Alan Arkin, who won an Oscar for Little Miss Sunshine, was nominated for Argo and two other films, scored six Emmy noms and won a Tony Award, died Thursday at his home in San Marcos, CA. He was 89.
The news was announced Friday morning by his sons, actors Adam, Matthew and Anthony, in a joint statement. Matthew Arkin told The New York Times that his father had suffered from heart ailments.
The statement read: “Our father was a uniquely talented force of nature, both as an artist and a man. A loving husband, father, grand and great grandfather, he was adored and will be deeply missed.”
Related: Hollywood & Media Deaths In 2023: Photo Gallery & Obituaries
In addition to his Oscar-winning film work, Arkin won a Tony Award for acting in Enter Laughing) and was Tony-nominated for directing The Sunshine Boys. He also was nominated for a half-dozen Emmy Awards spanning 53 years,...
The news was announced Friday morning by his sons, actors Adam, Matthew and Anthony, in a joint statement. Matthew Arkin told The New York Times that his father had suffered from heart ailments.
The statement read: “Our father was a uniquely talented force of nature, both as an artist and a man. A loving husband, father, grand and great grandfather, he was adored and will be deeply missed.”
Related: Hollywood & Media Deaths In 2023: Photo Gallery & Obituaries
In addition to his Oscar-winning film work, Arkin won a Tony Award for acting in Enter Laughing) and was Tony-nominated for directing The Sunshine Boys. He also was nominated for a half-dozen Emmy Awards spanning 53 years,...
- 6/30/2023
- by Zac Ntim and Greg Evans
- Deadline Film + TV
New York, Dec 19 (Ians) The US Federal Trade Commission (FTC) on Monday said it has reached a 520 million settlement with Epic Games, creator of the popular video game Fortnite, over allegations that the company violated the Children’s Online Privacy Protection Act (Coppa) and deployed design tricks, known as dark patterns, to dupe millions of players into making unintentional purchases.
Fortnite made over 9 billion during its first two years in existence.
Epic will pay a 275 million penalty for violating children’s privacy law, change default privacy settings, and pay 245 million in refunds for tricking users into making unwanted charges.
“As our complaints note, Epic used privacy-invasive default settings and deceptive interfaces that tricked Fortnite users, including teenagers and children,” said FTC Chair Lina M. Khan.
“Protecting the public, and especially children, from online privacy invasions and dark patterns is a top priority for the Commission, and these enforcement actions make...
Fortnite made over 9 billion during its first two years in existence.
Epic will pay a 275 million penalty for violating children’s privacy law, change default privacy settings, and pay 245 million in refunds for tricking users into making unwanted charges.
“As our complaints note, Epic used privacy-invasive default settings and deceptive interfaces that tricked Fortnite users, including teenagers and children,” said FTC Chair Lina M. Khan.
“Protecting the public, and especially children, from online privacy invasions and dark patterns is a top priority for the Commission, and these enforcement actions make...
- 12/19/2022
- by Glamsham Bureau
- GlamSham
Click here to read the full article.
Epic Games will issue the largest customer refund in history in connection with unwanted charges in Fortnite — 245 million — and pay a record penalty of 275 million for alleged violations of the Children’s Online Privacy Protection Act.
“Epic put children and teens at risk through its lax privacy practices, and cost consumers millions in illegal charges through its use of dark patterns,” said FTC consumer protection bureau director Samuel Levine in a Monday announcement. “Under the proposed orders announced today, the company will be required to change its default settings, return millions to consumers, and pay a record-breaking penalty for its privacy abuses.”
In its complaint, the FTC alleges that Epic put children and teens in harmful situations by allowing them to interact with adult strangers online without requiring parental consent, which is required under Coppa. And the FTC says Epic employees began flagging...
Epic Games will issue the largest customer refund in history in connection with unwanted charges in Fortnite — 245 million — and pay a record penalty of 275 million for alleged violations of the Children’s Online Privacy Protection Act.
“Epic put children and teens at risk through its lax privacy practices, and cost consumers millions in illegal charges through its use of dark patterns,” said FTC consumer protection bureau director Samuel Levine in a Monday announcement. “Under the proposed orders announced today, the company will be required to change its default settings, return millions to consumers, and pay a record-breaking penalty for its privacy abuses.”
In its complaint, the FTC alleges that Epic put children and teens in harmful situations by allowing them to interact with adult strangers online without requiring parental consent, which is required under Coppa. And the FTC says Epic employees began flagging...
- 12/19/2022
- by Ashley Cullins
- The Hollywood Reporter - Movie News
New York, Nov 29 (Ians) The US Federal Trade Commission (FTC) and state attorneys general have settled lawsuits against Google and iHeartMedia to pay 9.4 million in penalties over featuring deceptive ads promoting the Pixel 4 smartphone.
The lawsuits were filed against Google and iHeartMedia for airing nearly 29,000 deceptive endorsements by radio personalities promoting their use of and experience with Google’s Pixel 4 phone in 2019 and 2020.
“Google and iHeartMedia paid influencers to promote products they never used, showing a blatant disrespect for truth-in-advertising rules,” said Samuel Levine, Bureau of Consumer Protection Director late on Monday.
According to the FTC, in 2019, Google hired iHeartMedia and 11 other radio networks in ten major markets to have on-air personalities record and broadcast endorsements of the Pixel 4 phone.
Google provided iHeartMedia with scripts that included lines about the Pixel 4 phone like, “It’s my favourite phone camera out there, especially in low light, thanks to Night Sight Mode...
The lawsuits were filed against Google and iHeartMedia for airing nearly 29,000 deceptive endorsements by radio personalities promoting their use of and experience with Google’s Pixel 4 phone in 2019 and 2020.
“Google and iHeartMedia paid influencers to promote products they never used, showing a blatant disrespect for truth-in-advertising rules,” said Samuel Levine, Bureau of Consumer Protection Director late on Monday.
According to the FTC, in 2019, Google hired iHeartMedia and 11 other radio networks in ten major markets to have on-air personalities record and broadcast endorsements of the Pixel 4 phone.
Google provided iHeartMedia with scripts that included lines about the Pixel 4 phone like, “It’s my favourite phone camera out there, especially in low light, thanks to Night Sight Mode...
- 11/29/2022
- by Glamsham Bureau
- GlamSham
San Francisco, Aug 30 (Ians) The US Federal Trade Commission (FTC) has filed a lawsuit against data broker Kochava for selling geolocation data from hundreds of millions of mobile devices that can be used to trace the movements of individuals to and from sensitive locations.
Kochava’s data can reveal people’s visits to reproductive health clinics, places of worship, homeless and domestic violence shelters, and addiction recovery facilities, the US agency said in a statement late on Monday.
The FTC alleged that by selling data tracking people, Kochava is enabling others to identify individuals and exposing them to threats of stigma, stalking, discrimination, job loss, and even physical violence.
The lawsuit seeks to halt Kochava’s sale of sensitive geolocation data and require the company to delete the sensitive geolocation information it has collected.
“Where consumers seek out health care, receive counseling, or celebrate their faith is private information that...
Kochava’s data can reveal people’s visits to reproductive health clinics, places of worship, homeless and domestic violence shelters, and addiction recovery facilities, the US agency said in a statement late on Monday.
The FTC alleged that by selling data tracking people, Kochava is enabling others to identify individuals and exposing them to threats of stigma, stalking, discrimination, job loss, and even physical violence.
The lawsuit seeks to halt Kochava’s sale of sensitive geolocation data and require the company to delete the sensitive geolocation information it has collected.
“Where consumers seek out health care, receive counseling, or celebrate their faith is private information that...
- 8/30/2022
- by Glamsham Bureau
- GlamSham
Normal 0 false false false En-us X-none X-none
“Hate Is A Loaded Gun”
By Raymond Benson
The years of the 1940s following World War II exhibited a striking change in Hollywood movies. The moods and world outlooks of post-war GIs and the people they had left behind and to whom they returned were more reflective and serious. Awareness of societal ills that had always been with us were now at the forefront… and Hollywood stepped up to address this new American angst in the form of a) what film historians call “social problem films” that tackled issues such as alcoholism, drug addiction, anti-Semitism, racism, government corruption, and other hitherto taboos of motion pictures, and b) film noir, the gritty crime dramas that never sugar-coated anything and portrayed both men and women—the femmes fatale—as hard-boiled, cynical, and paranoid.
Two pictures were released in 1947 that tackled anti-Semitism with frank, hard-hitting realism.
“Hate Is A Loaded Gun”
By Raymond Benson
The years of the 1940s following World War II exhibited a striking change in Hollywood movies. The moods and world outlooks of post-war GIs and the people they had left behind and to whom they returned were more reflective and serious. Awareness of societal ills that had always been with us were now at the forefront… and Hollywood stepped up to address this new American angst in the form of a) what film historians call “social problem films” that tackled issues such as alcoholism, drug addiction, anti-Semitism, racism, government corruption, and other hitherto taboos of motion pictures, and b) film noir, the gritty crime dramas that never sugar-coated anything and portrayed both men and women—the femmes fatale—as hard-boiled, cynical, and paranoid.
Two pictures were released in 1947 that tackled anti-Semitism with frank, hard-hitting realism.
- 3/23/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Hollywood learns to imbed a social message into a crime thriller. John Paxton’s adaptation of Richard Brooks’ neat murder tale is solid noir because it sheds light on the malaise of returning soldiers. No parades and confetti here: Robert Ryan is the hateful bigot but the other characters live amid equally shadowy values — laid-back Robert Mitchum, unhappy bar girl Gloria Grahame. Edward Dmytryk puts a polish on a fine screenplay with a fresh viewpoint, that avoids thriller clichés.
Crossfire
Blu-ray
Warner Archive Collection
1947 / B&w / 1:37 Academy / 86 min. / Street Date , 2021 / available through the WBshop / 21.99
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly,
Sam Levene, George Cooper, Jacqueline White, Steve Brodie, William Phipps, Lex Barker, Marlo Dwyer.
Cinematography: J. Roy Hunt
Film Editor: Harry Gerstad
Art Direction: Albert S. D’Agostino, Alfred Herman
Original Music: Roy Webb
Written by John Paxton from the novel The Brick Foxhole by...
Crossfire
Blu-ray
Warner Archive Collection
1947 / B&w / 1:37 Academy / 86 min. / Street Date , 2021 / available through the WBshop / 21.99
Starring: Robert Young, Robert Mitchum, Robert Ryan, Gloria Grahame, Paul Kelly,
Sam Levene, George Cooper, Jacqueline White, Steve Brodie, William Phipps, Lex Barker, Marlo Dwyer.
Cinematography: J. Roy Hunt
Film Editor: Harry Gerstad
Art Direction: Albert S. D’Agostino, Alfred Herman
Original Music: Roy Webb
Written by John Paxton from the novel The Brick Foxhole by...
- 3/20/2021
- by Glenn Erickson
- Trailers from Hell
This CinemaScope musical remake of 1939’s The Women is highly watchable, especially in this flawless digital remaster. The actresses that bare their claws, compete for husbands and just plain cat-fight are a choice batch, with favorites from the ’50s the ’40s the ’30s — plus a few wildflowers that bloomed cinematically for only a few years (Dolores Gray) and one that somehow managed immortality (Joan Collins). It’s highly watchable despite, or maybe because of, its criminally outdated recipe for marital bliss. Did women really go for this fantasy — did anybody ever really live like this?
The Opposite Sex
Blu-ray
Warner Archive Collection
1956 / Color / 2:35 widescreen / 116 min. / Street Date October 27, 2020 / available through the WBshop / 21.99
Starring: June Allyson, Joan Collins, Dolores Gray, Ann Sheridan, Ann Miller, Leslie Nielsen, Jeff Richards, Agnes Moorehead, Charlotte Greenwood, Joan Blondell, Sam Levene, Alice Pearce, Barbara Jo Allen, Sandy Descher, Carolyn Jones, Jerry Antes, Harry James, Art Mooney,...
The Opposite Sex
Blu-ray
Warner Archive Collection
1956 / Color / 2:35 widescreen / 116 min. / Street Date October 27, 2020 / available through the WBshop / 21.99
Starring: June Allyson, Joan Collins, Dolores Gray, Ann Sheridan, Ann Miller, Leslie Nielsen, Jeff Richards, Agnes Moorehead, Charlotte Greenwood, Joan Blondell, Sam Levene, Alice Pearce, Barbara Jo Allen, Sandy Descher, Carolyn Jones, Jerry Antes, Harry James, Art Mooney,...
- 10/20/2020
- by Glenn Erickson
- Trailers from Hell
If you have to name One movie that’s not likely to ever be screened in a prison, this one’s a good bet. In his sophomore starring outing Burt Lancaster leads a group of rebel convicts on a do-or-die bust-out against Hume Cronyn’s utter Nazi of a warden Captain. Richard Brooks’ script and Jules Dassin’s direction don’t sugarcoat the sadistic goings-on and producer Mark Hellinger pushed the result through the Production Code office. Sure, sure, plenty of noirs are violent … but this one must have been quite a head-spinner in ’47.
Brute Force
Blu-ray
The Criterion Collection 383
1947 / B&w / 1:37 Academy / 98 min. / available through The Criterion Collection / Street Date September 8, 2020 / 39.95
Starring: Burt Lancaster, Hume Cronyn, Charles Bickford, Yvonne De Carlo, Ann Blyth, Ella Raines, Anita Colby, Sam Levene, Jeff Corey, John Hoyt, Jack Overman, Roman Bohnen, Sir Lancelot, Howard Duff, Art Smith, Whit Bissell.
Cinematography: William Daniels...
Brute Force
Blu-ray
The Criterion Collection 383
1947 / B&w / 1:37 Academy / 98 min. / available through The Criterion Collection / Street Date September 8, 2020 / 39.95
Starring: Burt Lancaster, Hume Cronyn, Charles Bickford, Yvonne De Carlo, Ann Blyth, Ella Raines, Anita Colby, Sam Levene, Jeff Corey, John Hoyt, Jack Overman, Roman Bohnen, Sir Lancelot, Howard Duff, Art Smith, Whit Bissell.
Cinematography: William Daniels...
- 10/10/2020
- by Glenn Erickson
- Trailers from Hell
Neil Simon, the creator of such Pulitzer and Tony award-winning plays as The Odd Couple, Barefoot in the Park and Lost in Yonkers, has died at 91. He died last night at New York-Presbyterian Hospital in New York City from complications from pneumonia.
Simon was a giant of popular content creation, the playwright behind works that were performed worldwide by high schools, local theater groups and Broadway, where he was dominant in the last half of the 20th century. Simon’s unparalleled career in the theater included more than thirty plays and musicals that opened on Broadway over a span of four decades.
He made his playwriting debut in 1961, with Come Blow Your Horn and concluded his Broadway run with 45 Seconds From Broadway in 2001.
“No playwright in Broadway’s long and raucous history has so dominated the boulevard as the softly astringent Simon,” wrote John Lahr in The New Yorker in 2010. “For almost half a century,...
Simon was a giant of popular content creation, the playwright behind works that were performed worldwide by high schools, local theater groups and Broadway, where he was dominant in the last half of the 20th century. Simon’s unparalleled career in the theater included more than thirty plays and musicals that opened on Broadway over a span of four decades.
He made his playwriting debut in 1961, with Come Blow Your Horn and concluded his Broadway run with 45 Seconds From Broadway in 2001.
“No playwright in Broadway’s long and raucous history has so dominated the boulevard as the softly astringent Simon,” wrote John Lahr in The New Yorker in 2010. “For almost half a century,...
- 8/26/2018
- by Bruce Haring
- Deadline Film + TV
MGM wasn’t the most current studio in 1957, as can be seen by this throwback to another era, a semi-screwball romantic comedy with big stars and directed in high style by Vincente Minnelli. Gregory Peck and Lauren Bacall party like it’s 1939, and with the musical-comedy help of the irrepressible Dolores Gray, almost pull it off.
Designing Woman
Blu-ray
Warner Archive Collection
1957 / Color / 2:35 widescreen / 117 min. / Street Date June 19, 2018 / available through the WBshop / 21.99
Starring: Gregory Peck, Lauren Bacall, Dolores Gray, Sam Levene, Tom Helmore, Mickey Shaughnessy, Jesse White, Chuck Connors, Alvy Moore.
Cinematography: John Alton
Film Editor: Adrienne Fazan
Art Direction: E. Preston Ames, William A. Horning
Original Music: André Previn
Written by George Wells
Produced by Dore Schary, George Wells
Directed by Vincente Minnelli
1957 was definitely the end of an era at MGM. With next to nobody on the payroll, it could no longer claim to possess All the Stars in Heaven.
Designing Woman
Blu-ray
Warner Archive Collection
1957 / Color / 2:35 widescreen / 117 min. / Street Date June 19, 2018 / available through the WBshop / 21.99
Starring: Gregory Peck, Lauren Bacall, Dolores Gray, Sam Levene, Tom Helmore, Mickey Shaughnessy, Jesse White, Chuck Connors, Alvy Moore.
Cinematography: John Alton
Film Editor: Adrienne Fazan
Art Direction: E. Preston Ames, William A. Horning
Original Music: André Previn
Written by George Wells
Produced by Dore Schary, George Wells
Directed by Vincente Minnelli
1957 was definitely the end of an era at MGM. With next to nobody on the payroll, it could no longer claim to possess All the Stars in Heaven.
- 6/5/2018
- by Glenn Erickson
- Trailers from Hell
This remake of a pre-Code classic adds amazing European locations, glorious Technicolor and entire armies on the move, yet doesn’t improve on the original. Producer David O. Selznick secured Rock Hudson to play opposite Jennifer Jones, but the chemistry is lacking. Why did the man spend twenty years trying to top Gone With the Wind?
A Farewell to Arms
Blu-ray
Kl Studio Classics
1957 / Color / 2:35 widescreen / 152 min. / Street Date April 18, 2017 / available through Kino Lorber / 29.95
Starring: Jennifer Jones, Rock Hudson, Vittorio De Sica, Mercedes McCambridge, Elaine Stritch.
Cinematography: Oswald Morris, Piero Portalupi
Production Designer: Alfred Junge
Art Direction: Mario Garbuglia
Film Editors: John M. Foley, Gerard J. Wilson
Original Music: Mario Nascimbene
Written by Ben Hecht from a play by Laurence Stallings from a novel by Ernest Hemingway
Produced by David O. Selznick
Directed by Charles Vidor
What happens when a major Hollywood producer thinks he has all the answers?...
A Farewell to Arms
Blu-ray
Kl Studio Classics
1957 / Color / 2:35 widescreen / 152 min. / Street Date April 18, 2017 / available through Kino Lorber / 29.95
Starring: Jennifer Jones, Rock Hudson, Vittorio De Sica, Mercedes McCambridge, Elaine Stritch.
Cinematography: Oswald Morris, Piero Portalupi
Production Designer: Alfred Junge
Art Direction: Mario Garbuglia
Film Editors: John M. Foley, Gerard J. Wilson
Original Music: Mario Nascimbene
Written by Ben Hecht from a play by Laurence Stallings from a novel by Ernest Hemingway
Produced by David O. Selznick
Directed by Charles Vidor
What happens when a major Hollywood producer thinks he has all the answers?...
- 4/29/2017
- by Glenn Erickson
- Trailers from Hell
Joan Collins in 'The Bitch': Sex tale based on younger sister Jackie Collins' novel. Author Jackie Collins dead at 77: Surprisingly few film and TV adaptations of her bestselling novels Jackie Collins, best known for a series of bestsellers about the dysfunctional sex lives of the rich and famous and for being the younger sister of film and TV star Joan Collins, died of breast cancer on Sept. 19, '15, in Los Angeles. The London-born (Oct. 4, 1937) Collins was 77. Collins' tawdry, female-centered novels – much like those of Danielle Steel and Judith Krantz – were/are immensely popular. According to her website, they have sold more than 500 million copies in 40 countries. And if the increasingly tabloidy BBC is to be believed (nowadays, Wikipedia has become a key source, apparently), every single one of them – 32 in all – appeared on the New York Times' bestseller list. (Collins' own site claims that a mere 30 were included.) Sex...
- 9/22/2015
- by Andre Soares
- Alt Film Guide
Joan Crawford Movie Star Joan Crawford movies on TCM: Underrated actress, top star in several of her greatest roles If there was ever a professional who was utterly, completely, wholeheartedly dedicated to her work, Joan Crawford was it. Ambitious, driven, talented, smart, obsessive, calculating, she had whatever it took – and more – to reach the top and stay there. Nearly four decades after her death, Crawford, the star to end all stars, remains one of the iconic performers of the 20th century. Deservedly so, once you choose to bypass the Mommie Dearest inanity and focus on her film work. From the get-go, she was a capable actress; look for the hard-to-find silents The Understanding Heart (1927) and The Taxi Dancer (1927), and check her out in the more easily accessible The Unknown (1927) and Our Dancing Daughters (1928). By the early '30s, Joan Crawford had become a first-rate film actress, far more naturalistic than...
- 8/10/2015
- by Andre Soares
- Alt Film Guide
Criterion digitally restores this earlier release, a combination offering of Robert Siodmak’s 1946 film noir masterpiece The Killers paired with Don Siegel’s retro 1964 remake. Famed adaptations of Ernest Hemingway’s short story, both filmmakers take liberties with the original material to create aggressively different products. Siodmak’s version is not only the German ex-pat’s enduring masterpiece, it’s a definite cornerstone of classic American film noir. Though Siegel’s 60s rehash is considered tacky pastiche of the era, it’s brutal, hard boiled B-grade pulp, notable for its own significant instances.
Siodmak’s version arrived during a golden era of noir, premiering a year after WWII officially ended, with cinematic masculine representation on the eve of an overhaul as method acting would soon reign supreme. Hemingway’s spare story gets a face life from Anthony Veiller (The Stranger; Night of the Iguana), using the murder as a jumping...
Siodmak’s version arrived during a golden era of noir, premiering a year after WWII officially ended, with cinematic masculine representation on the eve of an overhaul as method acting would soon reign supreme. Hemingway’s spare story gets a face life from Anthony Veiller (The Stranger; Night of the Iguana), using the murder as a jumping...
- 7/14/2015
- by Nicholas Bell
- IONCINEMA.com
The Killers
Written by Anthony Veiller
Directed by Robert Siodmak
USA, 1946
Written by Gene L. Coon
Directed by Don Siegel
USA, 1964
Ernest Hemingway’s 1927 short story, “The Killers,” inspired to varying degrees the 1946 and the 1964 screen versions of the same name. To varying degrees because the story is less than 3,000 words and essentially only covers the opening of the two films. A man—Ole “The Swede” Anderson (Burt Lancaster) in the first film, Johnny North (John Cassavetes) in the remake—is hunted down by two hired killers. Right before they shoot him, Ole and Johnny do something strange, or rather, they don’t do something they should: they don’t run, they don’t really move, they don’t even seem to care. Before Ole is killed, he admits he “did something wrong, once” (in film noir, that’s all it takes), and when Johnny is told two men are...
Written by Anthony Veiller
Directed by Robert Siodmak
USA, 1946
Written by Gene L. Coon
Directed by Don Siegel
USA, 1964
Ernest Hemingway’s 1927 short story, “The Killers,” inspired to varying degrees the 1946 and the 1964 screen versions of the same name. To varying degrees because the story is less than 3,000 words and essentially only covers the opening of the two films. A man—Ole “The Swede” Anderson (Burt Lancaster) in the first film, Johnny North (John Cassavetes) in the remake—is hunted down by two hired killers. Right before they shoot him, Ole and Johnny do something strange, or rather, they don’t do something they should: they don’t run, they don’t really move, they don’t even seem to care. Before Ole is killed, he admits he “did something wrong, once” (in film noir, that’s all it takes), and when Johnny is told two men are...
- 7/14/2015
- by Jeremy Carr
- SoundOnSight
Stars: Burt Lancaster, Tony Curtis, Susan Harrison, Martin Milner, Jeff Donnell, Sam Levene, Joe Frisco, Barbara Nichols, Emile Meyer, Edith Atwater | Written by Clifford Odets, Ernest Lehman | Directed by Alexander Mackendrick
When it comes to Arrow and the releases they output I’ll always be a fan of the Arrow Video line because of my love of everything cult and horror. A close second though has to be their Arrow Academy range, whereas the name suggest they give more of an education based on films from the past which deserve our attention just as much as any modern movie does. Sweet Smell of Success is the latest release and gives an insight into one of the more unique Hollywood movies not only of its times in the fifties, but still remains just as good today.
When J.J. Hensecker (Burt Lancaster) a powerful New York newspaper columnist decides to come...
When it comes to Arrow and the releases they output I’ll always be a fan of the Arrow Video line because of my love of everything cult and horror. A close second though has to be their Arrow Academy range, whereas the name suggest they give more of an education based on films from the past which deserve our attention just as much as any modern movie does. Sweet Smell of Success is the latest release and gives an insight into one of the more unique Hollywood movies not only of its times in the fifties, but still remains just as good today.
When J.J. Hensecker (Burt Lancaster) a powerful New York newspaper columnist decides to come...
- 3/30/2015
- by Paul Metcalf
- Nerdly
Welcome to another horror round-up! This time around we’re focusing on Blue Underground’s theatrical re-release of Larry Cohen’s God Told Me To, a Scream Queens casting update, and Arrow Video’s upcoming Blu-ray/DVD releases of Society and Island of Death.
God Told Me To: Press Release – “One of the most disturbing and thought-provoking horror films of our time, God Told Me To was written, produced and directed by Larry Cohen (It’S Alive, Q- The Winged Serpent) and stars Tony Lo Bianco (The French Connection, The Honeymoon Killers)
Co-starring Deborah Raffin (Death Wish 3), Academy Award® winner Sandy Dennis (Who’S Afraid Of Virginia Woolf?), Academy Award® nominee Sylvia Sidney (Beetlejuice), Sam Levene (Brute Force), Robert Drivas (Cool Hand Luke), Mike Kellin (Sleepaway Camp), Richard Lynch (Bad Dreams), and Andy Kaufman (Taxi)
Confirmed theaters and dates, with additional cities coming soon.
Special Q&A’s with Larry Cohen Tba!
God Told Me To: Press Release – “One of the most disturbing and thought-provoking horror films of our time, God Told Me To was written, produced and directed by Larry Cohen (It’S Alive, Q- The Winged Serpent) and stars Tony Lo Bianco (The French Connection, The Honeymoon Killers)
Co-starring Deborah Raffin (Death Wish 3), Academy Award® winner Sandy Dennis (Who’S Afraid Of Virginia Woolf?), Academy Award® nominee Sylvia Sidney (Beetlejuice), Sam Levene (Brute Force), Robert Drivas (Cool Hand Luke), Mike Kellin (Sleepaway Camp), Richard Lynch (Bad Dreams), and Andy Kaufman (Taxi)
Confirmed theaters and dates, with additional cities coming soon.
Special Q&A’s with Larry Cohen Tba!
- 2/12/2015
- by Derek Anderson
- DailyDead
Hattie McDaniel as Mammy in ‘Gone with the Wind’: TCM schedule on August 20, 2013 (photo: Vivien Leigh and Hattie McDaniel in ‘Gone with the Wind’) See previous post: “Hattie McDaniel: Oscar Winner Makes History.” 3:00 Am Thank Your Lucky Stars (1943). Director: David Butler. Cast: Joan Leslie, Dennis Morgan, Eddie Cantor, Humphrey Bogart, Bette Davis, Olivia de Havilland, Errol Flynn, John Garfield, Ida Lupino, Ann Sheridan, Dinah Shore, Alexis Smith, Jack Carson, Alan Hale, George Tobias, Edward Everett Horton, S.Z. Sakall, Hattie McDaniel, Ruth Donnelly, Don Wilson, Spike Jones, Henry Armetta, Leah Baird, Willie Best, Monte Blue, James Burke, David Butler, Stanley Clements, William Desmond, Ralph Dunn, Frank Faylen, James Flavin, Creighton Hale, Sam Harris, Paul Harvey, Mark Hellinger, Brandon Hurst, Charles Irwin, Noble Johnson, Mike Mazurki, Fred Kelsey, Frank Mayo, Joyce Reynolds, Mary Treen, Doodles Weaver. Bw-127 mins. 5:15 Am Janie (1944). Director: Michael Curtiz. Cast: Joyce Reynolds, Robert Hutton,...
- 8/21/2013
- by Andre Soares
- Alt Film Guide
Ann Blyth movies: TCM schedule on August 16, 2013 (photo: ‘Our Very Own’ stars Ann Blyth and Farley Granger) See previous post: "Ann Blyth Today: Light Singing and Heavy Drama on TCM." 3:00 Am One Minute To Zero (1952). Director: Tay Garnett. Cast: Robert Mitchum, Ann Blyth, William Talman. Bw-106 mins. 5:00 Am All The Brothers Were Valiant (1953). Director: Richard Thorpe. Cast: Robert Taylor, Stewart Granger, Ann Blyth. C-95 mins. 6:45 Am The King’S Thief (1955). Director: Robert Z. Leonard. Cast: Ann Blyth, Edmund Purdom, David Niven. C-79 mins. Letterbox Format. 8:15 Am Rose Marie (1954). Director: Mervyn LeRoy. Cast: Ann Blyth, Howard Keel, Fernando Lamas. C-104 mins. Letterbox Format. 10:00 Am The Great Caruso (1951). Director: Richard Thorpe. Cast: Mario Lanza, Ann Blyth, Dorothy Kirsten, Jarmila Novotna, Richard Hageman, Carl Benton Reid, Eduard Franz, Ludwig Donath, Alan Napier, Pál Jávor, Carl Milletaire, Shepard Menken, Vincent Renno, Nestor Paiva, Peter Price, Mario Siletti, Angela Clarke,...
- 8/16/2013
- by Andre Soares
- Alt Film Guide
Gregory Peck from ‘Duel in the Sun’ to ‘How the West Was Won’: TCM schedule (Pt) on August 15 (photo: Gregory Peck in ‘Duel in the Sun’) See previous post: “Gregory Peck Movies: Memorable Miscasting Tonight on Turner Classic Movies.” 3:00 Am Days Of Glory (1944). Director: Jacques Tourneur. Cast: Gregory Peck, Lowell Gilmore, Maria Palmer. Bw-86 mins. 4:30 Am Pork Chop Hill (1959). Director: Lewis Milestone. Cast: Gregory Peck, Harry Guardino, Rip Torn. Bw-98 mins. Letterbox Format. 6:15 Am The Valley Of Decision (1945). Director: Tay Garnett. Cast: Greer Garson, Gregory Peck, Donald Crisp. Bw-119 mins. 8:15 Am Spellbound (1945). Director: Alfred Hitchcock. Cast: Ingrid Bergman, Gregory Peck, Michael Chekhov, Leo G. Carroll, Rhonda Fleming, Bill Goodwin, Norman Lloyd, Steve Geray, John Emery, Donald Curtis, Art Baker, Wallace Ford, Regis Toomey, Paul Harvey, Jean Acker, Irving Bacon, Jacqueline deWit, Edward Fielding, Matt Moore, Addison Richards, Erskine Sanford, Constance Purdy. Bw-111 mins. 10:15 Am Designing Woman (1957). Director: Vincente Minnelli.
- 8/16/2013
- by Andre Soares
- Alt Film Guide
The Killers
Written by Anthony Veiller, Richard Brooks and John Huston
Directed by Robert Siodmak
U.S.A., 1946
Without question, Robert Siodmak was one of the great stylistic directors working in Hollywood during the 1930s, 40s, 50s and even into the 60s. Arriving from Europe as so many of his continental colleagues did during the period when the indescribable of evil of Nazism, had begun to spread its tentacles across their homelands, Siodmak brought with him to the film industry a stunning ability to construct rich films which balanced sharp storytelling and brilliant German Impressionistic visual allure, the latter which helped pronounce the often dire, sad, paranoid tone the stories themselves championed. The excellent thriller The Spiral Staircase (1945) and the underseen noir Phantom Lady (1944) are but two examples of Siodmak working in remarkable harmony with strong scripts and his cinematographers to produce not merely gripping tales, but gripping cinematic experiences of the classic period.
Written by Anthony Veiller, Richard Brooks and John Huston
Directed by Robert Siodmak
U.S.A., 1946
Without question, Robert Siodmak was one of the great stylistic directors working in Hollywood during the 1930s, 40s, 50s and even into the 60s. Arriving from Europe as so many of his continental colleagues did during the period when the indescribable of evil of Nazism, had begun to spread its tentacles across their homelands, Siodmak brought with him to the film industry a stunning ability to construct rich films which balanced sharp storytelling and brilliant German Impressionistic visual allure, the latter which helped pronounce the often dire, sad, paranoid tone the stories themselves championed. The excellent thriller The Spiral Staircase (1945) and the underseen noir Phantom Lady (1944) are but two examples of Siodmak working in remarkable harmony with strong scripts and his cinematographers to produce not merely gripping tales, but gripping cinematic experiences of the classic period.
- 7/12/2013
- by Edgar Chaput
- SoundOnSight
Dial 1119
Directed by Gerald Mayer
Written by Hugh King and Don McGuire
U.S.A., 1950
If there is one thing about older films which can cause a surprise among modern audiences, it is the acting style of the period. A frequent complaint coming from those whose exposure to movies of the 30s, 40s and 60s is limited is that the variety of the acting is vastly different from what is typically experienced today. Back then, being a bit more on the theatrical, or melodramatic side, was a good thing, whereas in the early 21st century, subtlety is what people admire most. Imagine what a melodramatic performance serving a mentally challenged character would be like, a thought which could very well turn people away from watching Marshall Thomspon in Dial 1119, but those people will have missed perfectly calculated, chilling role.
Director Gerald Mayer, nephew of the legendary producer Louis B.
Directed by Gerald Mayer
Written by Hugh King and Don McGuire
U.S.A., 1950
If there is one thing about older films which can cause a surprise among modern audiences, it is the acting style of the period. A frequent complaint coming from those whose exposure to movies of the 30s, 40s and 60s is limited is that the variety of the acting is vastly different from what is typically experienced today. Back then, being a bit more on the theatrical, or melodramatic side, was a good thing, whereas in the early 21st century, subtlety is what people admire most. Imagine what a melodramatic performance serving a mentally challenged character would be like, a thought which could very well turn people away from watching Marshall Thomspon in Dial 1119, but those people will have missed perfectly calculated, chilling role.
Director Gerald Mayer, nephew of the legendary producer Louis B.
- 3/24/2012
- by Edgar Chaput
- SoundOnSight
Film Noir Classic Collection: Vol. 5, has dusted off eight films of the celebrated genre and adapted them to DVD format. Collections like these, which bring older films to newer light, are godsends regardless (to a degree) of which films are selected, because as timeless as some of these stories and performances might be, the barrier of being stuck in an old format can bury them forever. And these stories deserve to be told. If you watch a few well made noir thrillers you will no doubt see the seeds that were planted in the heads of crime-thriller filmmakers the likes of Martin Scorsese or Michael Mann. Though there are better films in the noir genre that this collection could have culminated, there are also a lot worse. Any fan of noir films or old mysteries and thrillers will be pleased at what this box set has to offer.
Desperate (1947)
Directed...
Desperate (1947)
Directed...
- 7/20/2010
- by Ryan Katona
- JustPressPlay.net
Robert Siodmak’s The Killers (1946), the film noir that catapulted Burt Lancaster and Ava Gardner (above) to stardom, will be screened as the next feature in the Academy of Motion Picture Arts and Sciences’ series “Oscar Noir: 1940s Writing Nominees from Hollywood’s Dark Side.” The Killers will be shown on Monday, June 21, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills. Screenwriter Billy Ray (Shattered Glass, State of Play) will introduce the screening. (The Killers is sold out. More info below.) Screenwriter Anthony Veiller turned Ernest Hemingway’s classic short story into a classic film noir. The Killers, about a former boxer and the men out to get him, isn’t one of my favorites noirs, but it’s great to look at thanks to Ava Gardner and cinematographer Elwood Bredell. Also in the cast: Edmond O’Brien, Albert Dekker, Sam Levene, Virginia Christine,...
- 6/16/2010
- by Andre Soares
- Alt Film Guide
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