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1-50 of 68
- From Dennis Cooper's short novel, based upon true events. Texas, mid-1970's. With the help of two teenagers, David Brooks and Wayne Henley, serial killer Dean Corll slaughtered about twenty young boys and recorded these murders on film. From the prison where he serves his life sentence, David Brooks, now a ventriloquist and puppeteer, tells his story through a show he has imagined.
- Baxter has a nice apartment. It's just that other people keep wanting to use it.
- Richard of Gloucester uses murder and manipulation to claim England's throne.
- A wealthy German family finds that providing armaments for the Third Reich is a dangerous business.
- Just after the Second World War, he was a bit like the French James Dean, the embodiment of the aspirations of young people of the late 1940s and early 1950s. Forty-five years after his death, the myth of Gérard Philipe is still present.
- Silvia and Arlequin love each other. But the Prince also loves Silvia. He must marry her, guided by the law which enjoins him to marry one of his subjects. He could use force but a fool's game cleverly orchestrated by Flaminia takes place.
- A fifth time widowed and ruined seductress is looking for a new wealthy husband.
- Bristling with silent scenes of his own invention, written in the style of a film scenario, this physical staging enrolls Woyzeck's disenchanted fantasizing in a social critique of the present times.
- Romeo Castellucci is a complex artist, one of the main characters of the contemporary theatre. In the last thirty years, Castellucci and his theatre company, the Socìetas Raffaello Sanzio, staged performances all over Europe and became one of the leaders of the avant-garde theatre.
- Jérôme Bel had wanted to do a show for a long time on the memory of a theatre, on the memory of the shows that would have been presented there. We know that of the shows, of the spectacular representation itself, nothing remains except in the memory of the spectators who attended them. Because it is precisely the very nature of live performance to die, to disappear. This is both its greatness and its weakness. It was while thinking of the Cour d'honneur of the Palais des Papes, undoubtedly one of the most symbolic places of theater in France, that he imagined a solution: a show placed on stage by spectators who themselves tell their memories of this place and the shows they saw there. The spectators invited to participate in this project are theater lovers, or not. They are between eleven and seventy years old; they are a student, teacher, graphic designer or nurse; they live in Vichy, Avignon, Paris or Clermont-Ferrand. Each in their own way, they testify to their experiences as spectators, good or bad. The stakes of this creation are therefore to try to quantify the reception of the shows by the spectators, to measure the influence of art on their lives. In the Court of Honor therefore. Because it was necessary to give the spectator the place he deserved: the place of honor.
- Jack London was the most famous American writer of the twentieth century. Symbol of adventure, was alternately vagabond, gold prospector, sailor, farmer, war reporter and socialist militant. He lived life at an amazing pace and his journey, interspersed with writing, is impressive.
- Based on the recording of spectacular equestrian shows from the unique Theatre Equestre Zingaro company over three decades, time of the untamed is an inner journey through times and cultures, an introspection on the passing of time and the relation to others and to the world, a mesmerizing and fascinating tour through the creative mind of Bartabas.
- In this show designed and choreographed by Bartabas and Ko Murobushi, the two artists share the stage with four horses and with the imaginary bestiary of French poet Comte de Lautréamont.
- In an art gallery, a man and a woman look at paintings solely in relation to themselves. Their murmured self-centered commentaries appear to answer one another... So much so, it seems utterly impossible for them not to meet each other.