Ritesh Batra’s The Lunchbox, starring Irrfan Khan, Nimrat Kaur and Nawazuddin Siddiqui, took home Asia Pacific Screen awards 2013 in two major categories: Best Screenplay and Jury Grand Prize. The seventh annual Asia Pacific Screen Awards were announced in Brisbane on Thursday.
The Lunchbox shared the Jury Grand Prize with Mostofa Sarwar Farooki’s Television (Bangladesh), the first Bangladeshi film to win an Asia Pacific Screen award.
Palestinian film Omar directed by Hany Abu-Assad has won the Best Feature Film Award. Anthony Chen won Achievement in Directing for his debut feature film Ilo, Ilo.
International Jury President Shyam Benegal said he was very impressed with the quality of nominee films.
“More than half of the world’s films originate from the Asia Pacific region, which makes the Apsa award in Brisbane among the more important competitive film awards in the world,” he said.
Full List of Awards:
Best Feature Film...
The Lunchbox shared the Jury Grand Prize with Mostofa Sarwar Farooki’s Television (Bangladesh), the first Bangladeshi film to win an Asia Pacific Screen award.
Palestinian film Omar directed by Hany Abu-Assad has won the Best Feature Film Award. Anthony Chen won Achievement in Directing for his debut feature film Ilo, Ilo.
International Jury President Shyam Benegal said he was very impressed with the quality of nominee films.
“More than half of the world’s films originate from the Asia Pacific region, which makes the Apsa award in Brisbane among the more important competitive film awards in the world,” he said.
Full List of Awards:
Best Feature Film...
- 12/12/2013
- by NewsDesk
- DearCinema.com
Los Angeles hosts annual showcase featuring extensive array of work from contemporary and veteran film-makers
The annual celebration of Iranian cinema run by the University of California, Los Angeles, is a vital occasion for two dynamic and overlapping constituencies: cinephiles and Iranians in Los Angeles. The festival's screenings routinely draw large audiences, eager to see films from a nation distinguished by its rich and sustained contribution to world cinema. This year's programme underscored the depth and diversity of cinematic voices in Iranian life.
In recent years, the archive has expanded the scope to include older films, working with Iran's national film archive and exiled filmmakers such as Parviz Sayyad to present seminal works such as The Lor Girl (Dokhtar-e Lor; 1933), directed by Ardeshir Irani; Masoud Kimiai's Caesar (Qaisar; 1969); and Sayyad's own Dead End (Bon Bast; 1977). This year, the festival began with a screening of Bahram Beyzaie's first feature film,...
The annual celebration of Iranian cinema run by the University of California, Los Angeles, is a vital occasion for two dynamic and overlapping constituencies: cinephiles and Iranians in Los Angeles. The festival's screenings routinely draw large audiences, eager to see films from a nation distinguished by its rich and sustained contribution to world cinema. This year's programme underscored the depth and diversity of cinematic voices in Iranian life.
In recent years, the archive has expanded the scope to include older films, working with Iran's national film archive and exiled filmmakers such as Parviz Sayyad to present seminal works such as The Lor Girl (Dokhtar-e Lor; 1933), directed by Ardeshir Irani; Masoud Kimiai's Caesar (Qaisar; 1969); and Sayyad's own Dead End (Bon Bast; 1977). This year, the festival began with a screening of Bahram Beyzaie's first feature film,...
- 7/31/2013
- The Guardian - Film News
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