“The Wages of Fear”, a remake of the original 1950’s thriller, is directed by Julien Leclercq, starring Franck Gastambide, Sofiane Zermani, Alban Lenoir, Ana Girardot and Joseph Beddelem, now streaming on Netflix:
“…a powerhouse team has less than 24 hours to transport…
“… two trucks full of explosives across a hostile region and prevent a terrible catastrophe…”
Click the images to enlarge…...
“…a powerhouse team has less than 24 hours to transport…
“… two trucks full of explosives across a hostile region and prevent a terrible catastrophe…”
Click the images to enlarge…...
- 4/1/2024
- by Unknown
- SneakPeek
Cannes is getting into the remake business.
The Cannes film market, the Marché du Film, is launching a one-day event focused entirely on remakes and local-language adaptations of existing titles.
Together with the Cnc, the French national film board, and with support from Spain’s Institute of Cinematography & Audiovisual Arts (Icaa), Italy’s Directorate General for Cinema and Audiovisual-Italian Ministry of Culture (Dgca-MiC) and Rome-based studio Cinecittà, the Cannes market will host Cannes Remakes, a one-day event on May 20 highlighting handpicked European IP ready for new film adaptations.
The inaugural program will include a pitching session presenting a curated selection of IP titles from France, Spain and Italy judged to have the most potential for film adaptation. This pitching will be followed by a series of pre-arranged one-on-one meetings between IP holders and producers capped by an invite-only networking cocktail on the Cnc Beach.
The remake market is undeniably booming,...
The Cannes film market, the Marché du Film, is launching a one-day event focused entirely on remakes and local-language adaptations of existing titles.
Together with the Cnc, the French national film board, and with support from Spain’s Institute of Cinematography & Audiovisual Arts (Icaa), Italy’s Directorate General for Cinema and Audiovisual-Italian Ministry of Culture (Dgca-MiC) and Rome-based studio Cinecittà, the Cannes market will host Cannes Remakes, a one-day event on May 20 highlighting handpicked European IP ready for new film adaptations.
The inaugural program will include a pitching session presenting a curated selection of IP titles from France, Spain and Italy judged to have the most potential for film adaptation. This pitching will be followed by a series of pre-arranged one-on-one meetings between IP holders and producers capped by an invite-only networking cocktail on the Cnc Beach.
The remake market is undeniably booming,...
- 3/27/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The two big original releases on Netflix this month are Spaceman and 3 Body Problem. In Spaceman, Adam Sandler plays an astronaut alone and far from home who desperately wants to fix things with his wife. When he discovers an enormous alien spider in the bowels of his ship, a conversation between the two gets underway, and Sandler has a chance to make some big changes. To be clear: this is not a comedy!
Meanwhile, new sci-fi series 3 Body Problem hails from Game of Thrones co-creators David Benioff and D. B. Weiss. Along with True Blood writer Alexander Woo, they’ve spun a tale that is set to blow your mind this March. Your mileage may vary, but it certainly looks interesting! And hey, we all love the show’s star, Benedict Wong.
Here’s everything else coming to Netflix this month. Note that Netflix marks its international offerings...
Meanwhile, new sci-fi series 3 Body Problem hails from Game of Thrones co-creators David Benioff and D. B. Weiss. Along with True Blood writer Alexander Woo, they’ve spun a tale that is set to blow your mind this March. Your mileage may vary, but it certainly looks interesting! And hey, we all love the show’s star, Benedict Wong.
Here’s everything else coming to Netflix this month. Note that Netflix marks its international offerings...
- 3/1/2024
- by Kirsten Howard
- Den of Geek
Peacock’s Apples Never Fall, MGM+’s Hotel Cocaine and Nrk’s buzzy drama about Leonard Cohen, So Long, Marianne will be in the International Competition race at Series Mania in March.
The shows will be up against BBC Three’s UK series Boarders, France 2 drama Dans L’Ombre (In the Shadows), Ard’s German series Herrhausen, the Banker and the Bomb, ABC Australia’s House of Gods, and Franco-Hungarian co-production Rematch, which is for Arte, Disney+ and HBO Europe.
The shows comprise an interesting cross-section of U.S. and European projects, with the Annette Bening-starring thriller Apples Never Fall among the highest profile. Hotel Cocaine, about a Cuban expatriate who re-made his life in Miami, is among MGM+’s biggest recent bets, while So Long, Marianne has been building steam as a study into the life of singer-songwriter Cohen and his muse, Marianne Ihlen.
The shows will be up against BBC Three’s UK series Boarders, France 2 drama Dans L’Ombre (In the Shadows), Ard’s German series Herrhausen, the Banker and the Bomb, ABC Australia’s House of Gods, and Franco-Hungarian co-production Rematch, which is for Arte, Disney+ and HBO Europe.
The shows comprise an interesting cross-section of U.S. and European projects, with the Annette Bening-starring thriller Apples Never Fall among the highest profile. Hotel Cocaine, about a Cuban expatriate who re-made his life in Miami, is among MGM+’s biggest recent bets, while So Long, Marianne has been building steam as a study into the life of singer-songwriter Cohen and his muse, Marianne Ihlen.
- 2/7/2024
- by Jesse Whittock
- Deadline Film + TV
Newen Connect has signed a pact with international sales company The Yellow Affair to have the company handle global distribution for independent films produced by Newen Studios.
Newen Studios and Yellow Affair are already related though Anagram, which is label of Newen and a shareholder Yellow Affair, along with Visiorex, Helsinki-filmi and Marianna Films. Newen, meanwhile, is owned by France’s leading commercial network group. The European banner handles co-production, co-financing and international sales through its commercial arm, Newen Connect.
Unveiled during the Goteborg Film Festival, the three-year deal will see Newen Connect continue handling mainstream titles and French movies, while The Yellow Affair will focus on indie pics produced by Newen Studios’ international labels under the new brand The Yellow Affair by Newen Connect.
The inaugural roster of the new label include Constanze Klaue’s “Punching the World,” produced by Denmark’s Nimbus and Germany’s Flare Films, based...
Newen Studios and Yellow Affair are already related though Anagram, which is label of Newen and a shareholder Yellow Affair, along with Visiorex, Helsinki-filmi and Marianna Films. Newen, meanwhile, is owned by France’s leading commercial network group. The European banner handles co-production, co-financing and international sales through its commercial arm, Newen Connect.
Unveiled during the Goteborg Film Festival, the three-year deal will see Newen Connect continue handling mainstream titles and French movies, while The Yellow Affair will focus on indie pics produced by Newen Studios’ international labels under the new brand The Yellow Affair by Newen Connect.
The inaugural roster of the new label include Constanze Klaue’s “Punching the World,” produced by Denmark’s Nimbus and Germany’s Flare Films, based...
- 1/31/2024
- by Elsa Keslassy and Annika Pham
- Variety Film + TV
Another remake of classic – make that two classics – is headed to Netflix, as the streaming giant has just released the teaser for The Wages of Fear, first made in 1953 and later most notably remade by William Friedkin with 1977’s Sorcerer.
In the trailer, we see an explosion and the chaos of the aftermath, with a voice saying, “There is a gas pocket feeding the flames. To put it out, we need to blow it up.” This sets up the plot of The Wages of Fear, which finds a team driving to the location in trucks filled with nitro…and they’re on a timeline of just 24 hours.
Helmed by action director Julien Leclercq, The Wages of Fear looks to bring a lot more of his trademark action to the screen than its predecessors. Henri-Georges Clouzot’s original The Wages of Fear (Le Salaire de la peur) is, as far as I’m concerned,...
In the trailer, we see an explosion and the chaos of the aftermath, with a voice saying, “There is a gas pocket feeding the flames. To put it out, we need to blow it up.” This sets up the plot of The Wages of Fear, which finds a team driving to the location in trucks filled with nitro…and they’re on a timeline of just 24 hours.
Helmed by action director Julien Leclercq, The Wages of Fear looks to bring a lot more of his trademark action to the screen than its predecessors. Henri-Georges Clouzot’s original The Wages of Fear (Le Salaire de la peur) is, as far as I’m concerned,...
- 1/30/2024
- by Mathew Plale
- JoBlo.com
In 1950, French author Georges Arnaud wrote a novel with the translated title of "The Wages of Fear," and three years later, director Henri-Georges Clouzot adapted it into one of the most tense films ever made. When a gargantuan fire breaks out at an isolated oil derrick in the middle of nowhere, the only way to stop the problem is to literally blow up the entire site. The problem is, it will take a hell of a lot of nitroglycerin to do that. Naturally, that compound is highly combustible and incredibly sensitive. If you jostle it around, it explodes. It turns out the only way to transport it is to pack it into the back of trucks, physically drive it across incredibly rough terrain, and hope for the best. The drivers, broke and trapped in a dead-end town with no prospects, are offered astronomical sums of money to make the trek,...
- 1/30/2024
- by Ben Pearson
- Slash Film
Netflix fights fire with fire in its upcoming remake of a suspense classic. Here’s a trailer for The Wages Of Fear.
The Wages Of Fear, the 1953 classic suspense thriller directed by Henri-Georges Clouzot, has already had one remake: William Friedkin’s Sorcerer, released in 1977. Both are intense, immersive films with grime on their skin and dirt under their fingernails, which makes it all the more odd that Netflix’s upcoming remake – also called The Wages Of Fear – has that pristine, flatly-lit look of an Expendables sequel.
The plot remains the same; it’s about a quartet of misfits who – in exchange for a big chunk of cash – agree to ferry trucks of high explosives across a rugged landscape. Their mission: to set off a huge detonation in the hopes of extinguishing an oil well fire.
This latest version is directed by Julien Leclercq, whose previous work includes the action thrillers Braquers,...
The Wages Of Fear, the 1953 classic suspense thriller directed by Henri-Georges Clouzot, has already had one remake: William Friedkin’s Sorcerer, released in 1977. Both are intense, immersive films with grime on their skin and dirt under their fingernails, which makes it all the more odd that Netflix’s upcoming remake – also called The Wages Of Fear – has that pristine, flatly-lit look of an Expendables sequel.
The plot remains the same; it’s about a quartet of misfits who – in exchange for a big chunk of cash – agree to ferry trucks of high explosives across a rugged landscape. Their mission: to set off a huge detonation in the hopes of extinguishing an oil well fire.
This latest version is directed by Julien Leclercq, whose previous work includes the action thrillers Braquers,...
- 1/30/2024
- by Ryan Lambie
- Film Stories
Director Julien Leclercq’s new action movie “The Wages of Fear” is a live-action remake of the 1950’s thriller, based on the novel by Georges Arnaud, streaming March 29, 2014 on Netflix:
“…in the middle of the desert, near a refugee camp, an oil well catches fire, directly threatening the lives of the population.
“Dispatching experts to the site, the company operating the well realizes it has only one solution to avert the catastrophe: detonate the oil well with nitroglycerin within 24 hours.
“Against a large sum of money, a powerhouse team is then sent to transport explosives in two trucks.
“The team now has less than 20 hours to reach the oil well. 20 hours to traverse hostile zones controlled by armed rebels, cross minefields, and drive two trucks loaded with nitroglycerin over rough terrain! The race against the clock has begun…”
Click the images to enlarge…...
“…in the middle of the desert, near a refugee camp, an oil well catches fire, directly threatening the lives of the population.
“Dispatching experts to the site, the company operating the well realizes it has only one solution to avert the catastrophe: detonate the oil well with nitroglycerin within 24 hours.
“Against a large sum of money, a powerhouse team is then sent to transport explosives in two trucks.
“The team now has less than 20 hours to reach the oil well. 20 hours to traverse hostile zones controlled by armed rebels, cross minefields, and drive two trucks loaded with nitroglycerin over rough terrain! The race against the clock has begun…”
Click the images to enlarge…...
- 1/29/2024
- by Unknown
- SneakPeek
"To put it out, we need to blow it up." Roll on! Netflix has unveiled the first look teaser trailer for a French action thriller titled The Wages of Fear, the latest from filmmaker Julien Leclercq. This is set to launch streaming only on Netflix at the end of March. "They have 24 hours to drive two trucks full of nitroglycerin and prevent a terrible catastrophe." Similar to William Friedkin's Sorcerer, but in the desert! That film was based on the same French novel that was also made into the original 1953 film. In order to prevent a deadly explosion, an illicit crack team has 24 hours to drive two truckloads of nitroglycerine across a desert laden with danger. This is a remake of the classic 1950s French thriller of the same name - Le Salaire de la Peur or The Wages of Fear. Thankfully they're not turning it into a series,...
- 1/29/2024
- by Alex Billington
- firstshowing.net
Editor’s note: This review was originally published at the 2023 Telluride Film Festival. Neon releases the film in theaters on Friday, October 6.
Following 2019’s deeply unnerving “The Assistant” with another razor-sharp Julia Garner collaboration, Australian filmmaker Kitty Green has decided to strand her favorite actress in one of the few places on Earth more dangerous for a young woman than Harvey Weinstein’s production office: A shithole bar on the border of an ultra-remote mining town so deep within the Australian outback that no one there has even heard of the #MeToo movement. Welcome to “The Royal Hotel.”
The good news is that Garner’s character isn’t alone; Hanna’s on an open-ended vacation with her friend Liv (Jessica Henwick) when the two run out of money on a party boat in Sydney and decide to sign up for the last Work & Travel job available. The bad news is...
Following 2019’s deeply unnerving “The Assistant” with another razor-sharp Julia Garner collaboration, Australian filmmaker Kitty Green has decided to strand her favorite actress in one of the few places on Earth more dangerous for a young woman than Harvey Weinstein’s production office: A shithole bar on the border of an ultra-remote mining town so deep within the Australian outback that no one there has even heard of the #MeToo movement. Welcome to “The Royal Hotel.”
The good news is that Garner’s character isn’t alone; Hanna’s on an open-ended vacation with her friend Liv (Jessica Henwick) when the two run out of money on a party boat in Sydney and decide to sign up for the last Work & Travel job available. The bad news is...
- 9/2/2023
- by David Ehrlich
- Indiewire
Following Main Slate and Spotlight, the 61st New York Film Festival has unveiled its Revivals lineup, featuring new restorations of classic and overlooked films. Highlights include Manoel de Oliveira’s Abraham’s Valley, Jean Renoir‘s The Woman on the Beach, Bahram Beyzaie’s The Stranger and the Fog, Abel Gance’s La Roue, Paul Vecchiali’s The Strangler, Lee Grant’s Tell Me a Riddle, Nancy Savoca’s Household Saints, Horace Ové’s Pressure, and more.
“This year’s edition of Revivals is a thrilling showcase of cinema history, packed with groundbreaking discoveries and long unseen classics alike, all in outstanding restorations,” said Florence Almozini, Senior Director of Programming at Film at Lincoln Center and NYFF Revivals Programmer. “We never cease to be amazed at the lasting influence of these cinematic gems on our collective sense of cinema, with the way they have tackled cultural, societal, or political issues with such modernity and artistry.
“This year’s edition of Revivals is a thrilling showcase of cinema history, packed with groundbreaking discoveries and long unseen classics alike, all in outstanding restorations,” said Florence Almozini, Senior Director of Programming at Film at Lincoln Center and NYFF Revivals Programmer. “We never cease to be amazed at the lasting influence of these cinematic gems on our collective sense of cinema, with the way they have tackled cultural, societal, or political issues with such modernity and artistry.
- 8/21/2023
- by Leonard Pearce
- The Film Stage
With the death of William Friedkin sending shockwaves through the film world, as everyone pays tribute to his classics The French Connection and The Exorcist, now is a good time to look back at one of his most underrated movies, the 1977 classic Sorcerer!
The 1970s were probably the last decade when the film industry had many honest-to-goodness auteurs. Directors who made movies on their own terms without compromises; not just the ones making little indie art films, but the guys in charge of sizable projects with the backing of major studios. Filmmakers like Martin Scorsese, Francis Ford Coppola, Steven Spielberg, George Lucas and Brian De Palma came of age during this era, and were responsible for movies that would resonate for decades. Another name you can add to that list is William Friedkin, who during that period made two instant classics and one misunderstood masterpiece.
The classics are obvious: in a span of three years,...
The 1970s were probably the last decade when the film industry had many honest-to-goodness auteurs. Directors who made movies on their own terms without compromises; not just the ones making little indie art films, but the guys in charge of sizable projects with the backing of major studios. Filmmakers like Martin Scorsese, Francis Ford Coppola, Steven Spielberg, George Lucas and Brian De Palma came of age during this era, and were responsible for movies that would resonate for decades. Another name you can add to that list is William Friedkin, who during that period made two instant classics and one misunderstood masterpiece.
The classics are obvious: in a span of three years,...
- 8/13/2023
- by Eric Walkuski
- JoBlo.com
Editor’S Note: William Friedkin’s passing is a gutting experience for anyone lucky enough to have sat as he reminisced over his classic movies, with measures of regret for the recklessness, humor, and keen observations of why Hollywood’s Auteur Era gave way to the global blockbuster, and whatever it is we have today as two guilds strike seeking transparency, and residuals for writers and actors. This interview was originally published August 6, 2015 under the title ’70s Maverick Revisits A Golden Era With Tales Of Glory And Reckless Abandon. I am feeling a bit gutted by Friedkin’s passing. I looked forward to a long interview with him for his Venice-bound Showtime remake of The Caine Mutiny Court-Martial. After spending time with Billy and his elegant wife Sherry Lansing at Peter Bart’s 90th birthday where the back and forth between them proved the highlight of the evening, I wanted...
- 8/8/2023
- by Mike Fleming Jr
- Deadline Film + TV
William Friedkin was, simply put, a legend.
His technical prowess, mastery of tone and commitment to storytelling were unparalleled. And so was his willingness to push the boundaries of what was acceptable. It wasn’t that he was merely challenging good taste; it was that he wanted to go beyond what had come before. And sometimes that made people very uncomfortable. Friedkin’s career is largely defined by this kind of artful provocation, and it makes his passing — especially in the current age of pre-packaged, vacuum-sealed mass entertainment — all the more devastating. We didn’t just lose one of the greatest filmmakers of his generation; we lost an outspoken advocate for the kind of movies they just don’t make anymore.
Thankfully, Friedkin left behind a bounty of modern classics – movies that become richer, more rewarding, and, yes, more provocative, the more times you watch them. Here are seven of his most essential,...
His technical prowess, mastery of tone and commitment to storytelling were unparalleled. And so was his willingness to push the boundaries of what was acceptable. It wasn’t that he was merely challenging good taste; it was that he wanted to go beyond what had come before. And sometimes that made people very uncomfortable. Friedkin’s career is largely defined by this kind of artful provocation, and it makes his passing — especially in the current age of pre-packaged, vacuum-sealed mass entertainment — all the more devastating. We didn’t just lose one of the greatest filmmakers of his generation; we lost an outspoken advocate for the kind of movies they just don’t make anymore.
Thankfully, Friedkin left behind a bounty of modern classics – movies that become richer, more rewarding, and, yes, more provocative, the more times you watch them. Here are seven of his most essential,...
- 8/7/2023
- by Drew Taylor
- The Wrap
William Friedkin, the Oscar-winning director of “The French Connection” and legend behind “The Exorcist,” has died at age 87. His death in Los Angeles was first reported by Variety, and the news was confirmed by Chapman University dean Stephen Galloway, a friend of Friedkin’s wife, former studio head Sherry Lansing.
Friedkin’s sensational 1971 “The French Connection” earned five Academy Awards, including Best Director and Best Picture. Friedkin’s 1973 “The Exorcist” changed the game for horror, earning Best Picture and Director nominations.
Friedkin is regarded as a maverick of the New Hollywood school of filmmakers alongside the likes of Peter Bogdanovich and Francis Ford Coppola. His other features include his breakout “The Birthday Party,” “The Boys in the Band,” “Sorcerer,” “Cruising,” “To Live and Die in L.A,” “Bug,” and most recently “Killer Joe” — all films that garnered controversy in one way or another.
Friedkin’s latest film, “The Caine Mutiny Court-Martial,...
Friedkin’s sensational 1971 “The French Connection” earned five Academy Awards, including Best Director and Best Picture. Friedkin’s 1973 “The Exorcist” changed the game for horror, earning Best Picture and Director nominations.
Friedkin is regarded as a maverick of the New Hollywood school of filmmakers alongside the likes of Peter Bogdanovich and Francis Ford Coppola. His other features include his breakout “The Birthday Party,” “The Boys in the Band,” “Sorcerer,” “Cruising,” “To Live and Die in L.A,” “Bug,” and most recently “Killer Joe” — all films that garnered controversy in one way or another.
Friedkin’s latest film, “The Caine Mutiny Court-Martial,...
- 8/7/2023
- by Ryan Lattanzio
- Indiewire
Director William Friedkin, best known for his Oscar-winning “The French Connection” and blockbuster “The Exorcist,” died Monday in Los Angeles. He was 87.
His death was confirmed by Chapman University dean Stephen Galloway, a friend of Friedkin’s wife Sherry Lansing.
His final film, “The Caine Mutiny Court-Martial,” starring Kiefer Sutherland, is set to premiere at the Venice Film Festival.
Along with Peter Bogdanovich, Francis Ford Coppola and Hal Ashby, Friedkin rose to A-list status in the 1970s, part of a new generation of vibrant, risk-taking filmmakers. Combining his experience in television, particularly in documentary film, with a cutting-edge style of editing, Friedkin brought a great deal of energy to the horror and police thriller genres in which he specialized.
“The French Connection” was an incredibly fast-paced and morally ambiguous tale, shot in documentary style and containing one of cinema’s most justifiably famous car chase sequences. “Connection” won several Oscars including best picture,...
His death was confirmed by Chapman University dean Stephen Galloway, a friend of Friedkin’s wife Sherry Lansing.
His final film, “The Caine Mutiny Court-Martial,” starring Kiefer Sutherland, is set to premiere at the Venice Film Festival.
Along with Peter Bogdanovich, Francis Ford Coppola and Hal Ashby, Friedkin rose to A-list status in the 1970s, part of a new generation of vibrant, risk-taking filmmakers. Combining his experience in television, particularly in documentary film, with a cutting-edge style of editing, Friedkin brought a great deal of energy to the horror and police thriller genres in which he specialized.
“The French Connection” was an incredibly fast-paced and morally ambiguous tale, shot in documentary style and containing one of cinema’s most justifiably famous car chase sequences. “Connection” won several Oscars including best picture,...
- 8/7/2023
- by Carmel Dagan
- Variety Film + TV
William Friedkin had a great run in the '70s. His hard-nosed police thriller "The French Connection" dominated the 1972 Oscars, winning five Academy Awards including the big prizes for Best Picture, Director, and Actor for Gene Hackman. He followed that critical and commercial success with "The Exorcist," which courted controversy but nevertheless became a box office smash and the first horror movie to receive an Oscar nomination for Best Picture. It also secured a second Best Director nomination for Friedkin.
He might have made it three in a row with "Sorcerer," his gripping remake of Henri-Georges Clouzot's 1953 suspense thriller "The Wages of Fear," if it wasn't for bad timing. It had the misfortune to be released in 1977 a month after "Star Wars," which was smashing it at the box office and well on its way to becoming a global phenomenon. As audiences were swept away by George Lucas's brand of escapist space fantasy,...
He might have made it three in a row with "Sorcerer," his gripping remake of Henri-Georges Clouzot's 1953 suspense thriller "The Wages of Fear," if it wasn't for bad timing. It had the misfortune to be released in 1977 a month after "Star Wars," which was smashing it at the box office and well on its way to becoming a global phenomenon. As audiences were swept away by George Lucas's brand of escapist space fantasy,...
- 5/14/2023
- by Lee Adams
- Slash Film
The 76th Cannes Film Festival announced this morning that its closing night film in, oh, just about five weeks will be Pixar’s latest innovative animated film, “Elemental.” The movie is directed by Peter Sohn, whose only other feature credit as director is 2015’s “The Good Dinosaur.” Sohn has been a part of Pixar, working in some capacity as an animator or story developer on most of their titles, going back to 2003. Job security at that shop!
“Elemental”’s premise is a forbidden love between anthropomorphic representations of Fire and Water in Element City. How this will make any kind of logical sense is beyond me, but have you seen how much money the “Cars” franchise has earned? I think it’s best not to worry too much about realism and, following water’s lead, go with the flow.
The voice cast is led by Leah Lewis of “The Half of It...
“Elemental”’s premise is a forbidden love between anthropomorphic representations of Fire and Water in Element City. How this will make any kind of logical sense is beyond me, but have you seen how much money the “Cars” franchise has earned? I think it’s best not to worry too much about realism and, following water’s lead, go with the flow.
The voice cast is led by Leah Lewis of “The Half of It...
- 4/19/2023
- by Jordan Hoffman
- Gold Derby
Remakes are a tricky thing to get right. You can wait fifty years or five minutes before adapting someone else's work in the current cinematic climate, and Bollywood wasted no time in bringing Lokesh Kanagaraj's Tamil-language 2019 hit “Kaithi” back to life. The tale of an ex-convict father being thwarted on a mission to visit his daughter has been resurrected by Ajay Devgn, utilising the same plot as both a star vehicle for himself and a chance to flex his growing directorial muscles. And it is a muscular concept to work with; the backbone of both “Kaithi” and “Bholaa” recalls Henri-Georges Clouzot's “The Wages of Fear”, “Con Air” And “Assault on Precinct 13”, all action classics ripe for exploration and experimentation, especially when mixed up with one another. But like the narrative driving force of the Clouzot picture, Devgn has to be careful driving this twisty, treacherous road with...
- 4/19/2023
- by Simon Ramshaw
- AsianMoviePulse
WestEnd Films and CAA Media Finance are selling the film.
Babylon Berlin star Liv Lisa Fries has joined Anthony Hopkins and Matthew Goode in the cast of Freud’s Last Session, which is in its final stages of filming in Ireland.
A first look at the film, in which Oscar-winner Hopkins plays Sigmund Freud and Goode plays author C.S. Lewis, has been released by WestEnd Films, which handles sales alongside US-based CAA Media Finance.
German actress Fries plays Freud’s daughter in the film, which is set on the eve of the Second World War and sees the founder of...
Babylon Berlin star Liv Lisa Fries has joined Anthony Hopkins and Matthew Goode in the cast of Freud’s Last Session, which is in its final stages of filming in Ireland.
A first look at the film, in which Oscar-winner Hopkins plays Sigmund Freud and Goode plays author C.S. Lewis, has been released by WestEnd Films, which handles sales alongside US-based CAA Media Finance.
German actress Fries plays Freud’s daughter in the film, which is set on the eve of the Second World War and sees the founder of...
- 4/11/2023
- by Michael Rosser
- ScreenDaily
The 1953 original by Henri-Georges Clouzot won best film at Cannes, Berlin and Bafta.
Julien Leclercq is directing an untitled remake of Henri-Georges Clouzot’s 1953 thriller The Wages Of Fear for Netflix, starring Franck Gastambide, Alban Lenoir, Ana Girardot and Sofiane Zermani.
Netflix has also unveiled the first look from the project (image above) which is now in production.
The French-language film is being produced by Leclercq and Julien Madon’s outfit Labyrinthe Films with TF1 Studio. The script is by Leclercq and Hamid Hlioua.
The film is about four men hired to transport nitroglycerine through South America without the appropriate safety equipment.
Julien Leclercq is directing an untitled remake of Henri-Georges Clouzot’s 1953 thriller The Wages Of Fear for Netflix, starring Franck Gastambide, Alban Lenoir, Ana Girardot and Sofiane Zermani.
Netflix has also unveiled the first look from the project (image above) which is now in production.
The French-language film is being produced by Leclercq and Julien Madon’s outfit Labyrinthe Films with TF1 Studio. The script is by Leclercq and Hamid Hlioua.
The film is about four men hired to transport nitroglycerine through South America without the appropriate safety equipment.
- 4/11/2023
- by Ellie Calnan
- ScreenDaily
Netflix Remaking French Classic ‘The Wages Of Fear’ With Julien Leclercq At Helm; Unveils First Look
Netflix has announced a remake of the 1950s French classic The Wages of Fear (Le Salaire de la Peur), in a production reuniting the platform with action-thriller maestro Julien Leclercq.
Production is currently underway on the untitled film for a scheduled release in 2024.
The 1953 original starred Yves Montand, Peter van Eyck, Charles Vanel and Folco Lulli as four down-on-their-luck men who are hired to drive trucks laden with nitroglycerine through the mountains as part of an operation to extinguish an oil well fire.
The work is regarded as one of the most suspenseful action-thrillers of all time.
Leclercq’s reboot stars Franck Gastambide, best known internationally for his role in Taxi 5, opposite Alban Lenoir (Lost Bullet), Ana Girardot (The House) and Sofiane Zermani (No Limit).
“To reunite this cast for the reboot of such a film, for a worldwide broadcast with Netflix, forces me to put all my heart and guts into it,...
Production is currently underway on the untitled film for a scheduled release in 2024.
The 1953 original starred Yves Montand, Peter van Eyck, Charles Vanel and Folco Lulli as four down-on-their-luck men who are hired to drive trucks laden with nitroglycerine through the mountains as part of an operation to extinguish an oil well fire.
The work is regarded as one of the most suspenseful action-thrillers of all time.
Leclercq’s reboot stars Franck Gastambide, best known internationally for his role in Taxi 5, opposite Alban Lenoir (Lost Bullet), Ana Girardot (The House) and Sofiane Zermani (No Limit).
“To reunite this cast for the reboot of such a film, for a worldwide broadcast with Netflix, forces me to put all my heart and guts into it,...
- 4/11/2023
- by Melanie Goodfellow
- Deadline Film + TV
Netflix is taking a swing at another film classic, rebooting the Henri-Georges Clouzot’s 1953 French adventure thriller The Wages of Fear.
Julien Leclercq, a French action director whose credits include 2010’s hijacking thriller The Assault, 2021’s Sentinelle starring Olga Kurylenko, and the Netflix crime series Ganglands, will adapt the original film, together with his Ganglands co-writer Hamid Hlioua.
Franck Gastambide, Alban Lenoir, Ana Girardot and Sofiane Zermani have signed on to star in the new, currently untitled, remake, which will roll out on Netflix worldwide next year.
“To reunite this cast for the reboot of such a film, for a worldwide broadcast with Netflix, forces me to put all my heart and guts into it,” said Leclercq. “The ambition is huge.”
Leclercq and Julien Madon will produce the film for Netflix via Labyrinthe Films and TF1 Studio.
Poster for the original ‘Wages of Fear’ (1953)
Clouzot and directed and co-wrote the...
Julien Leclercq, a French action director whose credits include 2010’s hijacking thriller The Assault, 2021’s Sentinelle starring Olga Kurylenko, and the Netflix crime series Ganglands, will adapt the original film, together with his Ganglands co-writer Hamid Hlioua.
Franck Gastambide, Alban Lenoir, Ana Girardot and Sofiane Zermani have signed on to star in the new, currently untitled, remake, which will roll out on Netflix worldwide next year.
“To reunite this cast for the reboot of such a film, for a worldwide broadcast with Netflix, forces me to put all my heart and guts into it,” said Leclercq. “The ambition is huge.”
Leclercq and Julien Madon will produce the film for Netflix via Labyrinthe Films and TF1 Studio.
Poster for the original ‘Wages of Fear’ (1953)
Clouzot and directed and co-wrote the...
- 4/11/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Edward Berger’s harrowing German-language war film “All Quiet on the Western Front” has been named the best film of 2022 by the British Academy of Film and Television Arts (BAFTA), which presented its annual Ee British Academy Film Awards at the Royal Festival Hall on Sunday evening in London.
The film was a commanding winner at the Baftas, winning seven awards overall, including Best Director for Berger and Best Film Not in the English Language, as well as honors for its adapted screenplay, cinematography, sound and Volker Bertelmann’s score. Martin McDonagh’s black comedy “The Banshees of Inisherin” and Baz Luhrmann’s “Elvis” each received four.
“All Quiet” was the first film not in English to win at BAFTA since “Roma” in 2019. Before that, no non-English film had won since “Jean de Florette” in 1987. In the early years of the award, films not in English won the top prize fairly regularly,...
The film was a commanding winner at the Baftas, winning seven awards overall, including Best Director for Berger and Best Film Not in the English Language, as well as honors for its adapted screenplay, cinematography, sound and Volker Bertelmann’s score. Martin McDonagh’s black comedy “The Banshees of Inisherin” and Baz Luhrmann’s “Elvis” each received four.
“All Quiet” was the first film not in English to win at BAFTA since “Roma” in 2019. Before that, no non-English film had won since “Jean de Florette” in 1987. In the early years of the award, films not in English won the top prize fairly regularly,...
- 2/19/2023
- by Steve Pond
- The Wrap
There's a pearl of colloquial wisdom in filmmaking that basically claims that a movie will end up the opposite of the way it gets made. For instance, a really delightful comedy will be a tense chore to make, a dark and disturbing horror picture will have a light set full of laughs, a great movie will emerge from a fraught and dangerous working environment, and a film that everyone has a fun time working on will end up being unwatchable and bland.
Of course, there are exceptions to every general rule. Some films that seem doomed from the start turn out to be failures, and the only reason the filmmakers didn't acknowledge the omens and warning signs is because of their mad determination and foolish belief that a pot of gold is waiting at the end of a dark rainbow.
1977's "Sorcerer" is one of these films, a movie that...
Of course, there are exceptions to every general rule. Some films that seem doomed from the start turn out to be failures, and the only reason the filmmakers didn't acknowledge the omens and warning signs is because of their mad determination and foolish belief that a pot of gold is waiting at the end of a dark rainbow.
1977's "Sorcerer" is one of these films, a movie that...
- 1/28/2023
- by Bill Bria
- Slash Film
As an artist Henri-Georges Clouzot was fearless: in the darkness of the German occupation he made a movie about the social crime of informing. Poison Pen accusations destroy trust, bringing out the worst in the people of a small French town. Who is The Crow and how many will suffer before the letters stop? It’s a study in vitriolic misanthropy — the kind of cold observation that Clouzot does so well. At the war’s finish director Clouzot was accused of collaboration, and for a time was censured. Later on, some English critics classified the show as a horror film. It’s certainly creepy enough.
Le Corbeau
Blu-ray
The Criterion Collection 227
1943 / B&w / 1:37 Academy / 91 min. / available through The Criterion Collection / Street Date , 2022 / 39.95
Starring: Pierre Fresnay, Ginette Leclerc, Micheline Francey, Héléna Manson, Jeanne Fusier-Gir, Sylvie, Liliane Maigné, Pierre Larquey, Noël Roquevert, Bernard Lancret, Antoine Balpêtré, Jean Brochard, Pierre Bertin, Louis Seigner,...
Le Corbeau
Blu-ray
The Criterion Collection 227
1943 / B&w / 1:37 Academy / 91 min. / available through The Criterion Collection / Street Date , 2022 / 39.95
Starring: Pierre Fresnay, Ginette Leclerc, Micheline Francey, Héléna Manson, Jeanne Fusier-Gir, Sylvie, Liliane Maigné, Pierre Larquey, Noël Roquevert, Bernard Lancret, Antoine Balpêtré, Jean Brochard, Pierre Bertin, Louis Seigner,...
- 9/13/2022
- by Glenn Erickson
- Trailers from Hell
The Criterion Collection’s excellent 4K offerings keep growing, and on September 20 in North America, the company will release the formerly controversial film Le Corbeau. Directed by Henri-Georges Clouzot, Le Corbeau was his second feature, and it very nearly ended his career due to the political climate of the 1940s. You see, Le Corbeau was based on a true case of a woman writing “poison pen” letters, which in today’s internet culture, could be translated into doxxing or any number of threats sent over social media. These letters were written anonymously, meant to wreak havoc and cause terror, to destroy livlihoods and reputations for political or personal purposes. As such, Le Corbeau centers on a small French town in...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 9/12/2022
- Screen Anarchy
Director William Friedkin followed up his box office smash The Exorcist with this comparatively little-seen remake of Clouzot’s great The Wages of Fear. A pity because this star-crossed production (including hellish shooting conditions in the Dominican Republic) has much to offer featuring a suitably world-weary performance by Roy Scheider, rain-drenched photography by John Stephens and Dick Bush and a memorably sinister score from Tangerine Dream.
The post Sorcerer appeared first on Trailers From Hell.
The post Sorcerer appeared first on Trailers From Hell.
- 8/31/2022
- by TFH Team
- Trailers from Hell
We can depend on H.G. Clouzot to find people at their most desperate, at their worst. His updated adaptation of Manon Lescaut dissects the trauma of amour fou And the hypocrisy, opportunism and political horror of postwar France. Resistance fighter Michel Auclair and provincial tart Cécile Aubrey are lovers caught in a web of vice and treachery, much of it of their own making. Their desperate escape takes them to an inhuman landscape devoid of mercy. Clouzot may pity these characters, but he sure doesn’t give them a break.
Manon
Blu-ray
Arrow Academy
1949 / B&w / 1:37 Academy / 105 min. / Street Date February 25, 2020 / Available from Arrow Academy 39.95
Starring: Serge Reggiani, Michel Auclair, Cécile Aubry, Andrex, Raymond Souplex, André Valmy, Henri Vilbert, Héléna Manson, Dora Doll, Robert Dalban.
Cinematography: Armand Thirard
Film Editor: Monique Kirsanoff
Production designer: Max Douy
Original Music: Paul Misraki
Written by Jean Ferry, Henri-Georges Clouzot from the...
Manon
Blu-ray
Arrow Academy
1949 / B&w / 1:37 Academy / 105 min. / Street Date February 25, 2020 / Available from Arrow Academy 39.95
Starring: Serge Reggiani, Michel Auclair, Cécile Aubry, Andrex, Raymond Souplex, André Valmy, Henri Vilbert, Héléna Manson, Dora Doll, Robert Dalban.
Cinematography: Armand Thirard
Film Editor: Monique Kirsanoff
Production designer: Max Douy
Original Music: Paul Misraki
Written by Jean Ferry, Henri-Georges Clouzot from the...
- 3/10/2020
- by Glenn Erickson
- Trailers from Hell
The Force is no longer with us. Don’t deny it. Just say it and accept it. Let go of the fear. In losing the Force, much to regain we have. Maybe even our souls.
“Star Wars” is over! Long live “Star Wars”!
But not, if there is a God, for too long. Have you seen the President of the United States that 40 years of living inside the addictive narcotic of fantasy culture has brought us? Maybe it’s time to give up a dream that was actually played out long ago.
In the mid-1970s, when everything except punk rock moved at a pace so slow that Jimmy Carter’s drawl seemed charismatic, two movies, “Jaws” and “Star Wars,” famously gave rise to the new blockbuster aesthetic of Hollywood. It was a retro revolution, and it wasn’t just about movies. It was about a way that all of...
“Star Wars” is over! Long live “Star Wars”!
But not, if there is a God, for too long. Have you seen the President of the United States that 40 years of living inside the addictive narcotic of fantasy culture has brought us? Maybe it’s time to give up a dream that was actually played out long ago.
In the mid-1970s, when everything except punk rock moved at a pace so slow that Jimmy Carter’s drawl seemed charismatic, two movies, “Jaws” and “Star Wars,” famously gave rise to the new blockbuster aesthetic of Hollywood. It was a retro revolution, and it wasn’t just about movies. It was about a way that all of...
- 12/25/2019
- by Owen Gleiberman
- Variety Film + TV
Anyone who admired the chutzpah of “Sorcerer” but thought that William Friedkin went off the rails in remaking “The Wages of Fear” will have an easier time with “The Load,” another wartime thriller largely confined to the inside of a truck.
Ognjen Glavonić’s narrative feature debut, which premiered at Cannes last year before continuing its tour of the festival circuit at Toronto and New Directors/New Films, concerns a long-haul drive from Kosovo to Belgrade during Nato’s 1999 bombing of Serbia. Behind the wheel is middle-aged Vlada (Leon Lučev), who’s been tasked with covertly transporting, well, something. What it is, he has no idea.
They say that the journey counts more than the destination, and so it is here. The plot, such as it is, kicks into gear upon the discovery of a fire blocking the main route, necessitating one detour after another for our intrepid driver.
Ognjen Glavonić’s narrative feature debut, which premiered at Cannes last year before continuing its tour of the festival circuit at Toronto and New Directors/New Films, concerns a long-haul drive from Kosovo to Belgrade during Nato’s 1999 bombing of Serbia. Behind the wheel is middle-aged Vlada (Leon Lučev), who’s been tasked with covertly transporting, well, something. What it is, he has no idea.
They say that the journey counts more than the destination, and so it is here. The plot, such as it is, kicks into gear upon the discovery of a fire blocking the main route, necessitating one detour after another for our intrepid driver.
- 8/28/2019
- by Michael Nordine
- The Wrap
Finally out on Blu-ray in Region A, Luis Buñuel’s beautiful color adventure is a worthy jungle tale shot through with his signature negativity — it could be titled “The Bad, The Greedy and the Faithless.” The Spanish surrealist’s filmic obsessions steered toward the anarchistic, the anti-clerical and anti-bourgeois; all of his films are political, but three features in the 1950s cast a harsh eye on the subject of revolution itself, with surprising results. With the presence of movie stars Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, this may also be the director’s most commercial feature.
Death in the Garden
Blu-ray
Kino Classics
1956 / Color / 1:37 / 104 min. / Street Date July 23, 2019 / La mort en ce jardin / Available through Kino Lorber / 29.95
Starring: Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, Tito Junco, Mich.le Girardon, Jorge Martínez de Hoyos, Francisco Reiguera, José Chávez.
Cinematography: Jorge Stahl, Jr.
Film Editors: Denise Charvein,...
Death in the Garden
Blu-ray
Kino Classics
1956 / Color / 1:37 / 104 min. / Street Date July 23, 2019 / La mort en ce jardin / Available through Kino Lorber / 29.95
Starring: Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, Tito Junco, Mich.le Girardon, Jorge Martínez de Hoyos, Francisco Reiguera, José Chávez.
Cinematography: Jorge Stahl, Jr.
Film Editors: Denise Charvein,...
- 7/30/2019
- by Glenn Erickson
- Trailers from Hell
Finally out on Blu-ray in Region A, Luis Buñuel’s beautiful color adventure is a worthy jungle tale shot through with his signature negativity — it could be titled “The Bad, The Greedy and the Faithless.” The Spanish surrealist’s filmic obsessions steered toward the anarchistic, the anti-clerical and anti-bourgeois; all of his films are political, but three features in the 1950s cast a harsh eye on the subject of revolution itself, with surprising results. With the presence of movie stars Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, this may also be the director’s most commercial feature.
Death in the Garden
Blu-ray
Kl Studio Classics
1956 / Color / 1:66 widescreen / 104 min. / Street Date July 23, 2019 / La mort en ce jardin / Available through Kino Lorber / 29.95
Starring: Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, Tito Junco, Mich.le Girardon, Jorge Martínez de Hoyos, Francisco Reiguera, José Chávez.
Cinematography: Jorge Stahl, Jr.
Film Editors: Denise Charvein,...
Death in the Garden
Blu-ray
Kl Studio Classics
1956 / Color / 1:66 widescreen / 104 min. / Street Date July 23, 2019 / La mort en ce jardin / Available through Kino Lorber / 29.95
Starring: Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, Tito Junco, Mich.le Girardon, Jorge Martínez de Hoyos, Francisco Reiguera, José Chávez.
Cinematography: Jorge Stahl, Jr.
Film Editors: Denise Charvein,...
- 7/30/2019
- by Glenn Erickson
- Trailers from Hell
A standard operating procedure mission about men, the military, and the slippery slope of greed, writer/director J.C. Chandor’s “Triple Frontier” may have some of those familiar elements, but it is still a violent and provocative collision of self-interest, dubious morality, and conscience through deeply flawed protagonists who get what they deserve and yet still deserve better. An engrossing story that touches on the plight of discarded veterans and their limited options, lifelong comrades, the darker impulses of human nature, and the misguided notion of the means justifying the end, “Triple Frontier” is not unlike “The Treasure of Sierra Madre,” The Wages of Fear” and its remake “Sorcerer,” with a little “Three Kings” thrown in too.
Continue reading ‘Triple Frontier’: J.C. Chandor Crafts A Tense Jungle Action Thriller About The Cost Of Greed [Review] at The Playlist.
Continue reading ‘Triple Frontier’: J.C. Chandor Crafts A Tense Jungle Action Thriller About The Cost Of Greed [Review] at The Playlist.
- 3/9/2019
- by Rodrigo Perez
- The Playlist
Brigitte Bardot proved her mettle as a dramatic actress in H.G. Clouzot’s strikingly pro-feminist courtroom epic, that puts the modern age of ‘immoral’ permissiveness on trial. Is Bardot’s selfish, sensation-seeking young lover an oppressed victim? Clouzot makes her the author of her own problems yet doesn’t let her patriarchal inquisitors off the hook.
La vérité
Blu-ray
The Criterion Collection 960
1960 / B&W / 1:66 widescreen / 128 min. / available through The Criterion Collection / Street Date February 12, 2019 / 39.95
Starring: Brigitte Bardot, Paul Meurisse, Charles Vanel, Sami Frey, Marie-JoséNat, Jean-Loup Reynold, André Oumansky, Claude Berri, Jacques Perrin, Jacques Marin. Fernand Ledoux.
Cinematography: Armand Thirard
Film Editor: Albert Jurgenson
Written by Henri-Georges Clouzot, Simone Drieu, Michèle Perrein, Jérôme Géronimi, Christiane Rochefort, Véra Clouzot
Produced by Raoul Lévy
Directed by Henri-Georges Clouzot
H.G. Clouzot mesmerized audiences with the political outrage of The Wages of Fear and the riveting horror-suspense of Diabolique, but his intellectual,...
La vérité
Blu-ray
The Criterion Collection 960
1960 / B&W / 1:66 widescreen / 128 min. / available through The Criterion Collection / Street Date February 12, 2019 / 39.95
Starring: Brigitte Bardot, Paul Meurisse, Charles Vanel, Sami Frey, Marie-JoséNat, Jean-Loup Reynold, André Oumansky, Claude Berri, Jacques Perrin, Jacques Marin. Fernand Ledoux.
Cinematography: Armand Thirard
Film Editor: Albert Jurgenson
Written by Henri-Georges Clouzot, Simone Drieu, Michèle Perrein, Jérôme Géronimi, Christiane Rochefort, Véra Clouzot
Produced by Raoul Lévy
Directed by Henri-Georges Clouzot
H.G. Clouzot mesmerized audiences with the political outrage of The Wages of Fear and the riveting horror-suspense of Diabolique, but his intellectual,...
- 2/12/2019
- by Glenn Erickson
- Trailers from Hell
A master of suspense admired even by Hitchcock, Henri-Georges Clouzot is famous for acid-tinged thrillers about cold-blooded murder and ugly politics, whether in a French town or a Latin American oil field. But his early writing career was quite different: he provided the scenarios and dialogue for ten years’ worth of clever farces and affecting melodramas, often with musical numbers.
Clouzot The Early Works
Blu-ray
My Cousin from Warsaw, Dragnet Night, The Unknown Singer, I’ll Be Alone After Midnight, The Terror of Batignolles, Tell Me Tonight, Dream Castle
Kino Lorber Kino Classics
1931- 1933 / B&W / 1:33 flat full frame / 511 min.
Street Date November 20, 2018 / available through Kino Lorber / 59.95
Written by Henri-Georges Clouzot
If one digs into older movies away from the usual standard titles, the history of filmmaking opens up like a grand epic. All those acknowledged French masterpieces of the 1930s weren’t necessarily the popular norm. Just as in America,...
Clouzot The Early Works
Blu-ray
My Cousin from Warsaw, Dragnet Night, The Unknown Singer, I’ll Be Alone After Midnight, The Terror of Batignolles, Tell Me Tonight, Dream Castle
Kino Lorber Kino Classics
1931- 1933 / B&W / 1:33 flat full frame / 511 min.
Street Date November 20, 2018 / available through Kino Lorber / 59.95
Written by Henri-Georges Clouzot
If one digs into older movies away from the usual standard titles, the history of filmmaking opens up like a grand epic. All those acknowledged French masterpieces of the 1930s weren’t necessarily the popular norm. Just as in America,...
- 11/24/2018
- by Glenn Erickson
- Trailers from Hell
John Frankenheimer’s 1965 World War II film is a admirable attempt to fuse the action genre with art-house drama ala The Wages of Fear. Thanks to Frankenheimer’s clean craftsmanship and star Burt Lancaster’s ambivalent performance – part rough and tumble leading man, part existential anti-hero – the movie succeeds on most counts. Burt is a resistance leader trying to retrieve a shipment of precious art from a da Vinci-loving Nazi played by Paul Scofield while New Wave icon Jeanne Moreau is on hand to abet Lancaster’s quest.
The post The Train appeared first on Trailers From Hell.
The post The Train appeared first on Trailers From Hell.
- 7/25/2018
- by TFH Team
- Trailers from Hell
Luis Buñuel’s filmic obsessions steered toward the anarchistic, the anti-clerical and anti-bourgeois, with a surreal spin. All of his films are political, but three features in the 1950s cast a harsh eye on the subject of revolution itself, with surprising results. This beautiful color show is a worthy jungle adventure tale shot through with Buñuel’s signature negativity — it could be titled “The Bad, The Greedy and the Faithless.”
Death in the Garden
Region B Blu-ray + DVD
Eureka Entertainment / Masters of Cinema
1956 / Color / 1:66 widescreen / 104 min. / Street Date June 19, 2017 / La mort en ce jardin / Available from Amazon UK / £ 11.65
Starring: Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, Tito Junco, Michèle Girardon, Jorge Martínez de Hoyos, Francisco Reiguera, José Chávez.
Cinematography: Jorge Stahl, Jr.
Film Editors: Denise Charvein, Marguerite Renoir
Original Music: Paul Misraki
Written by Luis Alcoriza, Luis Buñuel, Raymond Queneau, Gabriel Arout from a novel by José-André Lacour.
Death in the Garden
Region B Blu-ray + DVD
Eureka Entertainment / Masters of Cinema
1956 / Color / 1:66 widescreen / 104 min. / Street Date June 19, 2017 / La mort en ce jardin / Available from Amazon UK / £ 11.65
Starring: Simone Signoret, Georges Marchal, Charles Vanel, Michel Piccoli, Tito Junco, Michèle Girardon, Jorge Martínez de Hoyos, Francisco Reiguera, José Chávez.
Cinematography: Jorge Stahl, Jr.
Film Editors: Denise Charvein, Marguerite Renoir
Original Music: Paul Misraki
Written by Luis Alcoriza, Luis Buñuel, Raymond Queneau, Gabriel Arout from a novel by José-André Lacour.
- 5/26/2018
- by Glenn Erickson
- Trailers from Hell
Far away, behind the darkened Kosovan hills, bombs fall, sending up columns of sparks into the dusky sky. The rumble and crackle sounds out a moment later, and it’s indicative of Serbian director Ognjen Glavonić’s ruthlessly rigorous approach to his austere debut fiction feature: The fireworks are never in the foreground. Instead, we follow a small truck wending its way down the hillside. Inside a motley collection of surly men, including Vlada avoid each other’s eyes, bicker about money and take brief naps, despite the jolting, against windows that reflect burning buildings and leafless trees. This is Kosovo in 1999, when the Nato bombing campaign has been going on so long that it’s become part of everyday life, as unremarkable as an extended spell of bad weather.
When they finally disembark, the men are each assigned a sealed truck to drive to Belgrade. Vlada’s vehicle is dirty white,...
When they finally disembark, the men are each assigned a sealed truck to drive to Belgrade. Vlada’s vehicle is dirty white,...
- 5/13/2018
- by Jessica Kiang
- Variety Film + TV
Review by Roger Carpenter
After several critical and financial successes, Henri-Georges Clouzot was at the top of his game as a filmmaker. Widely considered one of the greatest French filmmakers and continental Europe’s answer to Hitchcock, Clouzot had directed such genuine classics as Le Corbeau, Quai des Orfevres, The Wages of Fear, and Diabolique. By this time he was being courted by many large film companies, but it was Columbia who won out, giving him complete creative control and an unlimited budget to create what was to be his masterpiece: L’enfer (Inferno in English).
Clouzot, rightly recognizing this exceptional opportunity, set to work creating a unique slice of cinema. L’enfer was to tell the story of a newlywed couple, he a middle-aged man and she a twenty-something debutante. But soon after the nuptials, the new husband, Marcel, spirals into jealousy and paranoia, convinced his wife, Odette, is sleeping with others.
After several critical and financial successes, Henri-Georges Clouzot was at the top of his game as a filmmaker. Widely considered one of the greatest French filmmakers and continental Europe’s answer to Hitchcock, Clouzot had directed such genuine classics as Le Corbeau, Quai des Orfevres, The Wages of Fear, and Diabolique. By this time he was being courted by many large film companies, but it was Columbia who won out, giving him complete creative control and an unlimited budget to create what was to be his masterpiece: L’enfer (Inferno in English).
Clouzot, rightly recognizing this exceptional opportunity, set to work creating a unique slice of cinema. L’enfer was to tell the story of a newlywed couple, he a middle-aged man and she a twenty-something debutante. But soon after the nuptials, the new husband, Marcel, spirals into jealousy and paranoia, convinced his wife, Odette, is sleeping with others.
- 4/2/2018
- by Movie Geeks
- WeAreMovieGeeks.com
A cinematic puzzle and a filmic detective piece, Serge Bromberg’s examination of a world-class filmmaker’s catastrophic, never-finished production fascinates and dazzles. If the particulars of H.G. Clouzot’s experimental epic of internal torment remain clouded, the astonishing visuals he created are a total knockout. Working with hours of uncut dailies and precise collaborator memories, Bromberg gives us the most interesting filmic autopsy on record. Incredible stuff!
Inferno
(L’enfer d’Henri-Georges Clouzot)
Blu-ray
Arrow Academy
2009 / Color & B&W / 1:78 widescreen / 100 min. / L’enfer d’Henri-Georges Clouzot / Street Date February 6, 2018 / Available from Arrow Video 34.95
Starring: Romy Schneider, Serge Reggiani, Bérénice Bejo, Jacques Gamblin, Dany Carrel, Jean-Claude Bercq, Mario David, Catherine Allégret, Henri-Georges Clouzot, Gilbert Amy, Jacques Douy, Jean-Louis Ducarme, Costa-Gavras, William Lubtchansky, Thi Lan Nguyen, Joël Stein, Bernard Stora, Jean-Paul Belmondo, Bernard Blier, Inès Clouzot, Yves Montand, Simone Signoret, Lino Ventura, Burt Lancaster.
Cinematography: Jérôme Krumenacker, Irina Lubtchansky...
Inferno
(L’enfer d’Henri-Georges Clouzot)
Blu-ray
Arrow Academy
2009 / Color & B&W / 1:78 widescreen / 100 min. / L’enfer d’Henri-Georges Clouzot / Street Date February 6, 2018 / Available from Arrow Video 34.95
Starring: Romy Schneider, Serge Reggiani, Bérénice Bejo, Jacques Gamblin, Dany Carrel, Jean-Claude Bercq, Mario David, Catherine Allégret, Henri-Georges Clouzot, Gilbert Amy, Jacques Douy, Jean-Louis Ducarme, Costa-Gavras, William Lubtchansky, Thi Lan Nguyen, Joël Stein, Bernard Stora, Jean-Paul Belmondo, Bernard Blier, Inès Clouzot, Yves Montand, Simone Signoret, Lino Ventura, Burt Lancaster.
Cinematography: Jérôme Krumenacker, Irina Lubtchansky...
- 2/20/2018
- by Glenn Erickson
- Trailers from Hell
Mubi is showing Michael Powell and Emeric Pressburger's The Small Back Room (1949), The Tales of Hoffmann (1951) and Michael Powell's Peeping Tom (1960) in November and December, 2017 in the United States in the series Powell & Pressburger: Together and Apart.The story goes that when they were casting their first flat-out masterpiece together, The Life and Death of Colonel Blimp (1943), Michael Powell and Emeric Pressburger sent a letter to an actress outlining a manifesto of their production company, called "the Archers." At the time, the Archers was freshly incorporated, with Powell and Pressburger sharing all credit for writing, directing, and producing, and their manifesto had five points. Point one was to ensure that they provided their financial backers with "a profit, not a loss," which may raise eyebrows among those who are used to manifestos burning with anti-capitalist fire—but then, in a system like commercial cinema, profitability buys freedom.
- 11/8/2017
- MUBI
William Friedkin’s 1977 thriller, in which four desperate men drive nitroglycerin through an inhospitable jungle, is a tense study in psychological breakdown
Here is a 40-years-on rerelease of William Friedkin’s treasured personal project: his 1977 movie Sorcerer. It’s a study of an existential ordeal, and a reworking of Clouzot’s classic film The Wages of Fear, though avowedly drawing directly on the 1950 source novel by Georges Arnaud. (It’s a story that incidentally still seems to fascinate film-makers: Ben Wheatley is reportedly pondering a remake of his own.)
Sorcerer is a distinctive, gritty and gloomy movie – a determined slow-burner, resisting the traditional structure of narrative and central character. It involves four guys in four desperate situations, each introduced in leisurely vignettes: New Jersey mobster Scanlon (Roy Scheider), crooked Parisian businessman Manzon (Bruno Cremer), Mexican hitman Nilo (Francisco Rabal) and Middle Eastern terrorist Kassem (played by the Moroccan actor Amidou). For individual reasons,...
Here is a 40-years-on rerelease of William Friedkin’s treasured personal project: his 1977 movie Sorcerer. It’s a study of an existential ordeal, and a reworking of Clouzot’s classic film The Wages of Fear, though avowedly drawing directly on the 1950 source novel by Georges Arnaud. (It’s a story that incidentally still seems to fascinate film-makers: Ben Wheatley is reportedly pondering a remake of his own.)
Sorcerer is a distinctive, gritty and gloomy movie – a determined slow-burner, resisting the traditional structure of narrative and central character. It involves four guys in four desperate situations, each introduced in leisurely vignettes: New Jersey mobster Scanlon (Roy Scheider), crooked Parisian businessman Manzon (Bruno Cremer), Mexican hitman Nilo (Francisco Rabal) and Middle Eastern terrorist Kassem (played by the Moroccan actor Amidou). For individual reasons,...
- 11/3/2017
- by Peter Bradshaw
- The Guardian - Film News
In a war film, what’s the difference between nasty exploitation and just plain honest reportage? André De Toth made tough-minded action films with the best of them, and this nail-biting commando mission with Michael Caine and Nigel Davenport is simply superb, one of those great action pictures that’s not widely screened. To its credit it’s not ‘feel good’ enough to be suitable for Memorial Day TV marathons.
Play Dirty
Blu-ray
Twilight Time
1968 / Color / 2:35 widescreen / 118 min. / Street Date October 17, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Michael Caine, Nigel Davenport, Nigel Green, Harry Andrews.
Cinematography: Edward Scaife
Film Editor: Jack Slade
Art Direction: Tom Morahan, Maurice Pelling
Original Music: Michel Legrand
Written by Lotte Colin, Melvyn Bragg, from a story by George Marton
Produced by Harry Saltzman
Directed by André De Toth
Some movies that were ignored when new now seem far more important, perhaps due to the tenor of times.
Play Dirty
Blu-ray
Twilight Time
1968 / Color / 2:35 widescreen / 118 min. / Street Date October 17, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Michael Caine, Nigel Davenport, Nigel Green, Harry Andrews.
Cinematography: Edward Scaife
Film Editor: Jack Slade
Art Direction: Tom Morahan, Maurice Pelling
Original Music: Michel Legrand
Written by Lotte Colin, Melvyn Bragg, from a story by George Marton
Produced by Harry Saltzman
Directed by André De Toth
Some movies that were ignored when new now seem far more important, perhaps due to the tenor of times.
- 10/24/2017
- by Glenn Erickson
- Trailers from Hell
Decades have passed since William Friedkin directed box office hits “The Exorcist” and “The French Connection,” but the 81-year-old filmmaker isn’t exactly pining for a return to the commercial arena. “In America, I would not want to be an active filmmaker now,” he told an audience at the Lumiere Festival in Lyon on Thursday, shortly after delivering a masterclass at the classic film festival. “When I started, there were greater opportunities to make many different films in America. Now, it’s reduced to blockbusters, with very few exceptions.”
Appropriately, he was making that assertion in an introduction to a 4k screening of his under-appreciated 1977 masterpiece “Sorcerer,” a meticulous thriller that famously got buried by “Star Wars” when it hit theaters just one month after George Lucas’ sci-fi phenomenon. Friedkin’s Paramount production — a reimagining of Henri-Georges Clouzot’s 1953 “The Wages of Fear,” adapted from the same novel — involves a...
Appropriately, he was making that assertion in an introduction to a 4k screening of his under-appreciated 1977 masterpiece “Sorcerer,” a meticulous thriller that famously got buried by “Star Wars” when it hit theaters just one month after George Lucas’ sci-fi phenomenon. Friedkin’s Paramount production — a reimagining of Henri-Georges Clouzot’s 1953 “The Wages of Fear,” adapted from the same novel — involves a...
- 10/20/2017
- by Eric Kohn
- Indiewire
Sorcerer, William Friedkin’s hidden gem from 1977 is released back into cinemas and onto Blu-ray for the first time this November. This tense thriller starring Roy Scheider (Jaws, The French Connection) is a brutal exploration of fate and destiny… A remake of Henri-Georges Clouzot’s The Wages of Fear, the film hasn’t seen the light of day in the UK in years, this release marking the disc-based debut for the movie.
Exiled from their home nations, four strangers from separate corners of the earth agree to undertake a dangerous mission to transport unstable dynamite through the hot, dense jungle of South America in order to earn their passage home. When the slightest bump in the road could equal instant death, the real question is not whether these men will survive this nerve-shredding ordeal but who will they have become if they return at all?
Now, 40 years since its release,...
Exiled from their home nations, four strangers from separate corners of the earth agree to undertake a dangerous mission to transport unstable dynamite through the hot, dense jungle of South America in order to earn their passage home. When the slightest bump in the road could equal instant death, the real question is not whether these men will survive this nerve-shredding ordeal but who will they have become if they return at all?
Now, 40 years since its release,...
- 10/4/2017
- by Phil Wheat
- Nerdly
Forgotten amid Robert Aldrich’s more critic-friendly movies is this superb suspense picture, an against-all-odds thriller that pits an old-school pilot against a push-button young engineer with his own kind of male arrogance. Can a dozen oil workers and random passengers ‘invent’ their way out of an almost certain death trap? It’s a late-career triumph for James Stewart, at the head of a sterling ensemble cast. I review a UK disc in the hope of encouraging a new restoration.
The Flight of the Phoenix
Region B Blu-ray
(will not play in domestic U.S. players)
Masters of Cinema / Eureka Entertainment
1965 / Color / 1:85 widescreen / 142 min. / Street Date September 12, 2016 / £12.95
Starring: James Stewart, Richard Attenborough, Peter Finch, Hardy Krüger, Ernest Borgnine, Ian Bannen, Ronald Fraser, Christian Marquand, Dan Duryea, George Kennedy, Gabriele Tinti, Alex Montoya, Peter Bravos, William Aldrich, Barrie Chase.
Cinematography: Joseph Biroc
Stunt Pilot: Paul Mantz
Art Direction: William Glasgow...
The Flight of the Phoenix
Region B Blu-ray
(will not play in domestic U.S. players)
Masters of Cinema / Eureka Entertainment
1965 / Color / 1:85 widescreen / 142 min. / Street Date September 12, 2016 / £12.95
Starring: James Stewart, Richard Attenborough, Peter Finch, Hardy Krüger, Ernest Borgnine, Ian Bannen, Ronald Fraser, Christian Marquand, Dan Duryea, George Kennedy, Gabriele Tinti, Alex Montoya, Peter Bravos, William Aldrich, Barrie Chase.
Cinematography: Joseph Biroc
Stunt Pilot: Paul Mantz
Art Direction: William Glasgow...
- 9/22/2017
- by Glenn Erickson
- Trailers from Hell
“And On The Eighth Day Bava Created Color.” That’s my sentiment with every new quality restoration of a Mario Bava picture. This amazing new disc of Il Maestro’s teeth-clenched Viking epic delivers stunning action scenes and eye-bending widescreen fantasy visuals. Arrow’s Blu-ray is spiked with a new Tim Lucas commentary.
Erik the Conqueror
Blu-ray + DVD
Arrow Video USA
1961 / Color / 2:35 widescreen (Dyaliscope) / 90 min. / Street Date August 29, 2017 / Available from Arrow Video / 39.95
Starring: Cameron Mitchell, Alice & Ellen Kessler, George Ardisson, Andrea Checchi, Françoise Christophe, Raf Baldassarre, Joe Robinson, Folco Lulli.
Cinematography: Mario Bava, Ubaldo Terzano
Film Editor: Mario Serandrei
Original Music: Roberto Nicolosi
Written by Oreste Biancoli, Mario Bava
Produced by Ferruccio De Martino
Directed by Mario Bava
Far too good to be slammed as a mere imitation of Richard Fleischer’s The Vikings, Mario Bava’s exciting Erik the Conqueror is one of the best of the Italian-made...
Erik the Conqueror
Blu-ray + DVD
Arrow Video USA
1961 / Color / 2:35 widescreen (Dyaliscope) / 90 min. / Street Date August 29, 2017 / Available from Arrow Video / 39.95
Starring: Cameron Mitchell, Alice & Ellen Kessler, George Ardisson, Andrea Checchi, Françoise Christophe, Raf Baldassarre, Joe Robinson, Folco Lulli.
Cinematography: Mario Bava, Ubaldo Terzano
Film Editor: Mario Serandrei
Original Music: Roberto Nicolosi
Written by Oreste Biancoli, Mario Bava
Produced by Ferruccio De Martino
Directed by Mario Bava
Far too good to be slammed as a mere imitation of Richard Fleischer’s The Vikings, Mario Bava’s exciting Erik the Conqueror is one of the best of the Italian-made...
- 9/19/2017
- by Glenn Erickson
- Trailers from Hell
The Notebook is the North American home for Locarno Film Festival Artistic Director Carlo Chatrian's blog. Chatrian has been writing thoughtful blog entries in Italian on Locarno's website since he took over as Director in late 2012, and now you can find the English translations here on the Notebook as they're published.
Real stars perhaps only exist when the image industry is booming—Serge Daney Le salaire du zappeur (literally The Zapper’s Reward; in French a pun on the original title of Clouzot’s classic thriller The Wages of Fear] was published in 1988, when television had already passed its zenith and entered into decline. Reading it today is like going back to a lost civilization: it’s about a period which perhaps went by too quickly and of which I now find it hard to uncover any trace, except in my own memories as a barely adolescent viewer. The television...
Real stars perhaps only exist when the image industry is booming—Serge Daney Le salaire du zappeur (literally The Zapper’s Reward; in French a pun on the original title of Clouzot’s classic thriller The Wages of Fear] was published in 1988, when television had already passed its zenith and entered into decline. Reading it today is like going back to a lost civilization: it’s about a period which perhaps went by too quickly and of which I now find it hard to uncover any trace, except in my own memories as a barely adolescent viewer. The television...
- 9/19/2017
- MUBI
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