Dupieux’s melancholic comedy sees a disillusioned audience member pull a gun before demanding a word processor to write the actors a better play
Quentin Dupieux is one of the vanishingly small number of film-makers on the non-Anglo-American distribution circuit who really is interested in – and allowed to make – straight-up comedy, albeit flavoured with melancholy or violent absurdity. For me, only Benoît Delépine and Gustave Kervern are comparable. Aki Kaurismäki, for example, is different; although gently and wonderfully comic, his films don’t try to hit the laugh lines in the same way.
The prolific Dupieux has now created a 67-minute sketch, a one-act cine-play about a mediocre Paris stage company performing a dinner-theatre comedy called The Cuckold to a bored, half-empty house. Just as they are grinding through their tired old routines, a guy called Yannick (Raphaël Quenard) stands up in the auditorium and announces that this so-called comedy...
Quentin Dupieux is one of the vanishingly small number of film-makers on the non-Anglo-American distribution circuit who really is interested in – and allowed to make – straight-up comedy, albeit flavoured with melancholy or violent absurdity. For me, only Benoît Delépine and Gustave Kervern are comparable. Aki Kaurismäki, for example, is different; although gently and wonderfully comic, his films don’t try to hit the laugh lines in the same way.
The prolific Dupieux has now created a 67-minute sketch, a one-act cine-play about a mediocre Paris stage company performing a dinner-theatre comedy called The Cuckold to a bored, half-empty house. Just as they are grinding through their tired old routines, a guy called Yannick (Raphaël Quenard) stands up in the auditorium and announces that this so-called comedy...
- 4/2/2024
- by Peter Bradshaw
- The Guardian - Film News
Company enjoyed A-list festival success in 2021 with Cannes and Venice winners Titane and Happening.
Wild Bunch International (Wbi) has unveiled an eclectic French-language slate for 2022 featuring new films from Louis Garrel, Kim Chapiron, Alice Diop, Léa Mysius and Rebecca Zlotowski as well as directorial duo Benoît Delépine and Gustave Kervern.
The company is launching sales on the new French titles at the Unifrance Rendez-vous with French Cinema, which is scheduled to run as an in-person event in Paris from January 11 to 17.
Wild Bunch enjoyed a high-profile festival run for its 2021 slate which saw Titane win the Palme d’Or in...
Wild Bunch International (Wbi) has unveiled an eclectic French-language slate for 2022 featuring new films from Louis Garrel, Kim Chapiron, Alice Diop, Léa Mysius and Rebecca Zlotowski as well as directorial duo Benoît Delépine and Gustave Kervern.
The company is launching sales on the new French titles at the Unifrance Rendez-vous with French Cinema, which is scheduled to run as an in-person event in Paris from January 11 to 17.
Wild Bunch enjoyed a high-profile festival run for its 2021 slate which saw Titane win the Palme d’Or in...
- 1/5/2022
- by Melanie Goodfellow
- ScreenDaily
The ceremony will take place on March 12.
Emmanuel Mouret’s love triangle drama Love Affair(s) leads the nominations in France’s César awards this year, followed by Albert Dupontel’s Bye Bye Morons and Summer Of 85.
France’s Academy of Cinema and Arts and Sciences unveiled the nomination list for the 46th edition of the awards on its website on Wednesday morning, ahead of the ceremony scheduled to take place on March 12.
Scroll down for nominations list
Its traditional news conference in Fouquet’s restaurant in Paris was not possible this year as bars and restaurants are currently...
Emmanuel Mouret’s love triangle drama Love Affair(s) leads the nominations in France’s César awards this year, followed by Albert Dupontel’s Bye Bye Morons and Summer Of 85.
France’s Academy of Cinema and Arts and Sciences unveiled the nomination list for the 46th edition of the awards on its website on Wednesday morning, ahead of the ceremony scheduled to take place on March 12.
Scroll down for nominations list
Its traditional news conference in Fouquet’s restaurant in Paris was not possible this year as bars and restaurants are currently...
- 2/10/2021
- by Melanie Goodfellow
- ScreenDaily
Emmanuel Mouret’s Les Choses Qu’On Dit, Les Choses Qu’On Fait, aka Love Affair(s), leads France’s César Award nominations with a total 13 including each of the top acting categories as well as Best Director and Best Film. The official 2020 Cannes Film Festival selection is followed by Albert Dupontel’s comedy/drama Adieu Les Cons (Bye Bye Morons) and François Ozon’s Eté 85 (Summer Of 85) with 12 each. The latter was released locally last summer and played Toronto in September.
Other titles to make the cut this morning include the Oscar shortlisted Two Of Us (Deux) from Filippo Meneghetti with Best Actress nods for leads Martine Chevallier and Barbara Sukowa as well as Best Original Screenplay and Best Debut Feature.
In the Foreign Film category are Sam Mendes’ 1917, Todd Haynes’ Dark Waters, Thomas Vinterberg’s Another Round (also Oscar shortlisted on Tuesday), Jan Komasa’s La Communion...
Other titles to make the cut this morning include the Oscar shortlisted Two Of Us (Deux) from Filippo Meneghetti with Best Actress nods for leads Martine Chevallier and Barbara Sukowa as well as Best Original Screenplay and Best Debut Feature.
In the Foreign Film category are Sam Mendes’ 1917, Todd Haynes’ Dark Waters, Thomas Vinterberg’s Another Round (also Oscar shortlisted on Tuesday), Jan Komasa’s La Communion...
- 2/10/2021
- by Nancy Tartaglione
- Deadline Film + TV
Just before the 2020 Berlin Film Festival kicked off in February, the German newspaper Zeit published a report linking founding Berlinale director Alfred Bauer to the Nazi party. The revelation prompted the festival to suspend its Alfred Bauer Silver Bear, an annual award named in the director’s honor that was given to a film that “opens new perspectives on cinematic art.” The festival also commissioned a historical probe to investigate Bauer’s Nazi past, findings from which were released this week and which confirm that Bauer played a major role in the Nazi’s propaganda machine and made systematic attempts to cover up his association with the Nazi party.
The findings confirm Bauer served as an advisor to the Reichsfilmintendanz, the organization behind Nazi film policy. The Reichsfilmintendanz was created by Joseph Goebbels. Bauer began advising for the Reichsfilmintendanz in the early 1940s and stayed within the German film industry...
The findings confirm Bauer served as an advisor to the Reichsfilmintendanz, the organization behind Nazi film policy. The Reichsfilmintendanz was created by Joseph Goebbels. Bauer began advising for the Reichsfilmintendanz in the early 1940s and stayed within the German film industry...
- 9/30/2020
- by Zack Sharf
- Indiewire
Study confirms late director “contributed to the functioning, stabilisation and legitimation of the Nazi regime”.
The Berlin Film Festival has confirmed that founding director Alfred Bauer “contributed to the functioning, stabilisation and legitimation of the Nazi regime”, following an investigation into the late executive.
The Berlinale commissioned the report following allegations by German newspaper Die Zeit that Bauer had been “a high-ranking functionary in the Nazi film bureaucracy” during the Third Reich and subsequently renamed the Silver Bear Alfred Bauer Prize ahead of its 70th edition in February.
The new study, compiled by the Leibniz Institute for Contemporary History, confirms...
The Berlin Film Festival has confirmed that founding director Alfred Bauer “contributed to the functioning, stabilisation and legitimation of the Nazi regime”, following an investigation into the late executive.
The Berlinale commissioned the report following allegations by German newspaper Die Zeit that Bauer had been “a high-ranking functionary in the Nazi film bureaucracy” during the Third Reich and subsequently renamed the Silver Bear Alfred Bauer Prize ahead of its 70th edition in February.
The new study, compiled by the Leibniz Institute for Contemporary History, confirms...
- 9/30/2020
- by Michael Rosser
- ScreenDaily
Samir Guesmi’s first feature film scoops four prizes, including the Valois for Best Film, while The Big Hit, likewise awarded the Cannes Official Selection Label, also triumphs. Two films distinguished with the 2020 Cannes Film Festival Official Selection Label have dominated the list of winners at the 13th Angoulême Francophone Film Festival. Presided over by the duo composed of Gustave Kervern and Benoît Delépine, the jury showed itself especially favourable towards Ibrahim, the first feature film directed by actor Samir Guesmi, which walked away with four trophies including the Diamond Valois for Best Film. The awards for Best Direction, Best Screenplay (written by the director) and Best Music (Raphaël Eligoulachvili) also fell into its hands. Produced by Why Not and sold worldwide by Wild Bunch, Ibrahim stars Abdel Benhader, Samir Guesmi himself, Rabah Nait Oufella, Luàna Bajrami and Philippe Rebbot. The story centres around young Ibrahim whose life is split.
This year’s selection will be announced over two waves to account for pandemic conditions.
The first 32 features up for the 2020 European Films Awards has been announced with a second wave of “pandemic year” titles due to be revealed in September.
Scroll down for first selection of films
The titles include Armando Iannucci’s The Personal History Of David Copperfield and Viggo Mortensen’s Falling as well as Berlinale award-winners Undine, by Christian Petzold; Hidden Away, by Giorgio Diritti; Bad Tales, by the D’Innocenzo Brothers; Dau. Natasha, by Ilya Khrzhanovskiy and Jekaterina Oertel; and Delete History, by Benoît Delépine and Gustave Kervern.
The first 32 features up for the 2020 European Films Awards has been announced with a second wave of “pandemic year” titles due to be revealed in September.
Scroll down for first selection of films
The titles include Armando Iannucci’s The Personal History Of David Copperfield and Viggo Mortensen’s Falling as well as Berlinale award-winners Undine, by Christian Petzold; Hidden Away, by Giorgio Diritti; Bad Tales, by the D’Innocenzo Brothers; Dau. Natasha, by Ilya Khrzhanovskiy and Jekaterina Oertel; and Delete History, by Benoît Delépine and Gustave Kervern.
- 8/18/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
12 features and four shorts selected for the international line-up.
Egypt’s El Gouna Film Festival (Gff) has signalled that it is pushing on with plans for a physical event this autumn amid the ongoing Covid-19 pandemic and announced the line-up of 12 international features due to play at its fourth edition running October 23 to 31.
A number of the selections will physically world premiere at the Autumn festivals, including Thomas Vinterberg’s Cannes 2020 label title Another Round (Toronto), and Venice Giornate Degli Autori titles Oasis and The Whaler Boy.
A number of Berlinale 2020 titles are in the mix including Special Silver Bear winner Delete History,...
Egypt’s El Gouna Film Festival (Gff) has signalled that it is pushing on with plans for a physical event this autumn amid the ongoing Covid-19 pandemic and announced the line-up of 12 international features due to play at its fourth edition running October 23 to 31.
A number of the selections will physically world premiere at the Autumn festivals, including Thomas Vinterberg’s Cannes 2020 label title Another Round (Toronto), and Venice Giornate Degli Autori titles Oasis and The Whaler Boy.
A number of Berlinale 2020 titles are in the mix including Special Silver Bear winner Delete History,...
- 8/11/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
Attendance figures remained steady year-on-year despite virus crisis.
Australian comedy-drama Babyteeth was awarded the top prize at the 19th Transylvania International Film Festival, which went ahead as physical event with Covid-19 safety measures in place.
Scroll down for full list of winners
The film, which marks the debut feature of Australian theatre and TV director Shannon Murphy, won the Transilvania Trophy and €10,000. First seen in competition at Venice last year, the bittersweet comedy also picked up the audience award at the festival in the Romanian city of Cluj, which ran from July 31 to August 9.
TIFF marks the first major film...
Australian comedy-drama Babyteeth was awarded the top prize at the 19th Transylvania International Film Festival, which went ahead as physical event with Covid-19 safety measures in place.
Scroll down for full list of winners
The film, which marks the debut feature of Australian theatre and TV director Shannon Murphy, won the Transilvania Trophy and €10,000. First seen in competition at Venice last year, the bittersweet comedy also picked up the audience award at the festival in the Romanian city of Cluj, which ran from July 31 to August 9.
TIFF marks the first major film...
- 8/10/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
An armload of new works - notably several films bearing the Cannes 73 Label - will be unveiled at the 13th Angoulême Francophone Film Festival, unspooling 28 August – 2 September. Pushed back by a week as a result of the health crisis, today saw the Angoulême Francophone Film Festival (Ffa) unveil the bulk of its programme for its 13th edition (running 28 August – 2 September this year). A highly valued event for French distributors who like to test their films here, in front of large audiences, and to use the occasion as a springboard in France before releasing their works in the autumn, the festival steered by Dominique Besnehard and Marie-France Brière will chiefly be offering a competition, as per usual, whose jury will this time be presided over by the duo Gustave Kervern - Benoît Delépine (whose new opus Delete History - honoured with a Special Prize...
Never Rarely Sometimes AlwaysCOMPETITIONGolden BearThere is No Evil (Mohammad Rasoulof)Silver Bear — Grand Jury PrizeNever Rarely Sometimes Always (Eliza Hittman) (Read our review.)Silver Bear — 70th BerlinaleDelete History (Benoît Delépine and Gustave Kervern) Silver Bear for Best DirectorHong Sang-soo (The Woman Who Ran) (Read our review.)Silver Bear for Best ActorElio Germano (Hidden Away)Silver Bear for Best ActressPaula Beer (Undine) (Read our review.)Silver Bear for Best ScreenplayFabio and Damiano D'Innocenzo (Bad Tales)Silver Bear for Outstanding Artistic ContributionJürgen Jürges (Dau. Natasha)ENCOUNTERSAward for Best FilmThe Works and Days (of Tayoko Shiojiri in the Shiotani Basin) (C.W. Winter, Anders Edström)Special Jury AwardThe Trouble With Being Born (Sandra Wollner)Award for Best DirectorCristi Puiu (Malmkrog) (Read our review.)Special MentionIsabella (Matias Piñeiro)...
- 3/1/2020
- MUBI
Update, writethru: The 70th Berlin Film Festival, and the first under new leadership team Mariette Rissenbeek and Carlo Chatrian, drew to a close this evening with the Golden Bear awarded to Mohammad Rasoulof’s There Is No Evil. Rasoulof is currently banned from leaving Iran for participation in social and political activity. This is the second time in five years that Berlin’s top prize has gone to an Iranian filmmaker unable to travel outside their home country — the last time was in 2015 when Jafar Panahi scooped the honor for Taxi.
Along with Panahi and Asghar Farhadi, Rasoulof, whose credits also include Manuscripts Don’t Burn, is among the best-known Iranian filmmakers on the international stage. His last picture, A Man Of Integrity, won Cannes’ Un Certain Regard prize in 2017, but his passport was confiscated that same year. Yesterday, the director issued a statement of regret over his inability to...
Along with Panahi and Asghar Farhadi, Rasoulof, whose credits also include Manuscripts Don’t Burn, is among the best-known Iranian filmmakers on the international stage. His last picture, A Man Of Integrity, won Cannes’ Un Certain Regard prize in 2017, but his passport was confiscated that same year. Yesterday, the director issued a statement of regret over his inability to...
- 2/29/2020
- by Nancy Tartaglione
- Deadline Film + TV
The 2020 Berlin Film Festival, which kicked off on February 20, handed out its top prizes today as the fest comes to a close in Germany. The night’s top winner, Iranian filmmaker Mohammad Rasoulof for “There Is No Evil,” could not attend the ceremony due to an Iran-sanctioned travel ban and possible prison sentence for his politically charged film (read IndieWire’s review here). See all this year’s winners below.
As is befitting for a festival season marked by tension, activists were gathered outside the festivities in front of the Berlinale Palast, where the honors took place, demonstrating for climate change. The 70th edition of the Berlinale weathered its share of controversies this year, too, from jury president Jeremy Irons digging up past controversial remarks to the revelation that late festival chief Alfred Bauer had ties to the Nazi party. The first edition assembled by artistic director Carlo Chatrian and...
As is befitting for a festival season marked by tension, activists were gathered outside the festivities in front of the Berlinale Palast, where the honors took place, demonstrating for climate change. The 70th edition of the Berlinale weathered its share of controversies this year, too, from jury president Jeremy Irons digging up past controversial remarks to the revelation that late festival chief Alfred Bauer had ties to the Nazi party. The first edition assembled by artistic director Carlo Chatrian and...
- 2/29/2020
- by Ryan Lattanzio
- Indiewire
Iranian filmmaker Mohammad Rasoulof’s “There Is No Evil,” a drama about the impact of capital punishment on society and the human condition, won the Golden Bear at this year’s Berlin Film Festival on Saturday.
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
- 2/29/2020
- by Ed Meza
- Variety Film + TV
If you’ve ever felt frustrated when a website asks you to select photos of traffic lights in order to prove that you’re not a robot, or struggled for a way to keep all your internet passwords straight, then digital-age satire “Delete History” was made with you in mind. Like the spam folder on your Google Mail account, it’s stuffed to bursting with wry observations about how smartphones, social media and the modern world in general — innovations which were putatively intended to simplify our lives — appear to be complicating it instead.
In this laugh-out-loud, low-concept comedy from French directing team Benoît Delépine and Gustave Kervern (known for renegade road movies “Aaltra” and “Mammuth”), the thinnest of storylines unites a loose collection of gags involving a trio of middle-aged, middle-class neighbors each suffering from a host of 21st-century headaches. The big joke, such as it is, hinges on the...
In this laugh-out-loud, low-concept comedy from French directing team Benoît Delépine and Gustave Kervern (known for renegade road movies “Aaltra” and “Mammuth”), the thinnest of storylines unites a loose collection of gags involving a trio of middle-aged, middle-class neighbors each suffering from a host of 21st-century headaches. The big joke, such as it is, hinges on the...
- 2/24/2020
- by Peter Debruge
- Variety Film + TV
The Berlinale lineup already includes films from Jia Zhangke, Matías Piñeiro, and more, but now the competition slate has arrived and it’s an incredibly promising selection. Headed by Carlo Chatrian, it includes many of our most-anticipated films of the year with Christian Petzold’s Undine, Hong Sang-soo’s The Woman Who Ran, Tsai Ming-Liang’s Days, Philippe Garrel’s The Salt of Tears, Abel Ferrara’s Siberia, and Caetano Gotardo & Marco Dutra’s All the Dead Ones, plus recent festival favorites: Kelly Reichardt’s First Cow and Eliza Hittman’s Never Rarely Sometimes Always.
Check out the lineup below and return for our coverage.
Competition
Berlin Alexanderplatz
Germany / Netherlands
by Burhan Qurbani
with Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, Richard Fouofié Djimeli
World premiere
Dau. Natasha
Germany / Ukraine / United Kingdom / Russian Federation
by Ilya Khrzhanovskiy, Jekaterina Oertel
with Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo,...
Check out the lineup below and return for our coverage.
Competition
Berlin Alexanderplatz
Germany / Netherlands
by Burhan Qurbani
with Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, Richard Fouofié Djimeli
World premiere
Dau. Natasha
Germany / Ukraine / United Kingdom / Russian Federation
by Ilya Khrzhanovskiy, Jekaterina Oertel
with Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo,...
- 1/29/2020
- by Jordan Raup
- The Film Stage
What to make of Carlo Chatrian’s first selection?
Berlin Film Festival has announced its Competition lineup for the 70th edition, which runs from February 20 - March 1.
Screen has picked out six key talking points to arise from the selection.
Berlin Film Festival unveils 2020 Competition line-up It looks pretty familiar
Carlo Chatrian’s first main competition selection does not look wildly different from the Dieter Kosslick years at first glance. Ilya Khrzhanovskiy and Jekaterina Oertel’s Dau, Natasha, Burham Qurbani’s Berlin Alexanderplatz, Benoît Delépine and Gustave Kervern’s Delete Forever and Philippe Garrel’s The Salt Of Tears are...
Berlin Film Festival has announced its Competition lineup for the 70th edition, which runs from February 20 - March 1.
Screen has picked out six key talking points to arise from the selection.
Berlin Film Festival unveils 2020 Competition line-up It looks pretty familiar
Carlo Chatrian’s first main competition selection does not look wildly different from the Dieter Kosslick years at first glance. Ilya Khrzhanovskiy and Jekaterina Oertel’s Dau, Natasha, Burham Qurbani’s Berlin Alexanderplatz, Benoît Delépine and Gustave Kervern’s Delete Forever and Philippe Garrel’s The Salt Of Tears are...
- 1/29/2020
- by 88¦Louise Tutt¦0¦¬1101321¦Ben Dalton¦26¦¬1101184¦Orlando Parfitt¦38¦¬1100453¦Michael Rosser¦9¦
- ScreenDaily
The Berlin International Film Festival on Wednesday morning revealed the main competition lineup and gala selections for festival’s 70th edition.
The festival, which begins February 20, will screen 18 films in competition, including movies from Sally Potter, Kelly Reichardt, and Eliza Hittman. Six are from female directors.
Among the gala presentations is Pixar’s” Onward.” The Dan Scanlon-helmed urban fantasy includes the voices of Tom Holland, Chris Pratt, Julia-Louis Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer, Lena Waithe, and Ali Wong.
Here is the complete list:
Competition
“Berlin Alexanderplatz” (Germany/Netherlands)
Director: Burhan Qurbani
Cast: Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, and Richard Fouofié Djimeli
“Dau. Natasha” (Germany/Ukraine/United Kingdom/Russia)
Directors: Ilya Khrzhanovskiy and Jekaterina Oertel
Cast: Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo, Alexei Blinov, and Luc Bigé
“Domangchin yeoja” (“The Woman Who Ran”) (South Korea)
Director: Hong Sangsoo
Cast: Kim Minhee,...
The festival, which begins February 20, will screen 18 films in competition, including movies from Sally Potter, Kelly Reichardt, and Eliza Hittman. Six are from female directors.
Among the gala presentations is Pixar’s” Onward.” The Dan Scanlon-helmed urban fantasy includes the voices of Tom Holland, Chris Pratt, Julia-Louis Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer, Lena Waithe, and Ali Wong.
Here is the complete list:
Competition
“Berlin Alexanderplatz” (Germany/Netherlands)
Director: Burhan Qurbani
Cast: Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, and Richard Fouofié Djimeli
“Dau. Natasha” (Germany/Ukraine/United Kingdom/Russia)
Directors: Ilya Khrzhanovskiy and Jekaterina Oertel
Cast: Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo, Alexei Blinov, and Luc Bigé
“Domangchin yeoja” (“The Woman Who Ran”) (South Korea)
Director: Hong Sangsoo
Cast: Kim Minhee,...
- 1/29/2020
- by Chris Lindahl
- Indiewire
18-strong Competition strand includes films by Sally Potter, Hong Sangsoo, Tsai Ming-Liang, Christian Petzold, Rithy Panh and Philippe Garrel.
The 18-strong competition line-up for the 70th Berlin International Film Festival (Feb 20-Mar 1) has been unveiled by the festival’s new executive director Mariette Rissenbeek and artistic director Carlo Chatrian.
Among the titles selected are new work by Sally Potter, Kelly Reichardt, Hong Sangsoo, Philippe Garrel, Rithy Panh, Tsai Ming-Liang and Silver Bear winner Christian Petzold.
Other intriguing projects include Burhan Qurbani’s Berlin Alexanderplatz and Ilya Khrzhanovskiy and Jekaterina Oertel’s long-gestating project Dau. Natasha.
Six of the 18 films selected...
The 18-strong competition line-up for the 70th Berlin International Film Festival (Feb 20-Mar 1) has been unveiled by the festival’s new executive director Mariette Rissenbeek and artistic director Carlo Chatrian.
Among the titles selected are new work by Sally Potter, Kelly Reichardt, Hong Sangsoo, Philippe Garrel, Rithy Panh, Tsai Ming-Liang and Silver Bear winner Christian Petzold.
Other intriguing projects include Burhan Qurbani’s Berlin Alexanderplatz and Ilya Khrzhanovskiy and Jekaterina Oertel’s long-gestating project Dau. Natasha.
Six of the 18 films selected...
- 1/29/2020
- by 1101184¦Orlando Parfitt¦38¦
- ScreenDaily
The Berlin International Film Festival has unveiled its 2020 line-up, with 18 films playing in competition from directors such as Abel Ferrara, Sally Potter, Christian Petzold, Hong Sangsoo, Kelly Reichardt and Eliza Hittman.
Abel Ferrara’s Willem Dafoe starrer “Siberia” is a world premiere in competition, as is Sally Potter’s “The Roads Not Taken.”
Among the U.S. films at the Berlinale, Reichardt’s “First Cow” is an international premiere, and so too is Hittman’s “Never Rarely Sometimes Always.”
Pixar’s latest animation, “Onward”, also has its international premiere out of competition in the Special Galas section.
Previous Berlin Silver Bear winner Christian Petzold’s latest, “Undine”, world premieres, while Iranian director Mohammed Rasoulof, who is not allowed to travel outside his home country, world premieres his latest, “There is No Evil.”
Six out of the 18 films in competition are helmed by female directors.
The 70th edition of the festival...
Abel Ferrara’s Willem Dafoe starrer “Siberia” is a world premiere in competition, as is Sally Potter’s “The Roads Not Taken.”
Among the U.S. films at the Berlinale, Reichardt’s “First Cow” is an international premiere, and so too is Hittman’s “Never Rarely Sometimes Always.”
Pixar’s latest animation, “Onward”, also has its international premiere out of competition in the Special Galas section.
Previous Berlin Silver Bear winner Christian Petzold’s latest, “Undine”, world premieres, while Iranian director Mohammed Rasoulof, who is not allowed to travel outside his home country, world premieres his latest, “There is No Evil.”
Six out of the 18 films in competition are helmed by female directors.
The 70th edition of the festival...
- 1/29/2020
- by Tim Dams
- Variety Film + TV
The Berlin Film Festival revealed its main competition lineup and additional galas this morning at a press conference in the German capital.
The lineup includes new films by Sally Potter, Kelly Reichardt, Abel Ferrara, Christian Petzold, Hong Sangsoo and Iranian filmmaker Mohammad Rasoulof (who is unable to leave Iran due to a travel ban). Scroll down for the lineup in full.
Artistic director Carlo Chatrian confirmed that all main cast and all directors – other than Rasoulof – are due to attend the festival. Guests are set to include Hillary Clinton, who is the subject of Nanette Burstein’s docu-series Hillary; Stateless star and producer Cate Blanchett; Willem Dafoe, star of Abel Ferrara’s Siberia; and Javier Bardem, Elle Fanning and Salma Hayek, the stars of Potter’s drama The Roads Not Taken.
The 18-strong competition lineup includes six films by women directors. Last year, 17 films were selected for the competition with seven helmed by women.
The lineup includes new films by Sally Potter, Kelly Reichardt, Abel Ferrara, Christian Petzold, Hong Sangsoo and Iranian filmmaker Mohammad Rasoulof (who is unable to leave Iran due to a travel ban). Scroll down for the lineup in full.
Artistic director Carlo Chatrian confirmed that all main cast and all directors – other than Rasoulof – are due to attend the festival. Guests are set to include Hillary Clinton, who is the subject of Nanette Burstein’s docu-series Hillary; Stateless star and producer Cate Blanchett; Willem Dafoe, star of Abel Ferrara’s Siberia; and Javier Bardem, Elle Fanning and Salma Hayek, the stars of Potter’s drama The Roads Not Taken.
The 18-strong competition lineup includes six films by women directors. Last year, 17 films were selected for the competition with seven helmed by women.
- 1/29/2020
- by Andreas Wiseman
- Deadline Film + TV
Effacer l’historique
Kooky Belgian duo Gustave Kervern and Benoît Delépine will present their ninth collaboration in 2020, Effacer l’historique, another exercise about social misfits attempting to succeed in tasks which seem woefully out of their depth. Sylvie Pialat and Benoit Quainon are producing, starring a lead trio of Blanche Gardin (who will also be appearing in Bruno Dumont’s latest), Denis Podalydes, and Corinne Masiero. Some of the directors’ usual suspects are also on hand in the cast, including Yolande Moreau, Benoit Poelvoorde, Bouli Lanners, and Michel Houellebecq. And they’ll be joined by American actor Denis O’Hare. The filmmakers reunite with their regular Dp, Hugues Poulain.…...
Kooky Belgian duo Gustave Kervern and Benoît Delépine will present their ninth collaboration in 2020, Effacer l’historique, another exercise about social misfits attempting to succeed in tasks which seem woefully out of their depth. Sylvie Pialat and Benoit Quainon are producing, starring a lead trio of Blanche Gardin (who will also be appearing in Bruno Dumont’s latest), Denis Podalydes, and Corinne Masiero. Some of the directors’ usual suspects are also on hand in the cast, including Yolande Moreau, Benoit Poelvoorde, Bouli Lanners, and Michel Houellebecq. And they’ll be joined by American actor Denis O’Hare. The filmmakers reunite with their regular Dp, Hugues Poulain.…...
- 12/31/2019
- by Nicholas Bell
- IONCINEMA.com
Blanche Gardin, Denis Podalydès and Corinne Masiero topline this production being staged by Les Films du Worso and sold by Wild Bunch. The shoot for Effacer l’historique (lit. “Delete the History”) by Gustave Kervern and Benoît Delépine has been in full swing since 29 July. This is the ninth feature by the directorial duo, following I Feel Good (unveiled on the Piazza Grande at last year’s Locarno Film Festival), Saint Amour (out of competition at Berlin in 2016), Nde (Near Death Experience), Le grand soir (Un Certain Regard at Cannes in 2012), Mammuth (in competition at the 2010 Berlinale), Louise-Michel (Best Screenplay Award at San Sebastián in 2008 and Special Jury Prize at Sundance in 2009), Avida (out of competition at Cannes in 2006) and Aaltra (in competition at Rotterdam in 2004). As for the cast of their new opus, the...
It’s been six years since Jean Dujardin improbably charmed his way to an Oscar for a sparkling star turn in “The Artist,” and since then, even the French film industry has struggled to make optimum use of the funnyman’s outsize, old-school screen presence. Drug thriller “The Connection” was a solid enough play-it-straight vehicle, but by the time Dujardin showed up as a digitally modified little person in the dubious 2016 romcom “Up for Love,” Michel Hazanavicius’s beguiling silent-film pastiche itself seemed ancient history. That “I Feel Good” finally hands Dujardin a role he can wrap his arms around is perhaps the greatest of its many offbeat pleasures; he repays Benoît Delépine and Gustave Kervern’s ultimately sunny anti-capitalist comedy with a performance of x-factor charm, yes, but also wounded human complexity.
Dujardin’s urbane star quality isn’t the likeliest of matches for Delépine and Kervern, a cheerfully...
Dujardin’s urbane star quality isn’t the likeliest of matches for Delépine and Kervern, a cheerfully...
- 8/11/2018
- by Guy Lodge
- Variety Film + TV
The 71st edition of the Swiss film festival closed with the awards ceremony on August 11.
Siew Hua Yeo’s second feature A Land Imagined has become the first film from Singapore to take home the top honour of the Golden Leopard in the history of the Locarno Festival.
The Singapore-France-Netherlands co-production, which received backing from Rotterdam’s Hubert Bals Fund and Cnc’s World Cinema Fund, follows a police investigator who must find a missing migrant in industrial Singapore.
The International Competition jury headed by Chinese filmmaker Jia Zhang-Ke awarded the special jury prize to Yolande Zauberman’s documentary M,...
Siew Hua Yeo’s second feature A Land Imagined has become the first film from Singapore to take home the top honour of the Golden Leopard in the history of the Locarno Festival.
The Singapore-France-Netherlands co-production, which received backing from Rotterdam’s Hubert Bals Fund and Cnc’s World Cinema Fund, follows a police investigator who must find a missing migrant in industrial Singapore.
The International Competition jury headed by Chinese filmmaker Jia Zhang-Ke awarded the special jury prize to Yolande Zauberman’s documentary M,...
- 8/11/2018
- by Martin Blaney
- ScreenDaily
Bruno Dumont's CoinCoin et les Z'inhumainsThe lineup for the 2018 festival has been revealed, including new films by Hong Sang-soo, Radu Muntean, Mariano Llinás and others, alongside retrospectives and tributes, and much more.
Piazza GRANDEBlacKkKlansmanBlazeCoincoin et les Z'inhumainsI Feel GoodLe vent tourneLes Beaux EspritsLibertyL'ordre des medecinsL'ospiteManila in the Claws of LightBirds of PassageRuben Brandt, Collector (Milorad Krstic, Hungary)Se7enSearchingThe Equalizer 2Un nemico che ti vuole bene (Denis Rabaglia, Italy/Switzerland)What Doesn't Kill Us
Concorso INTERNAZIONALEGlaubenbergA Family TourDianeLa FlorYaraMenocchioToo Late To Die YoungRay & LizHotel By the RiverA Land ImaginedMSibelGenèseWintermärchenAlice T.
Concorso Cineasti Del PRESENTEAll GoodThose Who WorkChaosClosing TimeImmersed FamilyFaust The Dive Suburban BirdsYoung and AliveLikemebackDead Horse NebulaWe Are ThankfulSophia AntipolisHierLong Way HomeTrot
Signs Of Lifea Room with a Coconut ViewCommunion Los AngelesHow Fernando Pessoa Saved PortugalDulcineaGulyabaniThe Fragile HouseMan in the WellJulio Iglesias's HouseThe Glorious Acceptance of Nicolas ChauvinSedução da CarneAnything And AllThe Grand BizarreErased,...
Piazza GRANDEBlacKkKlansmanBlazeCoincoin et les Z'inhumainsI Feel GoodLe vent tourneLes Beaux EspritsLibertyL'ordre des medecinsL'ospiteManila in the Claws of LightBirds of PassageRuben Brandt, Collector (Milorad Krstic, Hungary)Se7enSearchingThe Equalizer 2Un nemico che ti vuole bene (Denis Rabaglia, Italy/Switzerland)What Doesn't Kill Us
Concorso INTERNAZIONALEGlaubenbergA Family TourDianeLa FlorYaraMenocchioToo Late To Die YoungRay & LizHotel By the RiverA Land ImaginedMSibelGenèseWintermärchenAlice T.
Concorso Cineasti Del PRESENTEAll GoodThose Who WorkChaosClosing TimeImmersed FamilyFaust The Dive Suburban BirdsYoung and AliveLikemebackDead Horse NebulaWe Are ThankfulSophia AntipolisHierLong Way HomeTrot
Signs Of Lifea Room with a Coconut ViewCommunion Los AngelesHow Fernando Pessoa Saved PortugalDulcineaGulyabaniThe Fragile HouseMan in the WellJulio Iglesias's HouseThe Glorious Acceptance of Nicolas ChauvinSedução da CarneAnything And AllThe Grand BizarreErased,...
- 7/11/2018
- MUBI
The lineup for this year’s Locarno International Film Festival, which celebrates its 71st edition, has arrived. Among the most-anticipated titles in the lineup there’s a new feature from Hong Sang-soo titled Hotel by the River and the latest film from Tuesday, After Christmas director Radu Muntean, Alice T. Also in the slate is Man in the Well, a short film from Hu Bo, made before his first and final feature An Elephant Sitting Still. Ahead of our coverage, check out the full lineup below (via Mubi), also featuring previously premiered films from Spike Lee, Kent Jones, Ethan Hawke, Ciro Guerra & Cristtina Gallego, Aneesh Chaganty, and more.
Piazza Grande
BlackKkansman
Blaze
Coincoin et les Z’inhumains
I Feel Good
Le vent tourne
Les Beaux Esprits
Liberty
L’ordre des medecins
L’ospite
Manila in the Claws of Light
Birds of Passage
Ruben Brandt, Collector
Se7en
Searching
The Equalizer 2...
Piazza Grande
BlackKkansman
Blaze
Coincoin et les Z’inhumains
I Feel Good
Le vent tourne
Les Beaux Esprits
Liberty
L’ordre des medecins
L’ospite
Manila in the Claws of Light
Birds of Passage
Ruben Brandt, Collector
Se7en
Searching
The Equalizer 2...
- 7/11/2018
- by Jordan Raup
- The Film Stage
New films from Hong Sangsoo, Abbas Fahdel, Radu Muntean in competition.
The line-up for Carlo Chatrian’s last outing as the artistic director of the Locarno Festival (Aug 1-11) in Switzerland includes the world premieres of Swiss filmmaker Bettina Oberli’s Le Vent Tourne and German director Sandra Nettelbeck’s tragicomedy Was Uns Nicht Umbringt.
Both will screen as part of the non-competitive Piazza Grande open-air programme.
Scroll down for full line-up
Further Piazza Grande films include Spike Lee’s BlacKkKlansman, actor-director Ethan Hawke’s Blaze, Aneesh Chaganty’s debut feature Searching, and the late Filipino filmmaker Lino Brocka’s...
The line-up for Carlo Chatrian’s last outing as the artistic director of the Locarno Festival (Aug 1-11) in Switzerland includes the world premieres of Swiss filmmaker Bettina Oberli’s Le Vent Tourne and German director Sandra Nettelbeck’s tragicomedy Was Uns Nicht Umbringt.
Both will screen as part of the non-competitive Piazza Grande open-air programme.
Scroll down for full line-up
Further Piazza Grande films include Spike Lee’s BlacKkKlansman, actor-director Ethan Hawke’s Blaze, Aneesh Chaganty’s debut feature Searching, and the late Filipino filmmaker Lino Brocka’s...
- 7/11/2018
- by Martin Blaney
- ScreenDaily
Wild Bunch Efm slate also includes Peter Grönlund’s drama Goliath and Hirokazu Kore-eda’s newly-titled drama Shoplifters.
Wild Bunch will launch sales on Louis Garrel’s second feature A Faithful Man, in which he will also co-star opposite Laetitia Casta and Lily-Rose Depp, at the Efm this week.
The film revolves around the complex relationship between Abel, his former partner Marianne, who left him for his best-friend Paul but returns following the latter man’s death, and Paul’s sister who is secretly in love with Abel.
Garrel wrote the screenplay with Oscar-winning screenwriter Jean-Claude Carrière. Paris-based Why Not Productions is producing. Arnaud Desplechin collaborator Irina Lubtchansky is attached as cinematographer.
The actor-director’s debut film Two Friends premiered in Cannes Critics’ Week in 2015. It is one of two second features from buzzy filmmakers on Wild Bunch’s Efm slate.
Goliath
The company has also acquired Swedish director Peter Grönlund’s drama Goliath about the son of...
Wild Bunch will launch sales on Louis Garrel’s second feature A Faithful Man, in which he will also co-star opposite Laetitia Casta and Lily-Rose Depp, at the Efm this week.
The film revolves around the complex relationship between Abel, his former partner Marianne, who left him for his best-friend Paul but returns following the latter man’s death, and Paul’s sister who is secretly in love with Abel.
Garrel wrote the screenplay with Oscar-winning screenwriter Jean-Claude Carrière. Paris-based Why Not Productions is producing. Arnaud Desplechin collaborator Irina Lubtchansky is attached as cinematographer.
The actor-director’s debut film Two Friends premiered in Cannes Critics’ Week in 2015. It is one of two second features from buzzy filmmakers on Wild Bunch’s Efm slate.
Goliath
The company has also acquired Swedish director Peter Grönlund’s drama Goliath about the son of...
- 2/14/2018
- by Melanie Goodfellow
- ScreenDaily
Wild Bunch Efm slate also includes Peter Grönlund’s drama Goliath and Hirokazu Kore-eda’s newly-titled drama Shoplifters.
Wild Bunch will launch sales on Louis Garrel’s second feature A Faithful Man, in which he will also co-star opposite Laetitia Casta and Lily-Rose Depp, at the Efm this week.
The film revolves around the complex relationship between Abel, his former partner Marianne, who left him for his best-friend Paul but returns following the latter man’s death, and Paul’s sister who is secretly in love with Abel.
Garrel wrote the screenplay with Oscar-winning screenwriter Jean-Claude Carrière. Paris-based Why Not Productions is producing. Arnaud Desplechin collaborator Irina Lubtchansky is attached as cinematographer.
The actor-director’s debut film Two Friends premiered in Cannes Critics’ Week in 2015. It is one of two second features from buzzy filmmakers on Wild Bunch’s Efm slate.
Goliath
The company has also acquired Swedish director Peter Grönlund’s drama Goliath about the son of...
Wild Bunch will launch sales on Louis Garrel’s second feature A Faithful Man, in which he will also co-star opposite Laetitia Casta and Lily-Rose Depp, at the Efm this week.
The film revolves around the complex relationship between Abel, his former partner Marianne, who left him for his best-friend Paul but returns following the latter man’s death, and Paul’s sister who is secretly in love with Abel.
Garrel wrote the screenplay with Oscar-winning screenwriter Jean-Claude Carrière. Paris-based Why Not Productions is producing. Arnaud Desplechin collaborator Irina Lubtchansky is attached as cinematographer.
The actor-director’s debut film Two Friends premiered in Cannes Critics’ Week in 2015. It is one of two second features from buzzy filmmakers on Wild Bunch’s Efm slate.
Goliath
The company has also acquired Swedish director Peter Grönlund’s drama Goliath about the son of...
- 2/14/2018
- by Melanie Goodfellow
- ScreenDaily
Top 100 Most Anticipated Foreign Films of 2018: #52. Gustave Kervern & Benoît Delépine’s I Feel Good
I Feel Good
Underrated directing duo Gustave Kervern and Benoît Delépine bring their peculiar sensibilities to their eighth collaboration together with I Feel Good, which also unites them with Yolande Moreau (one of their regular cast members), and is headlined by Oscar winner Jean Dujardin.
Continue reading...
Underrated directing duo Gustave Kervern and Benoît Delépine bring their peculiar sensibilities to their eighth collaboration together with I Feel Good, which also unites them with Yolande Moreau (one of their regular cast members), and is headlined by Oscar winner Jean Dujardin.
Continue reading...
- 1/3/2018
- by Nicholas Bell
- IONCINEMA.com
The Franco-American Cultural Fund, celebrating its 20th anniversary this year, has announced the program for the 20th Colcoa French Film Festival that will run April 18-26 at the Directors Guild of America in Los Angeles. The festival will showcase a record 70 films and television series - among them 64 in competition for Colcoa Awards - including four World Premieres, seven International Premieres, 19 North American or U.S. Premieres, 17 West Coast Premieres - and 21 new shorts. Colcoa, is now the world's largest event dedicated to French films and television.
"This 20th anniversary deserves a spectacular, strong program that reflects the diversity of French production, as well as the creativity and dynamism of French filmmakers and producers," stated François Truffart, Colcoa Executive Producer and Artistic Director. "More than ever, we are about to involve audiences in a journey that will stir them, make them laugh, cry, tickle their curiosity, and help them remain optimistic, while recognizing the urgent world zeitgeist."
"20 years is an achievement for any film festival in Hollywood. This would not have been possible without the commitment of the Franco-American Cultural Fund - a unique partnership of the DGA, the Mpa, la Sacem and the WGA West - creator of the festival in 1996 and supporter of its subsequent development. We also salute French sales companies, official supporters, sponsors, and U.S. distributors, whose loyalty and trust have given the festival its continuing excellence," he added.
Colcoa will open Monday, April 18th with the North American Premiere of "Monsieur Chocolat," a biopic about the first French black clown, co-written by Cyril Gely, Olivier Gorce, Gérard Noiriel, Roschdy Zem, directed by Roschdy Zem, and starring Omar Sy and James Thiérrée. The film will be presented in association with Gaumont, which celebrates its 120th anniversary.
The festival will close its competition on Monday, April 25th with the World Premiere of "Up For Love," the new romantic comedy written and directed by Laurent Tirard, starring Academy Award winner Jean Dujardin and Virginie Efira. "Call My Agent" (Season 1), the most popular French TV series of the year, about a talent agency with actors playing their own roles, will close the Colcoa TV Competition.
Two other TV series, shown for the first time in North America, will be part of the program, presented in association with TV France International and Titrafilm: "The Disappearance," a drama co-written by Marie Deshaires and Catherine Touzet and directed by Charlotte Brändström; and "The Secret of Elise," a supernatural drama written by lsa Marpeau, Marie Vinoy, Marie Deshaires, and Catherine Touzet and directed by Alexandre Laurent, Samir Boitard, Mathieu Simonet, and Mehdi Meskar. The first two episodes of each series will be shown to the Colcoa audience.
To complete the competition, five TV movies will premiere at Colcoa: the North American Premiere of "Borderline," a thriller co-written and directed by Olivier Marchal, the International Premiere of "Carpets and Chaos," a comedy co-written and directed by Nader Takmil Homayoun, the International Premiere of "Stolen Babies," a drama written by Julie Jézéquel and directed by Golden Globe winner Alain Berliner; the International Premiere of "The Wall-Crosser," a fantasy written and directed by Dante Desarthes, based on Marcel Aymé's book; and the North American Premiere of "Woman Under the Influence," a drama written and directed by Claude-Michel Rome.
The feature film selection (40 features and documentaries and 21 shorts), will feature exclusive presentations. "Fanny's Journey," an epic drama written and directed by Lola Doillon, starring Cecile de France, is also a World Premiere. The U.S. Premiere of the thriller "Made in France," written and directed by Nicolas Boukhrief, is a film which did not have theatrical release in France because of sensitivity following the recent terrorist attacks in Paris. Colcoa also will present the U.S. Premiere of Robert Guédiguian's provocative film about the Armenian genocide, "Don't Tell Me the Boy Was Mad." The U.S. Premiere of Oscar ® winner Claude Lelouch's new film "Un plus Une," starring Jean Dujardin and Elsa Zylberstein, will screen, in addition to another U.S. Premiere of "All Gone South," the comedy sequel co-written and co-directed by Nicolas Benamou and Philippe Lacheau, two years after the success of Babysitting at Colcoa in 2014.
Several established writers/directors return and other known artists have been selected: Academy Award nominee Christian Carion ("Come What May"- with Cohen Media Group), Anne Fontaine ("The Innocents" - with Music Box Films), Vincent Garencq ("Kalinka"), Academy Award nominee Jean-Paul Rappeneau ("Families"), Christian Vincent ("Courted"), Maïwenn ("My King" - with Film Movement)
Every year, the Colcoa program is dedicated to a new generation of talent, many of whose films are included in Colcoa's French NeWave 2.0 Series: Samuel Collardey ("Land Legs"), Clément Cogitor ("Neither Heaven Nor Earth" - with Film Movement), Philippe Faucon - the writer/director of the 2016 César Best film winner ("Fatima" - with Kino Lorber), Emmanuel Finkiel ("A Decent Man"), Eva Husson ("Bang Gang" - with Samuel Goldwyn), Laurent Larivière ("I am a Soldier"), and Orelsan and Christophe Offenstein ("Uncompleted Song").
The After 10 Series at Colcoa invites audiences to explore new frontiers with an exclusive program, including the French-Belgian co-production from writer/director Bouli Lanners ("The First, the Last"), the new dark comedy from Benoît Delépine, Gustave Kervern, starring Gérard Depardieu ("Saint Amour"), and Frédéric Schoendoerffer ("Past Convoy").
Two anticipated films about women in Muslim countries will be part of theWord Cinema Produced by France Series: the Franco-Moroccan co-production, "Much Loved," written and directed by Nabil Ayouch, premiered at the Director's Fortnight in 2015, and remains banned in Morocco; and, "As I Open My Eyes," a Franco-Tunisian film from female writer/director Leyla Bouzid (with Kino Lorber). The Argentine film, "Eva Doesn't Sleep," written and directed by Pablo Agüero will complete the series.
Two documentaries focusing on significant environmental issues will premiere at Colcoa: the closing film of the last Cannes Film Festival, "Ice and the Sky" (with Music Box Films) from Academy Award winner Luc Jacquet (March of the Penguins), and a special presentation following the United Nations screening of the 2016 Cesar winner for Best Documentary, "Tomorrow," written and directed by Cédric Dion and Mélanie Laurent. "The Frankenstein Complex," a tribute to the creators of big screen creatures, written and directed by Gilles Penso and Alexandre Poncet, will complete this high profile documentary series.
All other Colcoa series are back in 2016: the Colcoa Classics Series with an exclusive program of digitally restored premieres (see February 19th press release); the Happy Hour Talks PanelSeriesin association withVariety (April 19-25); the Short Film Competition (Sunday, April 24 - March press release); the Focus on a Filmmaker, this year with writer/director Jean-Paul Rappeneau (Thursday, April 21); and the Focus on a Producer will be with Dominique Besnehard (Saturday, April 23).
Animation, an important part of the French film industry, will be shown at Colcoa with the premiere of Rémi Chayé's new film: "Long Way North" (with Shout Factory).
As is Colcoa tradition, comedieswill join the program almost every day, including the romantic comedy "Love at First Child," co-written and directed by Anne Giaffieri, starring Patrick Bruel and Isabelle Carré, Benoît's Graffin's "Hopefully," with Sandrine Kiberlain and Edouard Baer, Jean-Francois Richet's "One Wild Moment," starring Francois Cluzet and Vincent Cassel, and the new French hit "One Man and His Cow," written and directed by Mohamed Hamidi.
This last film will also be shown to the 3,000 students and teachers who will attend the now five High School Screenings (April 19-25) as part of the Colcoa Educational Program presented in association with Elma (European Languages and Movies in America). Two master classes for college and university students will complete the program.
For the ninth year, Lafca will partner with Colcoa Cinema for the Critics' Awards. The complete recipients list of the 2015 Awards - including the U.S. distributor winner of the Colcoa Coming Soon Award, presented in association with Kpcc, will be announced on Wednesday, April 27. Colcoa Awards are presented in association with Titrafilm, TV5 Monde USA, and Air Tahiti Nui.
"This 20th anniversary deserves a spectacular, strong program that reflects the diversity of French production, as well as the creativity and dynamism of French filmmakers and producers," stated François Truffart, Colcoa Executive Producer and Artistic Director. "More than ever, we are about to involve audiences in a journey that will stir them, make them laugh, cry, tickle their curiosity, and help them remain optimistic, while recognizing the urgent world zeitgeist."
"20 years is an achievement for any film festival in Hollywood. This would not have been possible without the commitment of the Franco-American Cultural Fund - a unique partnership of the DGA, the Mpa, la Sacem and the WGA West - creator of the festival in 1996 and supporter of its subsequent development. We also salute French sales companies, official supporters, sponsors, and U.S. distributors, whose loyalty and trust have given the festival its continuing excellence," he added.
Colcoa will open Monday, April 18th with the North American Premiere of "Monsieur Chocolat," a biopic about the first French black clown, co-written by Cyril Gely, Olivier Gorce, Gérard Noiriel, Roschdy Zem, directed by Roschdy Zem, and starring Omar Sy and James Thiérrée. The film will be presented in association with Gaumont, which celebrates its 120th anniversary.
The festival will close its competition on Monday, April 25th with the World Premiere of "Up For Love," the new romantic comedy written and directed by Laurent Tirard, starring Academy Award winner Jean Dujardin and Virginie Efira. "Call My Agent" (Season 1), the most popular French TV series of the year, about a talent agency with actors playing their own roles, will close the Colcoa TV Competition.
Two other TV series, shown for the first time in North America, will be part of the program, presented in association with TV France International and Titrafilm: "The Disappearance," a drama co-written by Marie Deshaires and Catherine Touzet and directed by Charlotte Brändström; and "The Secret of Elise," a supernatural drama written by lsa Marpeau, Marie Vinoy, Marie Deshaires, and Catherine Touzet and directed by Alexandre Laurent, Samir Boitard, Mathieu Simonet, and Mehdi Meskar. The first two episodes of each series will be shown to the Colcoa audience.
To complete the competition, five TV movies will premiere at Colcoa: the North American Premiere of "Borderline," a thriller co-written and directed by Olivier Marchal, the International Premiere of "Carpets and Chaos," a comedy co-written and directed by Nader Takmil Homayoun, the International Premiere of "Stolen Babies," a drama written by Julie Jézéquel and directed by Golden Globe winner Alain Berliner; the International Premiere of "The Wall-Crosser," a fantasy written and directed by Dante Desarthes, based on Marcel Aymé's book; and the North American Premiere of "Woman Under the Influence," a drama written and directed by Claude-Michel Rome.
The feature film selection (40 features and documentaries and 21 shorts), will feature exclusive presentations. "Fanny's Journey," an epic drama written and directed by Lola Doillon, starring Cecile de France, is also a World Premiere. The U.S. Premiere of the thriller "Made in France," written and directed by Nicolas Boukhrief, is a film which did not have theatrical release in France because of sensitivity following the recent terrorist attacks in Paris. Colcoa also will present the U.S. Premiere of Robert Guédiguian's provocative film about the Armenian genocide, "Don't Tell Me the Boy Was Mad." The U.S. Premiere of Oscar ® winner Claude Lelouch's new film "Un plus Une," starring Jean Dujardin and Elsa Zylberstein, will screen, in addition to another U.S. Premiere of "All Gone South," the comedy sequel co-written and co-directed by Nicolas Benamou and Philippe Lacheau, two years after the success of Babysitting at Colcoa in 2014.
Several established writers/directors return and other known artists have been selected: Academy Award nominee Christian Carion ("Come What May"- with Cohen Media Group), Anne Fontaine ("The Innocents" - with Music Box Films), Vincent Garencq ("Kalinka"), Academy Award nominee Jean-Paul Rappeneau ("Families"), Christian Vincent ("Courted"), Maïwenn ("My King" - with Film Movement)
Every year, the Colcoa program is dedicated to a new generation of talent, many of whose films are included in Colcoa's French NeWave 2.0 Series: Samuel Collardey ("Land Legs"), Clément Cogitor ("Neither Heaven Nor Earth" - with Film Movement), Philippe Faucon - the writer/director of the 2016 César Best film winner ("Fatima" - with Kino Lorber), Emmanuel Finkiel ("A Decent Man"), Eva Husson ("Bang Gang" - with Samuel Goldwyn), Laurent Larivière ("I am a Soldier"), and Orelsan and Christophe Offenstein ("Uncompleted Song").
The After 10 Series at Colcoa invites audiences to explore new frontiers with an exclusive program, including the French-Belgian co-production from writer/director Bouli Lanners ("The First, the Last"), the new dark comedy from Benoît Delépine, Gustave Kervern, starring Gérard Depardieu ("Saint Amour"), and Frédéric Schoendoerffer ("Past Convoy").
Two anticipated films about women in Muslim countries will be part of theWord Cinema Produced by France Series: the Franco-Moroccan co-production, "Much Loved," written and directed by Nabil Ayouch, premiered at the Director's Fortnight in 2015, and remains banned in Morocco; and, "As I Open My Eyes," a Franco-Tunisian film from female writer/director Leyla Bouzid (with Kino Lorber). The Argentine film, "Eva Doesn't Sleep," written and directed by Pablo Agüero will complete the series.
Two documentaries focusing on significant environmental issues will premiere at Colcoa: the closing film of the last Cannes Film Festival, "Ice and the Sky" (with Music Box Films) from Academy Award winner Luc Jacquet (March of the Penguins), and a special presentation following the United Nations screening of the 2016 Cesar winner for Best Documentary, "Tomorrow," written and directed by Cédric Dion and Mélanie Laurent. "The Frankenstein Complex," a tribute to the creators of big screen creatures, written and directed by Gilles Penso and Alexandre Poncet, will complete this high profile documentary series.
All other Colcoa series are back in 2016: the Colcoa Classics Series with an exclusive program of digitally restored premieres (see February 19th press release); the Happy Hour Talks PanelSeriesin association withVariety (April 19-25); the Short Film Competition (Sunday, April 24 - March press release); the Focus on a Filmmaker, this year with writer/director Jean-Paul Rappeneau (Thursday, April 21); and the Focus on a Producer will be with Dominique Besnehard (Saturday, April 23).
Animation, an important part of the French film industry, will be shown at Colcoa with the premiere of Rémi Chayé's new film: "Long Way North" (with Shout Factory).
As is Colcoa tradition, comedieswill join the program almost every day, including the romantic comedy "Love at First Child," co-written and directed by Anne Giaffieri, starring Patrick Bruel and Isabelle Carré, Benoît's Graffin's "Hopefully," with Sandrine Kiberlain and Edouard Baer, Jean-Francois Richet's "One Wild Moment," starring Francois Cluzet and Vincent Cassel, and the new French hit "One Man and His Cow," written and directed by Mohamed Hamidi.
This last film will also be shown to the 3,000 students and teachers who will attend the now five High School Screenings (April 19-25) as part of the Colcoa Educational Program presented in association with Elma (European Languages and Movies in America). Two master classes for college and university students will complete the program.
For the ninth year, Lafca will partner with Colcoa Cinema for the Critics' Awards. The complete recipients list of the 2015 Awards - including the U.S. distributor winner of the Colcoa Coming Soon Award, presented in association with Kpcc, will be announced on Wednesday, April 27. Colcoa Awards are presented in association with Titrafilm, TV5 Monde USA, and Air Tahiti Nui.
- 4/14/2016
- by Sydney Levine
- Sydney's Buzz
Has there ever been a comedy in which every single joke struck you as equally funny? Just curious, because if the worst thing that French directing duo Benoît Delépine and Gustave Kervern's latest film, "Saint Amour" can be accused of is a certain reckless hit-and-miss quality, it's in pretty good company. A late-festival treat to wash away the brain grime accrued over the previous day's 8-hour Lav Diaz marathon, perhaps, or a sweet little bonbon served up as a reward for sticking around for this final weekend when so many others have skedaddled, its joyously tacky humor, and extreme, eccentric lovability, are a tonic and a trip. It shares narrative DNA with about half of the back catalogue of Alexander Payne, (equal parts "Nebraska" and "Sideways" with a faint of bouquet of "About Schmidt"), but "Saint Amour" is twice as funny as any of them, less than half as pretentious despite being ineffably.
- 2/21/2016
- by Jessica Kiang
- The Playlist
Has there ever been a comedy in which every single joke struck you as equally funny? Just curious, because if the worst thing that Belgian directing duo Benoît Delépine and Gustave Kervern's latest film, "Saint Amour," can be accused of is a certain reckless hit-and-miss quality, it's in pretty good company. A late-festival treat to wash away the brain grime accrued over the previous day's 8-hour Lav Diaz marathon, "A Lullaby To The Sorrowful Mystery," perhaps, or a sweet little bonbon served up as a reward for sticking around for this final weekend when so many others have skedaddled, its joyously tacky humor, and extreme, eccentric lovability, are a tonic and a trip. It shares narrative DNA with about half of the back catalogue of Alexander Payne (equal parts "Nebraska" and "Sideways," with a faint bouquet of "About Schmidt"), but "Saint Amour" is twice as funny as any of them,...
- 2/20/2016
- by Jessica Kiang
- The Playlist
Three unlikely heroes take to the road in this broad comedy (think Sideways sans pathos), featuring improbable sex and a kooky cameo from Michel Houellebecq
France does not cultivate “national treasures” in the same way the English do. But if it did, this film would make Gérard Depardieu’s status impregnable – and that of Michel Houellebecq, who contributes another of his extraordinary movie cameos. And writer-directors Benoît Delépine and Gustave Kervern might be taken yet further into France’s national heart.
Their new film, in competition at Berlin, features Depardieu (already an established Delépine-Kervern player) as a fleshy farmer seen at one stage stoically, if briefly, shovelling dung. Depardieu is the co-star of this gamey and outrageous road-trip comedy, with as strong a taste as the wine that the characters are habitually knocking back. Like all of Delépine and Kervern’s movies, Saint Amour is broad yet deadpan, with a...
France does not cultivate “national treasures” in the same way the English do. But if it did, this film would make Gérard Depardieu’s status impregnable – and that of Michel Houellebecq, who contributes another of his extraordinary movie cameos. And writer-directors Benoît Delépine and Gustave Kervern might be taken yet further into France’s national heart.
Their new film, in competition at Berlin, features Depardieu (already an established Delépine-Kervern player) as a fleshy farmer seen at one stage stoically, if briefly, shovelling dung. Depardieu is the co-star of this gamey and outrageous road-trip comedy, with as strong a taste as the wine that the characters are habitually knocking back. Like all of Delépine and Kervern’s movies, Saint Amour is broad yet deadpan, with a...
- 2/19/2016
- by Peter Bradshaw
- The Guardian - Film News
Spike Lee's "Chi-Raq" will screen out of competition at the 2016 Berlinale (its international premiere), the festival announced Wednesday—one day after the filmmaker made headlines with an open letter criticizing the Academy's "Lilly White" Oscar nominees. Other out-of-competition titles added to the Berlinale's lineup include films by Dominik Moll, Lee Tamahori, and Benoît Delépine and Gustave Kervern ("Saint Amour," starring Gérard Depardieu). Read: "Spike Lee's Open Letter Promising to Boycott the Oscars: 'We Can't Act?! Wtf?!'" The festival also rounded out its list of films in competition, with new additions from Germany, China, Tunisia, and Mexico. A total of 18 films will be in the running for the Golden and Silver Bears, to be handed out February 20 at the Berlinale Palast, including previously announced films from Lav Diaz, Thomas Vinterberg, Mia Hansen-Løve, Jeff Nichols, Michael Grandage,...
- 1/20/2016
- by Matt Brennan
- Thompson on Hollywood
The Berlinale's announced that the Competition lineup for its 66th edition (February 11 through 21) is now complete. The titles added today are Anne Zohra Berrached's 24 Weeks, Yang Chao's Crosscurrent, Spike Lee's Chi-Raq, Dominik Moll's News from Planet Mars, Mohamed Ben Attia's Hedi, Lee Tamahori's The Patriarch, Benoît Delépine and Gustave Kervern's Saint Amour with Gérard Depardieu, Benoît Poelvoorde, Vincent Lacoste and Céline Sallette, and Rafi Pitts's Soy Nero. We're collecting notes on the new additions. » - David Hudson...
- 1/20/2016
- Keyframe
The Berlinale's announced that the Competition lineup for its 66th edition (February 11 through 21) is now complete. The titles added today are Anne Zohra Berrached's 24 Weeks, Yang Chao's Crosscurrent, Spike Lee's Chi-Raq, Dominik Moll's News from Planet Mars, Mohamed Ben Attia's Hedi, Lee Tamahori's The Patriarch, Benoît Delépine and Gustave Kervern's Saint Amour with Gérard Depardieu, Benoît Poelvoorde, Vincent Lacoste and Céline Sallette, and Rafi Pitts's Soy Nero. We're collecting notes on the new additions. » - David Hudson...
- 1/20/2016
- Fandor: Keyframe
New films from Lee Tamahori and Anne Zohra Berrached also added.
The Berlin International Film Festival (Feb 11-21) has completed the line-up of its Competiton programme, of which 18 out of 23 will vye for the Golden and Silver Bears. A total of 19 titles of the films are world premieres.
Spike Lee’s Chi-Raq will receive its international premiere as part of the strand, but will play out of competition.
The film stars Nick Cannon, Teyonah Parris and Wesley Snipes, and is a modern day adaptation of the ancient Greek play Lysistrata by Aristophanes, set against the backdrop of gang violence in Chicago.
Germany’s Anne Zohra Berrached, who premiered Two Mothers at the Berlinale’s Perspektive Deutsches Kino in 2013, returns with 24 Weeks (24 Wochen). The film centres on the dilemma faced by a woman who is already six months pregnant when she learns that her unborn child will have Down‘s syndrome as well as a serious heart defect...
The Berlin International Film Festival (Feb 11-21) has completed the line-up of its Competiton programme, of which 18 out of 23 will vye for the Golden and Silver Bears. A total of 19 titles of the films are world premieres.
Spike Lee’s Chi-Raq will receive its international premiere as part of the strand, but will play out of competition.
The film stars Nick Cannon, Teyonah Parris and Wesley Snipes, and is a modern day adaptation of the ancient Greek play Lysistrata by Aristophanes, set against the backdrop of gang violence in Chicago.
Germany’s Anne Zohra Berrached, who premiered Two Mothers at the Berlinale’s Perspektive Deutsches Kino in 2013, returns with 24 Weeks (24 Wochen). The film centres on the dilemma faced by a woman who is already six months pregnant when she learns that her unborn child will have Down‘s syndrome as well as a serious heart defect...
- 1/20/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Neil Armfield.s Holding the Man, Simon Stone.s The Daughter, Jeremy Sims. Last Cab to Darwin and Jen Peedom.s feature doc Sherpa will have their world premieres at the Sydney Film Festival.
The festival program unveiled today includes 33 world premieres (including 22 shorts) and 135 Australian premieres (with 18 shorts) among 251 titles from 68 countries.
Among the other premieres will be Daina Reid.s The Secret River, Ruby Entertainment's. ABC-tv miniseries starring Oliver Jackson Cohen and Sarah Snook, and three Oz docs, Marc Eberle.s The Cambodian Space Project — Not Easy Rock .n. Roll, Steve Thomas. Freedom Stories and Lisa Nicol.s Wide Open Sky.
Festival director Nashen Moodley boasted. this year.s event will be far larger than 2014's when 183 films from 47 countries were screened, including 15 world premieres. The expansion is possible in part due to the addition of two new screening venues in Newtown and Liverpool.
As previously announced, Brendan Cowell...
The festival program unveiled today includes 33 world premieres (including 22 shorts) and 135 Australian premieres (with 18 shorts) among 251 titles from 68 countries.
Among the other premieres will be Daina Reid.s The Secret River, Ruby Entertainment's. ABC-tv miniseries starring Oliver Jackson Cohen and Sarah Snook, and three Oz docs, Marc Eberle.s The Cambodian Space Project — Not Easy Rock .n. Roll, Steve Thomas. Freedom Stories and Lisa Nicol.s Wide Open Sky.
Festival director Nashen Moodley boasted. this year.s event will be far larger than 2014's when 183 films from 47 countries were screened, including 15 world premieres. The expansion is possible in part due to the addition of two new screening venues in Newtown and Liverpool.
As previously announced, Brendan Cowell...
- 5/6/2015
- by Don Groves
- IF.com.au
248 features and nearly 150 shorts will screen at the 58th BFI London Film Festival and, while you'll already know about quite a few of these titles, e.g., tonight's opener, Morten Tyldum’s The Imitation Game, there's plenty, of course, yet to discover—including the film that closes London 2014 on October 19, David Ayer's Fury. Here, I'll be gathering notes throughout the festival on films of particular interest that haven't yet been written up in the Daily. For starters: Benoît Delépine and Gustave Kervern's Near Death Experience with Michel Houellebecq and Peter Strickland and Nick Fenton's Björk: Biophilia Live. » - David Hudson...
- 10/8/2014
- Keyframe
248 features and nearly 150 shorts will screen at the 58th BFI London Film Festival and, while you'll already know about quite a few of these titles, e.g., tonight's opener, Morten Tyldum’s The Imitation Game, there's plenty, of course, yet to discover—including the film that closes London 2014 on October 19, David Ayer's Fury. Here, I'll be gathering notes throughout the festival on films of particular interest that haven't yet been written up in the Daily. For starters: Benoît Delépine and Gustave Kervern's Near Death Experience with Michel Houellebecq and Peter Strickland and Nick Fenton's Björk: Biophilia Live. » - David Hudson...
- 10/8/2014
- Fandor: Keyframe
The Venice International Film Festival is in the process announcing the lineup for its 71st edition. Here's what we know so far:
Competition
The Cut (Fatih Akin)
A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson)
99 Homes (Ramin Bahrani)
Tales (Rakhshan Bani E'temad)
La rancon de la gloire (Xavier Beauvois)
Hungry Hearts (Saverio Costanzo)
Le dernier coup de marteau (Alix Delaporte)
Pasolini (Abel Ferrara)
Manglehorn (David Gordon Green)
Birdman or the Unexpected Virtue of Ignorance (Alejandro González Iñárritu)
Three Hearts (Benoît Jacquot)
The Postman's White Nights (Andrei Konchalovsky)
Il Giovane Favoloso (Mario Martone)
Sivas (Kaan Mujdeci)
Anime Nere (Francesco Munzi)
Good Kill (Andrew Niccol)
Loin des hommes (David Oelhoffen)
The Look of Silence (Joshua Oppenheimer)
Nobi (Shinya Tsukamoto)
Red Amnesia (Wang Xiaoshuai)
Out Of Competition
Joe Date. Photo by Evan Dickson.
Words with Gods (Guillermo Arriaga, Emir Kusturica, Amos Gitai, Mira Nair, Warwick Thornton, Hector Babenco, Bahman Ghobadi,...
Competition
The Cut (Fatih Akin)
A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson)
99 Homes (Ramin Bahrani)
Tales (Rakhshan Bani E'temad)
La rancon de la gloire (Xavier Beauvois)
Hungry Hearts (Saverio Costanzo)
Le dernier coup de marteau (Alix Delaporte)
Pasolini (Abel Ferrara)
Manglehorn (David Gordon Green)
Birdman or the Unexpected Virtue of Ignorance (Alejandro González Iñárritu)
Three Hearts (Benoît Jacquot)
The Postman's White Nights (Andrei Konchalovsky)
Il Giovane Favoloso (Mario Martone)
Sivas (Kaan Mujdeci)
Anime Nere (Francesco Munzi)
Good Kill (Andrew Niccol)
Loin des hommes (David Oelhoffen)
The Look of Silence (Joshua Oppenheimer)
Nobi (Shinya Tsukamoto)
Red Amnesia (Wang Xiaoshuai)
Out Of Competition
Joe Date. Photo by Evan Dickson.
Words with Gods (Guillermo Arriaga, Emir Kusturica, Amos Gitai, Mira Nair, Warwick Thornton, Hector Babenco, Bahman Ghobadi,...
- 7/25/2014
- by Notebook
- MUBI
The 71st Venice Film Festival announced its lineup this morning, highlighted by films from American directors, including David Gordon Green, Barry Levinson, Peter Bogdanovich, Lisa Cholodenko, Andrew Niccol, and James Franco. As had been previously announced, Alejandro González Iñárritu’s Birdman, starring Michael Keaton and many others, will be the opening film when the festival begins on Aug. 27.
Click below for the entire list of 55 films playing in Venice.
Competition
The Cut, directed by Fatih Akin
Starring Tahar Rahim, Akin Gazi, Simon Abkarian, George Georgiou
A Pigeon Sat On A Branch Reflecting On Existence, directed by Roy Andersson
Starring Holger Andersson,...
Click below for the entire list of 55 films playing in Venice.
Competition
The Cut, directed by Fatih Akin
Starring Tahar Rahim, Akin Gazi, Simon Abkarian, George Georgiou
A Pigeon Sat On A Branch Reflecting On Existence, directed by Roy Andersson
Starring Holger Andersson,...
- 7/24/2014
- by Jeff Labrecque
- EW - Inside Movies
Films by David Gordon Green, Andrew Niccol and Abel Ferrara will bring world premieres to the Lido di Venezia this year, as the Venice Film Festival has announced its selections for the 71st edition of the oldest such event in the world. Green's "Manglehorn" with Al Pacino, Niccol's "Good Kill" with Ethan Hawke and Ferrara's "Pasolini" with Willem Dafoe promise to bring a fair share of star power to the event, while actors such as Viggo Mortensen, Andrew Garfield and Adam Driver feature in films sprinkled throughout the Competition. "The Act of Killing" director Joshua Oppenheimer will also continue his look at the Indonesian genocide with a new documentary, "The Look of Silence." Playing out of competition are films by Barry Levinson ("The Humbling," also starring Pacino), James Franco ("The Sound and the Fury") and Lisa Cholodenko ("Olive Kitteridge"), while Focus Features will bring the new Laika film, "The Boxtrolls,...
- 7/24/2014
- by Kristopher Tapley
- Hitfix
Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
- 4/20/2013
- by Sydney Levine
- Sydney's Buzz
The 17th edition of the International Film Festival of Kerala (Iffk) has announced its lineup. The festival will run from 7th to 14th December, 2012 in Thiruvananthapuram, Kerala.
Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.
Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.
Complete list of films:
Competition Films
Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.
Always Brando by Ridha Behi (Tunisia)
Inheritors of the Earth by T V Chandran (India)
A Terminal Trust by by Masayuki Suo (Japan)
Shutter by Joy Mathew (India)
Today by Alain Gomis (Senegal-France)
The Repentant by Merzak Allouache (Algeria)
Sta. Niña by Manny Palo (Philippines)
Present Tense...
Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.
Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.
Complete list of films:
Competition Films
Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.
Always Brando by Ridha Behi (Tunisia)
Inheritors of the Earth by T V Chandran (India)
A Terminal Trust by by Masayuki Suo (Japan)
Shutter by Joy Mathew (India)
Today by Alain Gomis (Senegal-France)
The Repentant by Merzak Allouache (Algeria)
Sta. Niña by Manny Palo (Philippines)
Present Tense...
- 11/2/2012
- by NewsDesk
- DearCinema.com
★★★☆☆ Following last year's underwhelming Mammuth (2010), directors Benoît Delépine and Gustave de Kervern present their latest oddball comedy Le Grand Soir (2012) in the 'Laugh' section of the 56th London Film Festival. Our protagonist is Not (Benoît Poelvoorde), "the oldest punk in Europe with a dog" as he describes himself. Despite his ostensible claims to living a life of freedom, Not gravitates around a single shopping mall on the edge of town where his mother and father own a chip shop, which he consequently visits in order to celebrate his mother's birthday.
Read more »...
Read more »...
- 10/10/2012
- by CineVue UK
- CineVue
Montreal’s Festival Du Nouveau Cinema (10.10 – 10.21) announced their line-up today for their 41st edition and among the smorgasbord of subtitle offerings dating back to this year’s Rotterdam, Berlin, Cannes, Locarno, Venice and Tiff editions, we’re knee-deep in avant-garde world cinema from the established auteurs Assayas, Vinterberg, Ozon, Sang-Soo, Joao Pedro Rodriguez, Larrain, Loach, Reygadas, Ghobadi, Mungiu and Miguel Gomes. Heavy on offerings from Quebec and France, the fest also manages to offer a stellar snapshot of the up-and-comers from all corners of the globe. Among the notable titles in the (Competition category) International Selection we’ve got Pablo Berger’s Blancanieves, Ursula Meier’s Sister, Brian M. Cassidy and Melanie Shatzky’s Francine (which received its theatrical release earlier this month) and Rodrigo Plá’s La Demora. Loaded in Cannes items, the Special Presentations is the fest’s A-list selections (see filmmakers named above) and the one pic...
- 9/25/2012
- by Eric Lavallee
- IONCINEMA.com
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