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- An indigenous woman has lost her roots. She is 63 years old, she lives alone in the humble peasant house, located inside a forest. She spends her days between her house and the forest. She fulfills her needs partially with what she finds along the paths she takes everyday through the woods, that is where she gets seeds and plants. She is a hermit, consumed by her own life. She lives obsessed with a picture hanging in her room; a photo of an indigenous girl on the day of her First Communion. The day arrives when she must battle her own delusions, revive them and expel them. This may or may not help her to discover herself, her essence, her roots.
- ADENTRO is an exquisite corpse that aims to configure a plural vision of the experiences of isolation during the first months of the pandemic. The film consists of 6 fragments directed by 6 different Latin American directors.
- Ana travels to Colombia for a few days to spend the weekend with her grandmother in the country house. Julia, Ana's mother, greets her, with whom she has never had a good relationship. When Ana was a child, Julia abandoned her, leaving her in the care of Lucia, who was in charge of her upbringing. The three are interacting awkwardly. Ana tells her grandmother that she had an abortion due to an unplanned pregnancy. She was moved by the prospect of becoming a mother, and she returned to her grandmother's house because it was exactly what she needed. Despite being in the country house, the nightmares persisted. This weekend will be their last chance to mend the wounds of the past.
- José Agustín is a Wayúu indigenous who was taken from the arms of his mother, his culture and his land as a child to be educated by Catholic priests. Based on a near-death experience his grandfather has, his grandson and the film's director accompanies him on a physical and spiritual journey to reconcile with his past and his fear of dying. In his dreams, his deceased mother invites him on an inner journey in which he attends the exhumation of his own remains, fulfilling his longing to be laid to rest on his land in his family cemetery. Likewise, the grandson tries to understand the meaning of his own dreams and the search for his roots. "Dreams Travel With The Wind" travels through two worlds, between the dream and the real, establishing a dialogue to experience the Wayuu culture's visions of death. Grandfather and grandson embark on a sensory journey to break the limbo between life and death to create a sense of memory and identity.