young girl witnesses her parents’ marriage fall apart.
-For its tender portrayal of childhood, complete with extroverted playfulness and introverted worry. For its subtle but consistent exploration of foreground versus background space, which reflects two separations: between children and adults, and between husband and wife.
Neighbouring Sounds (O som ao redor) (dir.
- 12/24/2012
- by Alison Frank
- The Moving Arts Journal
★★★☆☆ Dunya Smirnova's Kokoko (2012) plays out very much like a buoyant Mike Leigh film about social class and feminism - albeit with a deeply Russian sensibility - an exploration of cultural clashes within a delightfully comic framework. Big city living and country ways collide in this quaint tale of societal contrasts and artistic disparities. Meeting on a sleeper train between Moscow and Saint Petersburg, Lisa (Anna Mikhalkova), an uptight and lonely ethnographer, and Vika (Yana Troyanova), a brazen and carefree party girl, find themselves drawn together when both of their belongings are stolen during the journey.
Read more »...
Read more »...
- 11/11/2012
- by CineVue UK
- CineVue
Hong Kong International Film Festival
HONG KONG -- In what is sure to be viewed as a Russian spin on The Devil Wears Prada, director Andrei Konchalovsky (Sibiriada, Runaway Train) turns an only partially jaundiced eye at the modern fixation on celebrity and fashion.
This is somewhat outdated and well-worn material, and explorations of the encroachment of Western celebrity culture on developing nations isn't new either. On top of that, a good amount of the film relies on tired character archetypes. Although cinematically polished and possessing an engaging lead, Gloss never manages to take flight as an effective satire.
Any film skewering the fashion industry and what was once called The Jet Set is likely to get attention from independent and Art House distributors. Gloss certainly has the production values for limited overseas release, but it's just as likely to be consigned to DVD after a spin on the festival circuit.
Galya (an appropriately low-rent Yulia Vysotskaya) is a working-class seamstress in the backwater town of Rostov-on-Don who dreams of becoming Russia's next great supermodel. After she's featured in a second-rate ad in a local newspaper, she decides the time is right to move to Moscow. She borrows enough money to get there from her on-and-off thug boyfriend, Vitya (Ilya Isaev), and quickly finesses her way into the office of the editor of Beauty magazine.
The editor, Marina (Irina Rozanova), lays the brutal truth on Galya: She doesn't stand a chance of making her mag's cover. Only temporarily defeated, Galya lands on her feet by working as a seamstress for the Karl Lagerfeld-like Mark (Yefim Shifrin), stumbles (literally) onto the runway in his new collection's show, loses her job and winds up working for erstwhile agent and escort mogul Petya (Gennady Smirnov). In the end, she does make the cover of Beauty after being transformed into a latter-day Grace Kelly and marrying up to politico Klimenko (Alekander Domogarov).
There's a lot going on in Gloss, and Konchalovsky and co-writer Dunya Smirnova go to great pains to draw links among fashion, prostitution, power and celebrity while at the same time peeling some of the glamor from the glitterati. The film is populated by shallow, fundamentally unhappy people who are simply spinning their wheels.
Marina's magazine is just a little behind the curve, and she feels her age when she looks at her competition, some of which comes in the form of her arrogant, needling daughter Nastya (Olga Arntgolts). Rozanova is affecting as a former beauty facing forced retirement, but she's only in Galya's sphere for a fleeting moment. Gloss is loaded with partially explored ideas, but therein lies the problem: They're also partially unexplored.
GLOSS
A Mosfilm, Motion Investment Group, Cadran Prods., Studio Canal, Backup Films production
Sales agent: Fortissimo Films
Credits:
Director: Andrei Konchalovsky
Screenwriters: Andrei Konchalovsky, Dunya Smirnova
Producer: Andrei Konchalovsky
Director of photography: Mariya Solovyova
Production designer: Yekaterina Zaletayeva
Music: Eduard Artemyev
Co-producers: Jeremy Burdek, Nadia Khamlichi, Adrian Politowski
Editor: Olga Grinshpun
Cast:
Galya: Yulia Vysotskaya
Zhanna: Olga Meloyanina
Vitya: Ilya Isaev
Marina: Irina Rozanova
Nastya: Olga Arntgolts
Mark: Yefim Shifrin
Petya: Gennady Smirnov
Klimenko: Alekander Domogarov
Running time -- 118 minutes
No MPAA rating...
HONG KONG -- In what is sure to be viewed as a Russian spin on The Devil Wears Prada, director Andrei Konchalovsky (Sibiriada, Runaway Train) turns an only partially jaundiced eye at the modern fixation on celebrity and fashion.
This is somewhat outdated and well-worn material, and explorations of the encroachment of Western celebrity culture on developing nations isn't new either. On top of that, a good amount of the film relies on tired character archetypes. Although cinematically polished and possessing an engaging lead, Gloss never manages to take flight as an effective satire.
Any film skewering the fashion industry and what was once called The Jet Set is likely to get attention from independent and Art House distributors. Gloss certainly has the production values for limited overseas release, but it's just as likely to be consigned to DVD after a spin on the festival circuit.
Galya (an appropriately low-rent Yulia Vysotskaya) is a working-class seamstress in the backwater town of Rostov-on-Don who dreams of becoming Russia's next great supermodel. After she's featured in a second-rate ad in a local newspaper, she decides the time is right to move to Moscow. She borrows enough money to get there from her on-and-off thug boyfriend, Vitya (Ilya Isaev), and quickly finesses her way into the office of the editor of Beauty magazine.
The editor, Marina (Irina Rozanova), lays the brutal truth on Galya: She doesn't stand a chance of making her mag's cover. Only temporarily defeated, Galya lands on her feet by working as a seamstress for the Karl Lagerfeld-like Mark (Yefim Shifrin), stumbles (literally) onto the runway in his new collection's show, loses her job and winds up working for erstwhile agent and escort mogul Petya (Gennady Smirnov). In the end, she does make the cover of Beauty after being transformed into a latter-day Grace Kelly and marrying up to politico Klimenko (Alekander Domogarov).
There's a lot going on in Gloss, and Konchalovsky and co-writer Dunya Smirnova go to great pains to draw links among fashion, prostitution, power and celebrity while at the same time peeling some of the glamor from the glitterati. The film is populated by shallow, fundamentally unhappy people who are simply spinning their wheels.
Marina's magazine is just a little behind the curve, and she feels her age when she looks at her competition, some of which comes in the form of her arrogant, needling daughter Nastya (Olga Arntgolts). Rozanova is affecting as a former beauty facing forced retirement, but she's only in Galya's sphere for a fleeting moment. Gloss is loaded with partially explored ideas, but therein lies the problem: They're also partially unexplored.
GLOSS
A Mosfilm, Motion Investment Group, Cadran Prods., Studio Canal, Backup Films production
Sales agent: Fortissimo Films
Credits:
Director: Andrei Konchalovsky
Screenwriters: Andrei Konchalovsky, Dunya Smirnova
Producer: Andrei Konchalovsky
Director of photography: Mariya Solovyova
Production designer: Yekaterina Zaletayeva
Music: Eduard Artemyev
Co-producers: Jeremy Burdek, Nadia Khamlichi, Adrian Politowski
Editor: Olga Grinshpun
Cast:
Galya: Yulia Vysotskaya
Zhanna: Olga Meloyanina
Vitya: Ilya Isaev
Marina: Irina Rozanova
Nastya: Olga Arntgolts
Mark: Yefim Shifrin
Petya: Gennady Smirnov
Klimenko: Alekander Domogarov
Running time -- 118 minutes
No MPAA rating...
- 3/27/2008
- The Hollywood Reporter - Movie News
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