![Image](https://m.media-amazon.com/images/M/MV5BOGZlYjNhMTUtYjQ5OC00Njk2LTlmMTktY2FhMGZhNjJkMzJmXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR32,0,500,281_.jpg)
Haydn Keenan’s Smart Street Films has optioned Geoffrey Robertson’s book which argues that treasures that were forcefully or lawlessly acquired over centuries should be returned to their rightful owners.
Keenan and British/Australian executive producer Amanda Groom are planning an international docuseries as a co-production with the UK’s Spring Films, an Oscar nominated, Emmy Award winning production company specialising in high-end feature and television documentaries.
Headed by André Singer, Spring Films’ credits include Meeting Gorbachev, co-directed by Werner Herzog and Singer; the Channel 4 trilogy Prison, set in women’s prison Foston Hall; and Fireball: Visitors from Darker Worlds, co-directed by Herzog and Clive Oppenheimer.
Robertson’s Who Owns History?: Elgin’s Loot and the Case for Returning Plundered Treasure makes the case for returning the Parthenon Marbles from the British Museum to Athens.
Fronted by Robertson and to be shot in Australia, China, West Africa and the Middle East,...
Keenan and British/Australian executive producer Amanda Groom are planning an international docuseries as a co-production with the UK’s Spring Films, an Oscar nominated, Emmy Award winning production company specialising in high-end feature and television documentaries.
Headed by André Singer, Spring Films’ credits include Meeting Gorbachev, co-directed by Werner Herzog and Singer; the Channel 4 trilogy Prison, set in women’s prison Foston Hall; and Fireball: Visitors from Darker Worlds, co-directed by Herzog and Clive Oppenheimer.
Robertson’s Who Owns History?: Elgin’s Loot and the Case for Returning Plundered Treasure makes the case for returning the Parthenon Marbles from the British Museum to Athens.
Fronted by Robertson and to be shot in Australia, China, West Africa and the Middle East,...
- 10/11/2020
- by The IF Team
- IF.com.au
Heath Davis.
A newly formed indie filmmakers co-operative will meet monthly in Sydney and plans to expand to a Melbourne chapter.
Around 15 directors attended the inaugural meeting of the group which was convened by Heath Davis and is named Cinegar Bar in Sydney last Thursday.
Among the ideas canvassed were making films as a collective and staging festivals or other screenings of Australian films.
“Our main aim is to create and control our own content and to support each other’s films,” Davis tells If. “We all acknowledge there is a crisis point in Oz cinema and we all have the same war stories.
“We have to find ways to ensure directors are treated better financially. I know some who spent a year on a film and had to reinvest their fees so they were paid zero.”
Among the attendees at the The ArtHouse Hotel in Sydney’s Cbd were Dean Francis,...
A newly formed indie filmmakers co-operative will meet monthly in Sydney and plans to expand to a Melbourne chapter.
Around 15 directors attended the inaugural meeting of the group which was convened by Heath Davis and is named Cinegar Bar in Sydney last Thursday.
Among the ideas canvassed were making films as a collective and staging festivals or other screenings of Australian films.
“Our main aim is to create and control our own content and to support each other’s films,” Davis tells If. “We all acknowledge there is a crisis point in Oz cinema and we all have the same war stories.
“We have to find ways to ensure directors are treated better financially. I know some who spent a year on a film and had to reinvest their fees so they were paid zero.”
Among the attendees at the The ArtHouse Hotel in Sydney’s Cbd were Dean Francis,...
- 2/4/2019
- by The IF Team
- IF.com.au
David Argue has rediscovered his passion for acting after playing an Australian astronaut in Astro Loco, the debut feature from writer-director Aaron McLoughlin. The actor who made his name in the 1980s classics Gallipoli, BMX Bandits and Razorback, shot the sci-fi comedy at Rmit University.s studios in Melbourne after taking a self-imposed break .
Explaining the hiatus, he tells If, .On a couple of projects I felt I was not treated the right way, or the film was shafted..
Astro Loco follows four misfit astronauts who discover during their mission they have been given one-way tickets and they.re not going home.
.When Aaron sent me the treatment I thought, .That.s right out there,. a bit like Red Dwarf,. Argue says. .My character Lucien is quite angry, he.s not the full astronaut..
The actor thoroughly enjoyed the shoot, observing, .It was an awakening, my reconnection with the film business.
Explaining the hiatus, he tells If, .On a couple of projects I felt I was not treated the right way, or the film was shafted..
Astro Loco follows four misfit astronauts who discover during their mission they have been given one-way tickets and they.re not going home.
.When Aaron sent me the treatment I thought, .That.s right out there,. a bit like Red Dwarf,. Argue says. .My character Lucien is quite angry, he.s not the full astronaut..
The actor thoroughly enjoyed the shoot, observing, .It was an awakening, my reconnection with the film business.
- 6/2/2015
- by Don Groves
- IF.com.au
Tertiary students in Australia would rather watch online. documentaries such as John Pilger.s Utopia and Gilliam Armstrong.s Love, Lust & Lies and Aussie features than Hollywood blockbusters. That.s apparent from a list of the most popular videos streamed in 2014 on Kanopy, an online platform for universities, colleges and their students.
Excluding instructional videos, 20 of the 30 most watched titles in Australia last year were local productions. Silver Linings Playbook is the only recent Hollywood film to figure in the top 30.
.Students have access to hundreds of Us blockbusters yet they are choosing to watch videos like Utopia, Freedom Writers or Samson & Delilah more regularly than the mainstream Us blockbusters,. Kanopy CEO Olivia Humphrey tells If.
.Crossing the Line, Samson & Delilah, Ten Canoes, Muriel.s Wedding, Looking for Alibrandi, Head On, Lantana and My Brilliant Career all outperform even The Hunger Games.
.It's surprising because student viewing behaviour on Kanopy...
Excluding instructional videos, 20 of the 30 most watched titles in Australia last year were local productions. Silver Linings Playbook is the only recent Hollywood film to figure in the top 30.
.Students have access to hundreds of Us blockbusters yet they are choosing to watch videos like Utopia, Freedom Writers or Samson & Delilah more regularly than the mainstream Us blockbusters,. Kanopy CEO Olivia Humphrey tells If.
.Crossing the Line, Samson & Delilah, Ten Canoes, Muriel.s Wedding, Looking for Alibrandi, Head On, Lantana and My Brilliant Career all outperform even The Hunger Games.
.It's surprising because student viewing behaviour on Kanopy...
- 1/8/2015
- by Don Groves
- IF.com.au
Ivan Sen.s Mystery Road and Kim Mordaunt.s The Rocket shared the best film honours at the Film Critics Circle of Australia Awards presented last night.
The Great Gatsby collected four awards followed by The Rocket with 3 and Mystery Road and The Turning with 2 awards each.
Naomi Watts was named best actress for her role in the little-seen Adoration and Aaron Pedersen was best actor for Mystery Road. Sen was best director.
There was another tie for the supporting actor prize: The Great Gatsby.s Joel Edgerton and Mystery Road.s Hugo Weaving. The Turning.s Rose Byrne was best supporting actress. The Rocket.s Sitthiphon Disamoe was on hand to receive the gong for best young performer.
Best script award went to The Railway Man.s Frank Cottrell Boyce and Andy Paterson. Haydn Keenan's Persons of Interest was named best documentary.
An Acknowledgment Award was presented to...
The Great Gatsby collected four awards followed by The Rocket with 3 and Mystery Road and The Turning with 2 awards each.
Naomi Watts was named best actress for her role in the little-seen Adoration and Aaron Pedersen was best actor for Mystery Road. Sen was best director.
There was another tie for the supporting actor prize: The Great Gatsby.s Joel Edgerton and Mystery Road.s Hugo Weaving. The Turning.s Rose Byrne was best supporting actress. The Rocket.s Sitthiphon Disamoe was on hand to receive the gong for best young performer.
Best script award went to The Railway Man.s Frank Cottrell Boyce and Andy Paterson. Haydn Keenan's Persons of Interest was named best documentary.
An Acknowledgment Award was presented to...
- 3/11/2014
- by Don Groves
- IF.com.au
![The Turning (2013)](https://m.media-amazon.com/images/M/MV5BNTMwMTkwMzU3Nl5BMl5BanBnXkFtZTcwOTg2Mzc4OQ@@._V1_QL75_UY207_CR3,0,140,207_.jpg)
![The Turning (2013)](https://m.media-amazon.com/images/M/MV5BNTMwMTkwMzU3Nl5BMl5BanBnXkFtZTcwOTg2Mzc4OQ@@._V1_QL75_UY207_CR3,0,140,207_.jpg)
Six of the 10 homegrown feature-length films that will have their world premieres at the Melbourne International Film Festival (Miff) have been supported by the Miff Premiere Fund, including anthology drama The Turning and Anna Broinowski’s documentary Aim High In Creation!.
Australia’s oldest and largest film festival runs from July 25 to August 11, opening with Pedro Almodóvar’s I’m So Excited! and closing with Jc Chandor’s All Is Lost, starring Robert Redford.
The 17 programme strands include activism on film and new Arabic cinema, both of which artistic director Michelle Carey says “effortlessly suggested themselves”, plus such perennial favourites as the backbeat music program, accent on Asia, night shift, international panorama and documentaries.
The Turning is an adaptation of the country’s most popular Australian book of 17 short stories set in one locale, interconnected and written by acclaimed author Tim Winton. A different person has directed each. Some are first-timers including actors David Wenham and Mia Wasikowska...
Australia’s oldest and largest film festival runs from July 25 to August 11, opening with Pedro Almodóvar’s I’m So Excited! and closing with Jc Chandor’s All Is Lost, starring Robert Redford.
The 17 programme strands include activism on film and new Arabic cinema, both of which artistic director Michelle Carey says “effortlessly suggested themselves”, plus such perennial favourites as the backbeat music program, accent on Asia, night shift, international panorama and documentaries.
The Turning is an adaptation of the country’s most popular Australian book of 17 short stories set in one locale, interconnected and written by acclaimed author Tim Winton. A different person has directed each. Some are first-timers including actors David Wenham and Mia Wasikowska...
- 7/3/2013
- by Sandy.George@me.com (Sandy George)
- ScreenDaily
Four Australian films and two feature-length documentaries will premiere at the 2013 Melbourne International Film Festival (Miff), which runs July 25 . August 11.
All were backed by the Miff Premiere Fund, which launched in 2008 and has supported more than 40 films and docos.
All told the festival will screen 310 films, 10 world premieres, 166 Australian premieres, 17 program strands, 26 forums, talks and master classes.
The curtain raiser, previously announced, is I.m So Excited! Pedro Almodóvar.s satire on contemporary Spanish society. The closer is All is Lost, the almost wordless survival-at-sea drama starring Robert Redford, writer-director J C Chandor.s follow-up to Margin Call.
Accorded the Centrepiece Gala slot is The Turning, the film adapted from the Tim Winton novel consisting of 17 chapters, each from a different director with a stellar cast led by Cate Blanchett, Rose Byrne, Hugo Weaving, Miranda Otto, Callan Mulvey, Susie Porter and Harrison Gilbertson.
The Australian Showcase section features Zak Hilditch.s These Final Hours,...
All were backed by the Miff Premiere Fund, which launched in 2008 and has supported more than 40 films and docos.
All told the festival will screen 310 films, 10 world premieres, 166 Australian premieres, 17 program strands, 26 forums, talks and master classes.
The curtain raiser, previously announced, is I.m So Excited! Pedro Almodóvar.s satire on contemporary Spanish society. The closer is All is Lost, the almost wordless survival-at-sea drama starring Robert Redford, writer-director J C Chandor.s follow-up to Margin Call.
Accorded the Centrepiece Gala slot is The Turning, the film adapted from the Tim Winton novel consisting of 17 chapters, each from a different director with a stellar cast led by Cate Blanchett, Rose Byrne, Hugo Weaving, Miranda Otto, Callan Mulvey, Susie Porter and Harrison Gilbertson.
The Australian Showcase section features Zak Hilditch.s These Final Hours,...
- 7/2/2013
- by Don Groves
- IF.com.au
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