A little bit of sex is always appreciated in movies and TV shows and a lot of it also doesn’t go unnoticed I am looking at you Fifty Shades of Grey and its half-a-billion-dollar box office earnings. If you also love steamy movies and shows then this article is for you as we are here to list the most erotic films and TV shows you can find on Max (formerly known as HBO Max), where you will find most of the HBO shows and Warner Bros. movies. So, here are the most steamiest movies and TV shows you should watch on Max.
Euphoria (TV Series) Credit – HBO
Euphoria is a teen drama series created by Sam Levinson. Based on an Israeli miniseries of the same name by Ron Leshem and Daphna Levin, the HBO series follows the story of a troubled 17-year-old drug-addicted girl Rue, and her group of...
Euphoria (TV Series) Credit – HBO
Euphoria is a teen drama series created by Sam Levinson. Based on an Israeli miniseries of the same name by Ron Leshem and Daphna Levin, the HBO series follows the story of a troubled 17-year-old drug-addicted girl Rue, and her group of...
- 5/10/2024
- by Kulwant Singh
- Cinema Blind
The recent retrospective of Juliet Berto’s acting work at the Brooklyn Academy of Music presents an artist who occupied the forefront of both formal and ideological reimaginings of the medium during her lifetime. An icon of the French New Wave for her roles in landmark films by Jacques Rivette and Jean-Luc Godard, she also regularly lent her presence to works of radical leftist filmmaking from directors such as Robert Kramer and Marin Karmitz. Neige, Berto’s 1981 directorial debut made in collaboration with her partner Jean-Henri Roger, bears the influence of these artists and synthesizes them into something entirely its own, a playful and unpretentious work that nonetheless retains a fierce political anger.
The title of the film—which translates to Snow in English—refers to heroin, the drug around which much of the plot revolves. Berto stars as Anita, a bartender in Paris’s racy Pigalle district whose committed...
The title of the film—which translates to Snow in English—refers to heroin, the drug around which much of the plot revolves. Berto stars as Anita, a bartender in Paris’s racy Pigalle district whose committed...
- 6/18/2023
- by Brad Hanford
- Slant Magazine
No year in review would be complete without a thank-you to our writers. Time and again, they reminded us that cinema is not only alive and well, but it is also always transforming; the filmmakers and festivals covered here push the boundaries of what we took for granted about the medium.Here’s a quick overview of what we published in 2022—and, for many more excellent pieces, we encourage you to browse our archive using the “explore” tab on the homepage.ESSAYSContemporary Cinema:When Propaganda Fails: Adam McKay's Don't Look Up by Ryan MeehanThe Horse in Motion: Jordan Peele's Nope by Blair McClendonThe Many Faces of Michelle Yeoh by Sean GilmanHall of Mirrors: James Gray's Armageddon Time and Steven Spielberg's The Fabelmans by Kelli WestonNameless Energies: Don DeLillo at the Movies by Leonardo GoiThe Voice of a Generation: The Trope of the "Complex Female Character" by Rafaela BassiliHong...
- 1/4/2023
- MUBI
Kino Lorber has unveiled a brand new 4K restoration trailer for the classic 1970 Italian Fascism film The Conformist, made by iconic director Bernardo Bertolucci. The film originally opened 51 years ago in US theaters, after screening at the New York Film Festival. Set during Mussolini's Italy in the 1930s, the film follows a weak-willed Italian man that becomes a fascist flunky and travels abroad to Paris to arrange the assassination of his old teacher, now a Leftist political dissident. The film stars Jean-Louis Trintignant, with Stefania Sandrelli, Gastone Moschin, Dominique Sanda, Pierre Clémenti. Restored in 4K by Cineteca di Bologna in collaboration with Minerva Pictures, entirely overseen by the Fondazione Bernardo Bertolucci, at L'Immagine Ritrovata laboratory, from the original camera negative. Critics have raved about how it is "a dazzling movie" with "the most striking and baroque images you're ever likely to see," featuring impressive Art Deco production design. As always,...
- 12/9/2022
- by Alex Billington
- firstshowing.net
A Few Personal Messages, translated into English by Claire Foster, is available from Small Press. Pierre Clémenti runs October 13-31, 2022 at the Museum of Modern Art in New York.Belle de jour (1967). Courtesy of Janus Films.As Pierre Clémenti tells it, Luis Buñuel cast him in Belle de jour (1967) without Clémenti needing to open his mouth. One can understand why; the role, which would be Clémenti’s best known as well as his break-out, needed someone who had as much appeal as they did threat. Belle de Jour is a film built from the fantasies of a housewife, Catherine Devenue’s Séverine, who decides to be a sex worker while her husband is at work. Only appearing an hour into the film, Clémenti’s Marcel, a young criminal, quickly fixates on Séverine. In contrast with the classically handsome but bland Jean Sorel as Séverine’s husband, Marcel could be someone...
- 10/12/2022
- MUBI
While Luis Buñuel’s Catherine Deneuve-led masterpiece Belle de Jour joined The Criterion Collection earlier this decade, with the film now celebrating its 50th anniversary it had undergone another restoration. Premiering at Cannes earlier this year, the 4K restoration will now hit French theaters next month and a new trailer has arrived.
“It is possibly the best-known erotic film of modern times, perhaps the best. That’s because it understands eroticism from the inside-out–understands how it exists not in sweat and skin, but in the imagination,” Roger Ebert said. Indeed, Buñuel’s film — which follows Deneuve’s housewife character as she begins working at a brothel — still resonates today, and this restoration looks stunning, so hopefully it comes to the U.S. soon.
Check out the new trailer and poster below for the film also starring Jean Sorel, Michel Piccoli, Geneviève Page, and Pierre Clémenti.
Catherine Deneuve’s...
“It is possibly the best-known erotic film of modern times, perhaps the best. That’s because it understands eroticism from the inside-out–understands how it exists not in sweat and skin, but in the imagination,” Roger Ebert said. Indeed, Buñuel’s film — which follows Deneuve’s housewife character as she begins working at a brothel — still resonates today, and this restoration looks stunning, so hopefully it comes to the U.S. soon.
Check out the new trailer and poster below for the film also starring Jean Sorel, Michel Piccoli, Geneviève Page, and Pierre Clémenti.
Catherine Deneuve’s...
- 7/6/2017
- by Jordan Raup
- The Film Stage
Mubi will be showing the retrospective Philippe Garrel: Fight for Eternity from May 1 - July 5, 2017 in most countries around the world.Les enfants désaccordésQuestion: I must ask you here about one concept you discuss in your book, one that also might be thought of, next to the structural work, as another way to break from the story in the film. The concept is muzan, and I find it quite difficult to think of a proper translation of it into English. How do you employ this concept into your films, and does it, in fact, have anything to do with the way you wish to break away from the story?
Yoshishige Yoshida: I understand the word in itself, as you would understand the literal meaning of the kanji: something which expresses the impossibility of attaining stability or change for the better. Yes, I believe this is the meaning of the concept that I use.
Yoshishige Yoshida: I understand the word in itself, as you would understand the literal meaning of the kanji: something which expresses the impossibility of attaining stability or change for the better. Yes, I believe this is the meaning of the concept that I use.
- 5/30/2017
- MUBI
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you’d like to submit a piece for consideration, get in touch with us in the comments below or on Twitter at @TheFilmStage.
Scout Tafoya polled a group of critics on the best films directed by women:
Criminally unfair. Those are the two words that spring to mind when I consider the fate of female directors throughout the short history of the cinematic medium. Not enough opportunity. Appalling sexism. Terrible chance and circumstances, coupled with biases, slander and mistrust. When I began asking for these lists from all the critics below many replied reluctantly. Their reasoning that so many of their films would be modern, that so many of the classics would be homogenous, is not without justification. But it’s no one’s fault that we all fall back on the same seven classics.
Scout Tafoya polled a group of critics on the best films directed by women:
Criminally unfair. Those are the two words that spring to mind when I consider the fate of female directors throughout the short history of the cinematic medium. Not enough opportunity. Appalling sexism. Terrible chance and circumstances, coupled with biases, slander and mistrust. When I began asking for these lists from all the critics below many replied reluctantly. Their reasoning that so many of their films would be modern, that so many of the classics would be homogenous, is not without justification. But it’s no one’s fault that we all fall back on the same seven classics.
- 11/4/2015
- by TFS Staff
- The Film Stage
Spanish director José Luis Guerín is best known in the States for his pseudo-fictional love letter to women-watching In the City of Sylvia, but in fact is a prolific documentary filmmaker and has brought with him to Locarno the lovely and elegant pseudo-documentary L’Accademia delle Muse. Playful and clever as ever, Guerín has collaborated with Professor Raffaele Pinto and several actresses, perhaps students, to stage a false course in philology. The class, populated almost entirely by women, discusses the nature, influence and meaning of muses in poetry, and what starts as seemingly a documentary on this classroom, its teacher and a few select students, subtly evolves into a drama of words and unseen actions.The issues at stake as discourse in the class—what desire means, if it has to be sexual, the difference between a woman and a muse, how a lover influences the beloved and vice versa...
- 8/10/2015
- by Daniel Kasman
- MUBI
Editor's Note: The Notebook is the North American home for Locarno Film Festival Artistic Director Carlo Chatrian's blog. Chatrian has been writing thoughtful blog entries in Italian on Locarno's website since he took over as Director in late 2012, and now you can find the English translations here on the Notebook as they're published. The Locarno Film Festival will be taking place August 5th to 15th. ***Bulle Ogier has a brilliance all of her own. It is something quite interior, and thus difficult to define. Her screen presence has something of the apparition about it: perhaps due to those silences, prolonged just a touch longer than necessary, that half-closed mouth, that hesitation to speak out, that gaze which seems to be acutely focused on a point just beyond her interlocutor... Like mother-of-pearl, Bulle Ogier’s beauty is unshowy and multi-faceted. Bulle Ogier does not belong to that generation of actresses discovered...
- 5/5/2015
- by Carlo Chatrian
- MUBI
With the run of classics that American filmmakers churned out in the studio system during the '70s, it's easy to forget that Italian master Bernardo Bertolucci also delivered some of his finest work during the decade. Across those ten years he delivered "The Spider's Stratagem," "Last Tango In Paris," "1900," and, for many of us here around the office, a personal favorite, "The Conformist." Now that it's been freshly restored for home video, we've got a few copies to share with you. Starring Jean-Louis Trintignant, Stefania Sandrelli, Dominique Sanda, Gastone Moschin, Pierre Clementi, Enzo Tarascio, and José Quaglio, the film follows a secret police agent, Marcelo Clerici, who is dispatched to assassinate his old professor, Quadri. Clerici uses his honeymoon with his new wife Giulia as the perfect cover under which to carry out his assignment. While on his mission, however, he becomes obsessed with the professor's wife...
- 11/24/2014
- by Edward Davis
- The Playlist
The following article accompanies the audiovisual essay Paratheatre - Plays Without Stages (From I to IV) by Adrian Martin and Cristina Álvarez López and commissioned by Chris Luscri for the 2014 Melbourne International Film Festival premiere of Jacques Rivette's 1971 magnum opus Out 1 - Noli me tangere.
In Jacques Rivette’s monumental Out 1 (1971), we see two theatrical works perpetually in progress — until, due to the force of many factors both internal and external, both projects collapse. Yet what we witness are not, in any conventional or normative sense, rehearsals. They are more like what Jerzy Grotwoski called paratheatre: playing without a stage, without an audience ever in mind or in attendance, playing for the sake of playing itself, for the process of working it out and working it through.
Every critical commentary on Out 1 (and its double, Out 1: Spectre from 1974) refers to the prominent place in it of theatre — a prominent place it enjoys,...
In Jacques Rivette’s monumental Out 1 (1971), we see two theatrical works perpetually in progress — until, due to the force of many factors both internal and external, both projects collapse. Yet what we witness are not, in any conventional or normative sense, rehearsals. They are more like what Jerzy Grotwoski called paratheatre: playing without a stage, without an audience ever in mind or in attendance, playing for the sake of playing itself, for the process of working it out and working it through.
Every critical commentary on Out 1 (and its double, Out 1: Spectre from 1974) refers to the prominent place in it of theatre — a prominent place it enjoys,...
- 8/7/2014
- by Cristina Álvarez López & Adrian Martin
- MUBI
Raro Video resurrects an excitingly obscure title this month with Liliana Cavani’s 1967 film, The Year of the Cannibals, a counter culture art house film modernizing Sophocles’ play Antigone to explore modern political unrest, here in the streets of Milan. Cavani, perhaps best known for her notorious 1974 film The Night Porter, posing star Charlotte Rampling in one of her most iconic roles, has crafted a stunningly photographed and arresting film in this early work that’s ripe for rediscovery. Shown in art houses and retrospectives after receiving favorable reaction upon domestic release and major film festival play (Directors’ Fortnight at Cannes), the title never secured distribution in the Us, though this is mostly due to Cavani’s refusal to change the bleak finale when a major studio approached her to buy the film.
Set in a dystopic Milan, corpses litter the bustling streets after the government has squashed a vicious rebellion.
Set in a dystopic Milan, corpses litter the bustling streets after the government has squashed a vicious rebellion.
- 1/28/2014
- by Nicholas Bell
- IONCINEMA.com
★★★★☆ The English translation of French maestro Jacques Rivette's debut feature Paris nous appartient (1962) is "Paris belongs to us". It could also have easily been the title of his 1981 oddball offering Le Pont du Nord. Coveted by cinephiles for years, this Masters of Cinema rerelease is most welcome. It's a magical work of blazing intelligence and imagination which sees Paris as a labyrinth full of hidden narratives and emotional fault lines. At just over two hours, it's a relatively short film for Rivette, but its rambling structure lets him pack a lot in; from the post-68 French mindset to generations in transition.
Le Pont du Nord follows an enigmatic treasure hunt undertaken by Marie and Baptiste, played by real-life mother and daughter duo Bulle and Pascale Ogier respectively (the latter would go on to win the Best Actress award at the 1984 Venice Film Festival). After being released from prison for involvement in a bank robbery,...
Le Pont du Nord follows an enigmatic treasure hunt undertaken by Marie and Baptiste, played by real-life mother and daughter duo Bulle and Pascale Ogier respectively (the latter would go on to win the Best Actress award at the 1984 Venice Film Festival). After being released from prison for involvement in a bank robbery,...
- 7/30/2013
- by CineVue UK
- CineVue
Odd List Aliya Whiteley Feb 19, 2013
Covering 85 years of cinema, Aliya provides her pick of 25 stylish, must-see French movies...
I’m going to kick this off in best New-Wave style by pointing out that we should be praising each great director’s body of work rather than showcasing favourite movies in a list format; after all, France came up with the concept of the auteur filmmaker, stamping their personality on a film, using the camera to portray their version of the world.
Yeah, well, personality is everything. So here’s a highly personal choice, arranged in chronological order, of 25 of the most individualistic French films. They may be long or short, old or new, but they all have one thing in common – they’ve got directorial style. And by that I don’t mean their shoes match their handbags.
The Passion Of Joan Of Arc (1928)
There are no stirring battle scenes,...
Covering 85 years of cinema, Aliya provides her pick of 25 stylish, must-see French movies...
I’m going to kick this off in best New-Wave style by pointing out that we should be praising each great director’s body of work rather than showcasing favourite movies in a list format; after all, France came up with the concept of the auteur filmmaker, stamping their personality on a film, using the camera to portray their version of the world.
Yeah, well, personality is everything. So here’s a highly personal choice, arranged in chronological order, of 25 of the most individualistic French films. They may be long or short, old or new, but they all have one thing in common – they’ve got directorial style. And by that I don’t mean their shoes match their handbags.
The Passion Of Joan Of Arc (1928)
There are no stirring battle scenes,...
- 2/18/2013
- by ryanlambie
- Den of Geek
I always felt an icky attraction-repulsion, more slanted towards repulsion, for Liliana Cavani's most celebrated film, The Night Porter. But thinking about it now, I have to give her credit for boldly delving into the psychology of the persecutor-victim relationship in a way that no previous filmmaker quite had.
If that movie still makes me uncomfortable, I was nevertheless instantly psyched to see I cannibali (The Cannibals, 1970), a sci-fi hippy version of Antigone starring Britt Ekland. Maybe I'm shallow.
(Hippy science fiction movies go all the way from the super-respectable and respect-worthy 2001 at one extreme, past Silent Running somewhere in the middle, all the way to Jim McBride's 1971 post-atomic Adam and Eve story Glen and Randa. It's a sub-genre that can get a bit embarrassing, what with Bruce Dern lecturing us about "the simple beauty of a leaf" and all, but having been entered the world in 1967 maybe...
If that movie still makes me uncomfortable, I was nevertheless instantly psyched to see I cannibali (The Cannibals, 1970), a sci-fi hippy version of Antigone starring Britt Ekland. Maybe I'm shallow.
(Hippy science fiction movies go all the way from the super-respectable and respect-worthy 2001 at one extreme, past Silent Running somewhere in the middle, all the way to Jim McBride's 1971 post-atomic Adam and Eve story Glen and Randa. It's a sub-genre that can get a bit embarrassing, what with Bruce Dern lecturing us about "the simple beauty of a leaf" and all, but having been entered the world in 1967 maybe...
- 1/17/2013
- by David Cairns
- MUBI
We at Mubi think that celebrating the films of 2010 should be a celebration of film viewing in 2010. Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection of some of our favorite of 2010's retrospective viewings.
***
This is a list of older movies I saw for the first time in 2010—not necessarily the best, but the ones that gave me the greatest sense of discovery. It’s a sad commentary on contemporary film culture that only five of the twelve films I mention are available on Netflix.
Routine Pleasures (Jean-Pierre Gorin, USA, 1986)
An essay film from the Godard’s former collaborator during his leftist Dziga Vertov Group days. The movie begins as a documentary about a group of model train enthusiasts in San Diego who have constructed an elaborate imaginary world with enormous and minutely detailed landscapes and a...
***
This is a list of older movies I saw for the first time in 2010—not necessarily the best, but the ones that gave me the greatest sense of discovery. It’s a sad commentary on contemporary film culture that only five of the twelve films I mention are available on Netflix.
Routine Pleasures (Jean-Pierre Gorin, USA, 1986)
An essay film from the Godard’s former collaborator during his leftist Dziga Vertov Group days. The movie begins as a documentary about a group of model train enthusiasts in San Diego who have constructed an elaborate imaginary world with enormous and minutely detailed landscapes and a...
- 1/5/2011
- MUBI
My Lovely Wife is turning into a bit of a wiseass. On hearing the rather dreadful theme song of this Italian-made uncredited remake ofStrangers on a Train—a tune by a group called "The New Trolls," the lyrics of which mangle the "to sleep, perchance to dream" bit in that Hamlet soliloquy—she asked me, "So why is it you're doing this film for the Foreign Region DVD Report?"
I shrugged. "I thought it would be easy."
"Easy in the way that allowing yourself to be tortured is easy?"
Hardy har har.
A little later, she said, "Hey! Russell Brand!"
Well, no, it's not Russell Brand, and she knew that, but god damn, doesn't the great Pierre Clementi rock an intense avant le lettre Brand vibe with his hair grown out like that? It's Clementi's fey/sinister, slightly risible turn in this film, in the Robert-Walker-equivalent role of the decadent...
I shrugged. "I thought it would be easy."
"Easy in the way that allowing yourself to be tortured is easy?"
Hardy har har.
A little later, she said, "Hey! Russell Brand!"
Well, no, it's not Russell Brand, and she knew that, but god damn, doesn't the great Pierre Clementi rock an intense avant le lettre Brand vibe with his hair grown out like that? It's Clementi's fey/sinister, slightly risible turn in this film, in the Robert-Walker-equivalent role of the decadent...
- 7/13/2010
- MUBI
Chicago – Many great films have been made about the changing of eras and the passing of power from one generation to another. But few are as masterfully conceived and as lovingly detailed as Italian filmmaker Luchino Visconti’s 1963 classic “The Leopard.” Gorgeously restored on Blu-Ray, this near-masterpiece was sliced and diced by Hollywood for American audiences, but is now presented in its original three-hour running time.
As one of the founders of Italian neorealism, Visconti is well known for his depictions of upper-class life, which are somewhat inspired by his own upbringing in one of Italy’s wealthiest families. Giuseppe Tomasi di Lampedusa’s 1958 novel of “The Leopard,” published a few months after the author’s death, was an ideal fit for Visconti’s stylistic and thematic obsessions. The story centers on members of the Sicilian aristocracy during the Risorgimento (Italian unification) of the early 1860s. The aristocracy’s delicate...
As one of the founders of Italian neorealism, Visconti is well known for his depictions of upper-class life, which are somewhat inspired by his own upbringing in one of Italy’s wealthiest families. Giuseppe Tomasi di Lampedusa’s 1958 novel of “The Leopard,” published a few months after the author’s death, was an ideal fit for Visconti’s stylistic and thematic obsessions. The story centers on members of the Sicilian aristocracy during the Risorgimento (Italian unification) of the early 1860s. The aristocracy’s delicate...
- 7/7/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Salma Hayek, an Academy Award nominee back in 2003 for Frida, attends the premiere of the restored Luchino Visconti classic The Leopard / Il gattopardo, starring Burt Lancaster, Alain Delon, and Claudia Cardinale. The event was held at the Palais des Festivals during the 63rd Annual International Cannes Film Festival on May 14, 2010, in the south of France. Both Delon and Cardinale were present. (Photo by Tony Barson/WireImage.) Adapted by Visconti, Suso Cecchi d’Amico, Pasquale Festa Campanile, Enrico Medioli, and Massimo Franciosa, from Giuseppe Tomasi Di Lampedusa’s novel, The Leopard (1963) also features Paolo Stoppa, Romolo Valli, Pierre Clémenti, Terence Hill, and Giuliano Gemma. Visconti was one of the [...]...
- 5/19/2010
- by Zhea D.
- Alt Film Guide
Kate Beckinsale shows up the premiere of the restored Luchino Visconti classic The Leopard / Il gattopardo, starring Burt Lancaster, Alain Delon, and Claudia Cardinale. The cinematic event was held at the Palais des Festivals during the 63rd Annual International Cannes Film Festival on May 14, 2010, in the south of France. (Photo by Venturelli/WireImage.) The Leopard (1963) also features Paolo Stoppa, Romolo Valli, Pierre Clémenti, Terence Hill, and Giuliano Gemma. Both Delon and Cardinale were in attendance at the premiere. Adapted by Visconti, Suso Cecchi d’Amico, Pasquale Festa Campanile, Enrico Medioli, and Massimo Franciosa, The Leopard is based on Giuseppe Tomasi Di Lampedusa’s classic novel. Among Luchino Visconti’s other film classics are [...]...
- 5/19/2010
- by Zhea D.
- Alt Film Guide
Aishwarya Rai Bachchan, one of the greatest Bollywood stars, attends the premiere of Luchino Visconti’s restored classic The Leopard / Il gattopardo, a period drama starring Burt Lancaster, Alain Delon, and Claudia Cardinale. The screening was held at the Palais des Festivals during the 2010 Cannes Film Festival on May 14. (Photo by Getty Images.) In addition to Lancaster, Delon, and Cardinale, The Leopard (1963) also features Paolo Stoppa, Romolo Valli, Pierre Clémenti, Terence Hill, and Giuliano Gemma. Both Delon and Cardinale were in attendance at the premiere. Adapted by Visconti, Suso Cecchi d’Amico, Pasquale Festa Campanile, Enrico Medioli, and Massimo Franciosa, The Leopard is based on Giuseppe Tomasi Di Lampedusa’s [...]...
- 5/19/2010
- by Zhea D.
- Alt Film Guide
Martin Scorsese, Best Director Oscar winner for The Departed and ardent movie lover, attends the premiere of the restored Luchino Visconti classic The Leopard / Il gattopardo, starring Burt Lancaster, Alain Delon, and Claudia Cardinale. The event was held at the Palais des Festivals during the 2010 International Cannes Film Festival on May 14. (Photo by Getty Images/WireImage) The Leopard (1963), which some consider Visconti’s masterpiece, also features Paolo Stoppa, Romolo Valli, Pierre Clémenti, Terence Hill, and Giuliano Gemma. Both Delon and Cardinale were in attendance at the premiere. Adapted by Visconti, Suso Cecchi d’Amico, Pasquale Festa Campanile, Enrico Medioli, and Massimo Franciosa, The Leopard is based on Giuseppe Tomasi Di Lampedusa’s [...]...
- 5/19/2010
- by Zhea D.
- Alt Film Guide
Claudia Cardinale, Alain Delon, and Cannes Film Festival President Gilles Jacob (mostly hidden behind Delon’s outstretched arms) at the Il Gattopardo / The Leopard premiere held at the Palais des Festivals during the 63rd Cannes Film Festival on May 14, 2010 on the French Riviera. (Photo by Venturelli/WireImage) Directed by Luchino Visconti, and adapted by Visconti, Suso Cecchi d’Amico, Pasquale Festa Campanile, Enrico Medioli, and Massimo Franciosa, from Giuseppe Tomasi Di Lampedusa’s novel, The Leopard (1963) is considered one the greatest Visconti’s films. Also in the period drama’s cast: Burt Lancaster, Paolo Stoppa, Romolo Valli, Pierre Clémenti, Terence Hill, and Giuliano Gemma. Other Visconti efforts include Ossessione, Bellissima, Senso, Rocco [...]...
- 5/18/2010
- by Joan Lister
- Alt Film Guide
Claudia Cardinale arrives at the premiere of Luchino Visconti’s Il Gattopardo / The Leopard, which was held at the Palais des Festivals during the 63rd Cannes Film Festival on May 14, 2010. (Photo by Venturelli/WireImage) Adapted by Visconti, Suso Cecchi d’Amico, Pasquale Festa Campanile, Enrico Medioli, and Massimo Franciosa, from Giuseppe Tomasi Di Lampedusa’s sprawling novel, The Leopard (1963) also featured Alain Delon (you can see part of him in the above photo), Burt Lancaster, Paolo Stoppa, Romolo Valli, Pierre Clémenti, Terence Hill, and Giuliano Gemma. Other Visconti efforts include Ossessione, Senso, Rocco and His Brothers (in which Cardinale has a small role), Sandra (starring Cardinale), Death in Venice, Conversation Piece, Ludwig, and [...]...
- 5/18/2010
- by Joan Lister
- Alt Film Guide
Anouchka Delon and Alain Delon — and Claudia Cardinale’s arm — attend the premiere of Luchino Visconti’s restored 1963 classic Il gattopardo / The Leopard at the Salla DeBussy during the 63rd Annual Cannes Film Festival on May 14, 2010 in Cannes, France. (Photo: Swarovski / WireImage.) Adapted by Visconti, Suso Cecchi d’Amico, Pasquale Festa Campanile, Enrico Medioli, and Massimo Franciosa, from Giuseppe Tomasi Di Lampedusa’s novel, The Leopard is considered by some the greatest among Visconti’s films. Also in the cast: Burt Lancaster, Paolo Stoppa, Romolo Valli, Pierre Clémenti, Terence Hill, and Giuliano Gemma. Other Visconti efforts include Ossessione, Senso, Rocco and His Brothers, Death in Venice, Conversation Piece, and The Innocent. Click on the photo to [...]...
- 5/18/2010
- by Zhea David
- Alt Film Guide
Anouchka Delon, Alain Delon and Claudia Cardinale attend the Il Gattopardo / The Leopard premiere held at the Palais des Festivals during the 2010 edition of the International Cannes Film Festival on May 14, 2010 in Cannes, in the south of France. (Photo by Venturelli/WireImage) Directed by Luchino Visconti, and adapted by Visconti, Suso Cecchi d’Amico, Pasquale Festa Campanile, Enrico Medioli, and Massimo Franciosa, from Giuseppe Tomasi Di Lampedusa’s novel, The Leopard (1963) is considered one the greatest Visconti productions. In addition to Delon and Cardinale, Visconti’s sumptuous historical drama features Burt Lancaster, Paolo Stoppa, Romolo Valli, Pierre Clémenti, Terence Hill, and Giuliano Gemma. Among Visconti’s other film classics [...]...
- 5/18/2010
- by Joan Lister
- Alt Film Guide
The newly restored version of director Luchino Visconti’s "Il Gattopardo" debuted @ the 63rd annual Cannes Film Festival, thanks to support from Gucci.
Gucci Creative Director Frida Giannini was joined on the red carpet by the film’s original cast members Alain Delon ('Tancredi Falconeri') and Claudia Cardinale ('Angelica Sedara'), with producer/director Martin Scorsese, Founder and Chair of The Film Foundation, introducing the film.
"Il Gattopardo" first screened @ Cannes in 1963, winning the festival's top award, the 'Palme d'Or'.
With Gucci's support, the film has undergone an extensive 4K digital restoration at Sony’s Colorworks Digital Facility through a partnership of Cineteca di Bologna, L'Immagine Ritrovata, The Film Foundation, Pathé, Fondation Jérôme Seydoux-Pathé, Twentieth Century Fox, and Centro Sperimentale di Cinematografia-Cineteca Nazionale.
"Il Gattopardo" (The Leopard), based on the novel by author Giuseppe Tomasi di Lampedusa, was first released March 1963, directed by Visconti, produced by Goffredo Lombardo/Pietro Notarianni...
Gucci Creative Director Frida Giannini was joined on the red carpet by the film’s original cast members Alain Delon ('Tancredi Falconeri') and Claudia Cardinale ('Angelica Sedara'), with producer/director Martin Scorsese, Founder and Chair of The Film Foundation, introducing the film.
"Il Gattopardo" first screened @ Cannes in 1963, winning the festival's top award, the 'Palme d'Or'.
With Gucci's support, the film has undergone an extensive 4K digital restoration at Sony’s Colorworks Digital Facility through a partnership of Cineteca di Bologna, L'Immagine Ritrovata, The Film Foundation, Pathé, Fondation Jérôme Seydoux-Pathé, Twentieth Century Fox, and Centro Sperimentale di Cinematografia-Cineteca Nazionale.
"Il Gattopardo" (The Leopard), based on the novel by author Giuseppe Tomasi di Lampedusa, was first released March 1963, directed by Visconti, produced by Goffredo Lombardo/Pietro Notarianni...
- 5/14/2010
- by Michael Stevens
- SneakPeek
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