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1-50 of 53
- Spanish director Victor Erice discusses the first film he saw as a 5 year old and the impact it had on his life.
- Letters from two acclaimed directors offer a remarkable portrait of their attitudes to the craft of filmmaking and the world around them.
- The sun has a central role to play in almost every shot of this analogue cinematic declaration of love to Barcelona, the adopted home of filmmaker Alba Cros Pellisé. Barcelona is where she met other lesbian women for the first time, where she found lovers, and where the members of her chosen family live. She films them at their homes and on the streets, where sunlight illuminates the cobblestones and walls, as well as people's faces. Cros complements her journal-style voice-over with title cards, jazzy music and the familiar, nostalgic sound of film running through the camera.
- 25 years ago there was a promise of a new world, and an alternate reality with endless possibilities based on the cybernetic revolution. But what have been the real changes through this 25 years and in which direction are we going now? From the first artistic and musical expressions to our present digital life going through our bodies, movies&video games, robots and artificial intelligence and the tech-way we have adopted to communicate each other.
- This chapter of SOY CÁMARA is part of the delivery of the 2015 International Award for Cultural Innovation and is dedicated to the evolution of the concept of audience, focusing on what are being called new audiences.
- Felisa has just turned 18. She longs to have a job and a true friend but disappointment seems to be the driving force behind her new life in La Satélite. A place that aspires to be a large city but is redolent of a small town. Writing is the refuge sought by others in the concrete squares. All that's left for her is to go dancing at the club. She enjoys it, although it makes her feel uncomfortable having to kiss so many people when she arrives. A visual diary, intimate and timeless, like a sidelong glance at the world, offered from the margins. City Symphonies is a new audiovisual project by the CCCB and aims at seeing and analyzing urban space through the personal itineraries of different filmmakers; creating a collection of audiovisual pieces that bear witness to the cities of the early 21st century.
- Underground filmmaker David Domingo (aka Stanley Sunday / Valencia, 1973) throws open the doors of his home in Barcelona to talk to us about his films and show us his personal notebooks and other curiosities. In his films, whether filmed on super 8 mm, on video or seconds-long clips for Instagram, Stanley Sunday gives free rein to his overwhelming imagination and expresses a fantastic or iconoclastic personal universe plagued with pop iconography. David Domingo was the chosen artist for the month of March for Pantalla CCCB 2016.
- Violence deals with conflicts in the contemporary representation of violence and the way in which images compose the narrative of reality. "If the 20th century was the century of images, the 21st is promising to be the century of the people who appear in them", write Andrés Hispano and Félix Pérez-Hita. As per usual, the programme is structured around archive material from the CCCB and on this occasion, debating the issue are Judith Butler, Michela Marzano, Carles Guerra and Joan Fontcuberta.
- Neither history nor technology are innocuous tools. As the sociologist Judy Wajcman indicates, technologies reflect the values and experiences of the people who design them. The same could be said of history to understand the lack of presence of women and people from developing countries, both in the field of science and technology and in new spaces of communication such as Wikipedia or even Google. The new technologies are designed by young and white men, and Silicon Valley is a quarry of these programmers and technological designers, many of whom consider themselves "Randian heroes" in honor of the liberal and individualistic theories of Ayn Rand. What consequences stem from this techno-sociological dilemma?
- What happens when two hands touch? How close are they like?
- Audiovisual production based around the figure of the detective in film. From narrative to the description of the character, passing through the iconography of these characters.
- This programme is based on Your Lost Memories, a transmedia project for the return of family memories in Super8 format, to enter the never-ending world of domestic films or home movies. It carries out a review of the evolution of the genre through its technological and moral development based on the most outstanding film-makers. The programme is structured into four thematic blocks: The Promise of Eternal Happiness, Home as Hell, Images vs. Experiences and Exhibitionism. It starts off with the most archaic of the home movies (the rhetoric of happiness in Super-8) to reach the most contemporary (exhibitionism in the YouTube era), raising such dilemmas as to what point our memory is more conditioned by these images that we record than by the real experience we have of things. In a world increasingly full of cameras and screens, saturated of copies without originals, what role will personal memory play? How will it be possible not to leave a record of certain moments, or claim the right to what has been forgotten?
- Audiovisual rhetoric and grammar can be used as new formats to offer thinking tools. In the midst of the excess of images and information, the split screen gives us the possibility of opening new systems of relationships between existing images. These dialectics are the legacy of Aby Warburg (Atlas Mnemosyne), John Berger's (Ways of Seeing) or Daniel Dennett's lectures. I AM CÁMARA (the CCCB program) makes the leap to the network and one of its missions is to show us how we can break through existing images based on shared authorship and the exchange of views.
- Chronicle of the last edition of Aula Xcèntric, dedicated to the relationship between the scientific and the artistic search with the collaboration of specialists and artists such as Gonzalo de Lucas, Celeste Araújo, Andrés Hispano, Dora García, María Ruido, Carles Guerra and Klaus Wyborny. It includes fragments of the work produced in the experimentation workshop with analog and digital technologies, directed by Oriol Sánchez and which formed part of Aula Xcèntric.
- The program addresses issues such as what the current public television function is and what limitations it must have in relation to the commercial component.