Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-39 of 39
- After thirty years of being a daughter, wife and mother, Dolors decides to see what happens when she tries thinking of herself for the first time. Dolors has to learn how to follow her own path to its end, and be strong enough not to look back - to home, and a husband she still loves and respects, but who has still to learn to listen to his wife and find out what her needs are.
- Features the coming of age of classmate teenagers on their last night before college. Those boys and girls are scheduled to leave Madison High School. That night, each has his own doubts about love. That night, will be last Claire's chance to tell Albert I love you, while Albert's heart belongs to Molly.
- An exploration of the world and the work of the most international Catalan filmmaker through the director's entomological vision and his portrayal of the characters and themes he loves and hates.
- Connie walks alone along the New York sidewalks, trying to come to terms with something we all have to face sooner or later: the final goodbye to certain memories.
- A brief and revealing account of the life and work of Catalonian filmmaker Josep Torrella. It examines his career as a filmmaker and writer, and also his personal life as a friend, husband, confidant and patriarch.
- This is the story of a blind date that ends well.
- How many times have we seen that we are our own worst enemy (?)
- Carme's memories, an old woman reliving her youth since she became a woman for the first time until the solitude she felt after her husband died, remembering the 40 years they lived happily together.
- Proignant story of a father-daughter relationship, filmed in Super 8.
- Eduard is divorced and works as a lawyer who has trouble admitting to himself that his little girl is growing up and prefers spending her Saturday afternoons chatting through Messenger or hanging out with her friends instead of going on excursions with her father as they had always done every time he had weekend custody. Eduard seeks to respect his daughter's space, leaving behind the memories of when they spent more time together as a family; himself, his ex-wife and the little girl, until one day Núria, a colleague from the office and former classmate from years ago, accepts an invitation to go out to dinner with him.
- The girl who appears in your nightmares can turn out to be the girl of your dreams, or is it the other way around?
- Carol is set to move out of her apartment that very day, despite the fact that her dear friends and roommates have trouble accepting her decision to leave.
- Today is mine.
- A man and a woman who are in the future have a future ahead together.
- When shyness can be your own worst enemy.
- This story begins with Rachel and her new life in Catalonia, after having left her native Brazil along with her brother Kevin and her grandparents, in order to be reunited with her mother here in Catalonia.
- This is the story of women from two different generations who find themselves in different phases of their lives.
- Just when you think you're in the clear, you never know what could come next.
- In December of 1999, Director Sergi Rubió was inspired to film himself leading an interview with an older version of himself, the intention being that of viewing said material on his sixtieth birthday. At that point, a young -twenty one year old- Sergi Rubió would then ask the older -sixty year old- about his life; specifically about whether or not he will have been able to accomplish his dreams, in addition to giving him news about his own life as a young man.
- In 1994, year during which time veteran Catalan director Antoni Ribas chose to live in a tent, in the Plaça Sant Jaume, directly in front of the Palau de la Generalitat de Catalunya, in protest for the sudden lack of funds he had been promised to finish the production phase of Terra de canons (1999), a feature he had been busy directing up to that point. (Said feature was neither premiered nor even finished until the year 1999.) Sergi Rubió, on two separate occasions, went to the Plaça Sant Jaume to film interviews with him, in Super 8 format, in an effort to give visibility to the director's protest and/or message. This investigative report was given the title Retrat d'un lluitador (1994), or 'Portrait of a Fighter'. As an anecdote and certainly as an added plus, renowned director Santiago Lapeira happened to be present, showing solidarity with his friend Antoni Ribas, in the Plaça Sant Jaume, on Rubió's second day of shooting.
- I'm not a kid anymore.