Roger Corman, who directed and produced countless B-movies and championed future industry stalwarts Martin Scorsese, Robert De Niro, and Jack Nicholson, died at his home in Santa Monica, California on May 9, Variety reports. He was 98.
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,’” the family said in a statement to the outlet.
For nearly five decades, he dominated the B-movie market, with films that ranged from his early work in the Fifties,...
“His films were revolutionary and iconoclastic, and captured the spirit of an age. When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that,’” the family said in a statement to the outlet.
For nearly five decades, he dominated the B-movie market, with films that ranged from his early work in the Fifties,...
- 5/12/2024
- by Althea Legaspi and Daniel Kreps
- Rollingstone.com
There are a lot of "Frankenstein" movies. There's even one in theaters right now: "Lisa Frankenstein," a fun 80s-set horror-comedy-romance brew (read /Film's review here).
One could even say the story of "Frankenstein" birthed the horror genre as we know it today, both in literature (thanks to Mary Shelley's "Modern Prometheus") and in film. James Whale's 1931 "Frankenstein," arriving on the heels of "Dracula," cemented the age of Universal Horror and proved that monsters could be crowd-pleasers.
Countless sequels and remakes later, everyone knows the basics of the story. Dr. Frankenstein (first name usually Victor) sets out to create life in a reanimated corpse. The result is a Creature, unpleasant to the eye, and soon Frankenstein experiences the wrath of his Monster. Was Frankenstein's Monster born destructive or made that way by his creator rejecting him? Interpretations differ, but the message endures: don't play God (or become a parent...
One could even say the story of "Frankenstein" birthed the horror genre as we know it today, both in literature (thanks to Mary Shelley's "Modern Prometheus") and in film. James Whale's 1931 "Frankenstein," arriving on the heels of "Dracula," cemented the age of Universal Horror and proved that monsters could be crowd-pleasers.
Countless sequels and remakes later, everyone knows the basics of the story. Dr. Frankenstein (first name usually Victor) sets out to create life in a reanimated corpse. The result is a Creature, unpleasant to the eye, and soon Frankenstein experiences the wrath of his Monster. Was Frankenstein's Monster born destructive or made that way by his creator rejecting him? Interpretations differ, but the message endures: don't play God (or become a parent...
- 2/18/2024
- by Devin Meenan
- Slash Film
Glynis Johns, the upbeat leading lady with the British charm who starred as the spirited feminist mother Winifred Banks in Mary Poppins, has died. She was 100.
Johns lived in West Hollywood and died Thursday of natural causes at an assisted living facility in the area, her manager, Mitch Clem, told The Hollywood Reporter.
A multitalented actress, dancer, pianist and singer, Johns earned a best supporting actress Oscar nomination for playing the widowed saloon and hotel owner Mrs. Firth in Fred Zinnemann’s Australia-set The Sundowners (1960).
Plus, she memorably sang “Send in the Clowns,” which Stephen Sondheim wrote just for her, in her Tony Award-winning performance as Desiree Armfeldt in the original 1973 production of A Little Night Music.
The husky voiced Johns was nominated for a Golden Globe for portraying a daffy older socialite who is stirred by the young stud she meets on the beach in a then-controversial film about sex,...
Johns lived in West Hollywood and died Thursday of natural causes at an assisted living facility in the area, her manager, Mitch Clem, told The Hollywood Reporter.
A multitalented actress, dancer, pianist and singer, Johns earned a best supporting actress Oscar nomination for playing the widowed saloon and hotel owner Mrs. Firth in Fred Zinnemann’s Australia-set The Sundowners (1960).
Plus, she memorably sang “Send in the Clowns,” which Stephen Sondheim wrote just for her, in her Tony Award-winning performance as Desiree Armfeldt in the original 1973 production of A Little Night Music.
The husky voiced Johns was nominated for a Golden Globe for portraying a daffy older socialite who is stirred by the young stud she meets on the beach in a then-controversial film about sex,...
- 1/4/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Boris Karlov, Peter Lorre, and Vincent Price in The Raven.Image: Film Publicity Archive (Getty Images)
For almost as long as the medium has existed, filmmakers have been turning to the works of Edgar Allan Poe for inspiration. The earliest adaptations of his stories date back to the silent era.
For almost as long as the medium has existed, filmmakers have been turning to the works of Edgar Allan Poe for inspiration. The earliest adaptations of his stories date back to the silent era.
- 10/11/2023
- by Cindy White
- avclub.com
Noreen Nash, a starlet of the 1940s and ’50s who appeared in such notable films as The Southerner, Giant and The Lone Ranger and the Lost City of Gold, has died. She was 99.
Nash died Tuesday of natural causes at her home in Beverly Hills, her oldest son, Lee Siegel Jr., told The Hollywood Reporter.
Nash worked on about two dozen features during her two-decade career, including several “B” pictures like Phantom From Space (1953), where she portrayed an abducted scientist in a movie shot at the Griffith Observatory in Los Angeles.
The blue-eyed, dark-haired Nash also starred as the wife of an owner of a Palm Springs tennis club on the CBS summer replacement series The Charles Farrell Show — it stood in for I Love Lucy in 1956 — and appeared on episodes of Hopalong Cassidy, The Abbott and Costello Show, My Little Margie, Dragnet and 77 Sunset Strip.
Nash played the...
Nash died Tuesday of natural causes at her home in Beverly Hills, her oldest son, Lee Siegel Jr., told The Hollywood Reporter.
Nash worked on about two dozen features during her two-decade career, including several “B” pictures like Phantom From Space (1953), where she portrayed an abducted scientist in a movie shot at the Griffith Observatory in Los Angeles.
The blue-eyed, dark-haired Nash also starred as the wife of an owner of a Palm Springs tennis club on the CBS summer replacement series The Charles Farrell Show — it stood in for I Love Lucy in 1956 — and appeared on episodes of Hopalong Cassidy, The Abbott and Costello Show, My Little Margie, Dragnet and 77 Sunset Strip.
Nash played the...
- 6/8/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
As his new film, "The Covenant", opens in theaters, there's no better time to remind the doubters that Guy Ritchie's a great filmmaker and his Sherlock Holmes movies are awesome!
With the release of his newest film, Guy Ritchie demands to be taken seriously. How could it not? The British director, best known for Cockney gangster fare, has helmed a war film set in Afghanistan that deals with the trauma of the battlefield and the American military's hypocrisy towards the residents of the land it occupied. All that and he's put his name in the title: "Guy Ritchie's The Covenant." It's all very stern stuff, the kind of thing that's easy to mock. Indeed, Ritchie isn't a director who has necessarily commanded critical adoration over the decades. He's made a lot of money and can easily be counted as one of the most influential British directors of his time.
With the release of his newest film, Guy Ritchie demands to be taken seriously. How could it not? The British director, best known for Cockney gangster fare, has helmed a war film set in Afghanistan that deals with the trauma of the battlefield and the American military's hypocrisy towards the residents of the land it occupied. All that and he's put his name in the title: "Guy Ritchie's The Covenant." It's all very stern stuff, the kind of thing that's easy to mock. Indeed, Ritchie isn't a director who has necessarily commanded critical adoration over the decades. He's made a lot of money and can easily be counted as one of the most influential British directors of his time.
- 4/21/2023
- by Kayleigh Donaldson
- Slash Film
Boris Karloff: The Man Behind The Monster director Thomas Hamilton on his upcoming series Horror Icons on interviewing Roger Corman: “He not only worked with Vincent Price, he worked with Peter Lorre, Basil Rathbone, Lon Chaney.” Photo: Thomas Hamilton
Vincent Price, Peter Lorre, Basil Rathbone, Conrad Veidt, Maria Ouspenskaya, George Zukor, Paul Wegener, Emil Jannings, Brigitte Helm, Gale Sondergaard, Gloria Holden, Claude Rains, Fay Wray, Duane Jones, Max Schreck, Boris Karloff, Colin Clive, Lon Chaney Sr., Lon Chaney Jr, Fw Murnau’s Faust and Nosferatu, Arthur Lubin’s Phantom of the Opera, Rowland V. Lee’s Son of Frankenstein, George Waggner’s The Wolf Man, James Whale’s The Invisible Man, Lambert Hillyer’s Dracula’s Daughter, Robert Wiene’s The Cabinet of Dr. Caligari, Paul Wegener and Henrik Galeen’s The Golem, Hanns Heinz Ewers and Stellan Rye’s The Student Of Prague, and George Romero’s Night Of The Living Dead...
Vincent Price, Peter Lorre, Basil Rathbone, Conrad Veidt, Maria Ouspenskaya, George Zukor, Paul Wegener, Emil Jannings, Brigitte Helm, Gale Sondergaard, Gloria Holden, Claude Rains, Fay Wray, Duane Jones, Max Schreck, Boris Karloff, Colin Clive, Lon Chaney Sr., Lon Chaney Jr, Fw Murnau’s Faust and Nosferatu, Arthur Lubin’s Phantom of the Opera, Rowland V. Lee’s Son of Frankenstein, George Waggner’s The Wolf Man, James Whale’s The Invisible Man, Lambert Hillyer’s Dracula’s Daughter, Robert Wiene’s The Cabinet of Dr. Caligari, Paul Wegener and Henrik Galeen’s The Golem, Hanns Heinz Ewers and Stellan Rye’s The Student Of Prague, and George Romero’s Night Of The Living Dead...
- 4/1/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Even before Matt Reeves’ The Batman hit theaters last year, the film felt in many ways like a return to form for the Dark Knight character’s onscreen persona. After a decidedly more violent version of the Caped Crusader was introduced by Zack Snyder and Ben Affleck across several Dceu films, fans were divided (to put it mildly) on the brutal interpretation of the character—as well as a fantastical one since he fought gods and bantered with Amazonians.
Reeves and Robert Pattinson’s Bruce Wayne, however, was back more or less where the character left off during the first two-thirds of Christopher Nolan’s The Dark Knight Trilogy: isolated as a vigilante on the streets, fighting gangsters and the cops in equal measure. Like Nolan’s films, the villains of The Batman were also decidedly stripped down: the Riddler became a Zodiac-inspired serial killer, the Penguin was a common thug,...
Reeves and Robert Pattinson’s Bruce Wayne, however, was back more or less where the character left off during the first two-thirds of Christopher Nolan’s The Dark Knight Trilogy: isolated as a vigilante on the streets, fighting gangsters and the cops in equal measure. Like Nolan’s films, the villains of The Batman were also decidedly stripped down: the Riddler became a Zodiac-inspired serial killer, the Penguin was a common thug,...
- 3/29/2023
- by David Crow
- Den of Geek
The B-movie world has lost one of its most iconic filmmakers, as The Hollywood Reporter has confirmed that Bert I. Gordon – often referred to as “Mr. B.I.G.” by his fans – has passed away at the age of 100. Gordon produced and directed more than twenty films over the course of a career that lasted sixty-one years, from 1954 to 2015. He also wrote most of his movies. His most popular titles include The Food of the Gods, Empire of the Ants, The Amazing Colossal Man, War of the Colossal Beast, Attack of the Puppet People, and Beginning of the End.
Born on September 24, 1922 in Kenosha, Wisconsin, Gordon fell in love with filmmaking at a young age, being given his first camera when he was just 9 years old. He started making TV commercials after he graduated from college, then produced the horror adventure film Serpent Island in 1954. He was also the cinematographer on that movie,...
Born on September 24, 1922 in Kenosha, Wisconsin, Gordon fell in love with filmmaking at a young age, being given his first camera when he was just 9 years old. He started making TV commercials after he graduated from college, then produced the horror adventure film Serpent Island in 1954. He was also the cinematographer on that movie,...
- 3/9/2023
- by Cody Hamman
- JoBlo.com
Bert I. Gordon, the sci-fi director who aimed to terrify drive-in denizens of the 1950s and ’60s with low-budget films featuring colossal creatures, shrinking humans and radioactive monsters, has died. He was 100.
Gordon died Wednesday in Los Angeles of complications from a fall in his Beverly Hills home, his daughter Patricia Gordon told The Hollywood Reporter.
Highlights (lowlights?) on his B-movie résumé include The Cyclops (1957), The Amazing Colossal Man (1957), Beginning of the End (1957), Earth vs. the Spider (1958), Attack of the Puppet People (1958), Tormented (1960), The Boy and the Pirates (1960) and Picture Mommy Dead (1966).
In the ’70s, Gordon directed Vince Edwards and Chuck Connors in The Police Connection (1973) and wrote and directed How to Succeed With Sex (1970), Necromancy (1972), The Food of the Gods (1976) and, starring Joan Collins in the muck, Empire of the Ants (1977).
Perhaps as a way to keep costs down, Gordon’s films often were family affairs: His late wife,...
Gordon died Wednesday in Los Angeles of complications from a fall in his Beverly Hills home, his daughter Patricia Gordon told The Hollywood Reporter.
Highlights (lowlights?) on his B-movie résumé include The Cyclops (1957), The Amazing Colossal Man (1957), Beginning of the End (1957), Earth vs. the Spider (1958), Attack of the Puppet People (1958), Tormented (1960), The Boy and the Pirates (1960) and Picture Mommy Dead (1966).
In the ’70s, Gordon directed Vince Edwards and Chuck Connors in The Police Connection (1973) and wrote and directed How to Succeed With Sex (1970), Necromancy (1972), The Food of the Gods (1976) and, starring Joan Collins in the muck, Empire of the Ants (1977).
Perhaps as a way to keep costs down, Gordon’s films often were family affairs: His late wife,...
- 3/9/2023
- by Rhett Bartlett
- The Hollywood Reporter - Movie News
Bert I. Gordon, who was given the nickname “Mr. B.I.G.” by Famous Monsters of Filmland editor Forrest J. Ackerman not just because it matched his initials but also because it matched the director’s favorite big-screen subject — giant monsters — died today. He was 100. His daughter Patricia Gordon confirmed the filmmaker’s death to the New York Times.
Related Story MGM Relaunches American International Pictures And Makes Tate Taylor's 'Breaking News In Yuba County' The Company's First Acquisition Related Story Breaking Baz: 'Ted Lasso' Striker Phil Dunster Transfers To Season 2 Of Apple TV+ Thriller 'Surface'; 'All Quiet On The Western Front's Edward Berger And Robert Pattinson Have A Coffee Related Story Dominion And Fox News Offer Dueling Views Of Defamation Law In Latest Court Filings
Gordon often produced, directed, wrote and created the special effects for his movies, which were shot on ultra-low...
Related Story MGM Relaunches American International Pictures And Makes Tate Taylor's 'Breaking News In Yuba County' The Company's First Acquisition Related Story Breaking Baz: 'Ted Lasso' Striker Phil Dunster Transfers To Season 2 Of Apple TV+ Thriller 'Surface'; 'All Quiet On The Western Front's Edward Berger And Robert Pattinson Have A Coffee Related Story Dominion And Fox News Offer Dueling Views Of Defamation Law In Latest Court Filings
Gordon often produced, directed, wrote and created the special effects for his movies, which were shot on ultra-low...
- 3/9/2023
- by Tom Tapp
- Deadline Film + TV
It’s a nearly perfect tale of identity swaps and royal intrigues: Ronald Colman’s voice is velvet smooth as the poet-rogue François Villon, who uses his wits when dealing with Basil Rathbone’s (very strangely played) Louis XI. The real charm comes with lady-in-waiting Frances Dee (swoon) and the peasant firebrand Ellen Drew (double swoon). And don’t forget the sophisticated, semi-satirical screenplay by Preston Sturges. The refreshing Blu-ray discovery comes with a commentary by Julie Kirgo.
If I Were King
Blu-ray
Kl Studio Classics
1938 / B&w / 1:37 Academy / 101 min. / Street Date February 7, 2023 / available through Kino Lorber / 24.95
Starring: Ronald Colman, Basil Rathbone, Frances Dee, Ellen Drew, C.V. France, Henry Wilcoxon, Heather Thatcher, Stanley Ridges, Alma Lloyd, Sidney Toler, John Miljan, Montagu Love, May Beatty, Henry Brandon, Darryl Hickman.
Cinematography: Theodore Sparkuhl
Costumer: Edith Head
Art Directors: Hans Drier, John Goodman
Film Editor: Hugh Bennett
Visual Effects: Gordon Jennings
Original Music:...
If I Were King
Blu-ray
Kl Studio Classics
1938 / B&w / 1:37 Academy / 101 min. / Street Date February 7, 2023 / available through Kino Lorber / 24.95
Starring: Ronald Colman, Basil Rathbone, Frances Dee, Ellen Drew, C.V. France, Henry Wilcoxon, Heather Thatcher, Stanley Ridges, Alma Lloyd, Sidney Toler, John Miljan, Montagu Love, May Beatty, Henry Brandon, Darryl Hickman.
Cinematography: Theodore Sparkuhl
Costumer: Edith Head
Art Directors: Hans Drier, John Goodman
Film Editor: Hugh Bennett
Visual Effects: Gordon Jennings
Original Music:...
- 2/18/2023
- by Glenn Erickson
- Trailers from Hell
From Errol Flynn to Disney, cinema has long been fascinated with the legend of Robin Hood. In 1991 he was played by box office superstar Kevin Costner, in Robin Hood: Prince of Thieves, who transformed the famous outlaw of Sherwood Forest into a movie icon fit for the 1990s. This grand, swashbuckling adventure in the classic tradition was a huge hit, suggesting audiences will never tire of the tale. To celebrate the release of the film in an all-new Uhd 4K restoration, here’s a look at the various actors who set audiences a quiver playing the beloved folklore hero through the decades.
The Adventures of Robin Hood (1938)
For many Errol Flynn was the quintessential Robin Hood – a dashing, devilish rogue. In this lavish Hollywood classic, he starred alongside Olivia de Havilland as Maid Marian, Basil Rathbone as Sir Guy of Gisbourne, and Melville Cooper as the High Sheriff of Nottingham,...
The Adventures of Robin Hood (1938)
For many Errol Flynn was the quintessential Robin Hood – a dashing, devilish rogue. In this lavish Hollywood classic, he starred alongside Olivia de Havilland as Maid Marian, Basil Rathbone as Sir Guy of Gisbourne, and Melville Cooper as the High Sheriff of Nottingham,...
- 12/8/2022
- by Phil Wheat
- Nerdly
It’s pre-war Los Angeles and you’re a young and rather dashing British actor. You’re newly arrived in Hollywood and looking to make friends, and preferably ones who understand the importance of a properly made cup of tea. Look no further, then, than the Hollywood Cricket Club.
There you’ll find fellow famous Brits abroad such as David Niven, Boris Karloff and, thanks to the suspect nature of colonialism, an honorary Brit in the shape of Tasmanian-born Errol Flynn. Across the 1930s and 1940s, these stars (and more) could be counted on to drop by the club’s nets in their flawless whites. Cinema luminaries such as Cary Grant, Basil Rathbone, Ronald Colman and Leslie Howard would all also play for the team, while a young Elizabeth Taylor might be around to serve cream tea.
Like any sports team, each player brought their own distinct style to the game.
There you’ll find fellow famous Brits abroad such as David Niven, Boris Karloff and, thanks to the suspect nature of colonialism, an honorary Brit in the shape of Tasmanian-born Errol Flynn. Across the 1930s and 1940s, these stars (and more) could be counted on to drop by the club’s nets in their flawless whites. Cinema luminaries such as Cary Grant, Basil Rathbone, Ronald Colman and Leslie Howard would all also play for the team, while a young Elizabeth Taylor might be around to serve cream tea.
Like any sports team, each player brought their own distinct style to the game.
- 10/8/2022
- by Leonie Cooper
- The Independent - Film
Normal 0 false false false En-us X-none X-none
By Hank Reineke
Just following Christmas of 1940, Box Office reported Paramount’s new thriller The Mad Doctor would hit cinemas on Valentine’s Day of 1941. The actual sneak-preview – and accompanying publicity push - of the film would take place ten days prior, February 4, at Los Angeles’s Paramount Theater. Then, on Saturday night, February 6, the studio would pull out all the stops, offering a proper premiere for their “blood-chilling drama.” The studio would celebrate the double-bill of The Mad Doctor and The Monster and the Girl as central to a “Spook Week” celebration. Saturday’s “hair-raising” program would not only feature the films but also a magician and Andy Kirk and his Harlem Orchestra… the latter performing their swinging “Spooks and Boogie Woogie” stage show.
The general release of The Mad Doctor, more fittingly described a “drama” than a horror film in industry trades,...
By Hank Reineke
Just following Christmas of 1940, Box Office reported Paramount’s new thriller The Mad Doctor would hit cinemas on Valentine’s Day of 1941. The actual sneak-preview – and accompanying publicity push - of the film would take place ten days prior, February 4, at Los Angeles’s Paramount Theater. Then, on Saturday night, February 6, the studio would pull out all the stops, offering a proper premiere for their “blood-chilling drama.” The studio would celebrate the double-bill of The Mad Doctor and The Monster and the Girl as central to a “Spook Week” celebration. Saturday’s “hair-raising” program would not only feature the films but also a magician and Andy Kirk and his Harlem Orchestra… the latter performing their swinging “Spooks and Boogie Woogie” stage show.
The general release of The Mad Doctor, more fittingly described a “drama” than a horror film in industry trades,...
- 4/12/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The Spider Woman Strikes Back
Blu ray
Kino Lorber
1946/ B&w / 1.33:1 / 59 Minutes
Starring Gale Sondergaard, Brenda Joyce, Kirby Grant
Directed by Arthur Lubin
People are measured by the company they keep—in a superhero’s case, that company is usually the supervillain. Villains, besides giving the hero a reason to exist in the first place, can liven up the joint; a dam burst here, a toppled bridge there, chaos and special effects ensue, and the popcorn munchers are happy. Sherlock Holmes was one of the few heroes who was fun all by himself (due respect to Dr. Watson)—the detective’s obsessive-compulsive brilliance, his monkish lifestyle, and his fondness for beekeeping and cocaine were just some of his more endearing quirks.
The filmed versions of Conan Doyle’s most famous character—not a superhero but seemingly immortal—were not so concerned with Holmes’s idiosyncrasies. This was especially true...
Blu ray
Kino Lorber
1946/ B&w / 1.33:1 / 59 Minutes
Starring Gale Sondergaard, Brenda Joyce, Kirby Grant
Directed by Arthur Lubin
People are measured by the company they keep—in a superhero’s case, that company is usually the supervillain. Villains, besides giving the hero a reason to exist in the first place, can liven up the joint; a dam burst here, a toppled bridge there, chaos and special effects ensue, and the popcorn munchers are happy. Sherlock Holmes was one of the few heroes who was fun all by himself (due respect to Dr. Watson)—the detective’s obsessive-compulsive brilliance, his monkish lifestyle, and his fondness for beekeeping and cocaine were just some of his more endearing quirks.
The filmed versions of Conan Doyle’s most famous character—not a superhero but seemingly immortal—were not so concerned with Holmes’s idiosyncrasies. This was especially true...
- 1/29/2022
- by Charlie Largent
- Trailers from Hell
By Lee Pfeiffer
Sir Arthur Conan Doyle's timeless 1902 Sherlock Holmes novel "The Hound of the Baskervilles" is said to be the most often-filmed adaptation of a book. I don't know if that's true but it's quite clear that over the decades, the tale has indeed inspired many adaptations for the cinema and television. The 1939 classic introduced audiences to the teaming of Basil Rathbone and Nigel Bruce as Holmes and Watson. The 1959 Hammer Films version was the first Holmes movie made in color and starred Peter Cushing and Christopher Lee in another highly impressive adaptation. By the1970s, revisionist versions of Holmes stories were all the rage in cinema and on television, as evidenced by films such as "The Adventure of Sherlock Holmes' Smarter ", "They Might Be Giants", "The Seven-Per-Cent Solution" and "The Private Life of Sherlock Holmes". Thus, the famed comic duo of Peter Cook and Dudley Moore opted...
Sir Arthur Conan Doyle's timeless 1902 Sherlock Holmes novel "The Hound of the Baskervilles" is said to be the most often-filmed adaptation of a book. I don't know if that's true but it's quite clear that over the decades, the tale has indeed inspired many adaptations for the cinema and television. The 1939 classic introduced audiences to the teaming of Basil Rathbone and Nigel Bruce as Holmes and Watson. The 1959 Hammer Films version was the first Holmes movie made in color and starred Peter Cushing and Christopher Lee in another highly impressive adaptation. By the1970s, revisionist versions of Holmes stories were all the rage in cinema and on television, as evidenced by films such as "The Adventure of Sherlock Holmes' Smarter ", "They Might Be Giants", "The Seven-Per-Cent Solution" and "The Private Life of Sherlock Holmes". Thus, the famed comic duo of Peter Cook and Dudley Moore opted...
- 1/28/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Normal 0 false false false En-gb X-none X-none
By Darren Allison
The Film Detective has released one of their most ambitious film sets to date with The Sherlock Holmes Vault Collection. The set features three of the five films made between the years 1931-1937 starring Arthur Wontner as world’s greatest super sleuth. Having been told he resembled Doyle's creation for years, Wontner was finally cast in the role for The Sleeping Cardinal (released under its American title as Sherlock Holmes' Fatal Hour in this box set) in 1931. Produced by Twickenham Studios, Fatal Hour was loosely based on "The Adventure of the Empty House" (a short story written by Sir Arthur Conan Doyle) with the noticeable change that in the film version, Ronald Adair is a card cheat. Wontner was joined by Ian Fleming as Doctor Watson and Philip Hewland as Inspector Lestrade. Sherlock Holmes' Fatal Hour played rather well and was considered a success.
By Darren Allison
The Film Detective has released one of their most ambitious film sets to date with The Sherlock Holmes Vault Collection. The set features three of the five films made between the years 1931-1937 starring Arthur Wontner as world’s greatest super sleuth. Having been told he resembled Doyle's creation for years, Wontner was finally cast in the role for The Sleeping Cardinal (released under its American title as Sherlock Holmes' Fatal Hour in this box set) in 1931. Produced by Twickenham Studios, Fatal Hour was loosely based on "The Adventure of the Empty House" (a short story written by Sir Arthur Conan Doyle) with the noticeable change that in the film version, Ronald Adair is a card cheat. Wontner was joined by Ian Fleming as Doctor Watson and Philip Hewland as Inspector Lestrade. Sherlock Holmes' Fatal Hour played rather well and was considered a success.
- 1/23/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Horror icon Barbara Crampton discusses a few of her favorite movies with hosts Josh Olson and Joe Dante.
Show Notes:
Movies Referenced In This Episode
Re-Animator (1985)
Body Double (1984)
Jakob’s Wife (2021)
The Court Jester (1955) – John Landis’s trailer commentary, Randy Fuller’s wine pairings
The Adventures Of Robin Hood (1938)
The Three Musketeers (1974) – Josh Olson’s trailer commentary
The Matrix (1999)
Bound (1996)
Eyes Without A Face (1962) – Sam Hamm’s trailer commentary, Dennis Cozzalio’s review, Glenn Erickson’s Blu-ray review
Halloween (1978) Adam Rifkin’s trailer commentary, Randy Fuller’s wine pairing, Alex Kirschenbaum’s film power rankings, Alex Kirschenbaum’s timeline power rankings
All About Eve (1950)
Terminator 2: Judgment Day (1991) – Glenn Erickson’s Blu-ray review
Alien (1979) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairings
Relic (2020)
Anything For Jackson (2020)
The Haunting (1963) – Dan Ireland’s trailer commentary
Strait-Jacket (1964) – David DeCoteau’s trailer commentary
The Silence Of The Lambs (1991) – Allan Arkush’s trailer commentary,...
Show Notes:
Movies Referenced In This Episode
Re-Animator (1985)
Body Double (1984)
Jakob’s Wife (2021)
The Court Jester (1955) – John Landis’s trailer commentary, Randy Fuller’s wine pairings
The Adventures Of Robin Hood (1938)
The Three Musketeers (1974) – Josh Olson’s trailer commentary
The Matrix (1999)
Bound (1996)
Eyes Without A Face (1962) – Sam Hamm’s trailer commentary, Dennis Cozzalio’s review, Glenn Erickson’s Blu-ray review
Halloween (1978) Adam Rifkin’s trailer commentary, Randy Fuller’s wine pairing, Alex Kirschenbaum’s film power rankings, Alex Kirschenbaum’s timeline power rankings
All About Eve (1950)
Terminator 2: Judgment Day (1991) – Glenn Erickson’s Blu-ray review
Alien (1979) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairings
Relic (2020)
Anything For Jackson (2020)
The Haunting (1963) – Dan Ireland’s trailer commentary
Strait-Jacket (1964) – David DeCoteau’s trailer commentary
The Silence Of The Lambs (1991) – Allan Arkush’s trailer commentary,...
- 12/28/2021
- by Kris Millsap
- Trailers from Hell
Normal 0 false false false En-us X-none X-none
By Hank Reineke
When Kino Lorber announced in April 2021 that a Blu-ray of Universal’s The Spider Woman Strikes Back (1946) was scheduled for issue in autumn I was, to put it mildly, over-joyed. It’s not that The Spider Woman Strikes Back is a great film – it most certainly is not – but it’s long been a missing entry on home video, a film of great interest to collectors of Golden Age horror. The studio has chosen, time and again, to re-master and re-offer the classic and iconic “Universal Monsters” in nearly every conceivable home video format and creative packaging. Too often these releases would be at the expense of the studios less famous genre titles as the still unissued Ghost Catchers (1944), and The Cat Creeps (1946).
In the course of this disc’s ten-minute featurette, Mistress of Menace and Murder: The Making of The Spider Woman Strikes Back,...
By Hank Reineke
When Kino Lorber announced in April 2021 that a Blu-ray of Universal’s The Spider Woman Strikes Back (1946) was scheduled for issue in autumn I was, to put it mildly, over-joyed. It’s not that The Spider Woman Strikes Back is a great film – it most certainly is not – but it’s long been a missing entry on home video, a film of great interest to collectors of Golden Age horror. The studio has chosen, time and again, to re-master and re-offer the classic and iconic “Universal Monsters” in nearly every conceivable home video format and creative packaging. Too often these releases would be at the expense of the studios less famous genre titles as the still unissued Ghost Catchers (1944), and The Cat Creeps (1946).
In the course of this disc’s ten-minute featurette, Mistress of Menace and Murder: The Making of The Spider Woman Strikes Back,...
- 12/6/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Hello, dear readers! November is officially upon us, as well as a new week of Blu-ray and DVD releases, which means it’s time to make some room for more horror and sci-fi to fill your home entertainment shelves. One of this writer’s favorite indie genre movies of the year, Come True, is getting released to both Blu and DVD this week courtesy of Scream Factory, and Kino Lorber is showing some love to a pair of classic thrillers as well: The Spider Woman Strikes Back and The Mad Doctor. Other releases for November 2nd include The Banishing, Pig featuring Nicolas Cage, and The Spore.
The Banishing
From acclaimed genre director Chris Smith (Creep) comes the true story of the most haunted house in England. A young reverend, his wife and daughter move into a manor with a horrifying secret. When a vengeful spirit haunts the little girl and...
The Banishing
From acclaimed genre director Chris Smith (Creep) comes the true story of the most haunted house in England. A young reverend, his wife and daughter move into a manor with a horrifying secret. When a vengeful spirit haunts the little girl and...
- 11/1/2021
- by Heather Wixson
- DailyDead
When did murder thrillers become horror pix? This one is horror only by association, and star Basil Rathbone would be a suave leading man if he wasn’t slaying wives left and right. He sets his sights on the rich, conveniently suicidal Ellen Drew, yes (sigh) that Ellen Drew. This atypical Paramount thriller has glamour to spare and also some unexpected sideways sexuality with the sinister Martin Kosleck, who almost steals the movie. But not our hearts — in that department it’s Ellen Forever and Ever.
The Mad Doctor
Blu-ray
Kl Studio Classics
1940 / B&w / 1:37 Academy / 90 min. / Street Date November 2, 2021 / available through Kino Lorber / 24.95
Starring: Basil Rathbone, Ellen Drew, John Howard, Barbara Jo Allen aka Vera Vague, Ralph Morgan, Martin Kosleck, Kitty Kelly, Sheila Ryan, Norma Varden, Max Wagner.
Cinematography: Ted Tetzlaff
Art Directors: Hans Dreier, Robert Usher
Film Editor: Archie Marshek
Original Music: Victor Young
Written by Howard J. Green...
The Mad Doctor
Blu-ray
Kl Studio Classics
1940 / B&w / 1:37 Academy / 90 min. / Street Date November 2, 2021 / available through Kino Lorber / 24.95
Starring: Basil Rathbone, Ellen Drew, John Howard, Barbara Jo Allen aka Vera Vague, Ralph Morgan, Martin Kosleck, Kitty Kelly, Sheila Ryan, Norma Varden, Max Wagner.
Cinematography: Ted Tetzlaff
Art Directors: Hans Dreier, Robert Usher
Film Editor: Archie Marshek
Original Music: Victor Young
Written by Howard J. Green...
- 10/30/2021
- by Glenn Erickson
- Trailers from Hell
In 2001, Will Smith headlined “Ali,” which brought him his first Oscar nomination. He lost the Best Actor prize to Denzel Washington for “Training Day,” but now, 20 years later, Smith can avenge that loss with “King Richard” against Washington’s turn in “The Tragedy of Macbeth.” And if he doesn’t, he would be the latest performer who has lost to the same person twice.
There have been four people with an 0-2 record agains the same actor. They are:
1. Irene Dunne lost Best Actress for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937) to Luise Rainer for “The Great Ziegfeld” (1936) and “The Good Earth” (1937)
2. Charles Boyer lost Best Actor for “Conquest” (1937) and “Algiers” (1938) to Spencer Tracy for “Captains Courageous” (1937) and “Boys Town” (1938) over
3. Basil Rathbone lost Best Supporting Actor for “Romeo and Juliet” (1936) and “If I Were King” (1938) to Walter Brennan for “Come and Get It” (1936) and “Kentucky” (1938)
4. Annette Bening lost...
There have been four people with an 0-2 record agains the same actor. They are:
1. Irene Dunne lost Best Actress for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937) to Luise Rainer for “The Great Ziegfeld” (1936) and “The Good Earth” (1937)
2. Charles Boyer lost Best Actor for “Conquest” (1937) and “Algiers” (1938) to Spencer Tracy for “Captains Courageous” (1937) and “Boys Town” (1938) over
3. Basil Rathbone lost Best Supporting Actor for “Romeo and Juliet” (1936) and “If I Were King” (1938) to Walter Brennan for “Come and Get It” (1936) and “Kentucky” (1938)
4. Annette Bening lost...
- 10/29/2021
- by Joyce Eng
- Gold Derby
Jacques Tourneur’s 1964 horror romp retains most of the actors and crew from Roger Corman’s Poe adaptations—including poster art from Reynold Brown. The film lacks the luster of Mr. Corman’s efforts but with Vincent Price, Boris Karloff, Peter Lorre, and Basil Rathbone on board, who’s complaining? Price and Lorre play luckless undertakers who start supplying their own corpses. Sad sack Lorre was a born comedian but it’s Rathbone as the landlord who won’t stay dead who gets the best laugh—”What place… is this?”
The post The Comedy of Terrors appeared first on Trailers From Hell.
The post The Comedy of Terrors appeared first on Trailers From Hell.
- 10/11/2021
- by Charlie Largent
- Trailers from Hell
When Raiders of the Lost Ark was released in 1981, it was like a jolt of lightning from out of the past. As with George Lucas’ Star Wars before it, here was a throwback to many of the cinematic touchstones high and low that Baby Boomers grew up with: Saturday morning serials, prestige Oscar winners from yesteryear, and even boys’ pulp magazines were sifted through, borrowed from, and recontextualized into one of the most thrilling action-adventure movies anyone had ever seen. Somehow Lucas, who was a producer on the project, director Steven Spielberg, and the whole Indiana Jones team were able to craft a movie simultaneously retro and new.
Of course the younger generations who were swept up in Indy’s adventures may not have noticed any of this. They were here to see Indy outrun a boulder. And as the years have passed, Raiders of the Lost Ark and the...
Of course the younger generations who were swept up in Indy’s adventures may not have noticed any of this. They were here to see Indy outrun a boulder. And as the years have passed, Raiders of the Lost Ark and the...
- 9/6/2021
- by David Crow
- Den of Geek
Normal 0 false false false En-us X-none X-none
By Hank Reineke
I turned age three one month prior to the January 1965 U.S. release of Roger Corman’s The Tomb of Ligeia. The film had been first released in England in November 1964 - which was only fair - since both The Tomb of Ligeia and its predecessor The Masque of the Red Death (also 1964) had been shot at Shepperton Studios and in the neighboring English countryside. I’m guessing that I only became acquainted with Corman’s octet of Poe adaptations when the films were televised on New York City’s 4:30 Movie in the mid-1970s.
I didn’t know quite what to make of the Aip Poe films at first. These were horror films without monsters and, at age fifteen, I had no particular interest in - or understanding of - “psychological horror” pictures… I wanted rubber-suit monsters sporting...
By Hank Reineke
I turned age three one month prior to the January 1965 U.S. release of Roger Corman’s The Tomb of Ligeia. The film had been first released in England in November 1964 - which was only fair - since both The Tomb of Ligeia and its predecessor The Masque of the Red Death (also 1964) had been shot at Shepperton Studios and in the neighboring English countryside. I’m guessing that I only became acquainted with Corman’s octet of Poe adaptations when the films were televised on New York City’s 4:30 Movie in the mid-1970s.
I didn’t know quite what to make of the Aip Poe films at first. These were horror films without monsters and, at age fifteen, I had no particular interest in - or understanding of - “psychological horror” pictures… I wanted rubber-suit monsters sporting...
- 8/31/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Hello, everyone! Now that September is nearly upon us (which means we’re getting closer and closer to our favorite season), we have one last round of home entertainment releases ahead of us before we can finally bid August a fond farewell - and there are a lot of different titles making their way home tomorrow. Arrow Video is keeping busy this week with their 4K release of Dune as well as the special edition release of The Brotherhood of Satan, and Kino Lorber is resurrecting several classics on Blu-ray this Tuesday, including The Raven, The Last Man on Earth, and The Comedy of Terrors.
If you have younger genre fans at home, you’ll definitely want to pick up the new editions of Coraline and The Boxtrolls from Scream Factory, and for you cult film fans, Vinegar Syndrome has you covered with their new Blu-rays for Killer’s Delight, The Lamp...
If you have younger genre fans at home, you’ll definitely want to pick up the new editions of Coraline and The Boxtrolls from Scream Factory, and for you cult film fans, Vinegar Syndrome has you covered with their new Blu-rays for Killer’s Delight, The Lamp...
- 8/30/2021
- by Heather Wixson
- DailyDead
The Raven/The Comedy of Terrors
Blu ray
Kino Lorber
1963-64
Starring Vincent Price, Peter Lorre, Boris Karloff
Cinematography by Floyd Crosby
Directed by Roger Corman, Jacques Tourneur
Roger Corman helped Vincent Price create his reputation as a horror movie star and in 1962 he helped him to dismantle it—already tiring of the gothic grind, the 37 year old director allowed rare humor to creep into his Poe series in the otherwise morbid Tales of Terror, a trilogy of economical horror stories written by Richard Matheson. The usual shocks were laced with laughs in the film’s second segment, The Black Cat, featuring a flamboyant Price as a two-timing wine taster. Corman and his cast enjoyed the distraction from the usual sturm und drang so the following year they returned to the well with a medieval burlesque called The Raven. Matheson was back too, contributing a simple story about Erasmus Craven...
Blu ray
Kino Lorber
1963-64
Starring Vincent Price, Peter Lorre, Boris Karloff
Cinematography by Floyd Crosby
Directed by Roger Corman, Jacques Tourneur
Roger Corman helped Vincent Price create his reputation as a horror movie star and in 1962 he helped him to dismantle it—already tiring of the gothic grind, the 37 year old director allowed rare humor to creep into his Poe series in the otherwise morbid Tales of Terror, a trilogy of economical horror stories written by Richard Matheson. The usual shocks were laced with laughs in the film’s second segment, The Black Cat, featuring a flamboyant Price as a two-timing wine taster. Corman and his cast enjoyed the distraction from the usual sturm und drang so the following year they returned to the well with a medieval burlesque called The Raven. Matheson was back too, contributing a simple story about Erasmus Craven...
- 8/3/2021
- by Charlie Largent
- Trailers from Hell
Though the Continental Congress severed political connections with Great Britain on July 4, 1776, with the Declaration of Independence, the U.S. has never detached with their obsession with the British Royal Family. Just look at 2021 Emmy nominations.
The fourth season of Netflix’ “The Crown” reaped 24 bids — the show has already won 10 Emmys — including series, for leads Olivia Colman as Queen Elizabeth II, Emma Corrin as Diana, the Princess of Wales and Josh O’Connor as Prince Charles and for supporting players Gillian Anderson as Margaret Thatcher, Helena Bonham Carter as Princess Margaret and Emerald Fennell as Camilla Parker Bowles. And Oprah Winfrey’s blockbuster interview with Prince Harry and Meghan Markle was nominated for best hosted nonfiction series or special.
There has been a lot of Emmy love over the years for the British monarchs. So make yourself cup of tea, heat up your scone or crumpet — with lemon curd, natch — keep...
The fourth season of Netflix’ “The Crown” reaped 24 bids — the show has already won 10 Emmys — including series, for leads Olivia Colman as Queen Elizabeth II, Emma Corrin as Diana, the Princess of Wales and Josh O’Connor as Prince Charles and for supporting players Gillian Anderson as Margaret Thatcher, Helena Bonham Carter as Princess Margaret and Emerald Fennell as Camilla Parker Bowles. And Oprah Winfrey’s blockbuster interview with Prince Harry and Meghan Markle was nominated for best hosted nonfiction series or special.
There has been a lot of Emmy love over the years for the British monarchs. So make yourself cup of tea, heat up your scone or crumpet — with lemon curd, natch — keep...
- 7/20/2021
- by Susan King
- Gold Derby
The founder and program director of the Etheria Film Festival, Heidi Honeycutt, discusses her favorite films from women filmmakers with Josh and Joe.
Show Notes: Movies Referenced In This Episode
Destroyer (1988)
Army of the Dead (2021)
The Howling (1981) – Josh Olson’s trailer commentary, Randy Fuller’s wine recommendation
Lawrence of Arabia (1962)
Wonder Woman (2017)
The Dirty Dozen (1967) – Ed Neumeier’s trailer commentary
The Wild Bunch (1969) – Josh Olson’s trailer commentary, Joe Dante’s review
The Women (1939) – Allan Arkush’s trailer commentary
The Opposite Sex (1956) – Glenn Erickson’s Blu-ray review
The Women (2008)
Halloween (1978) – Adam Rifkin’s trailer commentary, Alex Kirschenbaum’s series and timeline power rankings, Randy Fuller’s wine recommendation
Valley Girl (1983) – Karyn Kusama’s trailer commentary, Glenn Erickson’s trailer commentary
Valley Girl (2020)
The Wicker Man (1973)
The Wicker Man (2006)
Mandy (2018)
Fast Times At Ridgemont High (1982) – Karyn Kusama’s trailer commentary, Glenn Erickson’s trailer commentary
Clueless (1995)
Legally Blonde (2001)
The Craft (1996)
Runaway...
Show Notes: Movies Referenced In This Episode
Destroyer (1988)
Army of the Dead (2021)
The Howling (1981) – Josh Olson’s trailer commentary, Randy Fuller’s wine recommendation
Lawrence of Arabia (1962)
Wonder Woman (2017)
The Dirty Dozen (1967) – Ed Neumeier’s trailer commentary
The Wild Bunch (1969) – Josh Olson’s trailer commentary, Joe Dante’s review
The Women (1939) – Allan Arkush’s trailer commentary
The Opposite Sex (1956) – Glenn Erickson’s Blu-ray review
The Women (2008)
Halloween (1978) – Adam Rifkin’s trailer commentary, Alex Kirschenbaum’s series and timeline power rankings, Randy Fuller’s wine recommendation
Valley Girl (1983) – Karyn Kusama’s trailer commentary, Glenn Erickson’s trailer commentary
Valley Girl (2020)
The Wicker Man (1973)
The Wicker Man (2006)
Mandy (2018)
Fast Times At Ridgemont High (1982) – Karyn Kusama’s trailer commentary, Glenn Erickson’s trailer commentary
Clueless (1995)
Legally Blonde (2001)
The Craft (1996)
Runaway...
- 7/13/2021
- by Kris Millsap
- Trailers from Hell
New Republic Pictures & Laeta Kalogridis Option Adam Roche Podcast ‘The Secret History Of Hollywood’
Writer-Producer Laeta Kalogridis and New Republic Pictures’ President Bradley Fischer have taken the film and television rights to the entire library of Adam Roche’s podcast, The Secret History of Hollywood.
The deal encompasses 11 existing seasons, as well as any future seasons of series. The team plans to approach the podcast as individual seasons and will develop each story as its own piece of IP.
The debut season of the podcast, entitled Shadows, will be the focus of the first project under the deal. Being developed into a feature film, Shadows will focus on the life of Val Lewton, a gifted immigrant producer who began his Hollywood career as the right-hand man of David O. Selznick, and who rescued the fortunes of Rko Studios by devising a revolutionary approach to horror movies – defying the conventional schlock formula to create a brooding, artistic body of work that has gone on to...
The deal encompasses 11 existing seasons, as well as any future seasons of series. The team plans to approach the podcast as individual seasons and will develop each story as its own piece of IP.
The debut season of the podcast, entitled Shadows, will be the focus of the first project under the deal. Being developed into a feature film, Shadows will focus on the life of Val Lewton, a gifted immigrant producer who began his Hollywood career as the right-hand man of David O. Selznick, and who rescued the fortunes of Rko Studios by devising a revolutionary approach to horror movies – defying the conventional schlock formula to create a brooding, artistic body of work that has gone on to...
- 6/10/2021
- by Anthony D'Alessandro
- Deadline Film + TV
It may be a stretch to refer to Lionel Atwill as a horror icon, but damned if he wasn’t a reliable utility player in the genre through the 1930s and ’40s. As a stage-actor-turned-film-star, he seemed to be the go-to for adding a dash of British gravitas to a supporting role. In fact, he starred in every Universal-produced Frankenstein movie after Bride as different characters ranging from inspectors, doctors, and other inspectors. In fact, Mel Brooks fans will be at least tangentially aware that his work as Young Frankenstein’s one-armed Inspector Kemp being a direct parody of Atwill’s Inspector Krogh from Son of Frankenstein. Atwill also dipped his toe into the Basil Rathbone Sherlock Holmes universe, including a supporting part in Hound of the Baskervilles and even a turn as Moriarty in Sherlock Holmes and the Secret Weapon.
Like most great character actors, Atwill found his niche in supporting roles,...
Like most great character actors, Atwill found his niche in supporting roles,...
- 3/31/2021
- by Bryan Christopher
- DailyDead
What a difference two days makes. Before last Wednesday’s Golden Globe nominations, “Hillbilly Elegy’s” Glenn Close was in sixth place in Gold Derby’s Best Supporting Actress Oscar odds, but after she accrued a bid there and at the Screen Actors Guild Awards the next day, she has rocketed to fourth place. Another post-Globe and -SAG change is Olivia Colman (“The Father”) usurping the SAG-snubbed Amanda Seyfried (“Mank”) for the top spot. You know what that means: if both Close and Colman make the final five, Colman could beat Close again, which would make her the the fifth performer to defeat the same person twice.
The first four were:
1. Luise Rainer won Best Actress for “The Great Ziegfeld” (1936) and “The Good Earth” (1937) over Irene Dunne for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937)
2. Spencer Tracy won Best Actor for “Captains Courageous” (1937) and “Boys Town” (1938) over Charles Boyer...
The first four were:
1. Luise Rainer won Best Actress for “The Great Ziegfeld” (1936) and “The Good Earth” (1937) over Irene Dunne for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937)
2. Spencer Tracy won Best Actor for “Captains Courageous” (1937) and “Boys Town” (1938) over Charles Boyer...
- 2/9/2021
- by Joyce Eng
- Gold Derby
Few ’30s classics have held up as well as this MGM blockbuster, a costume thriller that in spirit is quite faithful to the great Charles Dickens novel. Heroes don’t come more sophisticated or noble than Ronald Colman’s Sydney Carton, nor as vile as Basil Rathbone’s Marquis St. Evrémonde. David O. Selznick’s impeccable production hits all the right notes and even downplays the ‘save the royals’ sentiments. This is the one where the Bastille gets stormed and a chortling hag cheers every drop of a guillotine blade. The show even has a connection to producer Val Lewton. Just remember that activities like capitol-storming and public executions need to stay back in the 18th century where they belong.
A Tale of Two Cities
Blu-ray
Warner Archive Collection
1935 / B&w / 1:37 Academy / 126 min. / Street Date February 9, 2021 / available through the WBshop / 21.99
Starring: Ronald Colman, Elizabeth Allan, Edna May Oliver, Donald Woods,...
A Tale of Two Cities
Blu-ray
Warner Archive Collection
1935 / B&w / 1:37 Academy / 126 min. / Street Date February 9, 2021 / available through the WBshop / 21.99
Starring: Ronald Colman, Elizabeth Allan, Edna May Oliver, Donald Woods,...
- 2/6/2021
- by Glenn Erickson
- Trailers from Hell
Normal 0 false false false En-us X-none X-none
“The Pellet With The Poison”
By Raymond Benson
Danny Kaye was not only a brilliant triple-threat (actor/singer/dancer), but he was a stand-up comic, an expert chef, a writer, a pilot, a baseball enthusiast, a notable philanthropist, a Unicef ambassador, and an honorary member of the American College of Surgeons and American Academy of Pediatrics (!). His decades-long career on stage, in film, and on television speaks for itself, but one of his most beloved screen vehicles was The Court Jester, a 1956 picture that was shockingly ignored at the Oscars that year.
Even more disturbing is the fact that it was allegedly the most expensive comedy film ever produced up to that time and was a box office failure (perhaps that’s the reason there was no Oscar love). Nevertheless, time has been extremely kind to the movie through revivals and television broadcasts.
“The Pellet With The Poison”
By Raymond Benson
Danny Kaye was not only a brilliant triple-threat (actor/singer/dancer), but he was a stand-up comic, an expert chef, a writer, a pilot, a baseball enthusiast, a notable philanthropist, a Unicef ambassador, and an honorary member of the American College of Surgeons and American Academy of Pediatrics (!). His decades-long career on stage, in film, and on television speaks for itself, but one of his most beloved screen vehicles was The Court Jester, a 1956 picture that was shockingly ignored at the Oscars that year.
Even more disturbing is the fact that it was allegedly the most expensive comedy film ever produced up to that time and was a box office failure (perhaps that’s the reason there was no Oscar love). Nevertheless, time has been extremely kind to the movie through revivals and television broadcasts.
- 1/24/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Our Halloween episode! The legendary actor and star of Shudder’s The Mortuary Collection talks about his favorite horror movies from his childhood.
Show Notes: Movies Referenced In This Episode
The Mortuary Collection (2020), now streaming on Shudder!
Nightmare Cinema (2019)
We Come In Pieces: The Rebirth of the Horror Anthology Film (2014)
Bad Boys (1983)
Gentle Giant (1967)
Gone In 60 Seconds (1974)
The Green Slime (1969)
Battle Royale (2000)
The Shawshank Redemption (1994)
Tarzan’s Three Challenges (1963)
The Professionals (1966)
Dracula, Prince of Darkness (1966)
Ultraman (1967)
Batman (1966)
The Curse of Frankenstein (1957)
Horror of Dracula (1958)
The Brides of Dracula (1960)
Psycho (1960)
Jack The Ripper (1959)
Dracula A.D. 1972 (1972)
The Satanic Rites of Dracula (1973)
Bram Stoker’s Dracula (1974)
Count Dracula (1977)
Son of Dracula (1943)
Bram Stoker’s Dracula (1992)
The Haunting (1963)
The Haunting (1999)
The Others (2001)
The Babysitter Murders (2015)
Halloween (1978)
Frankenstein (1931)
King Kong (1933)
Scanners (1981)
Wisconsin Death Trip (1999)
Bride of Frankenstein (1935)
The Bride (1985)
Young Frankenstein (1974)
The Love Bug (1968)
Son of Frankenstein (1939)
Son of Kong (1933)
The Road Back (1937)
Crimson Peak...
Show Notes: Movies Referenced In This Episode
The Mortuary Collection (2020), now streaming on Shudder!
Nightmare Cinema (2019)
We Come In Pieces: The Rebirth of the Horror Anthology Film (2014)
Bad Boys (1983)
Gentle Giant (1967)
Gone In 60 Seconds (1974)
The Green Slime (1969)
Battle Royale (2000)
The Shawshank Redemption (1994)
Tarzan’s Three Challenges (1963)
The Professionals (1966)
Dracula, Prince of Darkness (1966)
Ultraman (1967)
Batman (1966)
The Curse of Frankenstein (1957)
Horror of Dracula (1958)
The Brides of Dracula (1960)
Psycho (1960)
Jack The Ripper (1959)
Dracula A.D. 1972 (1972)
The Satanic Rites of Dracula (1973)
Bram Stoker’s Dracula (1974)
Count Dracula (1977)
Son of Dracula (1943)
Bram Stoker’s Dracula (1992)
The Haunting (1963)
The Haunting (1999)
The Others (2001)
The Babysitter Murders (2015)
Halloween (1978)
Frankenstein (1931)
King Kong (1933)
Scanners (1981)
Wisconsin Death Trip (1999)
Bride of Frankenstein (1935)
The Bride (1985)
Young Frankenstein (1974)
The Love Bug (1968)
Son of Frankenstein (1939)
Son of Kong (1933)
The Road Back (1937)
Crimson Peak...
- 10/27/2020
- by Kris Millsap
- Trailers from Hell
As one of the most iconic fictional characters out there, we’ve seen a whole host of different Sherlocks on screen over the years. A lot of people’s minds may go to Basil Rathbone when the detective is mentioned, but he’s just one of many to have donned the deerstalker and brought the hero to life.
Be it, Orson Welles, Charlton Heston, Roger Moore, Christopher Plummer, Peter O’Toole, Peter Cushing, Christopher Lee, Michael Caine and more recently, Benedict Cumberbatch, Ian McKellen, Robert Downey Jr. or even Will Ferrell, tons of actors have put their own stamp on the role, and Henry Cavill is the latest to do so in Netflix’s smash hit Enola Holmes.
It would be an understatement to say that the actor’s work, and the film itself, have gone down well with subscribers. Indeed, after smashing all sorts of records, the pic is still...
Be it, Orson Welles, Charlton Heston, Roger Moore, Christopher Plummer, Peter O’Toole, Peter Cushing, Christopher Lee, Michael Caine and more recently, Benedict Cumberbatch, Ian McKellen, Robert Downey Jr. or even Will Ferrell, tons of actors have put their own stamp on the role, and Henry Cavill is the latest to do so in Netflix’s smash hit Enola Holmes.
It would be an understatement to say that the actor’s work, and the film itself, have gone down well with subscribers. Indeed, after smashing all sorts of records, the pic is still...
- 10/5/2020
- by Matt Joseph
- We Got This Covered
As one of the most iconic and heavily adapted fictional characters of all-time, there’ve been countless different interpretations of Sherlock Holmes over the years. The first image in a lot of people’s heads when they hear the name is still Basil Rathbone, and his last live-action appearance came in 1946, but he’s just one of many actors to have donned the deerstalker.
The names of those who’ve played Sherlock Holmes in movies, TV shows, radio dramas, stage productions and animations reads like a laundry list of Hollywood royalty and includes Orson Welles, Charlton Heston, Roger Moore, Christopher Plummer, Peter O’Toole, Peter Cushing, Christopher Lee, Michael Caine and more recently, Benedict Cumberbatch, Ian McKellen, Robert Downey Jr. and even Will Ferrell.
Henry Cavill is the latest actor to embody the legendary sleuth, and it would be an understatement to say that his performance as Sherlock in Netflix’s...
The names of those who’ve played Sherlock Holmes in movies, TV shows, radio dramas, stage productions and animations reads like a laundry list of Hollywood royalty and includes Orson Welles, Charlton Heston, Roger Moore, Christopher Plummer, Peter O’Toole, Peter Cushing, Christopher Lee, Michael Caine and more recently, Benedict Cumberbatch, Ian McKellen, Robert Downey Jr. and even Will Ferrell.
Henry Cavill is the latest actor to embody the legendary sleuth, and it would be an understatement to say that his performance as Sherlock in Netflix’s...
- 9/29/2020
- by Scott Campbell
- We Got This Covered
The great sleuth’s savvy teenage sister, new to Netflix, would give everyone from Basil Rathbone to Ian McKellen a run for his money
What is it about Sherlock Holmes that holds such enduring fascination for people? After nearly 140 years, you might think a tweedily eccentric, pipe-smoking Victorian detective might have worn out his pop-culture welcome. Yet the updates, sendups and spinoffs of Arthur Conan Doyle’s immortal character keep coming – some delightful, some dire, but never enough to deter the next one. If Will Ferrell and John C Reilly’s clomping, witless, financially disastrous parody Holmes & Watson couldn’t kill the mythos two years ago, it’s safe to say it’s going nowhere.
That’s just as well, since its latest iteration is considerably more fun. On paper, Netflix’s new film Enola Holmes sounds like it could go wrong in several directions; as an adaption of Nancy Springer...
What is it about Sherlock Holmes that holds such enduring fascination for people? After nearly 140 years, you might think a tweedily eccentric, pipe-smoking Victorian detective might have worn out his pop-culture welcome. Yet the updates, sendups and spinoffs of Arthur Conan Doyle’s immortal character keep coming – some delightful, some dire, but never enough to deter the next one. If Will Ferrell and John C Reilly’s clomping, witless, financially disastrous parody Holmes & Watson couldn’t kill the mythos two years ago, it’s safe to say it’s going nowhere.
That’s just as well, since its latest iteration is considerably more fun. On paper, Netflix’s new film Enola Holmes sounds like it could go wrong in several directions; as an adaption of Nancy Springer...
- 9/26/2020
- by Guy Lodge
- The Guardian - Film News
Saturday the 25th of July 2020 marked a decade since the world was first introduced to Benedict Cumberbatch and Martin Freeman as Holmes and Watson in BBC One’s Sherlock. To mark the anniversary, creators Mark Gatiss, Steven Moffat and Sue Vertue took part in a Q&a session answering fan questions read out by Moffat and Vertue’s son (and young Sherlock) Louis Moffat.
You can see the full 25-minute Q&a session courtesy of Sherlockology. It’s a warm, nostalgic chat, peppered by jokes, filming memories and affectionate ribbing of their host.
Questions ranged from the creators’ favourite Holmes and Watson other than their own, most challenging scenes to film (the gushing cold Reichenbach Falls in ‘The Abominable Bride’), what Irene Adler is doing now (‘something naughty’), and how Sherlock Holmes would react to lockdown (‘Sherlock would quarantine himself for three months without knowing that he had!’ says Moffat.
You can see the full 25-minute Q&a session courtesy of Sherlockology. It’s a warm, nostalgic chat, peppered by jokes, filming memories and affectionate ribbing of their host.
Questions ranged from the creators’ favourite Holmes and Watson other than their own, most challenging scenes to film (the gushing cold Reichenbach Falls in ‘The Abominable Bride’), what Irene Adler is doing now (‘something naughty’), and how Sherlock Holmes would react to lockdown (‘Sherlock would quarantine himself for three months without knowing that he had!’ says Moffat.
- 7/27/2020
- by Louisa Mellor
- Den of Geek
The martial arts icon talks about some of his favorite action movies. Josh challenges him to a fight.
Show Notes: Movies Referenced In This Episode
Armaggeddon (1998)
Innerspace (1987)
The ’Burbs (1989)
Matinee (1993)
The Debt Collector (2018)
Triple Threat (2019)
Avengement (2019)
Ip Man 4: The Finale (2020)
Masters of the Universe (1987)
Debt Collectors (2020)
The Three Musketeers (1973)
Rocky II (1979)
Rocky (1976)
Rocky IV (1985)
Paradise Alley (1978)
First Blood (1982)
Rambo — First Blood Part II (1985)
Enter The Dragon (1973)
Giant (1956)
Game Of Death (1978)
Once Upon A Time In Hollywood (2019)
Marlowe (1969)
Road House (1989)
Grosse Point Blank (1997)
Hard Boiled (1992)
The Killer (1989)
Death Wish (1974)
Seconds (1966)
Face/Off (1997)
Heat (1995)
Under Fire (1983)
True Lies (1994)
The Wild Bunch (1969)
The Raid (2011)
The Raid 2 (2014)
Die Hard (1988)
A History Of Violence (2005)
Munich (2005)
Point Break (1991)
Zero Dark Thirty (2012)
Armour of God (1986)
The Protector (1985)
Under Siege (1992)
Hard To Kill (1990)
Billy Jack (1971)
John Wick (2014)
Other Notable Items
Michael Bay
Our Jesse V. Johnson podcast episode
The Ip Man franchise
Donnie Yen
Dolph Lundgren
Anthony De Longis...
Show Notes: Movies Referenced In This Episode
Armaggeddon (1998)
Innerspace (1987)
The ’Burbs (1989)
Matinee (1993)
The Debt Collector (2018)
Triple Threat (2019)
Avengement (2019)
Ip Man 4: The Finale (2020)
Masters of the Universe (1987)
Debt Collectors (2020)
The Three Musketeers (1973)
Rocky II (1979)
Rocky (1976)
Rocky IV (1985)
Paradise Alley (1978)
First Blood (1982)
Rambo — First Blood Part II (1985)
Enter The Dragon (1973)
Giant (1956)
Game Of Death (1978)
Once Upon A Time In Hollywood (2019)
Marlowe (1969)
Road House (1989)
Grosse Point Blank (1997)
Hard Boiled (1992)
The Killer (1989)
Death Wish (1974)
Seconds (1966)
Face/Off (1997)
Heat (1995)
Under Fire (1983)
True Lies (1994)
The Wild Bunch (1969)
The Raid (2011)
The Raid 2 (2014)
Die Hard (1988)
A History Of Violence (2005)
Munich (2005)
Point Break (1991)
Zero Dark Thirty (2012)
Armour of God (1986)
The Protector (1985)
Under Siege (1992)
Hard To Kill (1990)
Billy Jack (1971)
John Wick (2014)
Other Notable Items
Michael Bay
Our Jesse V. Johnson podcast episode
The Ip Man franchise
Donnie Yen
Dolph Lundgren
Anthony De Longis...
- 5/26/2020
- by Kris Millsap
- Trailers from Hell
The last “official” appearance by a 52 year-old Boris Karloff as the Frankenstein monster gives this 1939 entry a melancholy tone that’s dispelled whenever Lionel Atwill and Bela Lugosi appear as the one-armed Inspector Krogh and the double-dealing Ygor. Basil Rathbone stars as the unflappable Wolf von Frankenstein though the notion of giving life to the comatose monster makes him as excitable as his old man. The impressively lofty sets were designed by Jack Otterson.
The post Son of Frankenstein appeared first on Trailers From Hell.
The post Son of Frankenstein appeared first on Trailers From Hell.
- 5/11/2020
- by Charlie Largent
- Trailers from Hell
Basil Rathbone is one of the true original movie stars. Starring in a bevy of films starting in the ’20s all the way through the late ’60s, he’s known not only for traditional classics like Adventures of Robin Hood and Romeo and Juliet, but he’s also got a foot firmly planted in the mysterious and spooky, as he’s the first person to take on the mantle of Sherlock Holmes over the course of 15 films and two seasons of a radio serial. Beyond that, he dabbled in more straightforward horror films, even popping up in the Universal Monsters realm with a stint as Baron von Wolfenstein in Son of Frankenstein. In this month’s selection, we’ll take a peek at another genre film Rathbone starred in later in his career, the 1956 B-movie The Black Sleep.
The Black Sleep comes from Reginald Le Borg, who directed a string...
The Black Sleep comes from Reginald Le Borg, who directed a string...
- 3/18/2020
- by Bryan Christopher
- DailyDead
Ann E. Todd, a child actress in the 1930s and '40s who appeared in such films as Intermezzo, All This, and Heaven Too and Three Daring Daughters, died Feb. 7 of complications from dementia, her family announced. She was 88.
Todd also worked alongside Basil Rathbone in Tower of London (1939), with Marlene Dietrich in Destry Rides Again (1939), with Edward G. Robinson in Dr. Ehrlich's Magic Bullet (1940), with Maureen O'Hara in John Ford's How Green Was My Valley (1941) and with Ronald Reagan in Kings Row (1942).
Todd, whose father and future husband were composers, portrayed a young pianist and the daughter ...
Todd also worked alongside Basil Rathbone in Tower of London (1939), with Marlene Dietrich in Destry Rides Again (1939), with Edward G. Robinson in Dr. Ehrlich's Magic Bullet (1940), with Maureen O'Hara in John Ford's How Green Was My Valley (1941) and with Ronald Reagan in Kings Row (1942).
Todd, whose father and future husband were composers, portrayed a young pianist and the daughter ...
- 2/17/2020
- The Hollywood Reporter - Film + TV
Ann E. Todd, a child actress in the 1930s and '40s who appeared in such films as Intermezzo, All This, and Heaven Too and Three Daring Daughters, died Feb. 7 of complications from dementia, her family announced. She was 88.
Todd also worked alongside Basil Rathbone in Tower of London (1939), with Marlene Dietrich in Destry Rides Again (1939), with Edward G. Robinson in Dr. Ehrlich's Magic Bullet (1940), with Maureen O'Hara in John Ford's How Green Was My Valley (1941) and with Ronald Reagan in Kings Row (1942).
Todd, whose father and future husband were composers, portrayed a young pianist and the daughter ...
Todd also worked alongside Basil Rathbone in Tower of London (1939), with Marlene Dietrich in Destry Rides Again (1939), with Edward G. Robinson in Dr. Ehrlich's Magic Bullet (1940), with Maureen O'Hara in John Ford's How Green Was My Valley (1941) and with Ronald Reagan in Kings Row (1942).
Todd, whose father and future husband were composers, portrayed a young pianist and the daughter ...
- 2/17/2020
- The Hollywood Reporter - Movie News
“The Irishman” co-stars Al Pacino and Joe Pesci are up for Best Supporting Actor at the Oscars, but this is not the first time the duo has gone head to head. They last clashed 29 years ago in the same category, and one came out on top.
Pesci prevailed for his iconic role as Tommy DeVito in “Goodfellas” (1990), defeating Pacino (“Dick Tracy”), Bruce Davison (“Longtime Companion”), Andy Garcia (“The Godfather Part III”) and Graham Greene (“Dances with Wolves”). And who can forget his equally iconic speech (watch above): “It was my privilege. Thank you.” Brevity is the soul of wit and acceptance speeches (see also: Merritt Wever‘s 2013 Emmy speech).
This was Pesci’s second and most recent nomination until now. Pacino was on his sixth bid and seeking his first win, which would come two years later in the lead category for 1922’s “Scent of a Woman” (he was...
Pesci prevailed for his iconic role as Tommy DeVito in “Goodfellas” (1990), defeating Pacino (“Dick Tracy”), Bruce Davison (“Longtime Companion”), Andy Garcia (“The Godfather Part III”) and Graham Greene (“Dances with Wolves”). And who can forget his equally iconic speech (watch above): “It was my privilege. Thank you.” Brevity is the soul of wit and acceptance speeches (see also: Merritt Wever‘s 2013 Emmy speech).
This was Pesci’s second and most recent nomination until now. Pacino was on his sixth bid and seeking his first win, which would come two years later in the lead category for 1922’s “Scent of a Woman” (he was...
- 1/26/2020
- by Joyce Eng
- Gold Derby
Dan Duryea and Peter Lorre in Black Angel (1946) will be available on Blu-ray January 28th From Arrow Academy
Elegantly directed by Hollywood veteran Roy William Neill (best known for his 11 Sherlock Holmes films starring Basil Rathbone), Black Angel is an underappreciated film noir treasure, adapted from a novel by the acclaimed crime writer Cornell Woolrich (Phantom Lady).
When the beautiful singer Mavis Marlowe (Constance Dowling) is slain in her chic apartment, the men in her life become suspects. There is Martin Blair, her alcoholic musician ex-husband, nursing a broken heart; there is the shady nightclub owner Marko who has been sneaking around her place, and there is Kirk Bennett (John Phillips), the adulterer who found his mistress s dead body and fled the scene. When Bennett is convicted and sentenced to death, his long-suffering wife Catherine (June Vincent) joins forces with the heartbroken pianist Martin Blair to uncover the truth…...
Elegantly directed by Hollywood veteran Roy William Neill (best known for his 11 Sherlock Holmes films starring Basil Rathbone), Black Angel is an underappreciated film noir treasure, adapted from a novel by the acclaimed crime writer Cornell Woolrich (Phantom Lady).
When the beautiful singer Mavis Marlowe (Constance Dowling) is slain in her chic apartment, the men in her life become suspects. There is Martin Blair, her alcoholic musician ex-husband, nursing a broken heart; there is the shady nightclub owner Marko who has been sneaking around her place, and there is Kirk Bennett (John Phillips), the adulterer who found his mistress s dead body and fled the scene. When Bennett is convicted and sentenced to death, his long-suffering wife Catherine (June Vincent) joins forces with the heartbroken pianist Martin Blair to uncover the truth…...
- 12/28/2019
- by Tom Stockman
- WeAreMovieGeeks.com
With Christmas officially just right around the corner, we have one last big push for home media before the big day, just in case you have any last-minute shopping to do. This week’s horror and sci-fi releases make for a pretty great final batch of titles for 2019, too, with Scream Factory at the forefront. Not only have they put together a Collector’s Edition for Silver Bullet (which is probably my most anticipated release of theirs for the entire year), but they’ve also put together a new volume of Universal Horror films and are showing some love to Murders in the Rue Morgue and To The Devil… A Daughter as well.
Ad Astra is also hitting various formats this Tuesday, and if you missed it during its release in October, Patrick Lussier’s Trick comes home on both Blu-ray and DVD this week, too.
Other releases for December 17th include Gags the Clown,...
Ad Astra is also hitting various formats this Tuesday, and if you missed it during its release in October, Patrick Lussier’s Trick comes home on both Blu-ray and DVD this week, too.
Other releases for December 17th include Gags the Clown,...
- 12/16/2019
- by Heather Wixson
- DailyDead
In 2018, Charles Dickens’ classic novella “A Christmas Carol” turns 175, but its utility as a springboard for movie and TV adaptations shows no signs of slowing down. It’s a classic story of regret and redemption, and its lead character Ebenezer Scrooge offers an arc from misery and cruelty to love and kindness that’s catnip for any actor or actress. (I watched a sleighful of Scrooges for my book “Have Yourself a Movie Little Christmas” and am doing you the service of keeping the Barbie and “All Dogs Go to Heaven” versions off this list.)
Here’s a look at 20 performers who have put their own unique spin on “Bah! Humbug!”
Seymour Hicks, “Scrooge” (1935): There were a few silent versions, but this was the screen’s first talking Scrooge, in a version that’s early-talkie through and through, from the technical limitations to the big, theatrical performances, Hicks’ included.
Here’s a look at 20 performers who have put their own unique spin on “Bah! Humbug!”
Seymour Hicks, “Scrooge” (1935): There were a few silent versions, but this was the screen’s first talking Scrooge, in a version that’s early-talkie through and through, from the technical limitations to the big, theatrical performances, Hicks’ included.
- 12/13/2019
- by Alonso Duralde
- The Wrap
The Magic Sword
Blu ray
Kino Lorber
1962/ 1:85 / 80 min.
Starring Gary Lockwood, Basil Rathbone, Estelle Winwood
Directed by Bert I. Gordon
Fresh off producing and directing Tormented, a mildly lurid psychological shocker released in 1960, Bert I. Gordon pointed his next film in the direction of the Saturday matinee crowd, a select audience of thrill crazy adolescents who made box office bonanzas out of phantasmagorical entertainments like 7th Voyage of Sinbad. As with most (all?) of Gordon’s work, his eyes were too big for his stomach – the 1962 fairy tale called for Sinbad-sized thrills but Gordon was working with a fraction of Ray Harryhausen’s budget and a two week shooting schedule. If nothing else the director was determined to put up on the screen what was promised on the poster, “The Most Unbelievable Sights Ever Seen” but once again, Mr. Big came up short.
In the run-up to its...
Blu ray
Kino Lorber
1962/ 1:85 / 80 min.
Starring Gary Lockwood, Basil Rathbone, Estelle Winwood
Directed by Bert I. Gordon
Fresh off producing and directing Tormented, a mildly lurid psychological shocker released in 1960, Bert I. Gordon pointed his next film in the direction of the Saturday matinee crowd, a select audience of thrill crazy adolescents who made box office bonanzas out of phantasmagorical entertainments like 7th Voyage of Sinbad. As with most (all?) of Gordon’s work, his eyes were too big for his stomach – the 1962 fairy tale called for Sinbad-sized thrills but Gordon was working with a fraction of Ray Harryhausen’s budget and a two week shooting schedule. If nothing else the director was determined to put up on the screen what was promised on the poster, “The Most Unbelievable Sights Ever Seen” but once again, Mr. Big came up short.
In the run-up to its...
- 11/26/2019
- by Charlie Largent
- Trailers from Hell
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.