As human beings, we can’t accept death. Most of us have trouble reconciling the end of one’s existence and the afterlife. It’s a hard pill to swallow — but it’s an inevitable conclusion that comes sooner or later. In life, we love and are loved, hoping that we make some small dent in the world. In death, we hold fast to the people we once were, desperately straining to stave off such a brutal coda. With both Herk Harvey’s wonderfully-peculiar Carnival of Souls and Alejandro Amenábar’s dream-like The Others, the characters learn what it means to live and die and how dangerous holding on can be.
Mary Henry (Candace Hilligoss) works as a church organist but shows no interest in religion itself. She simply perceives it as just another job. “I’m not taking the vows; I’m only gonna play the organ,” she tells her new boss,...
Mary Henry (Candace Hilligoss) works as a church organist but shows no interest in religion itself. She simply perceives it as just another job. “I’m not taking the vows; I’m only gonna play the organ,” she tells her new boss,...
- 5/11/2023
- by Bee Delores
- bloody-disgusting.com
The Movie: "Carnival of Souls"
Where You Can Stream It: HBO Max
The Pitch: Years ago, Utah's Megaplex Theatres chain used to screen a clip from "Carnival of Souls" as part of its pre-show of film trivia and ads for local businesses. I remember being intrigued by the shots of Candace Hilligoss walking among the decaying remains of the second Saltair pavilion, Saltair II, on the shores of Utah's Great Salt Lake, which wasn't all that far from where I lived. The area surrounding the pavilion was a real ghost land when the film was made in the 1960s, with little but sand and water for...
The post The Daily Stream: Carnival of Souls Retains Its Creepiness 60 Years Later appeared first on /Film.
Where You Can Stream It: HBO Max
The Pitch: Years ago, Utah's Megaplex Theatres chain used to screen a clip from "Carnival of Souls" as part of its pre-show of film trivia and ads for local businesses. I remember being intrigued by the shots of Candace Hilligoss walking among the decaying remains of the second Saltair pavilion, Saltair II, on the shores of Utah's Great Salt Lake, which wasn't all that far from where I lived. The area surrounding the pavilion was a real ghost land when the film was made in the 1960s, with little but sand and water for...
The post The Daily Stream: Carnival of Souls Retains Its Creepiness 60 Years Later appeared first on /Film.
- 5/4/2022
- by Sandy Schaefer
- Slash Film
In case you hadn’t noticed, it’s Halloween this weekend, the season for all things spooky, so we’re shining our spotlight into the shadows to find you some of the best ghost stories on film that are currently available to stream.
Carnival Of Souls
Carnival Of Souls - BFI Player, Amazon, Google Play, W4Free
One of those seminal pieces of cinema which no-one with a serious interest in the medium can afford to go without, Carnival Of Souls feels familiar today in part because of the vast amount of other work that has drawn from it. Originally released in 1962, it stars Candace Hilligoss as a young woman whose life begins to go askew after she’s involved in a car crash (shown in a visceral pre-credits sequence unlike anything filmed before). As she tries to build a new life as a church organist in a small Utah town,...
Carnival Of Souls
Carnival Of Souls - BFI Player, Amazon, Google Play, W4Free
One of those seminal pieces of cinema which no-one with a serious interest in the medium can afford to go without, Carnival Of Souls feels familiar today in part because of the vast amount of other work that has drawn from it. Originally released in 1962, it stars Candace Hilligoss as a young woman whose life begins to go askew after she’s involved in a car crash (shown in a visceral pre-credits sequence unlike anything filmed before). As she tries to build a new life as a church organist in a small Utah town,...
- 10/29/2021
- by Jennie Kermode
- eyeforfilm.co.uk
Joshua Winning Dec 3, 2018
Dancing Mormon ghosts, dodgy distributors and a barely-there budget couldn't stop Herk Harvey from crafting a creepy modern classic
This article comes from Den of Geek UK.
“Anybody that produces a film runs into problems when they come to distribution,” said director Herk Harvey told Timothy De Paepe in 1983, somewhat understating the reality of the trials he endured while making his 1962 directorial debut, Carnival Of Souls. Not just distribution, but budget, filming permissions and location difficulties all contributed to his film's unconventional birth. Perhaps the strangest thing about it, though, is that despite a legendarily problematic production, Harvey succeeded in crafting a horror film with such enduring and haunting power, it inspired the likes of George A. Romero, David Lynch, and M. Night Shyamalan, and continues to earn new fans today.
It all began in 1961. While driving back from Los Angeles to his home in Lawrence, Kansas,...
Dancing Mormon ghosts, dodgy distributors and a barely-there budget couldn't stop Herk Harvey from crafting a creepy modern classic
This article comes from Den of Geek UK.
“Anybody that produces a film runs into problems when they come to distribution,” said director Herk Harvey told Timothy De Paepe in 1983, somewhat understating the reality of the trials he endured while making his 1962 directorial debut, Carnival Of Souls. Not just distribution, but budget, filming permissions and location difficulties all contributed to his film's unconventional birth. Perhaps the strangest thing about it, though, is that despite a legendarily problematic production, Harvey succeeded in crafting a horror film with such enduring and haunting power, it inspired the likes of George A. Romero, David Lynch, and M. Night Shyamalan, and continues to earn new fans today.
It all began in 1961. While driving back from Los Angeles to his home in Lawrence, Kansas,...
- 12/3/2018
- Den of Geek
[To get you into the spooky spirit, the Daily Dead team is spotlighting double features that we think would be fun to watch this Halloween season. Keep an eye on Daily Dead for more double feature recommendations, and check here for our previous Halloween 2017 coverage.]
It’s always been my dream to own a movie theater and program just my favorite genre fare. Of course, showing nothing but the oeuvre of William Girdler would leave me destitute within a month (okay, a week), so naturally I’d have to expand my programming. I’ve always found that double features are a great tool (and if anyone knows what it’s like to be a great tool, it’s me) for finding the connective tissue between films that may appear to be dissimilar upon a quick pass, or to highlight and illuminate similarities that create an entirely new experience.
First up in my double feature entitled "Why Am I Always The Last To Know?" is Herk Harvey’s Carnival of Souls (1962), a Twilight Zone-ish tale of a young woman who finds herself in a state of disconnect following a car accident, constantly followed by ghoulish visions at every turn.
It’s always been my dream to own a movie theater and program just my favorite genre fare. Of course, showing nothing but the oeuvre of William Girdler would leave me destitute within a month (okay, a week), so naturally I’d have to expand my programming. I’ve always found that double features are a great tool (and if anyone knows what it’s like to be a great tool, it’s me) for finding the connective tissue between films that may appear to be dissimilar upon a quick pass, or to highlight and illuminate similarities that create an entirely new experience.
First up in my double feature entitled "Why Am I Always The Last To Know?" is Herk Harvey’s Carnival of Souls (1962), a Twilight Zone-ish tale of a young woman who finds herself in a state of disconnect following a car accident, constantly followed by ghoulish visions at every turn.
- 10/25/2017
- by Scott Drebit
- DailyDead
Nick Aldwinckle Oct 30, 2017
This month's round up of genre DVDs and Blu-rays features Ray Harryhausen, Willard, rats on the rampage and more...
The underappreciated ‘nature gone wild’ porn horror movie subgenre has a somewhat patchy history, with a viewer’s search more likely to end up in some SyFy channel Megapterranoshark Versus Crocosaur cul-de-sac than something of the calibre of a Jaws or Arachnophobia. Sharks, spiders and gators are all well served, though (alongside the glaring lack of a movie adaptation of Guy N. Smith’s glorious Night Of The Crabs books) rodents have had something of a raw deal.
See related 26 new TV shows to watch in 2017
Fear not, though, faithful readers: we’re not going to drift off into Stuart Little territory just yet (that’ll be next month’s Stuart Little IV: The Rattening), as this month brings with it not one but two seventies rat-themed monster movie classics (well,...
This month's round up of genre DVDs and Blu-rays features Ray Harryhausen, Willard, rats on the rampage and more...
The underappreciated ‘nature gone wild’ porn horror movie subgenre has a somewhat patchy history, with a viewer’s search more likely to end up in some SyFy channel Megapterranoshark Versus Crocosaur cul-de-sac than something of the calibre of a Jaws or Arachnophobia. Sharks, spiders and gators are all well served, though (alongside the glaring lack of a movie adaptation of Guy N. Smith’s glorious Night Of The Crabs books) rodents have had something of a raw deal.
See related 26 new TV shows to watch in 2017
Fear not, though, faithful readers: we’re not going to drift off into Stuart Little territory just yet (that’ll be next month’s Stuart Little IV: The Rattening), as this month brings with it not one but two seventies rat-themed monster movie classics (well,...
- 10/24/2017
- Den of Geek
Streaming might represent the future of film, but that future doesn’t have to come at the expense of its past. Netflix, however, doesn’t seem to care. A platform so monolithic that it’s become synonymous with streaming itself, Netflix may offer a seemingly bottomless library of content, but their “classic movies” section contains a whopping 42 titles, and one of them is “The Parent Trap.” No disrespect to “The Parent Trap” — a movie so good that it was rendered obsolete by a remake starring Lindsay Lohan — but it’s not exactly “Citizen Kane.” Hell, it’s not even “Citizen Ruth.” It feels like these films were left here by accident, like someone came by to clear out space for a new season of “Fuller House” and this random selection of stuff is just what fell through the cracks.
Physical media and repertory screenings are still the best options for cinephiles,...
Physical media and repertory screenings are still the best options for cinephiles,...
- 10/11/2017
- by David Ehrlich
- Indiewire
“It’s funny… the world is so different in the daylight. In the dark, your fantasies get so out of hand. But in the daylight everything falls back into place again.”
Carnival Of Souls (1962) screens Thursday October 5th at 7:00pm at Schlafly Bottleworks (7260 Southwest Avenue Maplewood, Mo 63143).
It’s often the case with horror films that the best ones are those that rely on the power of suggestion rather than gallons of fake blood and impersonal computer-generated special effects – think of the work of Val Lewton, for example, which showed a rare intelligence for a much-maligned genre.
Herk Harvey’s Carnival Of Souls (1962) was shot on a budget with no big-name stars, and yet succeeds in unsettling the viewer to a degree that goes far beyond many of its mega-budget rivals. A young woman, Mary Henry (Candace Hilligoss), survives a plunge off a bridge in her friend’s car and,...
Carnival Of Souls (1962) screens Thursday October 5th at 7:00pm at Schlafly Bottleworks (7260 Southwest Avenue Maplewood, Mo 63143).
It’s often the case with horror films that the best ones are those that rely on the power of suggestion rather than gallons of fake blood and impersonal computer-generated special effects – think of the work of Val Lewton, for example, which showed a rare intelligence for a much-maligned genre.
Herk Harvey’s Carnival Of Souls (1962) was shot on a budget with no big-name stars, and yet succeeds in unsettling the viewer to a degree that goes far beyond many of its mega-budget rivals. A young woman, Mary Henry (Candace Hilligoss), survives a plunge off a bridge in her friend’s car and,...
- 9/29/2017
- by Tom Stockman
- WeAreMovieGeeks.com
Dislocation is something that everyone has experienced in their life, or at least can relate to; be it from friends, family, or co-workers. Sometimes we feel alone, or conversely wish that we were left that way. No horror film captures a sustained sense of isolation and dread better than Carnival of Souls (1962), Herk Harvey’s only narrative film and a low budget miracle.
Released by Herts-Lion International Corporation stateside in September as part of a double feature with The Devil’s Messenger (1961), Carnival of Souls was lucky to have any distribution at all on a budget of $30,000 (!) and it came and went with nary a notice. Until 1989, that is; a critical reappraisal was in order and the film was rereleased for a new generation to discover it through home video, where it rightly holds a place as one of the finest and influential horror films of the ‘60s. Not a...
Released by Herts-Lion International Corporation stateside in September as part of a double feature with The Devil’s Messenger (1961), Carnival of Souls was lucky to have any distribution at all on a budget of $30,000 (!) and it came and went with nary a notice. Until 1989, that is; a critical reappraisal was in order and the film was rereleased for a new generation to discover it through home video, where it rightly holds a place as one of the finest and influential horror films of the ‘60s. Not a...
- 5/6/2017
- by Scott Drebit
- DailyDead
By Raymond Benson
“We’Re Not In Kansas Anymore”
By Raymond Benson
The Criterion Collection released Herk Harvey’s 1962 cult film classic, Carnival of Souls, sixteen years ago as a two-disk DVD set, but that edition has long been out of print. Now, a new Blu-ray restoration is available from the company, and it is worth upgrading even if you happen to own the original. Note that Carnival of Souls is a public domain film, so it is available on DVD from many inferior manufacturers in bad-to-okay quality versions, but the Criterion’s releases are the ones to grab.
Carnival is indeed an oddity. Harvey worked at Centron Corporation, a maker of educational and industrial short films based in Lawrence, Kansas. It was much like Calvin Films in Kansas City, where Robert Altman cut his teeth making shorts in the 1950s. Needless to say, Lawrence, Kansas is not Hollywood, and...
“We’Re Not In Kansas Anymore”
By Raymond Benson
The Criterion Collection released Herk Harvey’s 1962 cult film classic, Carnival of Souls, sixteen years ago as a two-disk DVD set, but that edition has long been out of print. Now, a new Blu-ray restoration is available from the company, and it is worth upgrading even if you happen to own the original. Note that Carnival of Souls is a public domain film, so it is available on DVD from many inferior manufacturers in bad-to-okay quality versions, but the Criterion’s releases are the ones to grab.
Carnival is indeed an oddity. Harvey worked at Centron Corporation, a maker of educational and industrial short films based in Lawrence, Kansas. It was much like Calvin Films in Kansas City, where Robert Altman cut his teeth making shorts in the 1950s. Needless to say, Lawrence, Kansas is not Hollywood, and...
- 7/14/2016
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Cinema Art from Lawrence, Kansas? Industrial filmmaker Herk Harvey comes through with a classic horror gem for the ages. A haunted church organist begins to suspect that her hallucinations are more than just nerves. And who is that ghoulish man who keeps appearing in reflections, or popping up out of nowhere? Carnival of Souls Blu-ray The Criterion Collection 63 1962 / B&W / 1:37 flat Academy / 78 min. / available through The Criterion Collection / Street Date July 12, 2016 / 39.95 Starring Candace Hilligoss, Frances Feist, Sidney Berger, Art Ellison, Stan Levitt, Herk Harvey. Cinematography Maurice Prather Film Editor Dan Palmquist, Bill de Jarnette Original Music Gene Moore Assistant Director Raza (Reza) Badiyi Written by John Clifford Produced and Directed by Herk Harvey
Reviewed by Glenn Erickson
Herk Harvey's marvelous Carnival of Souls is an anomaly in screen horror, a regional effort that transcends its production limitations to deliver a tingling encounter with the uncanny. Harvey was a prolific producer of industrial films,...
Reviewed by Glenn Erickson
Herk Harvey's marvelous Carnival of Souls is an anomaly in screen horror, a regional effort that transcends its production limitations to deliver a tingling encounter with the uncanny. Harvey was a prolific producer of industrial films,...
- 7/8/2016
- by Glenn Erickson
- Trailers from Hell
Guest writer Bill Shaffer takes us back to Lawrence Kansas in 1989, for a cast and crew re-premiere of Carnival of Souls. By Bill Shaffer Note from Glenn Erickson: I think I first crossed emails with Bill Shaffer around 1998, when I was still the editor for MGM Home Video and just beginning to write MGM Video Savant. Bill sent along info that helped me convince the MGM restorers to include a flashback at the end of Duck You Sucker. Although I didn't find out until much later, Bill was a producer at the PBS station Ktwu in Topeka, Kansas, and had actually interviewed Eli Wallach once about The Good, The Bad and The Ugly. Bill became a major source for info and connections when it came time to do the extras for the MGM releases of the Sergio Leone movie; all just to help out. I think the fact that...
- 7/8/2016
- by Glenn Erickson
- Trailers from Hell
There’s something a little funny about them that you can’t quite put your finger on — because you physically can’t put a finger on them. They’re always cold to the touch. They can’t seem to keep their appointments and keep forgetting where they have to be most of the time, because they wind up back at home anyway. They wear the same outfit almost every day, which is weird, but hey, who’s judging? And, oh my god, they’ve been dead the whole time. For many a horror character, and for some in dramas in between, the reveal that they’ve actually been dead the entire movie is a frightening prospect. There were plans! Lives to be lived! But nope, it’s eternity chained to whatever sweater you were wearing when it went down and constantly chatting with Haley Joel Osment instead. It’s a boundless trope with excellent examples, and...
- 11/7/2014
- by Samantha Wilson
- FilmSchoolRejects.com
Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman,...
- 10/31/2014
- by Andre Soares
- Alt Film Guide
It’s that wonderful, frightful, cool and creepy time of year again, when everything including the leaves on the trees are dying and our taste buds are craving sugary sweets and pies made from the guts of our jack-o-lanterns. It’s October, which means Halloween is nearly upon us! Get you costumes completed, your home haunts constructed and your candy collected for trick’r treaters, because you have to make time to watch some of the scariest movies this time of year.
In an effort to assist you in your cinematic scare-fest, we’ve come up with a list of the scariest movies to watch on Halloween… with one caveat. We have excluded virtually all “slasher” flicks. Why? Well, let’s just say we all know them, we all love them on some level, but really… don’t we all want something more in our scary movies? In honor of...
In an effort to assist you in your cinematic scare-fest, we’ve come up with a list of the scariest movies to watch on Halloween… with one caveat. We have excluded virtually all “slasher” flicks. Why? Well, let’s just say we all know them, we all love them on some level, but really… don’t we all want something more in our scary movies? In honor of...
- 10/30/2013
- by Movie Geeks
- WeAreMovieGeeks.com
The mighty and all-powerful Chicago Underground Film Festival has done the absolute unthinkable: Reached their 20th year of operation! How many underground festivals have accomplished that feat? None, until now! Well, “now” being March 6-10 at the fest’s new location: The Logan Theatre.
Obviously, there are a lot of people who have worked with the fest over the years to help make it last for exactly two fantastic decades, but, truly, there is one special person who has to be specially lauded for his tireless dedication to the advancement of underground film and its makers. Especially because Cuff hasn’t just been around for 20 years: It’s been fucking awesome for 20 years.
That person, of course, is Artistic Director Bryan Wendorf, who has been with the fest for the very first edition to it’s most recent, mind-blowing one. Year after year, Wendorf has guided Cuff into defining, challenging,...
Obviously, there are a lot of people who have worked with the fest over the years to help make it last for exactly two fantastic decades, but, truly, there is one special person who has to be specially lauded for his tireless dedication to the advancement of underground film and its makers. Especially because Cuff hasn’t just been around for 20 years: It’s been fucking awesome for 20 years.
That person, of course, is Artistic Director Bryan Wendorf, who has been with the fest for the very first edition to it’s most recent, mind-blowing one. Year after year, Wendorf has guided Cuff into defining, challenging,...
- 2/13/2013
- by Mike Everleth
- Underground Film Journal
A face appears in the night. Amid the darkness emerge two sunken-in eyes surrounded by pale white skin. It’s hard to tell whether the ghastly expression is that of someone living or dead. This face initially appears to Mary while driving to her new job in Salt Lake City as she passes the Saltair Pavilion. It’s a simple and yet creepy face that repeatedly haunts the main heroine of Carnival of Souls throughout the duration of the movie and will no doubt leave a lasting impression on the viewer as well.
Carnival of Souls, a mostly forgotten film from 1962, stands as the only feature film directed by Herk Harvey. The film’s original intention was to have the “the look of Bergman” and the “feel of Cocteau” that would eventually appeal to arthouse filmgoers. After a long and frustrating battle between Harvey and the distributors, Carnival was eventually...
Carnival of Souls, a mostly forgotten film from 1962, stands as the only feature film directed by Herk Harvey. The film’s original intention was to have the “the look of Bergman” and the “feel of Cocteau” that would eventually appeal to arthouse filmgoers. After a long and frustrating battle between Harvey and the distributors, Carnival was eventually...
- 12/3/2012
- by Michael Haffner
- Destroy the Brain
The 10th annual Lausanne Underground Film Festival is a truly epic film event with an immense lineup of the strangest, sexiest, most grotesque, oddball and downright freakish movies from all over the world — from modern underground treats to classic cult movies of yesteryear.
The fest officially begins on Oct. 15 with a special live performance by the legendary Diamanda Galas. But the film festivities run from Oct. 17-23, starting with the grand opening of an exhibition and retrospective of the films by Ericka Beckman.
The full film lineup, which is presented below, is a massive mix of underground greatness, but here are some of the highlights:
Gross-Out Flicks:
Chop, dir. Trent Haaga.
The Taint, dir. Drew Bolduc and Dan Nelson.
Calibre 9, dir. Jean-Christian Tassy.
The Bunny Game, dir. Adam Rehmeier
Trippy Movies:
Profane, dir. Usama Alshaibi
The Oregonian, dir. Calvin Lee Reeder
Hellacious Acres: The Case of John Glass, dir.
The fest officially begins on Oct. 15 with a special live performance by the legendary Diamanda Galas. But the film festivities run from Oct. 17-23, starting with the grand opening of an exhibition and retrospective of the films by Ericka Beckman.
The full film lineup, which is presented below, is a massive mix of underground greatness, but here are some of the highlights:
Gross-Out Flicks:
Chop, dir. Trent Haaga.
The Taint, dir. Drew Bolduc and Dan Nelson.
Calibre 9, dir. Jean-Christian Tassy.
The Bunny Game, dir. Adam Rehmeier
Trippy Movies:
Profane, dir. Usama Alshaibi
The Oregonian, dir. Calvin Lee Reeder
Hellacious Acres: The Case of John Glass, dir.
- 10/13/2011
- by Mike Everleth
- Underground Film Journal
Roughly assembled; order within tiers based chronologically on viewing date.
01:
Cut (Amir Naderi, Japan), Anna (Alberto Grifi, Massimo Sarchielli, Italy), Faust (Aleksandr Sokurov, Russia), Louyre - This Our Still Life (Andrew Kotting, UK), Century of Birthing (Lav Diaz, Philippines)
02:
Vieni, dolce morte (dell’ego) (Paolo Brunatto, Italy), A Dangerous Method (David Cronenberg, Canada), Whores’ Glory (Michael Glawogger, Austria), A Simple Life (Ann Hui, Hk), Il potere (Augusto Tretti, Italy), Himizu (Sono Sion, Japan), Conference (Norbert Pfaffenbichler, Austria), 4:44 Last Day on Earth (Abel Ferrara, USA), Die Herde des Herrn (Romuald Karmakar, Germany), Life without Principles (Johnnie To, Hk), Late and Deep (Devin Horan, USA), Iz Tokio (Aleksej German Jr., Russia)
03:
Il canto d’amore di Alfred Prufrock (Nico D’Alessandria, Italy), Carnage (Roman Polanski, France/Germany/Poland ), Black Mirror at the National Gallery (Mark Lewis, UK), Meteor (Chrisoph Giraret, Matthias Müller, Germany), Il villaggio di cartone (Ermanno Olmi,...
01:
Cut (Amir Naderi, Japan), Anna (Alberto Grifi, Massimo Sarchielli, Italy), Faust (Aleksandr Sokurov, Russia), Louyre - This Our Still Life (Andrew Kotting, UK), Century of Birthing (Lav Diaz, Philippines)
02:
Vieni, dolce morte (dell’ego) (Paolo Brunatto, Italy), A Dangerous Method (David Cronenberg, Canada), Whores’ Glory (Michael Glawogger, Austria), A Simple Life (Ann Hui, Hk), Il potere (Augusto Tretti, Italy), Himizu (Sono Sion, Japan), Conference (Norbert Pfaffenbichler, Austria), 4:44 Last Day on Earth (Abel Ferrara, USA), Die Herde des Herrn (Romuald Karmakar, Germany), Life without Principles (Johnnie To, Hk), Late and Deep (Devin Horan, USA), Iz Tokio (Aleksej German Jr., Russia)
03:
Il canto d’amore di Alfred Prufrock (Nico D’Alessandria, Italy), Carnage (Roman Polanski, France/Germany/Poland ), Black Mirror at the National Gallery (Mark Lewis, UK), Meteor (Chrisoph Giraret, Matthias Müller, Germany), Il villaggio di cartone (Ermanno Olmi,...
- 9/11/2011
- MUBI
Now that we've got an entry collecting trailers for the films competing at this year's Venice Film Festival, here's another gathering trailers for films screening in the other sections as well as in the two autonomous programs, Venice Days and International Critics' Week. What we've got here, obviously, is a pretty mixed bag, but here we go:
Out Of Competition
Rolando Colla's Giochi d'estate:
Ugo Gregoretti, Carlo Lizzani, Francesco Maselli and Nino Russo's Scossa:
Tomás Lunák's Alois Nebel:
Kike Maillo's Eva:
Takashi Shimizu's Tormented:
Tony Ching Siu-tung's The Sorcerer and the White Snake:
Steven Soderbergh's Contagion:
Orizzonti
Yves Caumon's L'Oiseau (The Bird):
Clarissa Campolina and Helvecio Marins Jr's Swirl:
Amiel Courtin-Wilson's Hail:
Jonathan Demme's I'm Carolyn Parker: The Good, the Mad and the Beautiful:
And here are a couple more clips.
Michael Glawogger...
Out Of Competition
Rolando Colla's Giochi d'estate:
Ugo Gregoretti, Carlo Lizzani, Francesco Maselli and Nino Russo's Scossa:
Tomás Lunák's Alois Nebel:
Kike Maillo's Eva:
Takashi Shimizu's Tormented:
Tony Ching Siu-tung's The Sorcerer and the White Snake:
Steven Soderbergh's Contagion:
Orizzonti
Yves Caumon's L'Oiseau (The Bird):
Clarissa Campolina and Helvecio Marins Jr's Swirl:
Amiel Courtin-Wilson's Hail:
Jonathan Demme's I'm Carolyn Parker: The Good, the Mad and the Beautiful:
And here are a couple more clips.
Michael Glawogger...
- 8/23/2011
- MUBI
The characters in Insidious, the terrific and blessedly scary new horror film, are menaced by ghosts, but a better way to put it would be that they’re frightened by faces. Faces that stare and smile and hover, and eventually turn out to be part of the spirit world that Patrick Wilson, as the besieged father, must enter — when he’s roaming around in it, it’s like a fun house designed by David Lynch. Insidious has been directed, by James Wan (Saw), in a highly effective spooky manner, but there’s no denying — it’s almost part of the...
- 4/8/2011
- by Owen Gleiberman
- EW - Inside Movies
John Clifford wrote a single feature film during his career, but it proved to be memorable. He teamed with director Herk Harvey to write Carnival of Souls in the early 1960s. The 1962 release starred Candace Hilligoss as a woman haunted by eerie apparitions after a car accident, and was filmed on a low budget ($30,000) primarily in Lawrence, Kansas. It developed a cult following as a creepy classic, and spawned a less successful remake in 1998.
Clifford was born in Springfield, Illinois, in 1918, and was raised by relatives in Chicago after the death of his parents. He began his career writing jokes for radio comedian Ken Murray. He served in the military during World War II, and studied screenwriting after his discharge. He began writing industrial and educational films at Centron Films in Lawrence, Kansas. He worked on numerous productions there from the 1950s through the 1980s.
He also penned the western...
Clifford was born in Springfield, Illinois, in 1918, and was raised by relatives in Chicago after the death of his parents. He began his career writing jokes for radio comedian Ken Murray. He served in the military during World War II, and studied screenwriting after his discharge. He began writing industrial and educational films at Centron Films in Lawrence, Kansas. He worked on numerous productions there from the 1950s through the 1980s.
He also penned the western...
- 3/15/2010
- by Jesse
- FamousMonsters of Filmland
Recent films like Paranormal Activity and The House of the Devil owe a debt of gratitude to Herk Harvey’s cult classic, Carnival of Souls. The film was made for a mere $33,000 and relies on dramatic black-and-white photography and a dreamy atmosphere to conjure the horror beneath the everyday. A young organist’s life is transformed after a car crash and she becomes haunted by a ghostly figure. From the start of the film (there are no opening credits) we are jolted into Mary Henry’s (Candace Hilligoss) world. A drag race sends Mary’s car plummeting into a river, but she mysteriously survives [...]
Post from: Screamstress...
Post from: Screamstress...
- 1/20/2010
- by Alison
- Screamstress.com
Curious to know what frightful films and devilish discs will be available to view in the privacy of your own digital dungeon this week? Fango's got you covered.
Below the jump you'll find the full list of titles arriving in-stores this Tuesday, September 22, 2009 in our weekly version of the famous Fangoria Chopping List. There's a good bounty to be had, so start making your own chopping list now!
Note: Clickable links lead to Amazon.com
Albino Farm
An Ozark Mountain town - with a century-old history of religious fanaticism - inadvertently creates a modern sadistic society of in-bred misfits who prey on stray travelers. Four young college students - lured into exploring the legend of the Albino Farm - uncover its disturbing past while enduring a night of horrors.
Autopsy Of The Dead
In 1968, the Dead walked...
Now the Dead will talk.
Board up the windows and doors! More than...
Below the jump you'll find the full list of titles arriving in-stores this Tuesday, September 22, 2009 in our weekly version of the famous Fangoria Chopping List. There's a good bounty to be had, so start making your own chopping list now!
Note: Clickable links lead to Amazon.com
Albino Farm
An Ozark Mountain town - with a century-old history of religious fanaticism - inadvertently creates a modern sadistic society of in-bred misfits who prey on stray travelers. Four young college students - lured into exploring the legend of the Albino Farm - uncover its disturbing past while enduring a night of horrors.
Autopsy Of The Dead
In 1968, the Dead walked...
Now the Dead will talk.
Board up the windows and doors! More than...
- 9/20/2009
- by no-reply@fangoria.com (James Zahn)
- Fangoria
Carnival of Souls
Directed by Herk Harvey (Criterion DVD)
A small 1962 gem in crisp, clear monochrome Carnival of Souls is a noir masterpiece, a symphony in flickering greys. Deserving a finer reputation than the B Movie tag normally suggests, it is creepy and campy without ever plumbing the depths the genre implies. This low-budget exercise in masterful editing is completely stolen by the glacial remoteness of the central character, played with wide-eyed distraction by the Lee Strasberg-trained Candace Hilligoss. If ever Hitchcock missed out on a blonde, it is she. A cross between Janet Leigh and Candy Darling, she moves through the movie with supreme elegance.
read more...
Directed by Herk Harvey (Criterion DVD)
A small 1962 gem in crisp, clear monochrome Carnival of Souls is a noir masterpiece, a symphony in flickering greys. Deserving a finer reputation than the B Movie tag normally suggests, it is creepy and campy without ever plumbing the depths the genre implies. This low-budget exercise in masterful editing is completely stolen by the glacial remoteness of the central character, played with wide-eyed distraction by the Lee Strasberg-trained Candace Hilligoss. If ever Hitchcock missed out on a blonde, it is she. A cross between Janet Leigh and Candy Darling, she moves through the movie with supreme elegance.
read more...
- 10/10/2008
- by robert cochrane
- www.culturecatch.com
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