The Perfect Organism.
After kicking off May with discussions of Stephen Sommers’ The Mummy (listen), Trace and I have checked out Audrey Hepburn in Wait Until Dark (listen) and Joseph Gordon-Levitt in Gregg Araki‘s Mysterious Skin (listen).
Now we’re crossing a classic title off our list: Ridley Scott‘s Alien.
Alien tells the story of the crew of the Nostromo as they’re awoken from stasis to answer a distress beacon on a nearby planet. When Kane (John Hurt) is attacked on an alien ship, Warrant Officer Ripley (Sigourney Weaver) refuses to let Captain Dallas (Tom Skerritt) and Navigator Lambert (Veronica Cartwright) back on board with quarantining.
Science Officer Ash (Ian Holm) overrides her command and brings them inside, but as the alien creature on Kane’s face evolves, it becomes clear that there’s more than one antagonist on board the ship and everyone, including Engineers Parker...
After kicking off May with discussions of Stephen Sommers’ The Mummy (listen), Trace and I have checked out Audrey Hepburn in Wait Until Dark (listen) and Joseph Gordon-Levitt in Gregg Araki‘s Mysterious Skin (listen).
Now we’re crossing a classic title off our list: Ridley Scott‘s Alien.
Alien tells the story of the crew of the Nostromo as they’re awoken from stasis to answer a distress beacon on a nearby planet. When Kane (John Hurt) is attacked on an alien ship, Warrant Officer Ripley (Sigourney Weaver) refuses to let Captain Dallas (Tom Skerritt) and Navigator Lambert (Veronica Cartwright) back on board with quarantining.
Science Officer Ash (Ian Holm) overrides her command and brings them inside, but as the alien creature on Kane’s face evolves, it becomes clear that there’s more than one antagonist on board the ship and everyone, including Engineers Parker...
- 5/27/2024
- by Joe Lipsett
- bloody-disgusting.com
Exclusive: Dove Cameron (Schmigadoon!) and Avan Jogia (Orphan Black: Echoes) have been set to topline Obsession, a thriller series produced by Amazon MGM Studios and Atomic Monster, which was ordered at the end of last year.
Written and executive produced by Lisa Zwerling and Karyn Usher, the show is based on Catherine Ryan Howard’s 2021 international bestseller 56 Days. The story follows Oliver (Jogia) and Ciara (Cameron), who, after meeting randomly in a supermarket, fall for each other fast, and dangerously hard. 56 days later, homicide investigators arrive at Oliver’s apartment to find an unidentified body — brutally murdered and intentionally decomposed. Did he kill her? Did she kill him? Intercutting between an intense single day in the present investigation and the twisted trajectory of the young lovers’ affair in the past, the series is both a crime story and an erotic, psychological thriller.
James Wan, Michael Clear, and Rob Hackett...
Written and executive produced by Lisa Zwerling and Karyn Usher, the show is based on Catherine Ryan Howard’s 2021 international bestseller 56 Days. The story follows Oliver (Jogia) and Ciara (Cameron), who, after meeting randomly in a supermarket, fall for each other fast, and dangerously hard. 56 days later, homicide investigators arrive at Oliver’s apartment to find an unidentified body — brutally murdered and intentionally decomposed. Did he kill her? Did she kill him? Intercutting between an intense single day in the present investigation and the twisted trajectory of the young lovers’ affair in the past, the series is both a crime story and an erotic, psychological thriller.
James Wan, Michael Clear, and Rob Hackett...
- 5/23/2024
- by Matt Grobar and Nellie Andreeva
- Deadline Film + TV
Mubi has unveiled next month’s streaming lineup, featuring recent releases such as Hirokazu Kore-eda’s Monster, Tynan DeLong’s Dad & Step-Dad, and Rachel Lambert’s Sometimes I Think About Dying. Additional highlights include Ryusuke Hamaguchi’s Passion, Abbas Kiarostami’s Certified Copy, Alex Thompson’s Saint Frances (ahead of the release of Ghostlight), as well as a spotlight on the Ross Brothers following Mubi’s streaming release of Gasoline Rainbow at the end of this month.
“Everybody’s raising this Rashomon thing, but I feel that it’s fundamentally different from Rashomon, because in Rashomon, each character, when they go back through the story again, they actually end up being a different character within the film, within the story, whatever specific story it is,” Hirokazu Kore-eda told us last fall regarding Monster. “Whereas with this, the people don’t change, but the monster who appears, appears in different places.
“Everybody’s raising this Rashomon thing, but I feel that it’s fundamentally different from Rashomon, because in Rashomon, each character, when they go back through the story again, they actually end up being a different character within the film, within the story, whatever specific story it is,” Hirokazu Kore-eda told us last fall regarding Monster. “Whereas with this, the people don’t change, but the monster who appears, appears in different places.
- 5/21/2024
- by Jordan Raup
- The Film Stage
Heart-wrenching horror.
After kicking off May with discussions of Stephen Sommers’ perfect action-adventure-horror-romantic-comedy The Mummy (listen) and the iconic jump scare in the Audrey Hepburn-starring Wait Until Dark (listen), we’re delving into the real-life horrors of child sexual abuse in Gregg Araki‘s 2004 adaptation of Scott Heim‘s novel Mysterious Skin.
Mysterious Skin tells the story of how child sexual abuse affects the lives of two pre-adolescent boys in different ways. Neil (Joseph Gordon-Levitt) becomes a reckless, sexually adventurous sex worker, while Brian (Brady Corbet) retreats into a reclusive fantasy of alien abduction. The film is told in parallel narratives before culminating in a heart-breaking reunion that will change each boy’s life forever.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Google Podcasts, and RSS.
Episode 282:...
After kicking off May with discussions of Stephen Sommers’ perfect action-adventure-horror-romantic-comedy The Mummy (listen) and the iconic jump scare in the Audrey Hepburn-starring Wait Until Dark (listen), we’re delving into the real-life horrors of child sexual abuse in Gregg Araki‘s 2004 adaptation of Scott Heim‘s novel Mysterious Skin.
Mysterious Skin tells the story of how child sexual abuse affects the lives of two pre-adolescent boys in different ways. Neil (Joseph Gordon-Levitt) becomes a reckless, sexually adventurous sex worker, while Brian (Brady Corbet) retreats into a reclusive fantasy of alien abduction. The film is told in parallel narratives before culminating in a heart-breaking reunion that will change each boy’s life forever.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Google Podcasts, and RSS.
Episode 282:...
- 5/20/2024
- by Trace Thurman
- bloody-disgusting.com
Never Let Go: "From visionary director Alexandre Aja and the creative minds behind Stranger Things and Arrival comes Never Let Go. In this new psychological thriller/horror, as an Evil takes over the world beyond their front doorstep, the only protection for a mother, played by Academy Award® winner Halle Berry, and her twin sons is their house and their family’s protective bond. Needing to stay connected at all times – even tethering themselves with ropes – they cling to one another, urging each other to never let go. But when one of the boys questions if the evil is real, the ties that bind them together are severed, triggering a terrifying fight for survival."
Directed by: Alexandre Aja Written by: Kc Coughlin & Ryan Grassby Produced by: Shawn Levy, Dan Cohen, Dan Levine, Alexandre Aja Executive Producers: Halle Berry, Holly Jeter, Daniel Clarke, Emily Morris, Christopher Woodrow, Connor Digregorio Cast: Halle Berry,...
Directed by: Alexandre Aja Written by: Kc Coughlin & Ryan Grassby Produced by: Shawn Levy, Dan Cohen, Dan Levine, Alexandre Aja Executive Producers: Halle Berry, Holly Jeter, Daniel Clarke, Emily Morris, Christopher Woodrow, Connor Digregorio Cast: Halle Berry,...
- 5/16/2024
- by Jonathan James
- DailyDead
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThere Is No Evil.Facing eight years in prison, Mohammad Rasoulof has fled Iran for Europe and may even be in Cannes next week for the premiere of The Seed of the Sacred Fig. In a statement, he concludes, “Many people helped to make this film. My thoughts are with all of them, and I fear for their safety and well-being.”The US 10th Circuit Court of Appeals has ruled against Netflix in a case determining whether a video excerpted for Tiger King (2020–21) constituted fair use. The ruling may have far-reaching implications for documentary makers.Cannesa rumored list of ten alleged abusers in the film industry has not yet materialized, but Cannes reportedly has a crisis management team...
- 5/15/2024
- MUBI
The British Film Institute has partnered with film animation studio Laika to start its event series Stop Motion: Celebrating Hand-Crafted Animation On The Big Screen, which will offer free screenings for children under 16 and include Laika’s five films to date: “Coraline” (2009), “Paranorman” (2012), “The Boxtrolls” (2014), “Kubo and the Two Strings” (2016) and “Missing Link” (2019), all of which were nominated for the Academy Award for outstanding animated feature.
The season, curated by BFI Southbank Lead Programmer Justin Johnson, will take place from Aug. 1 through Oct. 9. Additional titles playing on the big screen throughout the season will include “King Kong” (1933), “Jason and the Argonauts” (1963), “Chicken Run” (2001), “Corpse Bride” (2005), “Coraline” (2009), “Fantastic Mr. Fox” (2009) and “Anomalisa” (2015).
A free exhibition at BFI Southbank, Laika: Frame x Frame, will also run and showcase the art, science and innovation of the studio’s films. The exhibition will allow visitors an exclusive look at puppets, sets and artifacts from...
The season, curated by BFI Southbank Lead Programmer Justin Johnson, will take place from Aug. 1 through Oct. 9. Additional titles playing on the big screen throughout the season will include “King Kong” (1933), “Jason and the Argonauts” (1963), “Chicken Run” (2001), “Corpse Bride” (2005), “Coraline” (2009), “Fantastic Mr. Fox” (2009) and “Anomalisa” (2015).
A free exhibition at BFI Southbank, Laika: Frame x Frame, will also run and showcase the art, science and innovation of the studio’s films. The exhibition will allow visitors an exclusive look at puppets, sets and artifacts from...
- 5/15/2024
- by Jazz Tangcay, Lexi Carson, Jack Dunn and Selena Kuznikov
- Variety Film + TV
After concluding April with discussions of Ciarán Foy’s Eli (listen) and David Cronenberg’s eXistenZ (listen), we kicked off May with a revisit of Stephen Sommers’ delightful 1999 film, The Mummy (listen).
Now we’re headed into the past with Terence Young‘s adaptation of Frederick Knott‘s “disabled woman in danger” play, Wait Until Dark (1967).
In the film, recently blind Susy (Audrey Hepburn) is menaced by a trio of strange men, including sexually perverse ring leader Roat (Alan Arkin), “nice guy” Talman (Richard Crenna) and portly Carlino (Jack Weston). The men are looking for a doll full of heroin, which is located somewhere in her apartment, but she doesn’t know where!
Can Susy figure out the scam with the help of upstairs neighbor girl Gloria (Julie Herrod) or will she wind up hanging in the closet like Roat’s poor accomplice Lisa (Samantha Jones)?
Be sure to subscribe...
Now we’re headed into the past with Terence Young‘s adaptation of Frederick Knott‘s “disabled woman in danger” play, Wait Until Dark (1967).
In the film, recently blind Susy (Audrey Hepburn) is menaced by a trio of strange men, including sexually perverse ring leader Roat (Alan Arkin), “nice guy” Talman (Richard Crenna) and portly Carlino (Jack Weston). The men are looking for a doll full of heroin, which is located somewhere in her apartment, but she doesn’t know where!
Can Susy figure out the scam with the help of upstairs neighbor girl Gloria (Julie Herrod) or will she wind up hanging in the closet like Roat’s poor accomplice Lisa (Samantha Jones)?
Be sure to subscribe...
- 5/13/2024
- by Joe Lipsett
- bloody-disgusting.com
A new Guy Ritchie project is launching at the Cannes market with Black Bear.
Plot details are being kept under wraps and casting is in process but Wife And Dog will deal with class in a similar vein to recent Netflix TV series The Gentlemen.
Ritchie is coming off the starry action-comedy The Ministry of Ungentlemanly Warfare as well as The Gentlemen. Apple pic Fountain Of Youth is in production and Black Bear project In The Grey is in post.
Warfare is the Jerry Bruckheimer-produced war movie starring Henry Cavill (Superman), Eiza González (Baby Driver), Alan Ritchson, Henry Golding, Henrique Zaga (Beyond The Universe), Alex Pettyfer, Cary Elwes (Operation Fortune: Ruse de Guerre), Hero Fiennes Tiffin (After franchise), Babs Olusanmokun and Til Schweiger. Black Bear was also in on that one.
Plot details are being kept under wraps and casting is in process but Wife And Dog will deal with class in a similar vein to recent Netflix TV series The Gentlemen.
Ritchie is coming off the starry action-comedy The Ministry of Ungentlemanly Warfare as well as The Gentlemen. Apple pic Fountain Of Youth is in production and Black Bear project In The Grey is in post.
Warfare is the Jerry Bruckheimer-produced war movie starring Henry Cavill (Superman), Eiza González (Baby Driver), Alan Ritchson, Henry Golding, Henrique Zaga (Beyond The Universe), Alex Pettyfer, Cary Elwes (Operation Fortune: Ruse de Guerre), Hero Fiennes Tiffin (After franchise), Babs Olusanmokun and Til Schweiger. Black Bear was also in on that one.
- 5/13/2024
- by Andreas Wiseman
- Deadline Film + TV
Guy Ritchie has another film in the works that doubles down on the British upper class.
The prolific director — already behind this year’s Netflix hit “The Gentlemen” and WWII action thriller “The Ministry of Ungentlemanly Warfare” — has unveiled his 18th feature film, “Wife and Dog,” with Black Bear launching sales in Cannes.
Plot details and cast are currently being kept under wraps, but Variety hears that with the film, Ritchie will return to the colorful, back-stabbing world of British aristocracy that he explored in both “The Gentlemen” Netflix series and 2019 feature. “Wife and Dog” will shoot in October, with an A-list cast reportedly in negotiations to star.
Ritchie wrote the screenplay and produces alongside long-time producing partner Ivan Atkinson and Black Bear’s John Friedberg. Executive producers include Teddy Schwarzman and Michael Heimler for Black Bear.
Ritchie is on a filmmaking streak at the moment, with four feature released in the last three years,...
The prolific director — already behind this year’s Netflix hit “The Gentlemen” and WWII action thriller “The Ministry of Ungentlemanly Warfare” — has unveiled his 18th feature film, “Wife and Dog,” with Black Bear launching sales in Cannes.
Plot details and cast are currently being kept under wraps, but Variety hears that with the film, Ritchie will return to the colorful, back-stabbing world of British aristocracy that he explored in both “The Gentlemen” Netflix series and 2019 feature. “Wife and Dog” will shoot in October, with an A-list cast reportedly in negotiations to star.
Ritchie wrote the screenplay and produces alongside long-time producing partner Ivan Atkinson and Black Bear’s John Friedberg. Executive producers include Teddy Schwarzman and Michael Heimler for Black Bear.
Ritchie is on a filmmaking streak at the moment, with four feature released in the last three years,...
- 5/13/2024
- by Alex Ritman
- Variety Film + TV
Exclusive: Jason Statham (Fast & Furious) has been set to lead a new action-thriller from director Baltasar Kormákur (Everest), which Black Bear is launching this week for the Cannes market.
In the currently untitled pic, Statham will play Mason who lives in isolation in a remote Scottish island. When he rescues a young girl from the ocean in a terrible storm, he sets a chain of events in motion that brings a violent attack to his hideaway, forcing him back into the world to confront the ghosts of his past.
Principal photography is scheduled to commence in November in the UK and Iceland with production services and filming to take place at Kormákur’s Rvk Studios facility in Reykjavik. Script comes from Ward Parry.
Producers include Statham (Levon’s Trade) for Punch Palace Productions, Kormákur for Rvk Studios, John Friedberg (The Ministry of Ungentlemanly Warfare) for Black Bear, and Jon Berg...
In the currently untitled pic, Statham will play Mason who lives in isolation in a remote Scottish island. When he rescues a young girl from the ocean in a terrible storm, he sets a chain of events in motion that brings a violent attack to his hideaway, forcing him back into the world to confront the ghosts of his past.
Principal photography is scheduled to commence in November in the UK and Iceland with production services and filming to take place at Kormákur’s Rvk Studios facility in Reykjavik. Script comes from Ward Parry.
Producers include Statham (Levon’s Trade) for Punch Palace Productions, Kormákur for Rvk Studios, John Friedberg (The Ministry of Ungentlemanly Warfare) for Black Bear, and Jon Berg...
- 5/13/2024
- by Andreas Wiseman
- Deadline Film + TV
Marking his first narrative feature in a decade, Mysterious Skin and The Doom Generation director Gregg Araki is returning with a new thriller. I Want Your Sex, scripted by Araki and Karley Sciortino, is set to star Olivia Wilde and the first details have been unveiled ahead of a summer shoot in Los Angeles.
Described as a “provocative thriller” which “blithely explores desire, domination, and fantasy, here’s the synopsis: “How far is too far? When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder. Featuring outrageous characters and a playful sense of humor, I Want Your...
Described as a “provocative thriller” which “blithely explores desire, domination, and fantasy, here’s the synopsis: “How far is too far? When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder. Featuring outrageous characters and a playful sense of humor, I Want Your...
- 5/10/2024
- by Jordan Raup
- The Film Stage
Gregg Araki is set to direct Olivia Wilde in his next feature, Black Bear’s provocative thriller “I Want Your Sex.”
The film features an original script penned by Araki and Karley Sciortino which blithely explores desire, domination and fantasy.
When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
Arlie Day (“To Leslie”) and Mike Page (“The Storied Life of A.J. Fikry”) are casting the picture. The film will be produced by Seth Caplan, a past winner of the John Cassavetes Award at the Film Independent Spirit Awards, alongside Black Bear’s Teddy Schwarzman and Michael Heimler.
The film features an original script penned by Araki and Karley Sciortino which blithely explores desire, domination and fantasy.
When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
Arlie Day (“To Leslie”) and Mike Page (“The Storied Life of A.J. Fikry”) are casting the picture. The film will be produced by Seth Caplan, a past winner of the John Cassavetes Award at the Film Independent Spirit Awards, alongside Black Bear’s Teddy Schwarzman and Michael Heimler.
- 5/9/2024
- by Katcy Stephan
- Variety Film + TV
Olivia Wilde (Don’t Worry Darling) has signed on to star in I Want Your Sex, a new thriller from director Gregg Araki (Mysterious Skin) and Black Bear.
Blithely exploring desire, domination and fantasy, the film asks the question, how far is too far? When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
Written by Karley Sciortino & Araki, the film will be produced by Seth Caplan, as well as Black Bear’s Teddy Schwarzman and Michael Heimler. Exec producers include John Friedberg and Courtney L. Cunniff. Black Bear will also fully finance the picture...
Blithely exploring desire, domination and fantasy, the film asks the question, how far is too far? When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
Written by Karley Sciortino & Araki, the film will be produced by Seth Caplan, as well as Black Bear’s Teddy Schwarzman and Michael Heimler. Exec producers include John Friedberg and Courtney L. Cunniff. Black Bear will also fully finance the picture...
- 5/9/2024
- by Matt Grobar
- Deadline Film + TV
Gregg Araki will direct Olivia Wilde in I Want Your Sex, an erotic thriller set in the art world which Black Bear is launching in Cannes next week.
The feature is based on a screenplay co-written by Karley Sciortino and Araki and is scheduled to start production in Los Angeles. Casting is underway.
A story of desire, domination and fantasy set against the art world, I Want Your Sex follows Elliot, who lands a job for renowned artist and provocateur Erika Tracy (Wilde) as her sexual muse.
However Elliot soon finds himself out of his depth as Erika takes him...
The feature is based on a screenplay co-written by Karley Sciortino and Araki and is scheduled to start production in Los Angeles. Casting is underway.
A story of desire, domination and fantasy set against the art world, I Want Your Sex follows Elliot, who lands a job for renowned artist and provocateur Erika Tracy (Wilde) as her sexual muse.
However Elliot soon finds himself out of his depth as Erika takes him...
- 5/9/2024
- ScreenDaily
Cannes Critics’ Week, now in its 63rd year, is always an opportunity to explore uncharted work from new and emerging filmmakers — and away from the glitter and glitz of the Croisette, where the main competition bows. Recent Critics’ Week Grand Prize winners have included everything from “Tiger Stripes,” a Malaysian coming-of-age debut opening in stateside theaters later this month, to 2019’s honoree “I Lost My Body,” the animated favorite that went on to be nominated for an Oscar.
Coming up in the Special Screenings category of Critics’ Week, Alexis Langlois makes their feature directorial debut with “Queens of Drama,” a French pop/punk musical that brings a mid-aughts camp sensibility to Cannes this year. Below, IndieWire shares an exclusive clip for the film along with a first-look image. “Queens of Drama” premieres at Critics’ Week on Saturday, May 18, with Charades handling sales.
Per the synopsis, in 2005, Mimi Madamour, the young pop idol,...
Coming up in the Special Screenings category of Critics’ Week, Alexis Langlois makes their feature directorial debut with “Queens of Drama,” a French pop/punk musical that brings a mid-aughts camp sensibility to Cannes this year. Below, IndieWire shares an exclusive clip for the film along with a first-look image. “Queens of Drama” premieres at Critics’ Week on Saturday, May 18, with Charades handling sales.
Per the synopsis, in 2005, Mimi Madamour, the young pop idol,...
- 5/9/2024
- by Ryan Lattanzio
- Indiewire
Sundance Institute announced today the fellows selected for the 2024 Directors, Screenwriters, and Native Labs. The Native Lab in New Mexico will support four fellows and two artists in residence, and the Directors Lab in Colorado will support the development of eight projects with nine fellows, with an additional three fellows also joining for the online Screenwriters Lab held immediately after.
For over four decades, Sundance Institute’s signature labs have provided filmmakers a nurturing, immersive environment to develop their projects and refine their artistic voice under the guidance of accomplished creative advisors.
The 2024 Native Lab, taking place in person in Santa Fe, New Mexico, from April 29–May 4, is designed for participants of Native and Indigenous backgrounds and focuses on centering Indigeneity in their storytelling. Fellows will build community and refine their feature film and episodic scripts through one-on-one feedback sections and roundtable discussions with advisors. Four fellows were selected: three who are U.
For over four decades, Sundance Institute’s signature labs have provided filmmakers a nurturing, immersive environment to develop their projects and refine their artistic voice under the guidance of accomplished creative advisors.
The 2024 Native Lab, taking place in person in Santa Fe, New Mexico, from April 29–May 4, is designed for participants of Native and Indigenous backgrounds and focuses on centering Indigeneity in their storytelling. Fellows will build community and refine their feature film and episodic scripts through one-on-one feedback sections and roundtable discussions with advisors. Four fellows were selected: three who are U.
- 4/29/2024
- by Valerie Complex
- Deadline Film + TV
“I Saw the TV Glow” director Jane Schoenbrun finally celebrated their second feature at the film’s New York City premiere on Wednesday, April 24, in partnership with Rooftop Films. But “I Saw the TV Glow” first premiered back in January at Sundance, under the banner of A24, and with Emma Stone and Dave McCary’s production company Fruit Tree.
“I sent it to [Fruit Tree] and a couple other people, and they were like, ‘Hey, we wanna work with you,'” Schoenbrun told IndieWire. “Then I got a call from Emma Stone who was like, ‘Thank you so much for your business,’ and I was like, ‘You’re welcome!'”
The visually striking film follows two teens who are obsessed with a disturbing young adult TV show that, once canceled, starts to bleed into reality for the characters. David Ehrlich wrote in IndieWire’s review that the film “marries the queer radicality...
“I sent it to [Fruit Tree] and a couple other people, and they were like, ‘Hey, we wanna work with you,'” Schoenbrun told IndieWire. “Then I got a call from Emma Stone who was like, ‘Thank you so much for your business,’ and I was like, ‘You’re welcome!'”
The visually striking film follows two teens who are obsessed with a disturbing young adult TV show that, once canceled, starts to bleed into reality for the characters. David Ehrlich wrote in IndieWire’s review that the film “marries the queer radicality...
- 4/29/2024
- by Vincent Perella
- Indiewire
The Cannes Film Festival has named the eight members of its main Competition jury who will join previously announced president Greta Gerwig in deciding the Palme d’Or and other key prizes at 77th edition running from May 14 to 25.
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
They are Turkish screenwriter and photographer Ebru Ceylan, U.S. actress Lily Gladstone, French actress Eva Green, Lebanese director and screenwriter Nadine Labaki, Spanish director and screenwriter J.A. Bayona, Italian actor Pierfrancisco Favino, Japanese director Hirokazu Kore-eda and French actor and producer Omar Sy.
The wife and long-time collaborator of Nuri Bilge Ceylan, screenwriter and photographer Ceylan co-wrote 2014 Palme d’Or winner Winter Sleep and also took co-writing credits on Cannes selected films Three Monkeys (Best Director Prize 2008), Once upon a time in Anatolia (Grand Prix 2011), The Wild Pear Tree (2018) and About Dry Grasses (2023).
Ceylan also appeared as an actress and took art director credits on her husband’s early films...
- 4/29/2024
- by Melanie Goodfellow
- Deadline Film + TV
Clockwise from top left: The Big Lebowski (Universal), 2001: A Space Odyssey (Warner Bros.), Half Baked (Universal/Screenshot/YouTube), Heavy Metal (Sony Pictures Home Entertainment)Graphic: AVClub
Congratulations, you’re high (in a state where it’s legal)! Depending on your mood and level of baked, you may find yourself...
Congratulations, you’re high (in a state where it’s legal)! Depending on your mood and level of baked, you may find yourself...
- 4/20/2024
- by Stacie Hougland
- avclub.com
Having received plenty of acclaim for indie horror pic We're All Going To The World's Fair, writer/director Jane Schoenbrun is back with her next film gig, this time for A24. Drawing on nostalgia, loneliness and LGBTQ issues, I Saw The TV Glow stars Justice Smith and Brigette Lundy-Paine. Check out the first, trippy trailer below:
The film, which is drawing comparisons to Gregg Araki's work, tells the story of Owen (played by Ian Foreman when he's younger and primarily by Smith) is just trying to survive life in the suburbs. He's having parental problems, but his life changes when he bonds with schoolmate Maddy (Lundy-Paine).
Maddy shares his fascination with mysterious late-night, Buffy-style YA horror drama called The Pink Opaque — a vision of a supernatural world beneath their own. As he dives deeper into the show, Owen’s view of reality begins to crack.
Boasting a killer soundtrack...
The film, which is drawing comparisons to Gregg Araki's work, tells the story of Owen (played by Ian Foreman when he's younger and primarily by Smith) is just trying to survive life in the suburbs. He's having parental problems, but his life changes when he bonds with schoolmate Maddy (Lundy-Paine).
Maddy shares his fascination with mysterious late-night, Buffy-style YA horror drama called The Pink Opaque — a vision of a supernatural world beneath their own. As he dives deeper into the show, Owen’s view of reality begins to crack.
Boasting a killer soundtrack...
- 2/29/2024
- by James White
- Empire - Movies
What happens when the line between reality and TV becomes a little too blurred?
For two outcast teens played by Justice Smith and Brigette Lundy-Paine in “I Saw the TV Glow,” a cult favorite horror series comes to life with haunting consequences. Writer/director Jane Schoenbrun’s A24 feature was one of IndieWire’s must-see films at Sundance 2024 and landed a coveted “A” rating from IndieWire critic David Ehrlich.
The film, which homages everything from the eerie vibes of David Lynch’s “Twin Peaks: The Return” to late-night Nickelodeon ’90s television, follows teens who “bond over their shared love of a scary television show, but the boundary between TV and reality begins to blur after it is mysteriously canceled,” per the official synopsis.
Helena Howard, Lindsey Jordan, Phoebe Bridgers, Fred Durst, Danielle Deadwyler, and Sloppy Jane round out the cast.
Writer/director Schoenbrun’s feature debut “We’re All Going to the World’s Fair...
For two outcast teens played by Justice Smith and Brigette Lundy-Paine in “I Saw the TV Glow,” a cult favorite horror series comes to life with haunting consequences. Writer/director Jane Schoenbrun’s A24 feature was one of IndieWire’s must-see films at Sundance 2024 and landed a coveted “A” rating from IndieWire critic David Ehrlich.
The film, which homages everything from the eerie vibes of David Lynch’s “Twin Peaks: The Return” to late-night Nickelodeon ’90s television, follows teens who “bond over their shared love of a scary television show, but the boundary between TV and reality begins to blur after it is mysteriously canceled,” per the official synopsis.
Helena Howard, Lindsey Jordan, Phoebe Bridgers, Fred Durst, Danielle Deadwyler, and Sloppy Jane round out the cast.
Writer/director Schoenbrun’s feature debut “We’re All Going to the World’s Fair...
- 2/28/2024
- by Samantha Bergeson
- Indiewire
Oh, it’s such a wonderful film, this one. The Missing deals with such a delicate issue with such tenderness that it has to be one of the better films of the year. Also, as it is an animated film, it kind of makes it easier to see it through a child’s lens, but it is not a children’s film. There is the topic of sexual abuse seated at the very core of the film, and how the trauma imparted from it ruins the life of a person. The film is hopeful in its explorations as it talks about how love, care, and emotional support are the only ways to get out of hell. But the great thing about The Missing is that it finds a metaphor to talk about these sensitive topics. Much like Gregg Araki’s Mysterious Skin, there are clever yet empathetic ways here to...
- 2/25/2024
- by Ayush Awasthi
- Film Fugitives
Ethan Coen’s Drive-Away Dolls certainly pulls from the aesthetic and narrative party bags of noir and road movies. It even indulges the pleasures of high lesbian camp as two friends are drawn into a government-connected conspiracy. But to call it pastiche, a term that could be handily affixed to any number of films by the Coen brothers, is inadequate here given the rollicking, casual, intimate nature of Drive-Away Dolls’s relationship to its generic forebearers. In the classic queer punk tradition of Bruce Labruce, John Waters, and Gregg Araki, Coen’s film knows when to pay homage and when to move to its own rhythm.
In its curious way, the film’s formulation of sameness and difference—conveyed through the way that it invokes everything from Faster, Pussycat! Kill! Kill! to Kiss Me Deadly, as well as through the yin and yang of fuckgirl Jamie (Margaret Qualley) and the...
In its curious way, the film’s formulation of sameness and difference—conveyed through the way that it invokes everything from Faster, Pussycat! Kill! Kill! to Kiss Me Deadly, as well as through the yin and yang of fuckgirl Jamie (Margaret Qualley) and the...
- 2/21/2024
- by Kyle Turner
- Slant Magazine
Euphoria starlet Barbie Ferreira and French musician/actress Soko attend the Bjork photo exhibition by Spike Jonze curated by Humberto Leon at his Los Angeles restaurant and gallery space Arroz & Fun on Thursday (February 15).
WeTransfer presented the opening night of the exhibition of unseen photographs, called The Day I Met Björk, which is free and open to the public now through May. It unveils over 25 previously unseen images taken in summer 1995 at the Chateau Marmont.
Other attendees included Kim Gordon, Gregg Araki, Rivers Cuomo, Soo Joo Park, Edison Chen, Arianne Phillips, Shirley Kurata, Carol Lim, Chella Man and DJ Olive Kimoto who kept the tunes spinning all night.
Guests enjoyed a bespoke menu from Arroz & Fun including the ‘Spike Jonze’ Peruvian wonton; Cool Ranch Doritos with crème fraiche and Oestra caviar; Szechuan mac & cheese; and a Chinese ‘shake-shake’ spiced tater tots.
To bring the images to fans around the world,...
WeTransfer presented the opening night of the exhibition of unseen photographs, called The Day I Met Björk, which is free and open to the public now through May. It unveils over 25 previously unseen images taken in summer 1995 at the Chateau Marmont.
Other attendees included Kim Gordon, Gregg Araki, Rivers Cuomo, Soo Joo Park, Edison Chen, Arianne Phillips, Shirley Kurata, Carol Lim, Chella Man and DJ Olive Kimoto who kept the tunes spinning all night.
Guests enjoyed a bespoke menu from Arroz & Fun including the ‘Spike Jonze’ Peruvian wonton; Cool Ranch Doritos with crème fraiche and Oestra caviar; Szechuan mac & cheese; and a Chinese ‘shake-shake’ spiced tater tots.
To bring the images to fans around the world,...
- 2/16/2024
- by Just Jared
- Just Jared
"Buffy the Vampire Slayer" was a major moment in vampire media, but the show didn't limit itself to fanged heartthrobs. Buffy fought her fair share of demons and deities, but there was one type of villain that kept popping up throughout the hit series' seven seasons — robots. Probably the most memorable robot in the show is the Buffybot, a robot girlfriend commissioned by bad-boy vamp Spike to quench his unrequited crush. But before Buffybot, the android that started it all was Ted.
Ted is, by all appearances, your run-of-the-mill middle-aged man from suburbia, and he's dating Buffy's mom in the season 2 episode "Ted." He manages to win all of her friends over, but Buffy isn't having it. As it turns out, her suspicions are proven correct — Ted was a killer robot all along.
The robot is played by John Ritter, who was best known for the long-running sitcoms "Three's Company" and,...
Ted is, by all appearances, your run-of-the-mill middle-aged man from suburbia, and he's dating Buffy's mom in the season 2 episode "Ted." He manages to win all of her friends over, but Buffy isn't having it. As it turns out, her suspicions are proven correct — Ted was a killer robot all along.
The robot is played by John Ritter, who was best known for the long-running sitcoms "Three's Company" and,...
- 2/6/2024
- by Shae Sennett
- Slash Film
‘I Saw the TV Glow’ Review: Justice Smith in a Knockout Teen Drama About Art, Obsession and Identity
Self-discovery can be a painful process, ripping apart everything you thought you knew about the world and your place in it. But even more painful and terrifying is the denial of self. Looking in the mirror and turning away from the truth staring right back at you. It’s hard to understand why we do it — if we only get one life, why not live it authentically? And what happens to us when we live with parts of ourselves sealed away? What kind of life is that? How can anyone love you when you’re never really there?
Owen (Justice Smith) is a gentle, soft-spoken teen, afraid to break out of his shell. He’s been that way since he was a child, growing up with his attentive mother (Danielle Deadwyler) and distant father (Fred Durst). Though he feels drawn to his mother, quietly admiring her beauty and emotional honesty,...
Owen (Justice Smith) is a gentle, soft-spoken teen, afraid to break out of his shell. He’s been that way since he was a child, growing up with his attentive mother (Danielle Deadwyler) and distant father (Fred Durst). Though he feels drawn to his mother, quietly admiring her beauty and emotional honesty,...
- 1/21/2024
- by Jourdain Searles
- The Hollywood Reporter - Movie News
Editor’s Note: This review originally published during the 2024 Sundance Film Festival. A24 will release “I Saw the TV Glow” in theaters on Friday, May 3.
Sinister and liberating in equal measure (and often at the same time), Jane Schoenbrun’s ultra-lo-fi “We’re All Going to the World’s Fair” leveraged the inherent loneliness of webcams and the performative danger of online creepypasta into a haunting portrait of the potentially dysphoric relationship between screens and identity in the internet age. The kind of sui generis shot in the dark that feels like it could only have been made by someone who wasn’t sure if anyone would see it, Schoenbrun’s first movie is one of the rare coming-of-age films that manages to embody the full dread and possibility of self-recognition, and for that reason it almost immediately resonated with an audience of people — trans people in particular — who’d been waiting...
Sinister and liberating in equal measure (and often at the same time), Jane Schoenbrun’s ultra-lo-fi “We’re All Going to the World’s Fair” leveraged the inherent loneliness of webcams and the performative danger of online creepypasta into a haunting portrait of the potentially dysphoric relationship between screens and identity in the internet age. The kind of sui generis shot in the dark that feels like it could only have been made by someone who wasn’t sure if anyone would see it, Schoenbrun’s first movie is one of the rare coming-of-age films that manages to embody the full dread and possibility of self-recognition, and for that reason it almost immediately resonated with an audience of people — trans people in particular — who’d been waiting...
- 1/19/2024
- by David Ehrlich
- Indiewire
The film is directed by five rising female directors.
Six rising female directors from around the world have joined forces for the animation anthology Animal Tales Of Christmas Magic which is being launched by The Bureau Sales at this week’s Rendez -Vous With French Cinema in Paris this week.
Caroline Attia, Ceylan Beyoglu, Olesya Shchukina, Haruna Kishi, Camille Almeras and Natalia Chernysheva have used uses poetry and humour to tell five Christmas stories that take place across the globe from Japan to the Far North and the Northern Lights.
The stories are all told in 2D digital animation, and...
Six rising female directors from around the world have joined forces for the animation anthology Animal Tales Of Christmas Magic which is being launched by The Bureau Sales at this week’s Rendez -Vous With French Cinema in Paris this week.
Caroline Attia, Ceylan Beyoglu, Olesya Shchukina, Haruna Kishi, Camille Almeras and Natalia Chernysheva have used uses poetry and humour to tell five Christmas stories that take place across the globe from Japan to the Far North and the Northern Lights.
The stories are all told in 2D digital animation, and...
- 1/15/2024
- by Rebecca Leffler
- ScreenDaily
Going into its third year of film programming, The Academy Museum of Motion Pictures Museum has an established style: unabashedly eclectic. This winter it will showcase everything from an Oscar-friendly George Stevens Lecture with Christopher Nolan, who will present a 70th anniversary screening of classic western “Shane;” the first-ever retrospective on Korean actor Song Kang-Ho (“Parasite”); a 10th-anniversary screening of Oscar-winner “12 Years a Slave” with director Steve McQueen; a spotlight on African cinema guest programmed by Mo Abudu and co-presented with the NAACP; and a series on natural disasters in movies that kicks off with “Twister” in 35 mm.
“There are multiple histories of cinema,” said chief audience officer Amy Homma over Zoom. “And what better way to show that than with screening as many wildly diverse, broad-ranging series, genres, and decades-spanning titles as possible? Our cinematheque program is hundreds of screenings per year and we’re screening eight to 10 titles per week.
“There are multiple histories of cinema,” said chief audience officer Amy Homma over Zoom. “And what better way to show that than with screening as many wildly diverse, broad-ranging series, genres, and decades-spanning titles as possible? Our cinematheque program is hundreds of screenings per year and we’re screening eight to 10 titles per week.
- 11/8/2023
- by Anne Thompson
- Indiewire
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
“50 from the ’50s” continues with films by Howard Hawks, Elia Kazan, Stanley Donen, and many more.
Bam
“Let the Record Show” offers films built from archival material.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with The Curious Case of Benjamin Button on 35mm and two by Maren Ade.
Anthology Film Archives
Work by John Carpenter, Stuart Gordon, and more play in a series of films inspired by H.P. Lovecraft, while two from Buñuel show in “Essential Cinema.”
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain and Army of Darkness play late; Oldboy screens in a new restoration.
Museum of Modern Art
A series on pre-revolution Iranian cinema is underway, as well as a collection of female-made silent cinema.
Roxy Cinema
The Shining...
Film Forum
“50 from the ’50s” continues with films by Howard Hawks, Elia Kazan, Stanley Donen, and many more.
Bam
“Let the Record Show” offers films built from archival material.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with The Curious Case of Benjamin Button on 35mm and two by Maren Ade.
Anthology Film Archives
Work by John Carpenter, Stuart Gordon, and more play in a series of films inspired by H.P. Lovecraft, while two from Buñuel show in “Essential Cinema.”
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain and Army of Darkness play late; Oldboy screens in a new restoration.
Museum of Modern Art
A series on pre-revolution Iranian cinema is underway, as well as a collection of female-made silent cinema.
Roxy Cinema
The Shining...
- 11/3/2023
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Bam
A series on Halloween-set movies is underway, including Halloween and Halloween III.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with Kiyoshi Kurosawa’s Pulse and The Village, both on 35mm.
Anthology Film Archives
Work by Peter Weir, Stuart Gordon, and more play in a series of films inspired by H.P. Lovecraft.
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain and The Raid: Redemption play late; Oldboy and Gregg Araki’s Nowhere screen in new restorations.
Museum of Modern Art
A series on pre-revolution Iranian cinema is underway, as well as a collection of female-made silent cinema.
Roxy Cinema
Prints of The Shining, Coppola’s Dracula, and Halloween III play, as does Messiah of Evil.
The post NYC Weekend Watch: Halloween, Kiyoshi Kurosawa, Messiah...
Bam
A series on Halloween-set movies is underway, including Halloween and Halloween III.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with Kiyoshi Kurosawa’s Pulse and The Village, both on 35mm.
Anthology Film Archives
Work by Peter Weir, Stuart Gordon, and more play in a series of films inspired by H.P. Lovecraft.
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain and The Raid: Redemption play late; Oldboy and Gregg Araki’s Nowhere screen in new restorations.
Museum of Modern Art
A series on pre-revolution Iranian cinema is underway, as well as a collection of female-made silent cinema.
Roxy Cinema
Prints of The Shining, Coppola’s Dracula, and Halloween III play, as does Messiah of Evil.
The post NYC Weekend Watch: Halloween, Kiyoshi Kurosawa, Messiah...
- 10/27/2023
- by Nick Newman
- The Film Stage
New restorations of Gregg Araki’s “Nowhere” and “The Doom Generation” have generated renewed interest in the director’s filmography and contribution to the teenage indie film canon. While teen movies are often distinct products of their time, Araki’s punk-infused coming-of-age sagas continue to enchant large audiences of film geeks who are drawn to his distinct vision.
In a conversation with Richard Linklater for Interview Magazine, Araki reflected on the frenetic energy that allows the films to feel so fresh nearly 30 years after their original releases.
“We’ve been talking about this a lot on this ‘Nowhere’ press tour,” Araki said. “One of the things that makes ‘Nowhere’ and ‘Doom’ special is they do have that angst and that anger and that fucking confusion of being young and all that. But because of the influence of punk rock, new wave music, there’s a level of fun and joy.
In a conversation with Richard Linklater for Interview Magazine, Araki reflected on the frenetic energy that allows the films to feel so fresh nearly 30 years after their original releases.
“We’ve been talking about this a lot on this ‘Nowhere’ press tour,” Araki said. “One of the things that makes ‘Nowhere’ and ‘Doom’ special is they do have that angst and that anger and that fucking confusion of being young and all that. But because of the influence of punk rock, new wave music, there’s a level of fun and joy.
- 10/14/2023
- by Christian Zilko
- Indiewire
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Woody Allen’s Husbands and Wives, Chinatown, The Third Man, and Lucio Fulci’s The Beyond all show on 35mm.
Anthology Film Archives
Five films by Robert Bresson screen in Essential Cinema this weekend.
Lincoln Center
NYFF Revivals closes with Un rêve plus long que la nuit on Sunday.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with Inside Llewyn Davis and Lake Mungo.
IFC Center
sex, lies, and videotape, The Holy Mountain, Being John Malkovich, Friday the 13th: Part VI, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
The post NYC Weekend Watch: Chinatown, Robert Bresson, Inside Llewyn Davis & More first appeared on The Film Stage.
Roxy Cinema
Woody Allen’s Husbands and Wives, Chinatown, The Third Man, and Lucio Fulci’s The Beyond all show on 35mm.
Anthology Film Archives
Five films by Robert Bresson screen in Essential Cinema this weekend.
Lincoln Center
NYFF Revivals closes with Un rêve plus long que la nuit on Sunday.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with Inside Llewyn Davis and Lake Mungo.
IFC Center
sex, lies, and videotape, The Holy Mountain, Being John Malkovich, Friday the 13th: Part VI, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
The post NYC Weekend Watch: Chinatown, Robert Bresson, Inside Llewyn Davis & More first appeared on The Film Stage.
- 10/13/2023
- by Nick Newman
- The Film Stage
John Carpenter is still in shock that he watched “Barbie.”
The “Halloween” and “The Thing” director told the Los Angeles Times that elements of Greta Gerwig’s history-making billion-dollar film went “right over” his head, but nevertheless, lead actress Margot Robbie was “fabulous.”
When asked if he’s seen movies in theaters, Carpenter replied, “I don’t go out. I haven’t been to a movie in a while, but I see them at my house. I’ll see it there.”
He continued, “I watched ‘Barbie.’ I can’t believe I watched ‘Barbie.’ It’s just not my generation. I had nothing to do with Barbie dolls. I didn’t know who Allan was. I mean, I can sum it up. She says, ‘I don’t have a vagina,’ and then at the end, ‘I’m going to go to a gynecologist!’ That’s the movie to me.”
Carpenter added,...
The “Halloween” and “The Thing” director told the Los Angeles Times that elements of Greta Gerwig’s history-making billion-dollar film went “right over” his head, but nevertheless, lead actress Margot Robbie was “fabulous.”
When asked if he’s seen movies in theaters, Carpenter replied, “I don’t go out. I haven’t been to a movie in a while, but I see them at my house. I’ll see it there.”
He continued, “I watched ‘Barbie.’ I can’t believe I watched ‘Barbie.’ It’s just not my generation. I had nothing to do with Barbie dolls. I didn’t know who Allan was. I mean, I can sum it up. She says, ‘I don’t have a vagina,’ and then at the end, ‘I’m going to go to a gynecologist!’ That’s the movie to me.”
Carpenter added,...
- 10/11/2023
- by Samantha Bergeson
- Indiewire
John Tilley, a longtime distribution exec and advocate for independent film at companies including United Artists Classics, Cinevista and Strand, who was instrumental in introducing the films of Pedro Almodovar to U.S. audiences, died Sunday in New York City. He was 75.
“John was always a consummate encyclopedia of knowledge of the industry, and his pool of friends and colleagues from around the globe always created a sense of family in Cannes, Berlin and more. His work at Strand Releasing was invaluable,” said Marcus Hu, co-president of Strand Releasing.
Filmmaker Ira Sachs said, “John was one of the first people I met in the film business, and he remained one of the kindest. He was open, curious, passionate, opinionated, and wise, and he knew the history of American and queer independent cinema like few others. His loss represents the passing of a generation of pioneers that created the community and industry that we know today.
“John was always a consummate encyclopedia of knowledge of the industry, and his pool of friends and colleagues from around the globe always created a sense of family in Cannes, Berlin and more. His work at Strand Releasing was invaluable,” said Marcus Hu, co-president of Strand Releasing.
Filmmaker Ira Sachs said, “John was one of the first people I met in the film business, and he remained one of the kindest. He was open, curious, passionate, opinionated, and wise, and he knew the history of American and queer independent cinema like few others. His loss represents the passing of a generation of pioneers that created the community and industry that we know today.
- 10/11/2023
- by Pat Saperstein
- Variety Film + TV
Gregg Araki has no time for the “weariness” of film journalists.
The “Doom Generation” director, while in conversation with Richard Linklater for Interview magazine, criticized the trend of asking acclaimed filmmakers their thoughts on “Barbie” and “Oppenheimer.” Araki referred to a “clickbait” story where Linklater told a reporter that he saw “Barbie” multiple times and thought “Barbenheimer” was “the best thing that happened to cinema in a while.”
“I read a clickbait on you. It’s like, ‘Rick Linklater loved “Barbie.” He saw it three times,'” Araki said. “I was like, ‘Really, this is your story? You’re talking to fucking Rick Linklater and you want to talk about “Barbie”?'”
Linklater clarified his comments, saying, “Yeah, they get you on the red carpet, and it’s that last question in an interview where you’re just in a mood and you tell them the truth, but it’s...
The “Doom Generation” director, while in conversation with Richard Linklater for Interview magazine, criticized the trend of asking acclaimed filmmakers their thoughts on “Barbie” and “Oppenheimer.” Araki referred to a “clickbait” story where Linklater told a reporter that he saw “Barbie” multiple times and thought “Barbenheimer” was “the best thing that happened to cinema in a while.”
“I read a clickbait on you. It’s like, ‘Rick Linklater loved “Barbie.” He saw it three times,'” Araki said. “I was like, ‘Really, this is your story? You’re talking to fucking Rick Linklater and you want to talk about “Barbie”?'”
Linklater clarified his comments, saying, “Yeah, they get you on the red carpet, and it’s that last question in an interview where you’re just in a mood and you tell them the truth, but it’s...
- 10/10/2023
- by Samantha Bergeson
- Indiewire
In a conversation with fellow auteur Gregg Araki for Interview Magazine, Richard Linklater revealed that he hopes to shoot a movie in French, shot on location in Paris.
Araki said to the director, “I saw Ruby Rich last night. She did the Q&a for our ‘Nowhere’ screening at IFC Center. And she was saying that you’re shooting something in Paris?”
Linklater corrected that he isn’t shooting there yet, but confirmed his dream to do so: “Yeah, in French. It’s like a New Wave film.”
Linklater has thus far only made English-language films, but he has shot in France before. The second film in his “Before” romance trilogy, “Before Sunset,” starring Ethan Hawke and Julie Delpy, takes place in Paris. With the American Jesse falling in love with French Céline over the course of one day in Vienna in the first film “Before Sunrise,” their different nationalities...
Araki said to the director, “I saw Ruby Rich last night. She did the Q&a for our ‘Nowhere’ screening at IFC Center. And she was saying that you’re shooting something in Paris?”
Linklater corrected that he isn’t shooting there yet, but confirmed his dream to do so: “Yeah, in French. It’s like a New Wave film.”
Linklater has thus far only made English-language films, but he has shot in France before. The second film in his “Before” romance trilogy, “Before Sunset,” starring Ethan Hawke and Julie Delpy, takes place in Paris. With the American Jesse falling in love with French Céline over the course of one day in Vienna in the first film “Before Sunrise,” their different nationalities...
- 10/10/2023
- by Jaden Thompson
- Variety Film + TV
After the immense back-to-back reception of Before Midnight and Boyhood, Ricard Linklater hasn’t been stuck in a creative rut per se, with highlights such as Everybody Wants Some!! and Apollo 10½: A Space Age Childhood, but it’s safe to say he’s earned the most acclaim in quite some time with Hit Man. With the Glen Powell collaboration picked up by Netflix, hopefully the studio gives it more love than their last Linklater release. Now, the director has already revealed the first tidbits about his next project.
Speaking to Gregg Araki for Interview Magazine, Linklater has unveiled he’s planning to shoot a French-language film in Paris with French actors. “It’s like a New Wave film,” the director noted. Considering Linklater’s Antoine Doinel-esque cinematic experiment with Boyhood, not to mention how many of his films incorporate a fleet-footed formalness so synonymous with the French New Wave,...
Speaking to Gregg Araki for Interview Magazine, Linklater has unveiled he’s planning to shoot a French-language film in Paris with French actors. “It’s like a New Wave film,” the director noted. Considering Linklater’s Antoine Doinel-esque cinematic experiment with Boyhood, not to mention how many of his films incorporate a fleet-footed formalness so synonymous with the French New Wave,...
- 10/10/2023
- by Leonard Pearce
- The Film Stage
"There's gotta be somebody out there somewhere..." Strand Releasing is opening this new 4K restoration of the film Nowhere in select art house theaters - it's showing now, check your local listings. The film also recently screened at Fantastic Fest last month. Nowhere was filmmaker Gregg Araki's sixth feature at the time, showing at the Sitges & London Film Festivals that year after opening in the US. Strand also re-release Araki's The Doom Generation earlier in 2023. Nowhere follows a day in the lives of a group of Los Angeles high school students and the strange lives they lead. Featuring an impressive ensemble cast from the period with Guillermo Diaz, Alan Boyce, Jeremy Jordan, Chiara Mastroianni, Debi Mazar, Christina Applegate, Scott Cain, Heather Graham, Ryan Phillippe, Traci Lords, Shannen Doherty, Rose McGowan, Jaason Simmons, and Jordan Ladd. This is dubbed a "4K Remixed & Remastered version" of the film that critics call "sexy,...
- 10/8/2023
- by Alex Billington
- firstshowing.net
Where to start with Gregg Araki‘s “Nowhere“? The culminating film of the director’s “Apocalypse” trilogy, the movie has always been hard to track down for various reasons. For one, it never received a proper DVD release, only VHS and Laserdisc. But it’s also the most hedonistic of Araki’s early work, with the MPAA and Fine Line Features (the film’s distributor) demanding that Araki cut out explicit sequences after its 1997 premiere at Sundance.
Continue reading ‘Nowhere’ Trailer: Gregg Araki’s Trippy Gen-x Cult Film Gets An Uncut 4K Restoration at The Playlist.
Continue reading ‘Nowhere’ Trailer: Gregg Araki’s Trippy Gen-x Cult Film Gets An Uncut 4K Restoration at The Playlist.
- 10/6/2023
- by Ned Booth
- The Playlist
NYC Weekend Watch is our weekly round-up of repertory offerings.
Lincoln Center
NYFF Revivals continues with Abraham’s Valley, The Dupes, Household Saints, Un rêve plus long que la nuit, and shorts by Man Ray.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing Friday and Sunday with Terence Davies’ The Deep Blue Sea on 35mm.
Roxy Cinema
The Double Life of Veronique, I’m Gonna Git You Sucka, The Hills Have Eyes, and The Devil’s Rejects show on 35mm.
IFC Center
Frankenstein, The Holy Mountain, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
The post NYC Weekend Watch: NYFF Revivals, The Deep Blue Sea, The Double Life of Veronique & More first appeared on The Film Stage.
Lincoln Center
NYFF Revivals continues with Abraham’s Valley, The Dupes, Household Saints, Un rêve plus long que la nuit, and shorts by Man Ray.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing Friday and Sunday with Terence Davies’ The Deep Blue Sea on 35mm.
Roxy Cinema
The Double Life of Veronique, I’m Gonna Git You Sucka, The Hills Have Eyes, and The Devil’s Rejects show on 35mm.
IFC Center
Frankenstein, The Holy Mountain, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
The post NYC Weekend Watch: NYFF Revivals, The Deep Blue Sea, The Double Life of Veronique & More first appeared on The Film Stage.
- 10/5/2023
- by Nick Newman
- The Film Stage
The latest cult classic to get a 4K re-release is Gregg Araki’s 1997 Gen X trip “Nowhere,” courtesy of Strand Releasing. An apocalyptic dive into a world of teens more hedonistic and revelry-making than the scary wake-up call of Araki’s “The Doom Generation” two years prior, the perverse L.A.-set “Nowhere” has a killer soundtrack including Radiohead, Slowdive, Hole, Sonic Youth, Massive Attack, Portishead, Nine Inch Nails, The Jesus and Mary Chain, and much more to add to the teenage moodiness. Strand is currently touring the restored (and uncut) film nationwide starting Friday, October 6, and IndieWire shares the exclusive new trailer below.
The cast is led by James Duval, Rachel True, Nathan Bexton, Chiara Mastroianni, Debi Mazar, Kathleen Robertson, Christina Applegate, Ryan Phillippe, Heather Graham, and Mena Suvari, with appearances from Denise Richards, Shannen Doherty, Rose McGowan, and John Ritter. The final film in Araki’s “Teen Apocalypse” trilogy,...
The cast is led by James Duval, Rachel True, Nathan Bexton, Chiara Mastroianni, Debi Mazar, Kathleen Robertson, Christina Applegate, Ryan Phillippe, Heather Graham, and Mena Suvari, with appearances from Denise Richards, Shannen Doherty, Rose McGowan, and John Ritter. The final film in Araki’s “Teen Apocalypse” trilogy,...
- 10/3/2023
- by Ryan Lattanzio
- Indiewire
“Paw Patrol: The Mighty Movie” (Paramount) topped “Saw X” (Lionsgate) by a healthy $5 million ($23 million to $18 million) on a weekend when either seemed feasible at #1. However, the order here isn’t the real story.
While a “Paw”/”Saw” convergence isn’t exactly the second coming of “Barbie” and “Oppenheimer,” it’s still two films with very different appeal that clicked on the same weekend and will end up in profit.
“The Creator” (Disney) ranked as #3 with $14 million, which isn’t the problem so much as its expense. The Gareth Edwards-directed sci-fi actioner in which humans battle AI drew praise for its visual design at a price, but a modest debut for the New Regency production is a setback for those hoping creativity and originality might launch this higher.
Still, that does mean three films grossed over $14 million in September, which is by no means a sure thing. The total gross looks like around $86 million,...
While a “Paw”/”Saw” convergence isn’t exactly the second coming of “Barbie” and “Oppenheimer,” it’s still two films with very different appeal that clicked on the same weekend and will end up in profit.
“The Creator” (Disney) ranked as #3 with $14 million, which isn’t the problem so much as its expense. The Gareth Edwards-directed sci-fi actioner in which humans battle AI drew praise for its visual design at a price, but a modest debut for the New Regency production is a setback for those hoping creativity and originality might launch this higher.
Still, that does mean three films grossed over $14 million in September, which is by no means a sure thing. The total gross looks like around $86 million,...
- 10/1/2023
- by Tom Brueggemann
- Indiewire
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, starting this weekend with A Lion in the House, Femme Fatale, and Summer Hours, all on 35mm.
Paris Theater
The Paris has reopened with a Saturday-morning 70mm screening of Playtime.
Roxy Cinema
The Third Man, Knock Knock, Klute, and Great Expectations show on 35mm.
Metrograph
An extensive retrospective of the great Robby Müller has begun.
IFC Center
The new restoration of Shinji Somai’s Typhoon Club continues; All That Jazz, Delicatessen, The Holy Mountain, The Lords of Salem, Sleepy Hollow, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
Film Forum
A new 4K restoration of Farewell, My Concubine begins; Shrek plays on Sunday
The post NYC Weekend Watch: Summer Hours, Klute, Gregg Araki & More first appeared on The Film Stage.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, starting this weekend with A Lion in the House, Femme Fatale, and Summer Hours, all on 35mm.
Paris Theater
The Paris has reopened with a Saturday-morning 70mm screening of Playtime.
Roxy Cinema
The Third Man, Knock Knock, Klute, and Great Expectations show on 35mm.
Metrograph
An extensive retrospective of the great Robby Müller has begun.
IFC Center
The new restoration of Shinji Somai’s Typhoon Club continues; All That Jazz, Delicatessen, The Holy Mountain, The Lords of Salem, Sleepy Hollow, and Gregg Araki’s Nowhere play while Oldboy screens in a new restoration.
Film Forum
A new 4K restoration of Farewell, My Concubine begins; Shrek plays on Sunday
The post NYC Weekend Watch: Summer Hours, Klute, Gregg Araki & More first appeared on The Film Stage.
- 9/29/2023
- by Nick Newman
- The Film Stage
The largest genre film festival in the U.S. has some of the biggest names in Hollywood attending its 2023 edition. The Los Angeles-based Beyond Fest announced the slate of films and special screenings for the 11th edition, running September 26 through October 10.
This year’s Beyond Fest boasts 55 films across 15 days, including a special screening of “The Abyss” with director James Cameron, Michael Mann in attendance for a “Manhunter” screening, “Pacific Rim” with Guillermo del Toro, Gregg Araki for “Nowhere,” and a panel discussion between Roger Corman and collaborators Ron Howard, Jon Davison, Amy Holden Jones, Joe Dante, and Allan Arkush following the release of new 35mm prints of Corman’s “Rock ‘n Roll High School,” “Piranha,” “Grand Theft Auto,” and “The Raven.”
A special screening of “Caligula: The Ultimate Cut” will feature actor Malcolm McDowell in conversation with archivist/author Thomas Negovan, moderated by critic Stephen Farber. “You Must Remember...
This year’s Beyond Fest boasts 55 films across 15 days, including a special screening of “The Abyss” with director James Cameron, Michael Mann in attendance for a “Manhunter” screening, “Pacific Rim” with Guillermo del Toro, Gregg Araki for “Nowhere,” and a panel discussion between Roger Corman and collaborators Ron Howard, Jon Davison, Amy Holden Jones, Joe Dante, and Allan Arkush following the release of new 35mm prints of Corman’s “Rock ‘n Roll High School,” “Piranha,” “Grand Theft Auto,” and “The Raven.”
A special screening of “Caligula: The Ultimate Cut” will feature actor Malcolm McDowell in conversation with archivist/author Thomas Negovan, moderated by critic Stephen Farber. “You Must Remember...
- 9/14/2023
- by Samantha Bergeson
- Indiewire
In the late 1980s, Gregg Araki began making movies. He made films on a shoestring budget with a do-it-yourself mindset–not due to any kind of loyalty to the auteur theory, but the constraints of what he had at his disposal. In 1992, he made The Living End, a tale of two HIV-positive gay men, a loner and a film critic, who set off on a bloody, ferocious adventure. The film was dedicated to “the hundreds of thousands who’ve died and the hundreds of thousands more who will die because of a big white house full of republican fuckheads.” From there, […]
The post “It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy first appeared on Filmmaker Magazine.
The post “It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy first appeared on Filmmaker Magazine.
- 9/13/2023
- by Conor Williams
- Filmmaker Magazine-Director Interviews
In the late 1980s, Gregg Araki began making movies. He made films on a shoestring budget with a do-it-yourself mindset–not due to any kind of loyalty to the auteur theory, but the constraints of what he had at his disposal. In 1992, he made The Living End, a tale of two HIV-positive gay men, a loner and a film critic, who set off on a bloody, ferocious adventure. The film was dedicated to “the hundreds of thousands who’ve died and the hundreds of thousands more who will die because of a big white house full of republican fuckheads.” From there, […]
The post “It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy first appeared on Filmmaker Magazine.
The post “It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy first appeared on Filmmaker Magazine.
- 9/13/2023
- by Conor Williams
- Filmmaker Magazine - Blog
There is a grand tradition of messy but glorious films about couples who bring out the crazy in one another and end up doing all manner of bad stuff. Sadly, Pet Shop Days, a directorial debut for writer-producer Olmo Schnabel (son of Julian Schnabel), is just messy and never glorious.
Even with the built-in advantage of Willem Dafoe and Emmanuelle Seigner taking major roles (neither at their best), cameos from Peter Sarsgaard and Maribel Verdu, and a mass list of executive producers who should have known better (including Michel Franco and Martin Scorsese), this poorly paced crime drama is afflicted with terrible dialogue and weak lead performances from Jack Irv (also a co-screenwriter, along with Schnabel and Galen Core) and Dario Yazbek Bernal as two repellent, entitled brats in love.
The opening sequence introduces us to Alejandro (Dario Yazbek Bernal, half brother of Gael Garcia Bernal), a young man in his 20s,...
Even with the built-in advantage of Willem Dafoe and Emmanuelle Seigner taking major roles (neither at their best), cameos from Peter Sarsgaard and Maribel Verdu, and a mass list of executive producers who should have known better (including Michel Franco and Martin Scorsese), this poorly paced crime drama is afflicted with terrible dialogue and weak lead performances from Jack Irv (also a co-screenwriter, along with Schnabel and Galen Core) and Dario Yazbek Bernal as two repellent, entitled brats in love.
The opening sequence introduces us to Alejandro (Dario Yazbek Bernal, half brother of Gael Garcia Bernal), a young man in his 20s,...
- 9/10/2023
- by Leslie Felperin
- The Hollywood Reporter - Movie News
From its inception as a primetime soap opera that captivated America with a groundbreaking serialized format to its return as a misunderstood (and subsequently reappraised) movie to its epic coda in the form of one of the most acclaimed limited series of all time, the legacy of “Twin Peaks” has only grown over the past 30 years. David Lynch’s story of Laura Palmer’s murder and its traumatic ripple effects on her small logging town is regarded by many as the auteur’s finest work, condensing many of the themes and motifs that he spent his career exploring into a singular masterpiece.
Gregg Araki certainly thinks so. In a new interview with Deadline, the “Doom Generation” director was asked to name a movie that inspired him to pursue a career in filmmaking. He singled out the formula-shattering “Twin Peaks: Fire Walk With Me” as his favorite David Lynch movie, though...
Gregg Araki certainly thinks so. In a new interview with Deadline, the “Doom Generation” director was asked to name a movie that inspired him to pursue a career in filmmaking. He singled out the formula-shattering “Twin Peaks: Fire Walk With Me” as his favorite David Lynch movie, though...
- 9/9/2023
- by Christian Zilko
- Indiewire
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