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1-50 of 55
- 19-year-old Julio has just left the provinces to settle down in the outskirts of Lisbon. He lives in a poor area with his uncle Afonso and starts working as an apprentice shoemaker. At the shop he gets to know Ilda, a young housemaid and regular customer. Ilda is pretty, joyful, and modern, and Julio falls for her. The two young people, although very different from each other, embark on an idyll.
- Using film and television footage taken during the revolutionary movement of April 25, 1974 in Portugal, and mixing it with music and live interviews with common people, the director conveys a vivid account of the period in which a military coup evolved to a socialist revolution, then was tempered into a formal european style democracy.
- Estefãnia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move her influences in order to make a priest out of him. The parents accept it, the local priest and even the Seminar's rector accept it, and António accepts it - if not for piety, for obeyance to his parents. Once time goes by, and António is out of rural misery and into the prison-like system of a seminar, doubts and anguishes mount within him.
- An essay on the military revolutionary movement of April 25, 1974, based on first-person retrospective of events the coup leader, Otelo Saraiva de Carvalho, until the end to the revolutionaries leadership in November 25, 1975; the memories have a counterpoint analysis in excerpts of texts read by the author, the philosopher Eduardo Lourenço, and end in a brief dialogue between the two. The essay is interspersed with reflections and fictional conversations with friends by Robert Kramer, playing himself as an American journalist in Lisbon in 1981, and is followed by the historic speeches of two military leaders, on July 13, 1974.
- Alvaro, a divorced journalist with a complicated love life, watches someone he doesn't know killing himself after a fight with a woman who he gave a lift. Intrigued by that mysterious sensual woman, he decides not to tell the police about the lift he gave her and investigates her by himself. He gets involved with her, but she remains too mysterious about her personal life. He ends up tangled in a web of murder, mystery and sex because of that woman, who he barely gets to know.
- Two lovers meet again in strange circumstances, when she is a recent widow not particularly grieving, and he is a divorcée mourning his daughter. They reunite, only to break again - this time for good.
- The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.
- Innovative approach to an industrial film on a beach resort hotel, with emphasis on its architecture and interior design, and the contrast with the rich natural and built patrimony of the village, side by side with the traditional fishermen's activity.
- End of the 20th century. A group of scientists executes a project aiming to prevent a nuclear war with the planet Khalom. From their experimental project, involving manipulating events in the past, two mysterious human creatures travel between the present and the 19th century, and back - getting in love with four different persons.
- During a revolution, the people won't wait for lengthy judicial procedures.
- Interview with a has-been boxing champion «who could have been great», probing, and soul revealing.
- Each day, Man must work around the clock to produce and acquire bread: throwing the seeds into earth, helping the breeding of the corn, the corn's recolt, transport to the mills - traditional or industrial ones -, manipulation of the flour into actual bread, transport to a variety of locations and consumers. And then, after the consumption, the cycle restarts.
- Isabel, a girl in her late teens, is unable to determine herself and understand herself - lost in the memory of her late mother, living with her father and sister, and discovering love with Diogo. Emptiness and somber perspectives of the future seem to encircle them, despite of moments of loud music in a nightclub or a sunny day at the beach.
- Hipólito is a self-made man, who went up in life in devious ways, and used for profit the social turmoil when Portugal changed from a monarchy into a republic, and then to a military regime. Finally, he is forced into exile. Back in 1935 to family, friends, and lovers, he is in a mix-mesh of lies, and scheming, again.
- Kilas is a pimp who lives happy with Pepsi-Rita, fading sex variety starlet, and both lives at the expense of his God-mother. Kilas is the elader of a small gang of tough guys, and the police is too busy to care. A mysterious Major - eventually from the secret police - approaches Kilas in order that his gang will set up a discreet vigilance on the house of a notorious anti-fascist person. Kilas is only happy to oblige, as he is being paid for the guys' work - until the contract is upped to place a bomb in the house. Now, that's too much even for a low pimp like Kilas! But - meanwhile he has a love dispute to settle with that house's owner; and that is a real psychological conflict that Kilas would wish not to have...
- Images illustrate a poetic text in three parts - Morning, Afternoon, and Evening - with variations on work and leisure, heat and coolness, and love and sex.
- Two couples live through attraction, distraction, sympathy, friendship, quarrel, jealousy, fidelity, and the Devil supervises it all by delivering solemn warnings in choice moments.
- A film crew goes to Várzea dos Amarelos visit the mother of the director, fixing some of the moments of the local life and listens to the old lady.
- Beautiful girls (pre-teens, adolescents, and young women) in street scenes and one of them visiting a chocolate factory, where all the workers are young women, too. A poetic text and an extract from a major Portuguese poet, convey to us the sensual feeling of choosing, unwrapping, and munching chocolate.
- The autobiographical texts and letters by film director Manuel Guimarães, and exchanged by him with friends, are the axis for the intimate narrative of his life, social concerns, passion for movies - while revisiting many movies of the 20th century and his complete filmography. One segment documents the epic way directors attempted to bypass official censorship to show their movies out of the country.
- XV century. D. Afonso, an old jealous noble, orders all to leave when the woman, D. Leonor, goes to church to pray to the Virgin of Mercies.