Two of France’s fastest-rising young stars, Lyna Khoudri and Rio Vega, will lead the French voice cast of animated feature “In Waves,” an unconditional first love story, and tale of loss and memories adapting American illustrator Aj Dungo’s same-titled multi-prized graphic novel.
An anticipated banner prestige animation title from Paris-based Silex Films, “In Waves” lead producer, the feature also marks the first animated co-production of both Anonymous Content and Charades, behind sales of Jeremy Clapin’s “I Lost My Body” and Mamoru Hosoda’s “Mirai,” both Oscar nominated titles.
In Waves is directed by Phuong Mai Nguyen, a former student of French animation schools Gobelins and La Poudrière who helmed episodes of the Silex-produced animated series “Brazen” and was Oscar-shortlisted for her short “My Home,” “In Waves” has just been announced as one of five titles at the Annecy Animation Showcase, part of Cannes’ Animation Day on May...
An anticipated banner prestige animation title from Paris-based Silex Films, “In Waves” lead producer, the feature also marks the first animated co-production of both Anonymous Content and Charades, behind sales of Jeremy Clapin’s “I Lost My Body” and Mamoru Hosoda’s “Mirai,” both Oscar nominated titles.
In Waves is directed by Phuong Mai Nguyen, a former student of French animation schools Gobelins and La Poudrière who helmed episodes of the Silex-produced animated series “Brazen” and was Oscar-shortlisted for her short “My Home,” “In Waves” has just been announced as one of five titles at the Annecy Animation Showcase, part of Cannes’ Animation Day on May...
- 4/23/2024
- by John Hopewell
- Variety Film + TV
The 2024 Cannes Film Festival lineup was finally revealed at the sliver of dawn on Thursday, April 11. Festival director Thierry Frémaux and president Iris Knobloch unveiled this year’s crop of films across the many sections, from the Competition to Un Certain Regard, during a press conference beginning at 5 a.m. Et. See the full lineup below.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
- 4/22/2024
- by Ryan Lattanzio
- Indiewire
“Beating Hearts” (“L’amour ouf”), an epic crime romance directed by Gilles Lellouche and slated to compete at the Cannes Film Festival, has lured major distributors in key markets ahead of its world premiere.
The sprawling movie, which is budgeted in the $30 million range, is financed, co-produced represented in international markets by Studiocanal. One of the most anticipated and ambitious French movies set for a theatrical release in 2024, “Beating Hearts” was produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and Alain Attal’s Les Films du Tresor.
Studiocanal will distribute the film in Germany and Australia, as well as France, with a release set for Oct. 16. The company has sold it to Cineart in Benelux, Filmcoopi in Switzerland, Feelgood in Greece, Lucky Red in Italy, Lusomundo in Portugal, Kinoswiat in Poland, Greenlight Films in Ukraine, Capella in Russia and Pinema in Turkey. Studiocanal will be closing more deals at the Cannes Film Festival.
The sprawling movie, which is budgeted in the $30 million range, is financed, co-produced represented in international markets by Studiocanal. One of the most anticipated and ambitious French movies set for a theatrical release in 2024, “Beating Hearts” was produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and Alain Attal’s Les Films du Tresor.
Studiocanal will distribute the film in Germany and Australia, as well as France, with a release set for Oct. 16. The company has sold it to Cineart in Benelux, Filmcoopi in Switzerland, Feelgood in Greece, Lucky Red in Italy, Lusomundo in Portugal, Kinoswiat in Poland, Greenlight Films in Ukraine, Capella in Russia and Pinema in Turkey. Studiocanal will be closing more deals at the Cannes Film Festival.
- 4/16/2024
- by Elsa Keslassy
- Variety Film + TV
Acclaimed auteurs Francis Ford Coppola, Yorgos Lanthimos, Paolo Sorrentino and Andrea Arnold are among the filmmakers set to compete for the coveted Palme d’Or at the 77th Cannes Film Festival.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
- 4/11/2024
- ScreenDaily
As expected, the Cannes Film Festival line-up is pretty spectacular with new films from Yorgos Lanthimos, Andrea Arnold and David Cronenberg heading to the fest.
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
- 4/11/2024
- by Maria Lattila
- Film Stories
Following the press conference unveiling the Cannes lineup, festival director Thierry Fremaux addressed a few hot topics, including Francis Ford Coppola’s 135-minute epic “Megalopolis,” which doesn’t yet have a distribution deal.
While “Megalopolis,” Coppola’s self-produced $120 million opus starring Adam Driver, has been selected to compete at the Cannes Film Festival, it doesn’t have a distribution deal in France. In theory, that’s not an issue as there are “quite a lot of films in the official section without any distribution,” as Fremaux tells Variety. But in the case of “Megalopolis,” it may be a ticking bomb.
If “Megalopolis” does get sold to a streamer with no theatrical plans for France, it will spark uproar on the Croisette and within local exhibitors. Most importantly, it will clash with Cannes’ infamous rule which requires every film in competition to have French theatrical distribution. That strict guideline was first...
While “Megalopolis,” Coppola’s self-produced $120 million opus starring Adam Driver, has been selected to compete at the Cannes Film Festival, it doesn’t have a distribution deal in France. In theory, that’s not an issue as there are “quite a lot of films in the official section without any distribution,” as Fremaux tells Variety. But in the case of “Megalopolis,” it may be a ticking bomb.
If “Megalopolis” does get sold to a streamer with no theatrical plans for France, it will spark uproar on the Croisette and within local exhibitors. Most importantly, it will clash with Cannes’ infamous rule which requires every film in competition to have French theatrical distribution. That strict guideline was first...
- 4/11/2024
- by Elsa Keslassy
- Variety Film + TV
Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
Cannes Film Festival is continuing its push to marry auteur cinema with films with commercial potential with its 2024 selection, announced by general delegate Thierry Fremaux during the event’s annual press conference in Paris today (April 11).
After last year’s Palme d’Or-winner Anatomy Of A Fall went on to win at the Oscars, Baftas and Cesar awards as well as earning upwards of $35m at the global box office to date, all eyes are on this year’s 77th event to find the next arthouse titles with breakout potential for critics and audiences.
Iris Knobloch, the festival’s president...
After last year’s Palme d’Or-winner Anatomy Of A Fall went on to win at the Oscars, Baftas and Cesar awards as well as earning upwards of $35m at the global box office to date, all eyes are on this year’s 77th event to find the next arthouse titles with breakout potential for critics and audiences.
Iris Knobloch, the festival’s president...
- 4/11/2024
- ScreenDaily
The Official Selection for the 77th Cannes Film Festival was revealed Thursday, with 19 movies in Competition (see full lists below).
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival.
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
- 4/11/2024
- by Jordan Raup
- The Film Stage
Ali Abbasi’s Donald Trump drama The Apprentice, Anora, the latest from The Florida Project and Red Rocket director Sean Baker, and Andrea Arnold’s Bird, starring Barry Keoghan and Franz Rogowski, are among the highlights of this year’s Cannes Film Festival competition.
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
- 4/11/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
David Thion, the French producer of Justine Triet’s best picture contender “Anatomy of a Fall,” is preparing a raft of projects helmed by daring female directors including Charline Bourgeois-Tacquet (“Anais in Love”) and Emily Atef (“More Than Ever”).
Speaking to Variety ahead of the Oscars, Thion said he and Marie-Ange Luciani, who also produced “Anatomy of a Fall,” have also signed Triet for her next movie, the topic of which hasn’t been decided yet.
“Justine has devoted herself fully to the awards campaign for ‘Anatomy of a Fall’ and she hasn’t had time to decide what her next film will be, but she has a few ideas,” Thion said. He added that Triet’s next film will likely be “mainly shot in French, but could have an Anglo-Saxon actress as the lead.”
Bourgeois-Tacquet, who made her feature debut with “Anais in Love,” which premiered at Cannes’ Critics Week,...
Speaking to Variety ahead of the Oscars, Thion said he and Marie-Ange Luciani, who also produced “Anatomy of a Fall,” have also signed Triet for her next movie, the topic of which hasn’t been decided yet.
“Justine has devoted herself fully to the awards campaign for ‘Anatomy of a Fall’ and she hasn’t had time to decide what her next film will be, but she has a few ideas,” Thion said. He added that Triet’s next film will likely be “mainly shot in French, but could have an Anglo-Saxon actress as the lead.”
Bourgeois-Tacquet, who made her feature debut with “Anais in Love,” which premiered at Cannes’ Critics Week,...
- 3/8/2024
- by Elsa Keslassy
- Variety Film + TV
French President Emmanuel Macron made history on Tuesday as he appointed 34-year-old politician Gabriel Attal as France’s youngest ever prime minister.
Macron has a complex relationship with France’s cinema industry, where his pension reforms, attitude to cultural funding and support of Gérard Depardieu have come under fire from some quarters, but his new prime minister comes with interesting film world connections.
The new rising star of French politics is the son of late lawyer and film producer Yves Attal, who took credits on Pedro Almodóvar’s High Heels, Roberto Benigni’s The Monster and Bernardo Bertolucci’s Stealing Beauty.
Attal’s mother Marie de Couriss also worked in a production company.
As a teenager, Attal had a small role in Christophe Honoré’s 2008 drama The Beautiful Person co-starring Louis Garrel and Léa Seydoux.
But Attal chose not to follow in his parents’ footsteps.
After private schooling at Paris’s prestigious École Alsacienne,...
Macron has a complex relationship with France’s cinema industry, where his pension reforms, attitude to cultural funding and support of Gérard Depardieu have come under fire from some quarters, but his new prime minister comes with interesting film world connections.
The new rising star of French politics is the son of late lawyer and film producer Yves Attal, who took credits on Pedro Almodóvar’s High Heels, Roberto Benigni’s The Monster and Bernardo Bertolucci’s Stealing Beauty.
Attal’s mother Marie de Couriss also worked in a production company.
As a teenager, Attal had a small role in Christophe Honoré’s 2008 drama The Beautiful Person co-starring Louis Garrel and Léa Seydoux.
But Attal chose not to follow in his parents’ footsteps.
After private schooling at Paris’s prestigious École Alsacienne,...
- 1/9/2024
- by Melanie Goodfellow
- Deadline Film + TV
Melvil Poupaud, an actor in Francois Ozon’s “By the Grace of God” and Maiwenn’s “Jeanne du Barry,” will receive the French Cinema Award from Unifrance, the French promotion organization.
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
- 1/4/2024
- by Elsa Keslassy
- Variety Film + TV
Catherine Breillat on Léa Drucker in Last Summer (L’Été Dernier) and Alfred Hitchcock’s heroine wardrobe: “I said to Léa, think about Vertigo and Kim Novak! But then I think she is more Tippi Hedren.”
Catherine Breillat’s Last Summer stars Léa Drucker and Samuel Kircher with Olivier Rabourdin, Clotilde Courau, Serena Hu, and Angela Chen. The film is based on May el-Toukhy’s 2019 Queen of Hearts, starring Trine Dyrholm, Gustav Lindh, and Magnus Krepper. Last Summer shares a theme with the NYFF Opening Night Gala selection, Todd Haynes’s May December, where a reversal of age also takes central stage.
Catherine Breillat, with Anne-Katrin Titze, reveals the Christophe Honoré, Winter Boy, Paul Kircher and Samuel Kircher connection for Last Summer
Breillat, incomparably daring as ever, tells the story of Anne (Drucker), a successful lawyer, who lives with her businessman husband Pierre (Rabourdin) and their two headstrong, adopted daughters,...
Catherine Breillat’s Last Summer stars Léa Drucker and Samuel Kircher with Olivier Rabourdin, Clotilde Courau, Serena Hu, and Angela Chen. The film is based on May el-Toukhy’s 2019 Queen of Hearts, starring Trine Dyrholm, Gustav Lindh, and Magnus Krepper. Last Summer shares a theme with the NYFF Opening Night Gala selection, Todd Haynes’s May December, where a reversal of age also takes central stage.
Catherine Breillat, with Anne-Katrin Titze, reveals the Christophe Honoré, Winter Boy, Paul Kircher and Samuel Kircher connection for Last Summer
Breillat, incomparably daring as ever, tells the story of Anne (Drucker), a successful lawyer, who lives with her businessman husband Pierre (Rabourdin) and their two headstrong, adopted daughters,...
- 12/14/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Other signatories include Isabelle Adjani, Jacques Audiard and Michel Hazanavicius.
More than 500 leading figures from the French film and cultural industries have signed a letter calling for a silent march on Sunday (November 19) in Paris in response to the ongoing Israel-Hamas war.
Marion Cotillard, Melanie Laurent, Isabelle Adjani, Nathalie Baye, Jacques Audiard, Christophe Honore and Michel Hazanavicius are among the actors, filmmakers, agents and producers who have called for “a silent march of solidarity, humanism and peace”. The initiative was organised by Le Collectif Une Autre Voix (Another Voice) and spearheaded by the group’s President Lubna Azabal, a Belgian...
More than 500 leading figures from the French film and cultural industries have signed a letter calling for a silent march on Sunday (November 19) in Paris in response to the ongoing Israel-Hamas war.
Marion Cotillard, Melanie Laurent, Isabelle Adjani, Nathalie Baye, Jacques Audiard, Christophe Honore and Michel Hazanavicius are among the actors, filmmakers, agents and producers who have called for “a silent march of solidarity, humanism and peace”. The initiative was organised by Le Collectif Une Autre Voix (Another Voice) and spearheaded by the group’s President Lubna Azabal, a Belgian...
- 11/13/2023
- by Rebecca Leffler
- ScreenDaily
French film organisations Arp, directors’ guild Srf spearhead initiative.
With the parallel WGA and SAG-AFTRA strikes still in full swing across the Atlantic, France and Italy’s top filmmakers guilds have come together to show solidarity and reinforce auteur rights with a joint ’declaration of filmmakers’ and have announced a September 3 symposium in Venice.
French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, spearheaded the initiative.
They wrote the original “declaration of filmmakers” open letter in May calling for full authorship rights, fair redistribution of revenues and immediate regulation of AI, before...
With the parallel WGA and SAG-AFTRA strikes still in full swing across the Atlantic, France and Italy’s top filmmakers guilds have come together to show solidarity and reinforce auteur rights with a joint ’declaration of filmmakers’ and have announced a September 3 symposium in Venice.
French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, spearheaded the initiative.
They wrote the original “declaration of filmmakers” open letter in May calling for full authorship rights, fair redistribution of revenues and immediate regulation of AI, before...
- 8/29/2023
- by Rebecca Leffler
- ScreenDaily
Christophe Honoré has landed quite the cast for his next feature film. Re-teaming with daughter-mother team of Chiara Mastroianni and Catherine Deneuve, Honoré also adds Benjamin Biolay, Melvil Poupaud, Nicole Garcia and Fabrice Luchini to the mix. Les inrocks folks confirm (what we had mentioned last week), filming does take place in late August in Paris and it’ll then move to Rome (Marcello Mastroianni’s home turf). We can chalk what will likely be a meta exercise as a Cannes competition hopeful. Les Films Pelléas’ Philippe Martin and David Thion are producing the currently untitled feature.
Honoré will likely take an intimate approach into Chiara Mastroianni’s world tackling identity and possibly the splitting of two personas — he is in a good position to do so as he has worked with the actress on six prior occasions – their last collaboration being the Un Certain Regard Best Actress awarded for...
Honoré will likely take an intimate approach into Chiara Mastroianni’s world tackling identity and possibly the splitting of two personas — he is in a good position to do so as he has worked with the actress on six prior occasions – their last collaboration being the Un Certain Regard Best Actress awarded for...
- 6/26/2023
- by Eric Lavallée
- IONCINEMA.com
We can mark down a new feature film from Christophe Honoré for the 2024 calendar as the Paris-based filmmaker is setting up shop for what will be his fifteenth feature film in just over a two-decade span. Title, plot, casting news will surely be announced in the weeks ahead but what we do know is that we are looking a six-week shoot beginning mid-August in Paris. Les Films Pelléas’ David Thion (who just won the Palme d’Or for Anatomy of a Fall) will likely return as a producer here. Coming off two-plus hour coming-of-ager TIFF-preemed Le lycéen (Winter Boy), we can expect this film to explore themes of youth, family, sexuality and everything under the human condition — and it would be timed for a possible bid for a competition slot in Cannes.…...
- 6/20/2023
- by Eric Lavallée
- IONCINEMA.com
David Thion, the French producer of Justine Triet’s Palme d’Or winning “Anatomy of a Fall,” is reteaming with Guillaume Senez for “Une part manquante,” a Tokyo-set drama which Be For Films is representing in international markets.
“Une part manquante” will also reunite Senez with popular French actor Romain Duris, who starred in his 2018 film “Our Struggles” and earned a Cesar nomination for it. Brussels-based Be For Films had sold Senez’s feature debut “Keeper” and “Our Struggles” in most major territories and presented at a flurry of international festivals.
Duris will play Jay, who hasn’t seen his daughter for nine years since getting separated from his Japanese wife. As a foreigner residing in Japan, Jay was denied custody of his daughter. Hoping to find her somewhere in the city, he abandons his career as a renown chef and becomes a taxi driver. After all these years searching in vain,...
“Une part manquante” will also reunite Senez with popular French actor Romain Duris, who starred in his 2018 film “Our Struggles” and earned a Cesar nomination for it. Brussels-based Be For Films had sold Senez’s feature debut “Keeper” and “Our Struggles” in most major territories and presented at a flurry of international festivals.
Duris will play Jay, who hasn’t seen his daughter for nine years since getting separated from his Japanese wife. As a foreigner residing in Japan, Jay was denied custody of his daughter. Hoping to find her somewhere in the city, he abandons his career as a renown chef and becomes a taxi driver. After all these years searching in vain,...
- 5/30/2023
- by Elsa Keslassy
- Variety Film + TV
A bold departure from France’s cinema tradition of social realism, Thomas Cailley’s widely ambitious sophomore outing “The Animal Kingdom” is equally a creature-filled dystopia, an emotionally charged father-and-son drama and a coming-of-age tale.
The character-driven film world premiered to warm reviews at the Cannes Film Festival where it bowed the Un Certain Regard section. “The Animal Kingdom” is represented in international market by Studiocanal and was produced by Pierre Guyard at Nord Ouest Films, and co-produced by Artemis.
“The Animal Kingdom” takes place in an undetermined future in France which has been swept by a genetic disease causing people to transform into creatures that are being hunted down and killed or institutionalized by authorities. Kircher, the breakout star of Christophe Honoré’s “Winter Boy,” plays 16-year-old Emile whose mother was institutionalized after showing first signs of a genetic mutation. He lives with his father Francois (Romain Duris) who is struggling to overcome grief.
The character-driven film world premiered to warm reviews at the Cannes Film Festival where it bowed the Un Certain Regard section. “The Animal Kingdom” is represented in international market by Studiocanal and was produced by Pierre Guyard at Nord Ouest Films, and co-produced by Artemis.
“The Animal Kingdom” takes place in an undetermined future in France which has been swept by a genetic disease causing people to transform into creatures that are being hunted down and killed or institutionalized by authorities. Kircher, the breakout star of Christophe Honoré’s “Winter Boy,” plays 16-year-old Emile whose mother was institutionalized after showing first signs of a genetic mutation. He lives with his father Francois (Romain Duris) who is struggling to overcome grief.
- 5/21/2023
- by Elsa Keslassy
- Variety Film + TV
While the world was grappling with the Covid-19 pandemic, French director Thomas Cailley was imagining another kind of coronavirus, one he’d cooked up before the crisis, but which suddenly took on new real-world relevance. In “The Animal Kingdom,” a mysterious malady is sweeping France, unlocking something at a genetic level that causes people to transform into hybrid creatures. The mutations are slow and somewhat unpredictable: One person might sprout feathers, observing over weeks as their arms develop into wings, while another grows scales and winds up slithering like a snake.
Through it all, 16-year-old Émile (Paul Kircher) and his father, François (Romain Duris), are just trying to stay calm, which isn’t easy when something akin to a zombie apocalypse has left the entire country jittery and suspicious. What’s causing the mutations? Is it contagious? Can the creatures be trusted, or are they a threat to others? A scar on Émile’s cheek,...
Through it all, 16-year-old Émile (Paul Kircher) and his father, François (Romain Duris), are just trying to stay calm, which isn’t easy when something akin to a zombie apocalypse has left the entire country jittery and suspicious. What’s causing the mutations? Is it contagious? Can the creatures be trusted, or are they a threat to others? A scar on Émile’s cheek,...
- 5/17/2023
- by Peter Debruge
- Variety Film + TV
It was signed by auteurs including Claire Denis, Jacques Audiard, the Dardenne brothers and Katell Quillévéré.
In an echo of the issues forcing US writers to strike, French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, have written an open letter lashing out at copyright infringements and contemporary commercial cinema practices that they say pose a threat to auteur film.
The letter began: “We, filmmakers, work at the crossroads of ’an art and also an industry’”, in a reference to André Malraux.
They went on to condemn practices that “contravene the core...
In an echo of the issues forcing US writers to strike, French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, have written an open letter lashing out at copyright infringements and contemporary commercial cinema practices that they say pose a threat to auteur film.
The letter began: “We, filmmakers, work at the crossroads of ’an art and also an industry’”, in a reference to André Malraux.
They went on to condemn practices that “contravene the core...
- 5/16/2023
- by Rebecca Leffler
- ScreenDaily
Christophe Honoré's Winter Boy is now showing exclusively on Mubi starting April 28, 2023, in many countries in the series Luminaries.When Antoine Doinel first dons his checkered jacket and roams the streets of Paris in François Truffaut’s The 400 Blows (1959), the city air is so cold that his breath clouds the frame. Truffaut’s wintry film is a tale of isolation and frustration in the life of the young Doinel, a misbehaving schoolboy bored by la dictée and the stifling teachings of his professor. Out in the frostbitten night, he sleeps in a printing press and steals a typewriter, evoking his search for his own liberation and words to live by. To everyone else, he appears a troubled youth in need of institutionalization. To Truffaut, he is his younger self looking for his identity and the means to express it, a memory committed to film. When a filmmaker sets...
- 5/2/2023
- MUBI
A young boy comes of age after his father’s sudden death in Christophe Honoré’s “Winter Boy.” A bleak portrait of grief, the film may earn points for crafting an empathetic, subjective portrayal of one boy’s emotional spiral. Yet, the film also makes several odd formal and aesthetic choices that, ultimately, make Honoré’s film feel more hackneyed than resonant. The strangest of which is the decision to allow Lucas (Paul Kircher), an openly gay 17-year-old, to directly address the camera, explaining and contextualizing his feelings to an unseen audience.
Continue reading ‘Winter Boy’ Review: Christophe Honoré’s Latest With Juliette Binoche Is An Affecting & Occasionally Hackneyed Portrait Of Grief at The Playlist.
Continue reading ‘Winter Boy’ Review: Christophe Honoré’s Latest With Juliette Binoche Is An Affecting & Occasionally Hackneyed Portrait Of Grief at The Playlist.
- 4/29/2023
- by Christian Gallichio
- The Playlist
Hazy Shade of Winter: Honore Deals with a Death in the Family in Sincere Coming-of-Age
Christophe Honoré has built an intricate filmography on the backs of characters consumed with loss and exploring their identities for the past two decades, only occasionally breaking from familiar themes to explore the inherent decadence and taboo of classic literature (such as his adaptations of Georges Bataille or Ovid). His latest, Le Lycéen (Winter Boy), unites coming-of-age tropes paralleled with loss, guilt, and sexuality through a semi-autobiographical lens in his particular talents for loquacious wisdom punctuated by observational sensibilities defining complex human relationships.
Honoré hands relative newcomer Paul Kircher the reins for this quietly poignant narrative about not taking those we love for granted and the inherent power in re-defining ourselves after tragedy shatters the fragile reality of preconceived notions.…...
Christophe Honoré has built an intricate filmography on the backs of characters consumed with loss and exploring their identities for the past two decades, only occasionally breaking from familiar themes to explore the inherent decadence and taboo of classic literature (such as his adaptations of Georges Bataille or Ovid). His latest, Le Lycéen (Winter Boy), unites coming-of-age tropes paralleled with loss, guilt, and sexuality through a semi-autobiographical lens in his particular talents for loquacious wisdom punctuated by observational sensibilities defining complex human relationships.
Honoré hands relative newcomer Paul Kircher the reins for this quietly poignant narrative about not taking those we love for granted and the inherent power in re-defining ourselves after tragedy shatters the fragile reality of preconceived notions.…...
- 4/28/2023
- by Nicholas Bell
- IONCINEMA.com
Grief is by no means a universally relatable subject; we may all encounter it, but the manner in which we process it very rarely translates directly to somebody else’s personal experiences. This is something filmmaker Christophe Honoré has an innate awareness of, with his latest film Winter Boy attempting to address his own formative experience of grief without simply resorting to a semi-autobiographical work. So he doesn’t leave these still-raw emotions confined within a period setting, rendering that adolescent pain a distant memory. He’s attempting to address them via a contemporary coming-of-age tale––one that may share resemblances to his own youth but refuses to simply revisit it.
It’s an intriguing approach for the writer-director to take, and one that didn’t entirely work. Though many moments are keenly felt, especially whenever the sibling relationship takes center stage, there are just as many that lack an...
It’s an intriguing approach for the writer-director to take, and one that didn’t entirely work. Though many moments are keenly felt, especially whenever the sibling relationship takes center stage, there are just as many that lack an...
- 4/27/2023
- by Alistair Ryder
- The Film Stage
AIDS is ever present in Christophe Honoré’s 2018 film Sorry Angel. But rather than dictate the choices and emotions of the characters, the disease simply colors their experiences, serving as a filter through which they see the world. In Winter Boy, Honoré approaches grief in a similarly subtle, intriguingly indirect manner. Where many films show grief merely as a crippling hindrance, Winter Boy sees it as an emotional state that constantly rises and recedes, disrupting the flow and morphing the meaning of everyday experience.
Honoré himself plays a soon-to-be-deceased father, Claude, immediately alluding to the personal nature of the film, which is based on his experiences after losing his own father. Winter Boy’s main focus, though, is Claude’s 17-year-old son, Lucas (Paul Kircher), who’s the same age that Honoré was when his father died, and who faces the aftermath of this loss with his mother, Isabelle (Juliette Binoche), and older brother,...
Honoré himself plays a soon-to-be-deceased father, Claude, immediately alluding to the personal nature of the film, which is based on his experiences after losing his own father. Winter Boy’s main focus, though, is Claude’s 17-year-old son, Lucas (Paul Kircher), who’s the same age that Honoré was when his father died, and who faces the aftermath of this loss with his mother, Isabelle (Juliette Binoche), and older brother,...
- 4/24/2023
- by Derek Smith
- Slant Magazine
Mubi has announced its lineup of streaming offerings for next month, including David Easteal’s The Plains (one of the best films we saw on the festival circuit last year), Christophe Honoré’s Winter Boy, Koji Fukada’s 10-part series The Real Thing, Bruce Labruce’s Saint-Narcisse, and more.
Additional highlights include three films by Joan Micklin Silver, additions to their Lars von Trier series, Sylvain Chomet’s The Triplets of Belleville, Sally Potter’s Orlando, Steven Soderbergh’s Haywire, Nadav Lapid’s Synonyms, and more.
Check out the lineup below and get 30 days free here.
April 1 – Henry Fool, directed by Hal Hartley
April 2 – Waltz with Bashir, directed by Ari Folman
April 3 – The All-Round Reduced Personality – Redupers, directed by Helke Sander | What Sets Us Free? German Feminist Cinema
April 4 – Saint-Narcisse, directed by Bruce Labruce
April 5 – Jaime Francisco, directed by Javier Rodríguez | Brief Encounters
April 6 – Hester Street, directed by Joan Micklin...
Additional highlights include three films by Joan Micklin Silver, additions to their Lars von Trier series, Sylvain Chomet’s The Triplets of Belleville, Sally Potter’s Orlando, Steven Soderbergh’s Haywire, Nadav Lapid’s Synonyms, and more.
Check out the lineup below and get 30 days free here.
April 1 – Henry Fool, directed by Hal Hartley
April 2 – Waltz with Bashir, directed by Ari Folman
April 3 – The All-Round Reduced Personality – Redupers, directed by Helke Sander | What Sets Us Free? German Feminist Cinema
April 4 – Saint-Narcisse, directed by Bruce Labruce
April 5 – Jaime Francisco, directed by Javier Rodríguez | Brief Encounters
April 6 – Hester Street, directed by Joan Micklin...
- 3/23/2023
- by Leonard Pearce
- The Film Stage
That English-language cinema has no parallel for the Garrel family is equal testament to their legacy and our shallow, piddling culture. While Philippe Garrel’s decades-long filmmaking career––which began with political documentation and silent features, but now represents modern cinema’s best studies of romance and longing––just added to its corpus his excellent The Plough, starring progeny Louis Garrel, Esther Garrel, and Lena Garrel, Louis is about to see the U.S. debut of The Innocent, his fourth feature in writing-directing-starring capacities.
If it barely resembles his father’s films––still attuned to human behavior, but packaging observations inside madcap scenarios Garrel proudly calls “completely unbelievable”––that’s all the better: watching The Innocent suggests less an heir to Philippe Garrel than Dino Risi or Pierre Etaix.
Ahead of a release this Friday beginning at NYC’s IFC Center, I talked to Garrel about the difficulty of constructing an intricate comedy-thriller,...
If it barely resembles his father’s films––still attuned to human behavior, but packaging observations inside madcap scenarios Garrel proudly calls “completely unbelievable”––that’s all the better: watching The Innocent suggests less an heir to Philippe Garrel than Dino Risi or Pierre Etaix.
Ahead of a release this Friday beginning at NYC’s IFC Center, I talked to Garrel about the difficulty of constructing an intricate comedy-thriller,...
- 3/16/2023
- by Nick Newman
- The Film Stage
Christophe Honoré selected Catherine Breillat’s 36 Fillette: “Her work is very important for French cinema.” Photo: Anne-Katrin Titze
Jacques Demy’s Lola (starring Anouk Aimée with Marc Michel), Wim Wenders’ Paris, Texas, Zhangke Jia and composer Yoshihiro Hanno, Yves Robert’s La Guerre des Boutons, Alain Resnais’ Providence and L'Année Dernière à Marienbad, Kenneth Lonergan’s Manchester By The Sea, Sophie's Misfortunes, and Catherine Breillat’s 36 Fillette all came up in our discussion.
Christophe Honoré with Anne-Katrin Titze on why Alain Resnais is a king: “I’m interested in narrative play and people who have a ludic relationship to storytelling.” Photo: Anne-Katrin Titze
Christophe Honoré was in New York to present Winter Boy, starring Paul Kircher, Vincent Lacoste, Juliette Binoche, and Erwan Kepoa Falé, shot by Rémy Chevrin (Guermantes, [film]On...
Jacques Demy’s Lola (starring Anouk Aimée with Marc Michel), Wim Wenders’ Paris, Texas, Zhangke Jia and composer Yoshihiro Hanno, Yves Robert’s La Guerre des Boutons, Alain Resnais’ Providence and L'Année Dernière à Marienbad, Kenneth Lonergan’s Manchester By The Sea, Sophie's Misfortunes, and Catherine Breillat’s 36 Fillette all came up in our discussion.
Christophe Honoré with Anne-Katrin Titze on why Alain Resnais is a king: “I’m interested in narrative play and people who have a ludic relationship to storytelling.” Photo: Anne-Katrin Titze
Christophe Honoré was in New York to present Winter Boy, starring Paul Kircher, Vincent Lacoste, Juliette Binoche, and Erwan Kepoa Falé, shot by Rémy Chevrin (Guermantes, [film]On...
- 3/13/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Christophe Honoré with Anne-Katrin Titze at Rendez-Vous with French Cinema in New York Photo: Anne-Katrin Titze
Christophe Honoré (Winter Boy), Florent Gouëlou (Three Nights A Week), Vuk Lungulov-Klotz (Mutt), and Georden West (Playland), will participate in a Rendez-Vous with French Cinema Free Talk: Queer Identities On Screen, moderated by filmmaker and Cuny professor Yoruba Richen (director of The Green Book: Guide to Freedom) on Friday, March 10 at 4:00pm inside the Amphitheater of the Elinor Bunin Munroe Film Center.
Autofiction at Work: An Intimate Portrait of Christophe Honoré at Metrograph
Christophe is also presenting Dans Paris and Sorry Angel, Alain Resnais’s Providence, Catherine Breillat’s 36 Fillette, and Kenneth Lonergan’s Manchester By The Sea in Autofiction at Work: An Intimate Portrait of Christophe Honoré at Metrograph this weekend, curated by Uptown Flicks Adeline Monzier with the support of Unifrance and Villa Albertine.
“As a queer auteur and a...
Christophe Honoré (Winter Boy), Florent Gouëlou (Three Nights A Week), Vuk Lungulov-Klotz (Mutt), and Georden West (Playland), will participate in a Rendez-Vous with French Cinema Free Talk: Queer Identities On Screen, moderated by filmmaker and Cuny professor Yoruba Richen (director of The Green Book: Guide to Freedom) on Friday, March 10 at 4:00pm inside the Amphitheater of the Elinor Bunin Munroe Film Center.
Autofiction at Work: An Intimate Portrait of Christophe Honoré at Metrograph
Christophe is also presenting Dans Paris and Sorry Angel, Alain Resnais’s Providence, Catherine Breillat’s 36 Fillette, and Kenneth Lonergan’s Manchester By The Sea in Autofiction at Work: An Intimate Portrait of Christophe Honoré at Metrograph this weekend, curated by Uptown Flicks Adeline Monzier with the support of Unifrance and Villa Albertine.
“As a queer auteur and a...
- 3/8/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Showcasing the best of contemporary French films, this year's Rendez-Vous with French Cinema features 21 features from old masters to newcomers, including new films by Philippe and Louis Garrel, Arnaud Desplechin, Dominik Moll, Patricia Mazuy and Léa Mysius. Though I feel like I say this every year, about this ultimate festival for Francophiles, but this year's offerings are possibly the strongest in terms of quality and cinematic audacity, in years. Guest attendees include Virginie Efira, Louis Garrel, Christophe Honoré, Alice Winocour, Patricia Mazuy, Melvil Paupoud and more. Rendez-Vous with French Cinema is presented by Unifrance and Film at Lincoln Center and runs from Thursday, March 2, through Sunday, March 12 @filmlinc Here are five films I was privileged to sample for the festival. ...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/1/2023
- Screen Anarchy
Stephen Fry-led doc ‘Willem & Frieda’ to world premiere at BFI Flare; full festival line-up unveiled
The Lgbtqia+ festival takes place March 15-26.
The BFI Flare: London Lgbtqia+ Film Festival has unveiled the line-up for its 37th edition which takes place March 15 – 26.
The programme features 58 features, six of which are world premieres, spread across three thematic strands – Hearts, Bodies and Minds.
Scroll down for full line-up
World premiering at the festival is John Hay’s documentary Willem & Frieda which is presented by Stephen Fry and explores how a gay man and a lesbian woman led the anti-Nazi resistance in Holland.
The other world premieres are Timothy Harris’ documentary Kenyatta: Do Not Wait Your Turn about the...
The BFI Flare: London Lgbtqia+ Film Festival has unveiled the line-up for its 37th edition which takes place March 15 – 26.
The programme features 58 features, six of which are world premieres, spread across three thematic strands – Hearts, Bodies and Minds.
Scroll down for full line-up
World premiering at the festival is John Hay’s documentary Willem & Frieda which is presented by Stephen Fry and explores how a gay man and a lesbian woman led the anti-Nazi resistance in Holland.
The other world premieres are Timothy Harris’ documentary Kenyatta: Do Not Wait Your Turn about the...
- 2/15/2023
- by Ellie Calnan
- ScreenDaily
Unifrance and Film at Lincoln Center have unveiled the lineup for the 28th edition of Rendez-Vous With French Cinema, an annual celebration of contemporary French filmmaking. The event will take place March 2–12.
It kicks off with a screening of Alice Winocour’s “Revoir Paris,” which stars Virginie Efira as a translator named Mia, who survived a mass shooting in a Paris restaurant and is unable to resume life as usual. In an effort to regain a sense of normalcy, Mia returns repeatedly to the site of the shooting, forming bonds with her fellow survivors. Efira is best known for her star turn in Paul Verhoeven’s “Benedetta.”
“It is a such a pleasure to open this year’s edition with the French critical and box-office hit ‘Revoir Paris’ in the presence of director Alice Winocour and actress Virginie Efira, who just received our French Cinema Award in Paris,” said Daniela Elstner,...
It kicks off with a screening of Alice Winocour’s “Revoir Paris,” which stars Virginie Efira as a translator named Mia, who survived a mass shooting in a Paris restaurant and is unable to resume life as usual. In an effort to regain a sense of normalcy, Mia returns repeatedly to the site of the shooting, forming bonds with her fellow survivors. Efira is best known for her star turn in Paul Verhoeven’s “Benedetta.”
“It is a such a pleasure to open this year’s edition with the French critical and box-office hit ‘Revoir Paris’ in the presence of director Alice Winocour and actress Virginie Efira, who just received our French Cinema Award in Paris,” said Daniela Elstner,...
- 1/26/2023
- by Brent Lang
- Variety Film + TV
The 30 talents are in the running for the most promising actor and actress awards at the 2023 Cesar awards.
Les Révélations 2023, par Audrey Diwan (Sous-titre Anglais) from Académie des César on Vimeo.
France’s Cesar Academy has joined forces with Happening director Audrey Diwan for a short film honouring the 30 ‘Revelations’, the emerging French talents in the running for the most promising actor and actress awards at this year’s Cesar film awards.
Diwan presented the four-minute short film she wrote and directed at a dinner in Paris on January 16 attended by the Revelations, each of whom chose a mentor to accompany them.
Les Révélations 2023, par Audrey Diwan (Sous-titre Anglais) from Académie des César on Vimeo.
France’s Cesar Academy has joined forces with Happening director Audrey Diwan for a short film honouring the 30 ‘Revelations’, the emerging French talents in the running for the most promising actor and actress awards at this year’s Cesar film awards.
Diwan presented the four-minute short film she wrote and directed at a dinner in Paris on January 16 attended by the Revelations, each of whom chose a mentor to accompany them.
- 1/18/2023
- by Rebecca Leffler
- ScreenDaily
Dominik Moll’s The Night of The 12th has won best film at the 28th edition of France’s Lumière Awards in Paris on Monday evening.
The investigative drama, which was nominated in six categories, also won Best Screenplay.
The film, which debuted in the Cannes Film Festival’s non-competitive Cannes Première section, stars Bastien Bouillon as a police detective who becomes obsessed with a case involving a complex female murder victim.
Best director went to Albert Serra for French Polynesia-set drama Pacification. The feature also clinched two other prizes: Best Actor for Benoît Magimal and Best Cinematography for Artur Tort.
Virginie Efira won Best Actress for her performance in Rebecca Zlotowski’s Other People’s Children about the challenge of navigating the stepmother role.
Nadia Tereszkiewicz won Best Female Revelation for her performance in Forever Young and Dimitri Doré, Best Male Revelation for Bruno Reidal.
Alice Diop clinched best documentary category for We,...
The investigative drama, which was nominated in six categories, also won Best Screenplay.
The film, which debuted in the Cannes Film Festival’s non-competitive Cannes Première section, stars Bastien Bouillon as a police detective who becomes obsessed with a case involving a complex female murder victim.
Best director went to Albert Serra for French Polynesia-set drama Pacification. The feature also clinched two other prizes: Best Actor for Benoît Magimal and Best Cinematography for Artur Tort.
Virginie Efira won Best Actress for her performance in Rebecca Zlotowski’s Other People’s Children about the challenge of navigating the stepmother role.
Nadia Tereszkiewicz won Best Female Revelation for her performance in Forever Young and Dimitri Doré, Best Male Revelation for Bruno Reidal.
Alice Diop clinched best documentary category for We,...
- 1/16/2023
- by Melanie Goodfellow
- Deadline Film + TV
Comedies such as “Serial (Bad) Weddings 3” and family fare, including “Pil’s Adventures” and “The Wolf and the Lion,” helped the overseas box office for French movies climb back in 2022.
While international ticket sales for French movies were still 32.5 down compared with pre-pandemic times, admissions grossed €167.4 million (180 million) from 27 million admissions in 2022 – a 51.8 year-on increase.
Figures highlighting the performance of French movies in theaters at festivals and on streaming services were unveiled by Unifrance, the French film and TV promotion org, during the Export Day, which took place on Tuesday in Paris.
“Youth and family audiences were the first to return to theaters (when they reopened), and so films targeted at these demographics performed best,” said Unifrance in its study. Theaters in most countries around the world were indeed shut down for several months in 2021.
The org’s co-managing director Gilles Renouard also noted that there was a “concentration of...
While international ticket sales for French movies were still 32.5 down compared with pre-pandemic times, admissions grossed €167.4 million (180 million) from 27 million admissions in 2022 – a 51.8 year-on increase.
Figures highlighting the performance of French movies in theaters at festivals and on streaming services were unveiled by Unifrance, the French film and TV promotion org, during the Export Day, which took place on Tuesday in Paris.
“Youth and family audiences were the first to return to theaters (when they reopened), and so films targeted at these demographics performed best,” said Unifrance in its study. Theaters in most countries around the world were indeed shut down for several months in 2021.
The org’s co-managing director Gilles Renouard also noted that there was a “concentration of...
- 1/10/2023
- by Elsa Keslassy
- Variety Film + TV
’Saint Omer’, ‘Other People’s Children’ and ’Pacifiction’ also receive multiple nods.
Dominik Moll’s police procedural The Night Of The 12th tops the nominations for the 28th annual Lumière Awards.
France’s version of The Golden Globes, the Lumière Awards are voted on by international correspondents from 36 countries.
The Night Of The 12th leads with six nominations, just ahead of Albert Serra’s political thriller Pacifiction with five. Rebecca Zlotowski’s Other People’s Children and Alice Diop’s Saint Omer tie on four nods each. The films will vie for the Best Film prize alongside Alice Winocour’s Paris Memories.
Dominik Moll’s police procedural The Night Of The 12th tops the nominations for the 28th annual Lumière Awards.
France’s version of The Golden Globes, the Lumière Awards are voted on by international correspondents from 36 countries.
The Night Of The 12th leads with six nominations, just ahead of Albert Serra’s political thriller Pacifiction with five. Rebecca Zlotowski’s Other People’s Children and Alice Diop’s Saint Omer tie on four nods each. The films will vie for the Best Film prize alongside Alice Winocour’s Paris Memories.
- 12/15/2022
- by Rebecca Leffler
- ScreenDaily
Dominik Moll’s The Night of The 12th, which world premiered in Cannes in May, has topped the nominations for the 28th edition of France’s Lumière Awards.
The awards are voted on by members of the international press corp hailing from 36 countries based in France.
The Night Of The 12th was nominated in six categories including best film, director and screenplay. The film debuted in the Cannes Film Festival’s non competitive Cannes Première section.
The investigative drama is Moll’s seventh feature. It stars Bastien Bouillon, with support from Bouli Lanners, as a police detective who becomes obsessed with a case involving a complex female murder victim.
Other multi-nominated titles include Albert Serra’s French Polynesia-set drama Pacification five nominations.
Four films received four nominations each: Alice Diop’s Saint-Omer; Rebecca Zlotowski’s Other People’s Children; Louis Garrel’s The Innocent and Gaspar Noé’s Vortex.
Diop,...
The awards are voted on by members of the international press corp hailing from 36 countries based in France.
The Night Of The 12th was nominated in six categories including best film, director and screenplay. The film debuted in the Cannes Film Festival’s non competitive Cannes Première section.
The investigative drama is Moll’s seventh feature. It stars Bastien Bouillon, with support from Bouli Lanners, as a police detective who becomes obsessed with a case involving a complex female murder victim.
Other multi-nominated titles include Albert Serra’s French Polynesia-set drama Pacification five nominations.
Four films received four nominations each: Alice Diop’s Saint-Omer; Rebecca Zlotowski’s Other People’s Children; Louis Garrel’s The Innocent and Gaspar Noé’s Vortex.
Diop,...
- 12/15/2022
- by Melanie Goodfellow
- Deadline Film + TV
The Lost Patient (Le patient) is an Arte TV thriller directed by Christophe Charrier, starring Txomin Vergez and Clotilde Hesme.
A story that has some potential, but it goes unused.
Premise
Thomas has been in a coma for three years when he wakes up and remembers nothing. His psychologist, Anna, informs him that his family has been murdered and that he is the only survivor of the massacre while his sister Laura is still missing.
Movie Review
This feature is a French thriller produced by Arte TV that does not stand out neither in its cinematography, nor – in its difficult condition of being a TV production – in its story. It reduces what could have been good story to a simplistic, and a not a majorly artistic, endeavor.
Txomin Vergez’s performance is good enough, although not outstanding in this a movie that leaves one somewhat indifferent.
‘The Lost Patient’ is laden with clichés,...
A story that has some potential, but it goes unused.
Premise
Thomas has been in a coma for three years when he wakes up and remembers nothing. His psychologist, Anna, informs him that his family has been murdered and that he is the only survivor of the massacre while his sister Laura is still missing.
Movie Review
This feature is a French thriller produced by Arte TV that does not stand out neither in its cinematography, nor – in its difficult condition of being a TV production – in its story. It reduces what could have been good story to a simplistic, and a not a majorly artistic, endeavor.
Txomin Vergez’s performance is good enough, although not outstanding in this a movie that leaves one somewhat indifferent.
‘The Lost Patient’ is laden with clichés,...
- 12/6/2022
- by Veronica Loop
- Martin Cid Magazine - Movies
This review originally ran May 19, 2022, in conjunction with the film’s world premiere at the Cannes Film Festival.
Just two days into this year’s Cannes Film Festival, audiences have already confronted puking zombies, freak-out orgies and a surprise visit from the Trumps. But nothing could quite prepare festival goers for the outlandish offer of Jerzy Skolimowski’s “Eo,” which premiered in competition late Thursday night.
Following a donkey separated from a loving owner and cast into an unforgiving world, the film offers a neon buffed glow-up to Robert Bresson’s “Au Hasard Balthazar” and plays out more or less like a Nicholas Winding Refn influenced horror flick – which makes the fact that Skolimowski is an 84-years-young Polish man, the oldest director at Cannes, all the more surprising.
A through-and-through exercice de style as the French would put it, “Eo” has plenty on its mind and nothing much to say,...
Just two days into this year’s Cannes Film Festival, audiences have already confronted puking zombies, freak-out orgies and a surprise visit from the Trumps. But nothing could quite prepare festival goers for the outlandish offer of Jerzy Skolimowski’s “Eo,” which premiered in competition late Thursday night.
Following a donkey separated from a loving owner and cast into an unforgiving world, the film offers a neon buffed glow-up to Robert Bresson’s “Au Hasard Balthazar” and plays out more or less like a Nicholas Winding Refn influenced horror flick – which makes the fact that Skolimowski is an 84-years-young Polish man, the oldest director at Cannes, all the more surprising.
A through-and-through exercice de style as the French would put it, “Eo” has plenty on its mind and nothing much to say,...
- 12/2/2022
- by Ben Croll
- The Wrap
Selected actors will vie for five coveted spots in each of the most promising actor and actress categories.
France’s Academy of Cinema Arts and Techniques, which runs the prestigious César awards, has unveiled its annual Revelations shortlist of local rising stars. They will vie for five coveted spots in each of the most promising actor and actress categories that will make the official nominees selection ahead of the 48th annual Cesars ceremony in Paris on February 24.
Among this year’s breakout stars are Saint Omer actresses Guslagie Malanda and Kayije Kagame, Cannes’ title Forever Young stars Nadia Tereszkiewicz, Clara Bretheau and Sofiane Bennacer,...
France’s Academy of Cinema Arts and Techniques, which runs the prestigious César awards, has unveiled its annual Revelations shortlist of local rising stars. They will vie for five coveted spots in each of the most promising actor and actress categories that will make the official nominees selection ahead of the 48th annual Cesars ceremony in Paris on February 24.
Among this year’s breakout stars are Saint Omer actresses Guslagie Malanda and Kayije Kagame, Cannes’ title Forever Young stars Nadia Tereszkiewicz, Clara Bretheau and Sofiane Bennacer,...
- 11/17/2022
- by Rebecca Leffler
- ScreenDaily
France’s Oscar submission nominated in best feature and birst first film categories.
French Oscar submission Saint Omer by Alice Diop has earned a double nomination for France’s prestigious Louis Delluc prize in both the best feature and best first film categories.
The film will vie against an eclectic blend of titles spanning political thriller, comedy and drama, many from female directors and mostly titles that have bowed at major festivals.
In the best French feature category, Saint Omer will compete against fellow Venice title Rebecca Zlotowski’s Other People’s Children, Cannes premieres Albert Serra’s Pacifiction, Louis Garrel’s The Innocent,...
French Oscar submission Saint Omer by Alice Diop has earned a double nomination for France’s prestigious Louis Delluc prize in both the best feature and best first film categories.
The film will vie against an eclectic blend of titles spanning political thriller, comedy and drama, many from female directors and mostly titles that have bowed at major festivals.
In the best French feature category, Saint Omer will compete against fellow Venice title Rebecca Zlotowski’s Other People’s Children, Cannes premieres Albert Serra’s Pacifiction, Louis Garrel’s The Innocent,...
- 11/11/2022
- by Rebecca Leffler
- ScreenDaily
Grief is a wild animal: nobody knows what it will do next. In Christophe Honoré’s Winter Boy (Le Lycéen), high-school student Lucas (Paul Kircher) is asleep in his dorm when his older brother Quentin (Vincent Lacoste) and a family friend burst in. His father has had an accident. By the time they reach their small town in the foothills of the French Alps, Lucas has realized his father is dead.
Relatives mill around the house, greeting and eating. Lucas’ mother Isabelle (Juliette Binoche) descends the stairs; clearly, she is only just holding back hysteria. Lucas can’t hold anything back. First he is numbed, mechanically asking after the visitors’ health. Then he goes to his room, thrashes on his bed and howls like a banshee. He’s only 17. His grief is going to fill the house. It may fill the world. He tries to think about his mother, but...
Relatives mill around the house, greeting and eating. Lucas’ mother Isabelle (Juliette Binoche) descends the stairs; clearly, she is only just holding back hysteria. Lucas can’t hold anything back. First he is numbed, mechanically asking after the visitors’ health. Then he goes to his room, thrashes on his bed and howls like a banshee. He’s only 17. His grief is going to fill the house. It may fill the world. He tries to think about his mother, but...
- 10/6/2022
- by Stephanie Bunbury
- Deadline Film + TV
Paul Kircher as Lucas in Winter Boy. Kircher on director Christophe Honoré: 'He was able to give me certain tools to use and that helped me to get where he wanted me to get' Photo: Jean Louis Fernandez Christophe Honoré’s Winter Boy tells the story of teenager Lucas (newcomer Paul Kircher), whose life is thrown into turmoil by the death of his father. The tale unfolds in fragmented episodes of recollection as Lucas recalls days and the weeks that follow, in particular focusing on a week when he leaves his provincial home and his mum (Juliet Binoche) for a week in Paris with his older brother Quentin (Vincent Lacoste). It’s a particularly personal story for the writer/director, who draws on his own experience of the loss of his father when he was young and he says it was “really important for me to have the friction...
- 9/29/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
Juliette Binoche and Vincent Lacoste as mother and son in Winter Boy. Lacoste: 'It was very enjoyable preparing for this role, because Christophe always proposes different roles for me to play' Photo: Jean-Louis Fernandez
At 29, Vincent Lacoste has firmly established himself as one of the bright lights of French cinema, notching up more than 40 credits since his debut in Riad Sattouf’s The French Kissers at the age of 15. His latest sees him reteam with Christophe Honoré for Winter Boy (Le Lycéen) after the pair previously collaborated on Sorry Angel and On A Magical Night.
The film sees him take on supporting role duties as Quentin, the older brother of Lucas as the pair of them and their mother (Juliette Binoche) come to terms with the death of his father. Although the focus is on the emotional turmoil of 17-year-old Lucas, his fractious relationship with Quentin also comes to the...
At 29, Vincent Lacoste has firmly established himself as one of the bright lights of French cinema, notching up more than 40 credits since his debut in Riad Sattouf’s The French Kissers at the age of 15. His latest sees him reteam with Christophe Honoré for Winter Boy (Le Lycéen) after the pair previously collaborated on Sorry Angel and On A Magical Night.
The film sees him take on supporting role duties as Quentin, the older brother of Lucas as the pair of them and their mother (Juliette Binoche) come to terms with the death of his father. Although the focus is on the emotional turmoil of 17-year-old Lucas, his fractious relationship with Quentin also comes to the...
- 9/27/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
A film that we thought had a chance to preem in Cannes, Venice and even TIFF was now crowned Best Film at the San Sebastian Film Festival. Laura Mora’s Kings of the World beat out a fierce comp with several veteran filmmakers for the Golden Shell. Kings of the World also won a pair of other awards (Signis Award and Feroz Zinemaldia Award) while the runner-ish award of a Special Jury Prize went to Marian Mathias and Runner – the debut feature was just featured at TIFF (read review), and speaking of Toronto, discovery Paul Kircher won Best Lead Performance for Christophe Honoré’s Winter Boy (read review) — he tied with newbie teen actress Carla Quílez for La Maternal by Pilar Palomero.…...
- 9/26/2022
- by Eric Lavallée
- IONCINEMA.com
Colombian filmmaker Laura Mora has clinched the Golden Shell in the main competition of the 70th San Sebastian Film Festival with her latest feature The Kings of the World (Los reyes del mundo).
Billed as a subversive tale of disobedience, friendship, and dignity, the film follows five boys living on the streets of Medellín who set out on a journey in search of the promised land. The film is a Colombian co-production with Luxembourg, France, Mexico, and Norway.
This is the third year running that a film helmed by a woman has taken home the Golden Shell following Dea Kulumbegashvili’s Beginning in 2020 and Alina Grigore’s Blue Moon last year. This is also the first time a Colombian production has picked up San Sebastian’s top prize in the festival’s seven decades.
In other main competition awards, Japanese writer Genki Kawamura picked up the Silver Shell for Best...
Billed as a subversive tale of disobedience, friendship, and dignity, the film follows five boys living on the streets of Medellín who set out on a journey in search of the promised land. The film is a Colombian co-production with Luxembourg, France, Mexico, and Norway.
This is the third year running that a film helmed by a woman has taken home the Golden Shell following Dea Kulumbegashvili’s Beginning in 2020 and Alina Grigore’s Blue Moon last year. This is also the first time a Colombian production has picked up San Sebastian’s top prize in the festival’s seven decades.
In other main competition awards, Japanese writer Genki Kawamura picked up the Silver Shell for Best...
- 9/24/2022
- by Zac Ntim
- Deadline Film + TV
Click here to read the full article.
Laura Mora’s Columbian drama The Kings of the World has won the Golden Shell for best film at the 2022 San Sebastián film festival, Spain’s premiere film fest. Mora’s sophomore feature follows five young men growing up on the streets of Medellín who set off on a journey in search of the promised land.
Best director went to Japanese filmmaker Genki Kawamura for dementia-focused drama Hyakka, his feature debut. Kawamura is best known as the producer of such hit Japanese animated features as Your Name (2016) and Weathering With You (2019).
Marian Mathias’ drama Runner, the story of an 18-year-old girl who decides to fulfill her dead father’s last wish to be buried in his hometown along the Mississippi, won the festival’s special jury prize.
The Silver Shell for best performance went, jointly, to Paul Kircher for his performance in Christophe Honoré...
Laura Mora’s Columbian drama The Kings of the World has won the Golden Shell for best film at the 2022 San Sebastián film festival, Spain’s premiere film fest. Mora’s sophomore feature follows five young men growing up on the streets of Medellín who set off on a journey in search of the promised land.
Best director went to Japanese filmmaker Genki Kawamura for dementia-focused drama Hyakka, his feature debut. Kawamura is best known as the producer of such hit Japanese animated features as Your Name (2016) and Weathering With You (2019).
Marian Mathias’ drama Runner, the story of an 18-year-old girl who decides to fulfill her dead father’s last wish to be buried in his hometown along the Mississippi, won the festival’s special jury prize.
The Silver Shell for best performance went, jointly, to Paul Kircher for his performance in Christophe Honoré...
- 9/24/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
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